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Discover and Plan: Art and Culture
DISCOVER AND PLAN: ART AND CULTURE Penzance a and Newlyn have been associated with art and culture for centuries with the Newlyn School of Artists and it is still an area which has a thriving arts community. With a plethora of independent galleries and studios to peruse and meet artists, an arts festival and eclectic performance arts scene, there is no better place to immerse yourself in beautiful scenery and thought provoking art. PENLEE OPEN AIR THEATRE Located within Penlee Gardens is Penlee Park Open WHERE TO STAY? Air theatre which is a truly unique experience, that has celebrated Cornish, national and international performers There is a wide variety of accommodation in since 1948. Music, humour and plays all delivered in a Penzance and surrounding area, something to spring, summer and autumn programme. suit all tastes and budgets. lovepenzance.co.uk/stay PENLEE HOUSE GALLERY AND MUSEUM Museum exhibits sit alongside an impressive art collection with works by members of the famous Newlyn School. WHERE TO EAT? One of the gallery’s most famous paintings is “The Rain Described as ‘Cornwall’s new gourmet capital’, it Raineth Every Day” by Norman Garstin, which depicts waves and rain whipping across walkers on Penzance Penzance is well known for its fantastic food Promenade and Drink which has been built around local A great place to grab a cup of team and slice of cake at and ethical sourcing of ingredients delivering the Orangery Cafe, Penlee House. some of the region’s most exciting Pubs, bars, NEWLYN FILM HOUSE cafes, delis, and restaurants. -
Design, Access and Heritage Impact Statement
April 2021. Full Planning Permission DESIGN, ACCESS AND HERITAGE IMPACT STATEMENT Construction of Agricultural Building, Greenhouse Building & Associated Works on 35 Acre Farm. Bosavern, St Just, TR19 7RD. Prepared By Cornwall Planning Group HEAD OFFICE Chi Gallos, Hayle Marine Renewables Business Park, North Quay, Hayle, Cornwall, TR27 4DD www.cornwallplanninggroup.co.uk [email protected] T: +44 (0)1736 448500 Registration No: 04345204 VAT No: 221707243 Contents 1.0 Introduction 2.0 Cornwall Local Plan 3.0 Parking & Highways 4.0 Effects on Heritage Assets 5.0 Conclusion 1.0 Introduction This planning application has been submitted to Cornwall Council in the form of full planning permission. The Design & Access Statement has been produced by the Cornwall Planning Group on behalf of the client Mr B Thomas. This Statement accompanies associated plans and documentation, seeking the Councils permission on the principle of. Construction of Agricultural Building, Greenhouse Building & Associated Works on 35 Acre Farm. My client has recently established planning permission for a replacement farmhouse dwelling at his property ‘Pengelly’ with the land acquisition of 35 acres of surrounding land as indicated on our planning proposal. The need for the agricultural buildings is justified with the following processes. 1. Lambing Shed. 2. Potting shed and greenhouse to grow vegetables. 3. Various farming machinery. 4. The restoration of the land is currently undergoing a vast 650 tree planting scheme 5. The agricultural building will naturally need to be used as feed storage for the animals, as well as lambing and various other agricultural related activities. After conducting research of the site and surrounding area it has been noted that recent development sites have been approved within the area. -
Copyrighted Material
176 Exchange (Penzance), Rail Ale Trail, 114 43, 49 Seven Stones pub (St Index Falmouth Art Gallery, Martin’s), 168 Index 101–102 Skinner’s Brewery A Foundry Gallery (Truro), 138 Abbey Gardens (Tresco), 167 (St Ives), 48 Barton Farm Museum Accommodations, 7, 167 Gallery Tresco (New (Lostwithiel), 149 in Bodmin, 95 Gimsby), 167 Beaches, 66–71, 159, 160, on Bryher, 168 Goldfish (Penzance), 49 164, 166, 167 in Bude, 98–99 Great Atlantic Gallery Beacon Farm, 81 in Falmouth, 102, 103 (St Just), 45 Beady Pool (St Agnes), 168 in Fowey, 106, 107 Hayle Gallery, 48 Bedruthan Steps, 15, 122 helpful websites, 25 Leach Pottery, 47, 49 Betjeman, Sir John, 77, 109, in Launceston, 110–111 Little Picture Gallery 118, 147 in Looe, 115 (Mousehole), 43 Bicycling, 74–75 in Lostwithiel, 119 Market House Gallery Camel Trail, 3, 15, 74, in Newquay, 122–123 (Marazion), 48 84–85, 93, 94, 126 in Padstow, 126 Newlyn Art Gallery, Cardinham Woods in Penzance, 130–131 43, 49 (Bodmin), 94 in St Ives, 135–136 Out of the Blue (Maraz- Clay Trails, 75 self-catering, 25 ion), 48 Coast-to-Coast Trail, in Truro, 139–140 Over the Moon Gallery 86–87, 138 Active-8 (Liskeard), 90 (St Just), 45 Cornish Way, 75 Airports, 165, 173 Pendeen Pottery & Gal- Mineral Tramways Amusement parks, 36–37 lery (Pendeen), 46 Coast-to-Coast, 74 Ancient Cornwall, 50–55 Penlee House Gallery & National Cycle Route, 75 Animal parks and Museum (Penzance), rentals, 75, 85, 87, sanctuaries 11, 43, 49, 129 165, 173 Cornwall Wildlife Trust, Round House & Capstan tours, 84–87 113 Gallery (Sennen Cove, Birding, -
C:\Documents and Settings\Chris Dunkerley\My Documents\Excel
CORNISH ASSOCIATION OF NSW - MEMBERS LENDING & RESEARCH LIBRARY - Jan 2008 Search using Edit, Find in this page (Firefox) For more information or to borrow contact Eddie or Eileen Lyon on: (02) 9349 1491 or Email: [email protected] Id No BOOK NAME AUTHOR DESCRIPTION 1 Yesterday's Town: St Ives Noall Cyril Book - illustrated history 2 King Arthur Country in Cornwall Duxbury & Williams Book - information 3 Story of St Ives, The Noall Cyril Book 4 St Ives in the 1800's Laity R.P. Book 5 Cornish Surnames, A Handbook of G. Pawley White Book 6 Cornish Pioneers of Ballarat Dell & Menhennet Book 7 Kernewek for Kids Franklin Sharon Book - Copper Triangle Puzzles, Stories 8 Australian Celtic Journal Vol.One Darlington J Journal 9 Microform Collection Index (OUT OF CIRCULATION) Aust. Soc of Genealogy Journal 10 Where Now Cousin Jack? Hopkins Ruth Book 11 Cornwall - A Genealogical Bibliography Raymond Stuart Journal LOST 12 Penwith - The Illustrated Past Noall Cyril Book 13 St Ives, The Book of Noall Cyril Book - pictorial history LOST IN FIRE 14 Cornish Names Dexter T.F.G. Book 15 Scilly and the Scillonians Read A.H. & Son Book - pictorial history 16 Shipwrecks at Land's End Larn & Mills Book 17 Minerals, Rocks and Gemstones in Cornwall Rogers Cedric Book - collector’s guide 18 King Arthur, Tintagel Castle & Celtic Monuments Tintagel Parish Council Book 19 Shipwrecks on the Isles of Scilly Gibson F.E. Book 20 Which Francis Symonds Symonds John Symonds history - Cornwall and Australia 21 St Ives, The Beauty of Badger H.G. Illustration Booklet 22 Little Land of Cornwall, The Rowse A.L. -
Family Catalogue Aug 2020
24 Family Digital Allerton 6166 Collection of material to do with the family Allerton. Allerton/Stevenson family tree. Photo Gordon Allerton after he had joined the Navy in 1914. This would probably have been taken in Lowestoft. Gordon was one of fifteen children and had 6 brothers, 5 of whom joined the Navy at the same time. Somehow word reached the King and his private secretary sent a letter on the King's behalf praising the family. All 6 sons survived the war. Information from grandson John Wilson. 6377 Collection of biographical material about Gordon Greystone Allerton born 13/11/1890 Lowestoft, died 16/11/1973 Penzance. [1] Photo of 2 Victorian women. Probably his wife Georgina's mother Mary Pentreath (nee Tonkin) Stevenson b1859 and her mother, Eliza nee James, b1841. This photo is on the cover of Mark Penrose's book 'How to be Proper Cornish'. [2] Marriage certificate. Married Georgina Stephenson 12/3/1918 [3] & [4] 2 photos of The Old Company’s boat shed Lowestoft. [5] Death certificate 1973. 6407 Collection of photos about the Allerton Family. [1] Ruth age 3 years at Grandma’s with Aunt Lottie b1896. [2] Georgina Allerton née Stevenson with one of her children. 15 years on back. S. Pier in background. Steamer in bay. [3] Ruth in fancy dress with pram. [4]This large photo looking down at fish being landed at Lowestoft show an Allerton, if not Gordon one of his brothers, at the stern of the boat. Also 3 unidentified photos. Mark Penrose Collection 6411 Collection of material about career of Gordon Greystone Allerton born 13/11/1890 Lowestoft, died 16/11/1973 Penzance. -
Download Our Guide To
BEST OF CORNWALL 2020 Marianne Stokes, née Priendlsberger 1855 - 1927 Lantern Light, 1888 Oil on canvas, 82.5 x 102 cm Penlee House Gallery & Museum Purchased by private treaty from Mr & Mrs Allan Amey with assistance from The Art Fund, The MLA/V&A Purchase Grant Fund and the Friends of Penlee A brief and incomplete history of ... art and artists in Cornwall By Andrea Breton Cornwall has always appealed to the creative type; a land of mists and megaliths, it combines a wide variety of landscape, from perfectly sanded coves to dramatic cliffs and breakers; bleak, haunted moors to lush vegetal valleys. There are picturesque harbours and grand country houses set in vast acreages. There are impressive landmarks from the past such as Tintagel Castle, St Michael’s Mount and more standing stones and Neolithic sites than you can shake a stick at. They exist happily alongside the present day futuristic domes of Eden, the stately grey bulk of Tate St Ives, old Mine chimneys (sensibly bestowed with World Heritage status) and the spoil heaps of the clay pits near St Austell. 35 BEST OF CORNWALL 2020 However there is more to Cornwall’s appeal than It was clear that luck landmarks. It is the geographical distance to the rest of was needed. Fortunately, the England; the quirk of geology which makes Cornwall Victorian age was coming somewhat longer than it is wide. Surrounded by the sea, and with it the age of steam it gives the county an all enveloping bright light, allegedly powered travel and the artists’ a couple of lux higher than the mainland. -
Meeting Report
Traditional Song Forum Meeting, 19th February 2009 held at Exeter Meeting Report Chair: Martin Graebe This was our first meeting in the South-West and it was well attended (over thirty people in the afternoon) and enjoyable, with some interesting presentations from Devon and the neighbouring counties. Member's Activities After an introduction by our hosts, Marilyn Tucker and Paul Wilson of Wren Trust, the meeting started with our usual review of recent activity by those present. Andy Rouse was visiting from Hungary, though he had been a student at Exeter and knew the cities pubs well. He has now been teaching there for 30 years. He was passing through on his way to a conference in Corunna where he was planning to sing about the burial of Sir John Moore. He reminded us that Pécs, where he teaches, will be the cultural capital of Europe in 2010 and looks forward to welcoming TSF members to celebrate. Marilyn Tucker is the Chief Executive of Wren Music and also sits on the Folk Roots and Traditional Music Section of the Musicians Union. She is also on the steering group for the Folk and World Music Initiative started recently in the South-West Region. She visited Andy in Pécs as part of a Devon Cultural contingent last year. She reported that Wren have just heard from the Heritage Lottery Fund that they have been awarded a significant sum to digitise the Baring-Gould folk song manuscripts and get them onto the Web and, as part of the same project, to digitise and put online the Paul Wilson collection of recordings made in Devon over the last 30 years. -
Peter Lanyon's Biography
First Crypt Group installation, 1946 Lanyon by Charles Gimpel Studio exterior, Little Park Owles c. 1955 Rosewall in progress 1960 Working on the study for the Liverpool mural 1960 On Porthchapel beach, Cornwall PETER Lanyon Peter Lanyon Zennor 1936 Oil on canvas November: Awarded second prize in John Sheila Lanyon Moores Exhibition, Liverpool for Offshore. Exterior, Attic Studio, St Ives February: Solo exhibition, Catherine Viviano Records slide lecture for British Council. February: Resigns from committee of Penwith Gallery, New York. Included in Sam Hunter’s European Painting Wartime, Middle East, 1942–3 Society. January: One of Three British Painters at and Sculpture Today, Minneapolis Institute of January: Solo exhibition, Fore Street Gallery, Passedoit Gallery, New York. Later, Motherwell throws a party for PL who Art and tour. St Ives. Construction 1941 March: Demobilised from RAF and returns Spring: ‘The Face of Penwith’ article, Cornish meets Mark Rothko and many other New At Little Park Owles late 1950s April: Travels to Provence where he visits Aix March –July: Stationed in Burg el Arab, fifty to St Ives. Review, no 4. January–April: Italian government scholarship York artists. Visiting Lecturer at Falmouth College of Art January: Solo exhibition, Catherine Viviano March–April: Visiting painter, San Antonio and paints Le Mont Ste Victoire. miles west of Alexandria. March: Exhibits in Danish, British and – spends two weeks in Rome and rents and West of England College, Bristol. Gallery, New York. Art Institute, Texas, during which time he April: Marries Sheila Browne. 6 February: Among the ‘moderns’ who March: Exhibits in London–Paris at the ICA, American Abstract Artists at Riverside studio at Anticoli Corrado in the Abruzzi June: Joins Perranporth gliding club. -
Summary of Sensory Team Manager Duties
Link to thesis website Chapter 6 Competing speech communities Chapter 6 Competing speech communities The final chapter of this section focuses on the evolution of folk tradition, and the new spaces created for performance, within the Celto-Cornish movement through the latter half of the twentieth century to the current era of festival culture and Pan- Celticism. It makes the case that the Celto-Cornish movement and the folk revival that arrived in Cornwall in the sixties represent different speech communities, which competed for ownership of oral folk tradition and the authenticity it represented. It must be also be recognised that there is a third speech community with a stake in the celebration of tradition, the local community within which it takes place. One outcome of these competing speech communities is the way in which the same folk phenomena will be used to express quite different identities. The Padstow May Day festivities for example are a celebration that firstly represents a sense of the towns community1 and secondly a Celto-Cornish tradition2 but at the same time is used as an icon by the English Folk Dance And Song Society.3 Underlying this discussion, however, must be the recognition that identity is chaotically unique for each individual and each group of individuals, all of which are at the centre of a “complex web of being”.4 In order to pursue this argument it is first necessary to revisit and examine more closely what is meant by a speech community and how this might affect performance and meaning within oral folk tradition. -
Cornwall Council Altarnun Parish Council
CORNWALL COUNCIL THURSDAY, 4 MAY 2017 The following is a statement as to the persons nominated for election as Councillor for the ALTARNUN PARISH COUNCIL STATEMENT AS TO PERSONS NOMINATED The following persons have been nominated: Decision of the Surname Other Names Home Address Description (if any) Returning Officer Baker-Pannell Lisa Olwen Sun Briar Treween Altarnun Launceston PL15 7RD Bloomfield Chris Ipc Altarnun Launceston Cornwall PL15 7SA Branch Debra Ann 3 Penpont View Fivelanes Launceston Cornwall PL15 7RY Dowler Craig Nicholas Rivendale Altarnun Launceston PL15 7SA Hoskin Tom The Bungalow Trewint Marsh Launceston Cornwall PL15 7TF Jasper Ronald Neil Kernyk Park Car Mechanic Tredaule Altarnun Launceston Cornwall PL15 7RW KATE KENNALLY Dated: Wednesday, 05 April, 2017 RETURNING OFFICER Printed and Published by the RETURNING OFFICER, CORNWALL COUNCIL, COUNCIL OFFICES, 39 PENWINNICK ROAD, ST AUSTELL, PL25 5DR CORNWALL COUNCIL THURSDAY, 4 MAY 2017 The following is a statement as to the persons nominated for election as Councillor for the ALTARNUN PARISH COUNCIL STATEMENT AS TO PERSONS NOMINATED The following persons have been nominated: Decision of the Surname Other Names Home Address Description (if any) Returning Officer Kendall Jason John Harrowbridge Hill Farm Commonmoor Liskeard PL14 6SD May Rosalyn 39 Penpont View Labour Party Five Lanes Altarnun Launceston Cornwall PL15 7RY McCallum Marion St Nonna's View St Nonna's Close Altarnun PL15 7RT Richards Catherine Mary Penpont House Altarnun Launceston Cornwall PL15 7SJ Smith Wes Laskeys Caravan Farmer Trewint Launceston Cornwall PL15 7TG The persons opposite whose names no entry is made in the last column have been and stand validly nominated. -
It Just Belongs to Be! Traditional Music and Cornish Identity London Cornish Association Rosyer Lecture 11Th July 2008 Merv Davey “It Just Belongs to Be”
“It Just Belongs To Be” It Just belongs to be! Traditional Music and Cornish identity London Cornish Association Rosyer Lecture 11th July 2008 Merv Davey “It Just Belongs To Be” Abstract This presentation first explores the early roots of Cornish Folk Music, what is the significance the Cornish Carol tradition and who were the musicians and dancers represented on the 16th Century bench ends at Altarnon Church. Following on from this the activities of the late early 20th century British Folk Revivalists in relation to Cornish tradition are considered together with the quite different approach taken by the Celtic revivalists in Cornwall. Lastly we will look at the ongoing traditions of today and how they reflect both the past and modern Cornish identity. “It Just Belongs To Be” Folk A genre of music derived initially from a 19th C folkoric notion of a rural cultural idyll which embraced a broader “peoples music” mindset from the 1950s to include industrial songs and an increasing body of newly composed material in “folk Style”. In the past 40 years it has been increasingly driven by commercial and artistic interests so that it is useful to distinguish the term from “tradition “It Just Belongs To Be” Tradition The active process by which a phenomena such as a tune, song or custom changes and evolves within community usage as it is transmitted from one person to the next and one generation to the next. Although influenced by popular, commercial and art culture, it is ultimately driven by the experiences, perceptions and values of a community or an individual reflecting that community “It Just Belongs To Be” Cornish Identity Identity is a sense of being defined by an individual or groups perceptions and understanding of their relationship with other individuals or groups. -
Britishness, What It Is and What It Could Be, Is
COUNTY, NATION, ETHNIC GROUP? THE SHAPING OF THE CORNISH IDENTITY Bernard Deacon If English regionalism is the dog that never barked then English regional history has in recent years been barely able to raise much more than a whimper.1 Regional history in Britain enjoyed its heyday between the late 1970s and late1990s but now looks increasingly threadbare when contrasted with the work of regional geographers. Like geographers, in earlier times regional historians busied themselves with two activities. First, they set out to describe social processes and structures at a regional level. The region, it was claimed, was the most convenient container for studying ‘patterns of historical development across large tracts of the English countryside’ and understanding the interconnections between social, economic, political, demographic and administrative history, enabling the researcher to transcend both the hyper-specialization of ‘national’ historical studies and the parochial and inward-looking gaze of English local history.2 Second, and occurring in parallel, was a search for the best boundaries within which to pursue this multi-disciplinary quest. Although he explicitly rejected the concept of region on the grounds that it was impossible comprehensively to define the term, in many ways the work of Charles Phythian-Adams was the culmination of this process of categorization. Phythian-Adams proposed a series of cultural provinces, supra-county entities based on watersheds and river basins, as broad containers for human activity in the early modern period. Within these, ‘local societies’ linked together communities or localities via networks of kinship and lineage. 3 But regions are not just convenient containers for academic analysis.