Beautiful Stories from Shakespeare

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Beautiful Stories from Shakespeare Conditions and Terms of Use TABLE OF CONTENTS Copyright © Heritage History 2009 A BRIEF LIFE OF SHAKESPEARE .............................................. 4 Some rights reserved A MIDSUMMER NIGHT'S DREAM ............................................. 6 HE EMPEST This text was produced and distributed by Heritage History, an organization T T ........................................................................ 10 dedicated to the preservation of classical juvenile history books, and to the AS YOU LIKE IT .................................................................... 13 promotion of the works of traditional history authors. THE WINTER'S TALE ............................................................. 16 The books which Heritage History republishes are in the public domain and KING LEAR ........................................................................... 20 are no longer protected by the original copyright. They may therefore be reproduced TWELFTH NIGHT ................................................................... 22 within the United States without paying a royalty to the author. UCH DO BOUT OTHING M A A N ............................................... 26 The text and pictures used to produce this version of the work, however, are ROMEO AND JULIET .............................................................. 32 the property of Heritage History and are licensed to individual users with some PERICLES .............................................................................. 36 restrictions. These restrictions are imposed for the purpose of protecting the integrity of the work itself, for preventing plagiarism, and for helping to assure that HAMLET ................................................................................ 38 compromised or incomplete versions of the work are not widely disseminated. CYMBELINE ........................................................................... 42 ACBETH In order to preserve information regarding the origin of this text, a copyright M ............................................................................. 45 by the author, and a Heritage History distribution date are included at the foot of THE COMEDY OF ERRORS ..................................................... 49 every page of text. We request all electronic and printed versions of this text include THE MERCHANT OF VENICE .................................................. 53 these markings and that users adhere to the following restrictions. TIMON OF ATHENS ................................................................ 56 1) This text may be reproduced for personal or educational purposes as long as OTHELLO .............................................................................. 61 the original copyright and Heritage History version number are faithfully HE AMING OF THE HREW reproduced. T T S ................................................. 66 MEASURE FOR MEASURE ...................................................... 70 2) You may not alter this text or try to pass off all or any part of it as your own TWO GENTLEMEN OF VERONA .............................................. 74 work. ALL'S WELL THAT ENDS WELL ............................................ 79 3) You may not distribute copies of this text for commercial purposes unless you have the prior written consent of Heritage History. 4) This text is intended to be a faithful and complete copy of the original document. However, typos, omissions, and other errors may have occurred during preparation, and Heritage History does not guarantee a perfectly reliable reproduction. Permission to use Heritage History documents or images for commercial purposes, or more information about our collection of traditional history resources can be obtained by contacting us at [email protected] Original Copyright 1907 by E. Nesbit. 2 Distributed by Heritage History 2009 PREFACE ruins—contrasting with all that is rugged or repulsive, and reminding us of the existence of purer and brighter elements. The writings of Shakespeare have been justly termed "the These things considered, what wonder is it that the works richest, the purest, the fairest, that genius uninspired ever of Shakespeare, next to the Bible, are the most highly esteemed penned." of all the classics of English literature. "So extensively have the characters of Shakespeare been drawn upon by artists, poets, and Shakespeare instructed by delighting. His plays alone writers of fiction," says an American author,—"So interwoven (leaving mere science out of the question), contain more actual are these characters in the great body of English literature, that wisdom than the whole body of English learning. He is the to be ignorant of the plot of these dramas is often a cause of teacher of all good— pity, generosity, true courage, love. His embarrassment." bright wit is cut out "into little stars." His solid masses of knowledge are meted out in morsels and proverbs, and thus But Shakespeare wrote for grown-up people, for men and distributed, there is scarcely a corner of the English-speaking women, and in words that little folks cannot understand. world to-day which he does not illuminate, or a cottage which he Hence this volume. To reproduce the entertaining stories does not enrich. His bounty is like the sea, which, though often contained in the plays of Shakespeare, in a form so simple that unacknowledged, is everywhere felt. As his friend, Ben Jonson, children can understand and enjoy them, was the object had in wrote of him, "He was not of an age but for all time." He ever view by the author of these Beautiful Stories from Shakespeare. kept the highroad of human life whereon all travel. He did not pick out by-paths of feeling and sentiment. In his creations we And that the youngest readers may not stumble in have no moral highwaymen, sentimental thieves, interesting pronouncing any unfamiliar names to be met with in the stories, villains, and amiable, elegant adventuresses—no delicate the editor has prepared and included in the volume a entanglements of situation, in which the grossest images are Pronouncing Vocabulary of Difficult Names. To which is added presented to the mind disguised under the superficial attraction a collection of Shakespearean Quotations, classified in of style and sentiment. He flattered no bad passion, disguised no alphabetical order, illustrative of the wisdom and genius of the vice in the garb of virtue, trifled with no just and generous world's greatest dramatist. principle. While causing us to laugh at folly, and shudder at E. T. R. crime, he still preserves our love for our fellow-beings, and our reverence for ourselves. Shakespeare was familiar with all beautiful forms and images, with all that is sweet or majestic in the simple aspects of nature, of that indestructible love of flowers and fragrance, and dews, and clear waters—and soft airs and sounds, and bright skies and woodland solitudes, and moon-light bowers, which are the material elements of poetry,—and with that fine sense of their indefinable relation to mental emotion, which is its essence and vivifying soul—and which, in the midst of his most busy and tragical scenes, falls like gleams of sunshine on rocks and Original Copyright 1907 by E. Nesbit. 3 Distributed by Heritage History 2009 CHAPTER I A BRIEF LIFE OF SHAKESPEARE In the register of baptisms of the parish church of Stratford-upon-Avon, a market town in Warwickshire, England, appears, under date of April 26, 1564, the entry of the baptism of William, the son of John Shakspeare. The entry is in Latin— "Gulielmus filius Johannis Shakspeare." The date of William Shakespeare's birth has usually been taken as three days before his baptism, but there is certainly no evidence of this fact. The family name was variously spelled, the dramatist himself not always spelling it in the same way. While in the baptismal record the name is spelled "Shakspeare," in several authentic autographs of the dramatist it reads "Shakspere," and in the first edition of his works it is printed "Shakespeare." Halliwell tells us, that there are not less than thirty-four ways in which the various members of the Shakespeare family wrote the name, and in the council-book of the corporation of Stratford, where it is introduced one hundred and sixty-six times during the period that the dramatist's father was a member of the municipal body, there are fourteen different spellings. The modern "Shakespeare" is not among them. Shakespeare's father, while an alderman at Stratford, appears to have been unable to write his name, but as at that time WILLIAM SHAKESPEARE nine men out of ten were content to make their mark for a signature, the fact is not specially to his discredit. The traditions and other sources of information about the occupation of Shakespeare's father differ. He is described as a butcher, a woolstapler, and a glover, and it is not impossible that he may have been all of these simultaneously or at different times, or that if he could not properly be called any one of them, Original Copyright 1907 by E. Nesbit. 4 Distributed by Heritage History 2009 the nature of his occupation was such as to make it easy to dramatist must always have been open for observation. But understand how the various traditions sprang up. He was a nothing is known positively of Shakespeare from his birth to his landed proprietor and cultivator of his own land even before his marriage to Anne Hathaway in 1582, and from that date nothing marriage, and he received with his wife, who
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