JM Richards, Modernism and the Vernacular in British Architecture
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University of Birmingham at School with the Avant Garde
University of Birmingham At School with the avant garde: Grosvenor, Ian; van Gorp, Angelo DOI: 10.1080/0046760X.2018.1451559 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Grosvenor, I & van Gorp, A 2018, 'At School with the avant garde: European architects and the modernist project in England', History of Education. https://doi.org/10.1080/0046760X.2018.1451559 Link to publication on Research at Birmingham portal Publisher Rights Statement: This is an Accepted Manuscript of an article published by Taylor & Francis in History of Education on 19/04/2018, available online: http://www.tandfonline.com/10.1080/0046760X.2018.1451559 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
Benjamin Britten and Luchino Visconti: Iterations of Thomas Mann's Death in Venice James M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Benjamin Britten and Luchino Visconti: Iterations of Thomas Mann's Death in Venice James M. Larner Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES BENJAMIN BRITTEN AND LUCHINO VISCONTI: ITERATIONS OF THOMAS MANN’S DEATH IN VENICE By JAMES M. LARNER A Dissertation submitted to the Interdisciplinary Program in the Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of James M. Larner defended on 17 April 2006. Caroline Picart Professor Directing Dissertation Jane Piper Clendinning Outside Committee Member William Cloonan Committee Member Raymond Fleming Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is lovingly dedicated to my wife Janet and my daughter Katie. Their patience, support, and love have been the one constant throughout the years of this project. Both of them have made many sacrifices in order for me to continue my education and this dedication does not begin to acknowledge or repay the debt I owe them. I only hope they know how much I appreciate all they have done and how much I love them. iii ACKNOWLEDGEMENTS I wish to thank the four members of my dissertation committee for their role in the completion of this document. The guidance of Kay Picart as director of the committee was crucial to the success of this project. -
Le Corbusier at Chandigarh
MIT Press Open Architecture and Urban Studies • The Open Hand Le Corbusier at Chandigarh Maxwell Fry Published on: Apr 23, 2021 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) MIT Press Open Architecture and Urban Studies • The Open Hand Le Corbusier at Chandigarh 2 MIT Press Open Architecture and Urban Studies • The Open Hand Le Corbusier at Chandigarh The city of Chandigarh came first into my recognition in 1948 or 1949 as the whiff of a possible commission wafted via the Royal Institute of British Architects, but remaining without substance. The Punjab Government may have at that time been sending out feelers prior to meeting Albert Mayer, whom they commissioned to make a plan, with the brilliant young architect Matthew Nowicki. However, the sudden death of Nowicki in 1950 necessitated the selection of a new architect for Chandigarh. When Prem Thapar, of the Indian Civil Service and the administrator of the project, with the chief engineer, P. L. Varma, called upon Jane Drew and myself at our office in the closing months of 1950, a complete plan existed for a city of 150,000 people, along with a detailed budget covering every ascertainable item, including thirteen grades of houses for government officials with the accommodation and the estimated cost set against each. There was also a generous infrastructure of social and educational services and provision for the supply of water, drainage, and electricity to every level of dwelling provided, so that an examination of the budget and the well-advanced Mayer plan demonstrated the clear intention of the government to construct a modern city on a site selected to serve the state at the highest level of design and execution and set a new standard for India. -
KH Press Release 190924
PRESS RELEASE WORKS TO NEGLECTED MODERNIST MASTERPIECE KENSAL HOUSE RECEIVE PLANNING PERMISSION & LISTED BUILDING CONSENT Issue Date: 24th September 2019. Contact: Jarred Henderson, Practice Manager, Studio Sam Causer - [email protected] Architects Studio Sam Causer have successfully secured Planning Permission and Listed Building Consent from the Royal Borough of Kensington and Chelsea for their £2.4million proposal to conserve and extend the Community Rooms at the grade II* listed Kensal House in Ladbroke Grove, London for the SPID Theatre Company (http://spidtheatre.com/). The pioneering estate was designed in 1936 by architect Maxwell Fry and social reformer Elizabeth Denby. The works will update the Modernist social space to suit contemporary users, allowing SPID to scale up their free arts, heritage and sports activities that champion high quality community work on social housing estates. Recognised by the Architecture Foundation as one of the best emerging practices in the UK, the architects Studio Sam Causer have been working with SPID since 2015 to include: • A new extension to provide a multi-functional rehearsal and foyer space; • A new glazed cloister to provide internal step-free access to all areas; • Repair and conservation of the original Community Rooms to provide contemporary services and facilities for performance, rehearsal and youth & community work. A reconfigured visitors’ entry courtyard will lead into the new foyer / rehearsal space overlooking the beautiful community gardens. An enclosed ramped cloister will offer independent access for all to the hall, back-stage area and new workshop room. The cloister will let in fresh light to the Community Rooms, as well as providing a RIBA CHARTERED ARCHITECTS PHONE +44 (0)1843 228 523 [email protected] 13 PRINCES ST, MARGATE CT9 1NP Studio Sam Causer Ltd is registered in England and Wales (Company number 10503207), and an RIBA Chartered Practice (no. -
Music by BENJAMIN BRITTEN Libretto by MYFANWY PIPER After a Story by HENRY JAMES Photo David Jensen
Regent’s Park Theatre and English National Opera present £4 music by BENJAMIN BRITTEN libretto by MYFANWY PIPER after a story by HENRY JAMES Photo David Jensen Developing new creative partnerships enables us to push the boundaries of our artistic programming. We are excited to be working with Daniel Kramer and his team at English National Opera to present this new production of The Turn of the Screw. Some of our Open Air Theatre audience may be experiencing opera for the first time – and we hope that you will continue that journey of discovery with English National Opera in the future; opera audiences intrigued to see this work here, may in turn discover the unique possibilities of theatre outdoors. Our season continues with Shakespeare’s As You Like It directed by Max Webster and, later this summer, Maria Aberg directs the mean, green monster musical, Little Shop of Horrors. Timothy Sheader William Village Artistic Director Executive Director 2 Edward White Benson entertained the writer one One, about the haunting of a child, leaves the group evening in January 1895 and - as James recorded in breathless. “If the child gives the effect another turn of There can’t be many his notebooks - told him after dinner a story he had the screw, what do you say to two children?’ asks one ghost stories that heard from a lady, years before. ‘... Young children man, Douglas, who says that many years previously he owe their origins to (indefinite in number and age) ... left to the care of heard a story too ‘horrible’ to admit of repetition. -
Owen Wingrave
51542ins.qxd 17/02/2003 11:19 Page iii BENJAMIN BRITTEN Owen Wingrave AN OPERA IN TWO ACTS Op.85 LIBRETTO BY MYFANWY PIPER based on the short story by Henry James German translation by Claus Henneberg and Karl Robert Marz 51542ins.qxd 17/02/2003 11:19 Page iv Music and libretto © 1970 by Faber Music Ltd German translation © 1975 by Faber Music Ltd This edition © 1995 by Faber Music Ltd First published in 1995 by Faber Music Ltd Amended impression December 2002 3 Queen Square London WC1N 3AU Processed by Christopher Hinkins Printed in England by Intype London Cover painting by John Piper, reproduced by courtesy of Myfanwy Piper and the Britten–Pears Library Cover design by M & S Tucker ISBN 0-571-51542-8 The right of Benjamin Britten to be identified as the composer of the musical work entitled Owen Wingrave is hereby asserted. The name of Benjamin Britten as composer must therefore be stated in association with any performance, recording or other use of this work or any part of it. Any derogatory treatment of this work is illegal. No arrangement of this work may be made without prior written permission of the publishers All rights of theatrical, radio and television performance, mechanical, electrical and electronic reproduction in any form (including film), graphic reproduction of the complete opera or any part thereof, and translation of the libretto are strictly reserved Published separately: Libretto ISBN 0-571-50299-7 Vocal score ISBN 0-571-50502-3 Orchestral parts available on hire from the publishers Owen Wingrave is recorded complete on London 433 200-2LHO2 (2 CDs) with the cast of the original BBC Television production and the English Chamber Orchestra conducted by Benjamin Britten. -
Benjamin Britten the Turn of the Screw
Benjamin Britten I • • The Turn of the Screw Edited by PATRICIA HOWARD Lecturer in Music The Open University The right of the University of Cambridge to print and sell all manner of books of granted by Henry 1711 at 1534. The University has printed and published continuously since 1584. CAMBRIDGE UNIVERSITY PRESS Cambridge London New York New Rochelle Melbourne Sydney 2 Myfanwy Piper's (The Turn of the Screw': libretto and synopsis PATRICIA HOWARD To transfer to the operatic stage a story so meticulously constructed to manipulate the responses of a reader poses enormous problems. The chief of these is to retain all the ambiguities of the plot so that the opera-goer, as much as the reader, can 'keep both stories in play at once' (see above, p. 21). Not to attempt this, to settle for either of the simple interpretations of the story, would have been an act of vandalism by no means unparalleled in the history of opera, but totally uncharacteristic of Britten. Myfanwy Piper is clear about the composer's aims: 'Neither Britten nor I ever intended to interpret the work, only to recreate it fora different medium' (Piper in Herbert (ed.), p. 11). This intention has been estinneri Lord Harewood has sug- gested that the reading which Vivien Jones identified as the 'first story' - the innocent governess and the objective reality of the ghosts - had priority with Britten: 'Harewood was adamant on the ambiva- lence of the governess's position. To him it was crucial never to know if she was mad or if everyone else was under the control of a malign influence. -
Redalyc.Ernö Goldfinger and 2 Willow Road: Inhabiting the Modern Utopia
DEARQ - Revista de Arquitectura / Journal of Architecture ISSN: 2011-3188 [email protected] Universidad de Los Andes Colombia Mejía, Catalina Ernö Goldfinger and 2 Willow Road: inhabiting the modern utopia. Hampstead, London DEARQ - Revista de Arquitectura / Journal of Architecture, núm. 7, diciembre-, 2010, pp. 82-95 Universidad de Los Andes Bogotá, Colombia Available in: http://www.redalyc.org/articulo.oa?id=341630316009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Ernö Goldfinger and 2 Willow Road: inhabiting the modern utopia Ernö Goldfinger y 2 Willow Road: habitando la utopía moderna Hampstead, London Recibido: 16 de junio de 2010. Aprobado: 10 de septiembre de 2010. Catalina Mejía Abstract Arquitecta, Universidad de los Andes, 1-3 Willow Road, houses built by Ernö Goldfinger facing Hampstead Heath Bogotá, Colombia, con maestría en Historia in London, stand out as a paradigmatic example of Modernist British de la Arquitectura, Bartlett School of Architecture. Displacing traditional notions and ideals of a modernist Architecture, University College of London, Reino Unido. Actualmente trabaja como house and of modernist inhabitation, what they ‘are’ goes somehow against asistente de investigación en la Bartlett to what they represent. Domesticity as well as concepts such as private and con los profesores Jonathan Hill y Philip public, or exterior and interior are dislocated. Considered as one of the most Steadman. distinguished manifestations of Modernity, in 2 Willow Road Modernism [email protected] is suggested, but also disrupted by postmodern gestures. -
Feb 2 7 2004 Libraries Rotch
Architecture Theory 1960-1980. Emergence of a Computational Perspective by Altino Joso Magalhses Rocha Licenciatura in Architecture FAUTL, Lisbon (1992) M.Sc. in Advanced Architectural Design The Graduate School of Architecture Planning and Preservation Columbia University, New York. USA (1995) Submitted to the Department of Architecture, in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in Architecture: Design and Computation at the MASSACHUSETTS INSTITUTE MASSACHUSETTS INSTITUTE OF TECHNOLOGY OF TECHNOLOGY February 2004 FEB 2 7 2004 @2004 Altino Joso Magalhaes Rocha All rights reserved LIBRARIES The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Author......... Department of Architecture January 9, 2004 Ce rtifie d by ........................................ .... .... ..... ... William J. Mitchell Professor of Architecture ana Media Arts and Sciences Thesis Supervisor 0% A A Accepted by................................... .Stanford Anderson Chairman, Departmental Committee on Graduate Students Head, Department of Architecture ROTCH Doctoral Committee William J. Mitchell Professor of Architecture and Media Arts and Sciences George Stiny Professor of Design and Computation Michael Hays Eliot Noyes Professor of Architectural Theory at the Harvard University Graduate School of Design Architecture Theory 1960-1980. Emergence of a Computational Perspective by Altino Joao de Magalhaes Rocha Submitted to the Department of Architecture on January 9, 2004 in Partial Fulfilment of the Requirements for the degree of Doctor of Philosophy in Architecture: Design and Computation Abstract This thesis attempts to clarify the need for an appreciation of architecture theory within a computational architectural domain. It reveals and reflects upon some of the cultural, historical and technological contexts that influenced the emergence of a computational practice in architecture. -
Britten's Operas and the Great Divide
6 Death in Venice and the Aesthetics of Sublimation We got into the auditorium, Julian now pulling me, and found our seats, half-way back in the stalls. People stood up to let us in. I hate this. I hate the- atres. There was an intense subdued din of human chatter, the self-satisfied yap of a civilized audience awaiting its “show”: the frivolous speech of vanity speaking to vanity. And now there began to be heard in the background that awful and inimitably menacing sound of an orchestra tuning up.1 —Iris Murdoch, The Black Prince (1973) At the crux of Iris Murdoch’s The Black Prince (1973) stands a musical orgasm— an “operatic” gesture that resounds throughout the novel. From the overture to Strauss’s Der Rosenkavalier, it is doubtless familiar to Covent Garden regulars. Yet this sound is related by Bradley Pearson, a self-styled highbrow who would not ordinarily be found in such vulgar company. The only reason he is there is because he was invited by Julian Baffin. In accompanying this young girl to the Royal Opera House, Pearson reveals the depth of his infatuation; for him, a night at the opera represents a prospect more daunting than hell.2 Indeed, operatic spec- tacle is the only thing worse than the trashy novels that Julian’s father churns out. Even as it draws on the lewd and inane, opera apparently harbors pretensions to greatness and sublimity. As he takes his seat in the stalls, he can only imagine the high-minded rhetoric to which this bourgeois audience will turn, once the interval drinks arrive, in order to sublimate opera’s “cheap” thrills and mindless entertainment. -
A Finding Aid to the Reginald R. Isaacs Papers, Circa 1842-1991, Bulk 1928-1991, in the Archives of American Art
A Finding Aid to the Reginald R. Isaacs Papers, circa 1842-1991, bulk 1928-1991, in the Archives of American Art Kym Wheeler Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee. 1994 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Biographical Material, 1935-1986, undated.............................................. 5 Series 2: Legal Material, 1976-1984........................................................................ 6 Series 3: Financial Material, -
Course Syllabus Jump to Today
Course Syllabus Jump to Today Click on highlighted terms for readings. Asterix = additional recommended Class 1) Jan 22. Introduction: New Town to (and from) Smart City Miles Glendinning , "The New Town Tradition: Past, Present – and Future?" in Henket & Heynen, eds., Back from Utopia: The Challenge of the Modern Movement(2002) 206-15. 2) Jan 29. Urbanization: From Territory to Territoriality “Modernization,” excerpt Annapurna Shaw , "Town Planning in Postcolonial India, 1947-65: Chandigarh Re- examined," Urban Geography 30:8 (2009) 857-878. 3) Feb 5. Metropolis: Chaos and Order Georg Simmel, "Metropolis and Mental Life," 1908. Clarence A. Perry , “The Neighborhood Unit, a Scheme of Arrangement for the Family-Life Community,” in Neighborhood and Community Planning (New York: Committee on Regional Plan of New York and Its Environs, 1929), excerpts. 4) Feb 12. Unit Discourse: Harlow to Hook, Nagele to Lelystad John Madge , "The New Towns Program in Britain," Journal of the American Institute of Planners 28: 4 (1962) 208-219. Gerrie Andela and Koos Bosma, "Lelystad : A New Town," Netherlands Journal of Housing and Environmental Research 2: 2 (1987) 121-139. Reyner Banham , Paul Barker, Peter Hall, Cedric Price, "Non-Plan Experiment in Freedom," New Society (March, 1969) 435-443. *Andrew Homer , "Creating New Communities: The Role of the Neighbourhood Unit in Post-War British Planning," Contemporary British History 14:1 (2000) 63-80. *Juliana Maxim, "Mass Housing and Collective Experience: On the Notion of Microraion in Romania in the 1950s and 1960s," The Journal of Architecture 14: 1 (2009) 7-26. *London County Council, The Planning of a New Town (1961) esp.