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112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G. -
Bare Facts, Issue No. 863, 01.12.1995
Bare Facts ist December '95 University of Surrey Students' Newspaper issue 863 National.. In This Issue WORLD er..Demo? AIDS DAY iSTOBcmeeR them along the route, and stage, with Jim Murphy chants for more money being (President of NUS) on stage, HURSDAY interspersed with requests for Üiey began to shout abuse and T (mostly conservative) politi- throw half full cans of beer at 23RD OF cians to have various nasty the stage. With the speeches NUS Demo NOVEMBER. things done to them. One over the demo officially come Thousands of students point of potential conflict was to an end most students sim- Page 3 winding their way across Westminster Bridge where a ply went home, but many London from Malet group of students decided lo went on to a further meet Street to Kennington hold a sit down protest, but the while others, tried to go to stewards managed to guide Charring Cross police station Park. The reason for this the rest of the demo around to demonstrate for the release procession - the NUS the obstruction. Once past the of 3 students arrested during National Demo against obstruction the demo thinned the march. Many of this latter Student Hardship. out and may have gone silent group failed to tum up at the Fourteen Surrey students were it not for a group of pri- police station after Splitting joined others, from mary school children swing- up in an attempi to outwit the Student Unions around ing on the fences, yelling and police. participating the spirit of the country, to protest for things. -
Contents Audience Insights 2 Campaign Websites 2 Leveraging the National Campaign in Your Community 3
Contents Audience insights 2 Campaign websites 2 Leveraging the national campaign in your community 3 Local communication channels and opportunities 5 Tips for working with media 7 AUDIENCE INSIGHTS Drive Smokefree for Tamariki aims to reach parents, caregivers and whānau who smoke in cars with tamariki present. Ensuring the message resonates with Māori, Pasifika and low- socioeconomic communities who are disproportionately affected by smoking prevalence. Results from the 2018 Youth Insights Survey showed that around 15% of young people were exposed to second hand smoke in cars. CAMPAIGN WEBSITES Campaign Landing Page: The audience facing campaign landing page is www.smokefree.org.nz/drivesmokefreefortamariki It is hosted on the existing smokefree.org website and has been built with our audience in mind for helpful information on how to be smokefree in cars and information on when the law is coming and how those who smoke in cars with kids might be impacted. There is also information on the harm of second hand smoke and why the law has changed. The page has two campaign videos and a link to the Campaign Resources page with downloadable material to help share the message in communities. Campaign Resources Page: This is designed for health promoters and the National Smokefree Cars Working Group and associated community groups hosted by Te Hiringa Hauora | Health Promotion Agency. https://www.hpa.org.nz/campaign/drive-smokefree-for-tamariki This page provides an overview of the National Campaign with links to downloadable materials, logo files, video and radio campaign material that can be used in their local activities to promote Drive Smokefree for Tamariki leading into the law change. -
Marc Brennan Thesis
Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia Marc Brennan, BA (Hons) Creative Industries Research and Applications Centre (CIRAC) Thesis Submitted for the Completion of Doctor of Philosophy (Creative Industries), 2005 Writing to Reach You Keywords Journalism, Performance, Readerships, Music, Consumers, Frameworks, Publishing, Dialogue, Genre, Branding Consumption, Production, Internet, Customisation, Personalisation, Fragmentation Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. -
DJ Paul King of Kings
King Of Kings DJ Paul It is I my son, the king of the muthafuckin M Awakened by all you hatin ass hoes, ya bitch you And it's going muthafuckin down For all you muthafuckin wannabe Hypnotize Camp Posse azz niggas Who we got in this muthafucka, nigga count em out Crunchy Blac up in this bitch, my nigga Juice Lord Soze Louder nigga let em know! I'm pull the trigga nigga bitch, it's hoe Yeah you got Frayser Boy in this muthafucka Bout to ride on one of you bitch-made niggas And ya boy DJ muthafuckin Paul Like thiiiiiiiis Nigga get all ya boys, tell em bring all they guns And being ya'll some hoes I get the heater when you come When I dump to hit your pressure point with .44 slugs All this medicine, a felon is committed by this thug Head bust, they took ya in mood, huh Cuz we'll rip you for whatever and leave ya skull fucked up Pop some double bucks To ya nuts Cough em up Slut Drop the meat up Then I call em triple six guts Who run, I know you know Quit playin, you damned hoe La Chat, can't take no mo We brangin it to the dome I got the tec-9, four-five, can't forget the AK Finna take you to the streets, blow you bitches clean away Mayne I'm sick and tired of you talking I'm open with my dog and Is it true that I will be stalkin And punkin bitches walkin Hope you niggas paying attention to everything I mention Shit I'm full up on that tension I'm goin on a mission Now sippin on some gin and some mo (some mo) Watchin niggas in the room snortin blow (snortin blow) They got weed, and it's already rolled (ready rolled) Quick babies in that doe -
Hip-Hop Education Center to Launch Campaign Asking President Obama
For Immediate Release Press Contact: November 3, 2015 Lily Zaballos (510) 566-0814 [email protected] Hip-Hop Education Center to launch campaign asking President Obama to designate hip-hop as valuable public school education tool; hosts first annual awards for Hip-Hop Education pioneers NEW YORK — Today, the Hip-Hop Education Center (HHEC) announces that it will launch on November 11, 2015, the We The People for Hip-Hop Education in Public Schools, a petition requesting that the Obama Administration designate Hip-Hop culture as a valuable and uniquely American national treasure worthy of being taught and practiced in all K-12 public schools. “Carlos Mare and I are excited to share what we’ve been passionately working on for the past year, we know this will be game changer in education reform and will open up opportunities for millions of children.” said HHEC Founder Martha Diaz. For the past five years, HHEC has been conducting research, evaluating programs, and convening the teachers, teaching artists, scholars, researchers, activists, and music industry professionals to research and build a Hip-Hop Education movement. Research shows that Hip-Hop programing is making a difference with student engagement and academic outcomes. HHEC believes integrating Hip-Hop into public school education could help solve the U.S. education crisis: • Students are not being engaged in school. Approximately, 1.1 million American high school students drop out every year. That’s a student every 26 seconds – or 7,000 a day. • This education crisis poses direct negative consequences to poverty, crime, and economic conditions to our society. -
Nz Major Markets Commercial Radio
EMBARGOED UNTIL 1PM (NZDT) THURS NOV 29 2018 NZ MAJOR MARKETS COMMERCIAL RADIO - SURVEY 4 2018 Station Share (%) by Demographic, Mon-Sun 12mn-12mn Survey Comparisons: 3/2018 - 4/2018 This Survey Period: Metro - Sun Jun 24 to Sat Nov 10 2018 / Regional - Sun Jan 28 to Sat Jun 16 2018 & Sun Jun 24 to Sat Nov 10 2018 (Waikato - Sun Aug 21 to Sat Oct 22 2016 & Sun Jan 29 to Sat Jun 17 & Sun Jul 2 to Sat Sep 9 2017) Last Survey Period: Metro - Sun Apr 8 to Sat Jun 16 & Sun Jun 24 to Sat Sep 1 2018 / Regional - Sun Sep 10 to Sat Nov 18 2017 & Sun Jan 28 to Sat Jun 16 2018 & Sun Jun 24 to Sat Sep 1 2018 (Waikato - Sun Aug 21 to Sat Oct 22 2016 & Sun Jan 29 to Sat Jun 17 & Sun Jul 2 to Sat Sep 9 2017) All 10+ People 10-17 People 18-34 People 25-44 People 25-54 People 45-64 People 55-74 MGS with Kids This Last +/- Rank This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- Network Breeze 7.8 8.0 -0.2 3 5.6 6.0 -0.4 5.1 5.1 0.0 7.0 6.3 0.7 7.9 7.6 0.3 9.9 10.1 -0.2 9.7 10.9 -1.2 10.1 8.7 1.4 Network Coast 7.5 7.4 0.1 5 2.3 2.3 0.0 2.1 2.3 -0.2 2.4 2.3 0.1 4.5 4.1 0.4 9.6 10.7 -1.1 14.5 14.8 -0.3 4.3 3.9 0.4 Network The Edge 6.5 6.1 0.4 6 16.2 15.1 1.1 12.0 11.5 0.5 8.7 7.9 0.8 7.1 6.6 0.5 3.5 3.1 0.4 1.7 1.5 0.2 7.2 7.5 -0.3 Network Flava 2.6 2.7 -0.1 14 10.1 10.5 -0.4 4.0 4.9 -0.9 3.0 3.7 -0.7 2.6 2.9 -0.3 1.2 0.8 0.4 0.3 0.2 0.1 2.5 3.0 -0.5 Network George FM 1.3 1.5 -0.2 17 1.5 2.2 -0.7 2.6 2.7 -0.1 2.6 2.7 -0.1 2.0 2.2 -0.2 0.7 0.9 -0.2 0.2 0.3 -0.1 1.1 1.0 0.1 Network Hokonui 0.2 0.2 0.0 23 0.2 0.3 -
The Daily Egyptian, November 21, 1996
Southern Illinois University Carbondale OpenSIUC November 1996 Daily Egyptian 1996 11-21-1996 The Daily Egyptian, November 21, 1996 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_November1996 Volume 82, Issue 66 This Article is brought to you for free and open access by the Daily Egyptian 1996 at OpenSIUC. It has been accepted for inclusion in November 1996 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. .,Inside: Glyph inY,estiga~es Stµdem: Progra,mrping Council's :rble-.in campLis'entertainment Ii. November Thu rs~-. _YB_ ~-. _Daily gyptian . 1996 &:, iL Southern llhno1s University at Carbondale · : . ···· · ~-- · Vol. 82, No. 66, 12 pages H· I Prov:ost finalists vie for position during meeting ·By William Hatfield· "We have to ask;our.;clv1!$ what Daily Ei;yplian Reporter' we have lo offer lo freshmen:• Winters said. "We need lo explain the differ S1udcn1 Affairs anti Academic ences from our competitors 1ha1 Affairs should work 1ogc1hcr lo should make the Uni\·crsily anmc• solve University-wide problems. ti\·c lo undergraduates and their par• two canditlalc.s fo~ SIUC vice chan cnls." - ccl ltir of Academic ,\ffairs and Jackson agreed that Stutlenl provost said as they were inlcr Affairs and Academic Affairs need vicwcJ in an open meeting to work togc1hcr much more olicn. Wednesday · •·Mv views arc we have become Margaret E. Winlers. a.ssucialc much.to J1..-cornpa1tmen1alizl-tl. and I vice cham:ellor for- Academic think Student Affairs and Academic Affairs. anti John S. Jackson Ill. Affairs have pn:11y much gone their dean oflhe College of LihcrJI Ans. -
Known Nursery Rhymes Residencies Fruit Eaten Remembered World
13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T. -
Why You Treat Me So Bad“
Club Nouveau „Why You Treat Me So Bad“ Analyse von Musikaufnahmen Benjamin Mütsch SS 2020 ANALYSE VON MUSIKAUFNAHMEN !1 Inhaltsverzeichnis Inhaltsverzeichnis 2 Einleitung und Titelwahl 3 „Contemporary R’n’B“ und „New Jack Swing“ 3 Über die Formation „Club Nouveau“ 4 Analyse des Titels „Why You Treat Me So Bad“ 5 Mix und Master 7 Sampling des Originals 9 Fazit 10 Quellen 11 ANALYSE VON MUSIKAUFNAHMEN !2 Einleitung und Titelwahl Im Seminar „Analyse von Musikaufnahmen“ bestand die Aufgabenstellung darin, dass jeder Teilnehmer ein Musikstück bzw. eine Komposition hinsichtlicher verschiedener Aspekte analysiert und vorstellt. Es sollte ein geeigneter Titel gefunden werden, Hintergründe über den Interpreten präsentiert werden, sowie die Aufnahme im Bezug auf Aufbau, Harmonie, Melodie, Instrumentierung, Mischung und Mastering analysiert und präsentiert werden. Ebenso konnten Vergleichsversionen, Coverversionen oder Neuinterpretationen vorgestellt und verglichen werden. Da das Thema „Sampling“ auch im AM-Studium immer wieder ein Thema ist, fiel die Wahl des Autors auf ein Stück, welches seit seiner Veröffentlichung im Jahre 1986 häufig als Inspiration für neue Werke diente und somit zur inoffiziellen „Blaupause“ des Contemporary R’n’B wurde. Verschiedene Elemente des Titels „Why You Treat Me So Bad“ des Interpreten „Club Nouveau“ wurden mehrfach in anderen Produktionen eingesetzt, vom Gesang (in Teilen), über die Hauptmelodie („Hookline“) bis hin zum kompletten Intro. In der vorliegenden Arbeit soll nicht nur der genannte Titel analysiert werden, sondern auch eine Einordnung hinsichtlich Genre erfolgen, ebenso wie angewandte Produktionstechniken, die die Stilistik maßgeblich geprägt haben. „Contemporary R’n’B“ und „New Jack Swing“ Mit dem Begriff „Contemporary R’n’B“, also zeitgenössischem R’n’B, wurde ein Genre bezeichnet, welches seine Ursprünge im afroamerikanischen Rhythm and Blues hat. -
M I C H a E L H O
MICHAELMICHAEL HOLMHOLM Biographie www.lucille.de Am Anfang stand für MICHAEL HOLM das Schreiben, und fast wäre es dabei geblieben. 1968, er war mittlerweile ein sehr erfolgreicher Autor, beschloß er, sich in Zukunft ganz aufs Komponieren und Texten zu konzentrieren und seine Karriere als Sänger zu beenden. Und wäre es seinem damaligen Produzenten Giorgio Moroder (dem Mann, der Donna Summer zum Durchbruch verhalf) im folgenden Jahr nicht gelungen, ihn noch einmal zu einer Aufnahme zu überreden, wäre es wohl auch bei diesem Entschluß geblieben. So aber kam alles anders: “Mendocino“ wurde ein Riesenhit und MICHAEL HOLM auch als Interpret eine Institution. Zu Beginn seiner Karriere stand jedoch ein kleines Ensemble von sechs begeistert Musizierenden, Michael mit seinen vier Geschwistern unter der Leitung seines Vaters, er, der Jüngste, die Blockflöte blasend. Die Konzerte damals fanden nicht auf großer Bühne statt und sie waren auch nicht für ein breites Publikum gedacht. Doch Michael sagt, wenn er in Erinnerungen schwelgt: „das Musizieren in der Familie war für mich eine Weichenstellung in die Welt der Musik." Inzwischen hat er weit über 850 Songs geschrieben, gesungen von ihm selbst und vielen Kollegen, darunter so große Namen wie Peter Alexander, Rex Gildo, Petula Clark, Ricky Shayne, Roy Black, Howard Carpendale, Francoise Hardy, Heidi Brühl, Peggy March, Mary Roos, Erik Sylvester, Martin Mann, France Gall, Bata Illic, Peter Maffay und Joy Fleming. Eine illustre Liste, die MICHAEL HOLM zu einem der erfolgreichsten Texter Deutschlands macht. Seinen allerersten Erfolg hatte er als Komponist: Mit dem Instrumentaltitel „Desert Island“ rückte er 1964 bis an die Spitze der japanischen Charts vor. -
Ls 5 2 7 4 8/1 1 / 9 5 MI K E OSB O R N E WB R U 88 BE
Ls5274 8/11/95 MIKE OSBORNE WBRU 88 BENEVOLENT SI PROVIDENCE RI 02906 CLUB NOUVEAU RIp-It Records A Deleon Of Bar-Be' Jet Enterteinfnent Group. Inc. vc_rythins I black flaturing tfl.(_ hit ins,1 as 1.«IL It QIP-IT QE:20112D6 • 715 N. Ferncreck Ave. • Olando. FL 5280_ • (407) 898-2009 AUGUST II, 1995 VOLUME XIX NUMBER 23 Cover Story Impromp2 24 s e clt Publisher's Page 5 News 6 Music Report I 0 Music Reviews 16 Yesteryear/Starview 46 csalluLarirwase Jazz Notes I 5 BRE Flix 18 Video Visions 20 Hip Hop Era 21 In Other Media 22 Gospel 23 last Word 46 cilkvarties 19r. iress ea• miii Singles Chart 12 Album Chart 14 The Sweetest Sixteen New Music 9 Jan Chart 15 Not even a full year has passed since Brandy's self-titled debut album on Atlantic hit the market, ne./3 icsrua w eipmsa rt s and this sixteen-year-old is at the top of the R&B heap. She beat out such multi-platinum artists as Carolinas 27 Mid Atlantic 29 Janet Jackson, Mary J. Blige, and Anita Baker at the Lady Of Soup Awards. She strolled away with four Ohio Valley 30 of the coveted statuettes, winning in every category she was nominated. On top of all of this, Brandy North East 31 Mid South 33 was named spokeswoman for the 1995 Sears/Seventeen Peak Performance Scholarship Program and Mid West 35 Tour. The program's aim is to empower and help young women achieve their personal goals. South East 39 West 41 Here's to the little lady of soul.