Rear Admiral Scott Sanders Fires up Campus
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Audience Reception, Adaptation, and Performance
THE COLOR LAVENDER: AUDIENCE RECEPTION, ADAPTATION, AND PERFORMANCE OF THE COLOR PURPLE An Honors Fellows Thesis by ELIZABETH MICHAEL MELTON Submitted to the Honors Programs Office Texas A&M University in partial fulfillment of the requirements for the designation as HONORS UNDERGRADUATE RESEARCH FELLOW April 2010 Majors: English & Theatre THE COLOR LAVENDER: AUDIENCE RECEPTION, ADAPTATION, AND PERFORMANCE OF THE COLOR PURPLE An Honors Fellows Thesis by ELIZABETH MICHAEL MELTON Submitted to the Honors Programs Office Texas A&M University in partial fulfillment of the requirements for the designation as HONORS UNDERGRADUATE RESEARCH FELLOW Approved by: Research Advisor: Kirsten Pullen Associate Director of the Honors Programs Office: Dave A. Louis April 2010 Majors: English & Theatre iii ABSTRACT The Color Lavender: Audience Reception, Adaptation, and Performance of The Color Purple. (April 2010) Elizabeth Michael Melton Department of English Department of Performance Studies Texas A&M University Research Advisor: Dr. Kirsten Pullen Department of Performance Studies Since its introduction to the world, Alice Walker’s The Color Purple has been recreated in other media. Audiences are just as likely to have learned about Celie’s journey from the 1985 Warner Bros.’ movie or the 2005 Tony Award-winning musical as from the Pulitzer Prize-winning novel. Each iteration of The Color Purple offers ambivalent representations of Black female experience in the early 20th century era of the American South. My research thus far has placed me in the midst of other audience members enjoying the highs and lows of Celie’s on-stage story and behind a desk shuffling through Walker’s personal letters and manuscripts. -
Master of Fine Arts Thesis Habitat, Body, Story: Picturing the Shifting
! Master of Fine Arts Thesis Habitat, Body, Story: Picturing the shifting nature of home & Decreation: Thorn Collaborative Erin Ethridge Submitted in partial satisfaction of the requirement for the degree of Master of Fine Arts, School of Art and Design Division of Sculpture/Dimensional Studies New York State College of Ceramics at Alfred University Alfred, New York 2016 Erin Ethridge, MFA Brett Hunter, Thesis Advisor ! "! Table of Contents: Habitat, Body, Story: Picturing the shifting nature of home Prologue 3 Introduction 4 Home as Habitat 7 Home as Body 17 Home as Story 27 Conclusion 35 Decreation: Thorn Collaborative Introduction 37 She and Her ( The Fiction ) 39 Project Descriptions: Gulf Between Words 42 Tuning System No.1 & 2 48 You Have My Word(s) 52 Nympha 56 Postscript 58 Bibliography 60 ! #! Habitat, Body, Story: Picturing the shifting nature of home Prologue Upon visiting the Grotto of the Nativity in Bethlehem, Annie Dillard touched a hole, painted with a fourteen-pointed star, in the cobblestone floor of a deep, dingy, poorly decorated cave. The hole marks the spot where Jesus was born. Supposedly, it used to be a stable with a manger, but the landscape has changed over time, now completely covered with monasteries “like barnacles.”1 Annie’s present day experience of Jesus’s birthplace is an odd collision. The story of Jesus in Christian religious texts, the actual body and life of Jesus, and the surrounding habitat or setting of his birth exist in different time frames. The landscape of the Earth’s surface and the structures we build on it continually recycle. -
The Folk Singer
THE FOLK SINGER ___________________________ A New Musical Book & Lyrics by Tom Attea Contact: Tom Attea [email protected] (c) 2016 Tom Attea ii. CAST DON, FOLK SINGER & ORGANIZER KIM, HIS GIRLFRIEND TODD, FOLK SINGER AMY, FOLK SINGER ZACK, FOLK SINGER JAN, FOLK SINGER BAND CHORUS AS KIM, FRANK, HARMONY SINGERS AND VIDEOGRAPHERS iii. SONGS WELCOME.............................................................................Don & Others PEOPLE LOOK BEAUTIFUL TO ME................................Amy THE WAR MEMORIAL.......................................................Todd IF ALL YOU WANT IS MORE.............................................Jan THE DAY LINCOLN'S STATUE CAME TO LIFE.............Zack HAMMERED.........................................................................Don TERROR, ERROR..................................................................Todd SITTIN' ON A NUCLEAR BOMB........................................Zack A NEWBORN CHILD............................................................Amy THAT GOOD OLD RAILWAY STATION..........................Don SOUNDS A LOT LIKE LUCK...............................................Zack DO YOU MIND TELLIN' ME WHY?....................................Jan UNDERACHIEVING AS BEST WE CAN............................ Don, Jan, and Amy BLUE COLLAR, CAN'T EARN A DOLLAR.......................Todd I LONG FOR WIDE OPEN SPACES......................................Don WOULD YOU HAVE THE SENSE TO LOVE ME?.............Amy & Zack A CLIMATE OF CHANGE...................................................All -
Northern Tier Strategic Initiatives
Northern Tier Strategic Investment Initiatives FINAL REPORT October 21, 2004 Prepared by: Mt. Auburn Associates, Inc. and Karl Seidman Deanna Ruffer John Hoops and Fredia Woolf TABLE OF CONTENTS TABLE OF CONTENTS ................................................................................................ II EXECUTIVE SUMMARY ............................................................................................III THE CREATIVE CLUSTER .......................................................................................... 1 ECOTOURISM SECTOR ............................................................................................. 22 ENTREPRENEURIAL DEVELOPMENT.................................................................. 38 HEALTHCARE SECTOR............................................................................................. 51 MANUFACTURING SECTOR .................................................................................... 64 RENEWABLE ENERGY SECTOR............................................................................. 78 ii EXECUTIVE SUMMARY Context The Northern Tier Project was created to accomplish two critically important goals for communities, businesses, and residents in the region: 1. Develop new economic engines and sectors that will lead to a stronger and more dynamic regional economic base. 2. Establish a skills and training system that will help the region’s low-income and working class residents gain access to well-paying jobs. In this context, a considerable amount of economic and -
Mchenry Colostate 0053N 164
THESIS WONDER WOMEN IN THE VIRTUAL WORLD: HOW FEMALE SHEPARD REDEFINED THE FEMALE HERO ARCHETYPE IN VIDEO GAMES Submitted by Chelsea McHenry Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring 2021 Master’s Committee: Advisor: David Scott Diffrient Nicholas Marx Rosa Mikeal Martey Copyright by Chelsea Rebecca McHenry 2021 All Rights Reserved ABSTRACT WONDER WOMEN IN THE VIRTUAL WORLD: HOW FEMALE SHEPARD REDEFINED THE FEMALE HERO ARCHETYPE IN VIDEO GAMES AAA video game protagonists typically represent the white, heterosexual male. While standards are changing, there remains a considerable discrepancy between the number of male and female protagonists available. This study intends to examine how video game producers can move forward with creating resonant AAA protagonists by examining one of the first protagonists who presented unforeseen equality. This thesis explores the character of female Shepard from BioWare’s video game series Mass Effect (2007-2012) and what elements made her a fan favorite and marketable. Using Jim Bizzochi’s video game narrative framework and Shunsuke Nozawa’s concept of ensoulment related to voice work, this thesis argues that FemShep redefined the video game landscape. She served to create her own space as a character and not merely a gender-flipped construct of her male counterpart. By examining how she is constructed and handled in-game, the conclusion suggests that when the developmental focus is on creating the character, there is a market for strong heroes who are also female. ii TABLE OF CONTENTS ABSTRACT …………………………………………………………………………….………...ii CHAPTER I – INTRODUCTION………………………….………….…………………………1 CHAPTER II – MOLDING THE HERO FROM CODE...………………………………………22 CHAPTER III – THE MOST PERFECT INSTRUMENT…...………………………………….54 CHAPTER IV – AN END OF A JOURNEY IS A BEGINNING OF ANOTHER ………...…...84 BIBLIOGRAPHY………………………………………………………………………………..94 iii CHAPTER I: INTRODUCTION – LEGACIES OF HEROES I will always remember June 9, 2014. -
Data Breach Reports
CONTENTS Information & Background on ITRC ........... 2 Methodology .............................................. 3 ITRC Breach Stats Report Summary .......... 4 ITRC Breach Stats Report ..........................5 ITRC Breach Report ................................ 42 Information and Background on ITRC Information management is critically important to all of us - as employees and consumers. For that reason, the Identity Theft Resource Center has been tracking security breaches since 2005, looking for patterns, new trends and any information that may better help us to educate consumers and businesses on the need for understanding the value of protecting personal identifying information. What is a breach? The ITRC defines a data breach as an incident in which an individual name plus a Social Security number, driver’s license number, medical record or financial record (credit/ debit cards included) is potentially put at risk because of exposure. This exposure can occur either electronically or in paper format. The ITRC will also capture breaches that do not, by the nature of the incident, trigger data breach notification laws. Generally, these breaches consist of the exposure of user names, emails and passwords without involving sensitive personal identifying information. These breach incidents will be included by name but without the total number of records exposed. There are currently two ITRC breach reports which are updated and posted on-line on a weekly basis. The ITRC Breach Report presents detailed information about data exposure events along with running totals for a specific year. Breaches are broken down into five categories, as follows: business, banking/credit/financial, educational, Government/Military and medical/healthcare. The ITRC Breach Stats Report provides a summary of this information by category. -
A Digital Tool Kit for Integrating Theater Arts Into Standards-Based Curriculum, Featuring
A digital tool kit for integrating theater arts into standards-based curriculum, featuring: • Historical Background • Production Notes • Artists’ Insights • Suggested Lessons • Student Activities • Links to Rich Media • Resource Directory SCOTT SANDERS PRODUCTIONS ROY FURMAN TROIKA ENTERTAINMENT DAVID BABANI TOM SIRACUSA CAIOLA PRODUCTIONS JAMES FANTACI TED LIEBOWITZ JAMES L. NEDERLANDER DARREN BAGERT CANDY SPELLING ADAM ZOTOVICH ERIC FALKENSTEIN/MORRIS BERCHARD JUST FOR LAUGHS THEATRICALS TANYA LINK PRODUCTIONS JAM THEATRICALS INDEPENDENT PRESENTERS NETWORK CAROL FINEMAN PRESENT THE DEAR EDUCATOR, The Color Purple is an inspiring family saga that tells the unforgettable story of a woman who, through love, finds the strength to triumph over adversity and discover her unique voice in the world. This musical adaptation of Alice Walker’s Pulitzer Prize–winning novel (and the BOOK BY MUSIC AND LYRICS BY popular 1985 Steven Spielberg film) spotlights Celie, a MARSHA NORMAN BRENDA RUSSELL ALLEE WILLIS STEPEHEN BRAY downtrodden young woman whose personal awakening over the course of 40 years forms the arc of this epic story. BASED ON THE NOVEL WRITTEN BY ALICE WALKER AND THE WARNER BROS./AMBLIN ENTERTAINMENT MOTION PICTURE With a joyous score featuring jazz, ragtime, gospel, African music, and blues, The Color Purple is a story of hope, a testament SET DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN JOHN DOYLE ANN HOULD-WARD JANE COX DAN MOSES SCHREIER CHARLES G. LAPOINTE to the healing power of love, and a celebration of life. With a book by Marsha Norman and music and lyrics by Brenda Russell, Allee CASTING ASSOCIATE COSTUME DESIGN Willis, and Stephen Bray, The Color Purple premiered at the Alliance TELSEY + COMPANY CHRISTOPHER VERGARA Theatre Company in Atlanta, Georgia, and opened on Broadway JUSTIN HUFF, C.S.A. -
Event Transcript
The Walt Disney Company Q2 FY11 Earnings Conference Call MAY 10, 2011 Disney Speakers: Bob Iger President and Chief Executive Officer Jay Rasulo Senior Executive Vice President and Chief Financial Officer Moderated by, Lowell Singer Senior Vice President, Investor Relations PRESENTATION Operator Good day, ladies and gentlemen, and welcome to the second-quarter 2011 Walt Disney Company earnings conference call. My name is Stacy and I will be your conference moderator for today. At this time, all participants are in a listen-only mode. We will conduct a question- and-answer session towards the end of the conference. (Operator Instructions). As a reminder, this conference call is being recorded for replay purposes. Page 1 The Walt Disney Company Q2 FY11 Earnings May 10, 2011 Conference Call I would now like to turn the presentation over to your host for today, to Mr. Lowell Singer, Senior Vice President of Investor Relations. Please proceed. Lowell Singer – Senior Vice President, Investor Relations, The Walt Disney Company Okay. Thank you, and good afternoon, everyone. Welcome to The Walt Disney Company's second quarter earnings call. Our press release was issued almost an hour ago. It's now available on our website at www.Disney.com/investors. Today's call is also being webcast and the webcast will be on the website after the call. Finally, a replay and transcript of today's remarks will be available on the website as well. Joining me in Burbank for today's call are Bob Iger, Disney's President and Chief Executive Officer, and Jay Rasulo, Senior Executive Vice President and Chief Financial Officer. -
Innovation and Investment: Building Tomorrow’S Economy in the Bay Area
Innovation and Investment: Building Tomorrow’s Economy in the Bay Area Bay Area Economic Profile March 2012 Eighth in a Series Bay Area Council Economic Institute 201 California Street, Suite 1450, San Francisco, CA 94111 (415) 981-7117 Fax (415) 981-6408 www.bayareaeconomy.org [email protected] Innovation and Investment: Building Tomorrow’s Economy in the Bay Area Bay Area Economic Profile March 2012 Eighth in a Series Innovation and Investment: Building Tomorrow’s Economy in the Bay Area Introduction This report, the eighth in a series of biennial Bay Area Economic Profile reports produced by the Bay Area Council Economic Institute in partnership with McKinsey & Company, examines the evolution of the Bay Area’s econ- omy in the wake of the Great Recession that severely impacted the region from 2008 to 2010 and continues to be felt by many of our citizens and busi- nesses. As previous profile reports have done, it benchmarks the Bay Area’s economic performance against other knowledge-based economies in the United States and around the world, to assess the region’s national and global competitiveness. It also analyzes the economic and policy challenges that continue to confront the region and that must be addressed if the Bay Area wishes to maintain its current position of economic leadership. This year’s Bay Area Economic Profile report finds, as it has so often in the past, that the region has experienced a substantial economic recovery and remarkable economic growth based on its ability to innovate across a range of leading sectors. This strength in innovation continues to position it fa- vorably as both a partner and a competitor with leading economic regions throughout the world. -
Old Frisian, an Introduction To
An Introduction to Old Frisian An Introduction to Old Frisian History, Grammar, Reader, Glossary Rolf H. Bremmer, Jr. University of Leiden John Benjamins Publishing Company Amsterdam / Philadelphia TM The paper used in this publication meets the minimum requirements of 8 American National Standard for Information Sciences — Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Library of Congress Cataloging-in-Publication Data Bremmer, Rolf H. (Rolf Hendrik), 1950- An introduction to Old Frisian : history, grammar, reader, glossary / Rolf H. Bremmer, Jr. p. cm. Includes bibliographical references and index. 1. Frisian language--To 1500--Grammar. 2. Frisian language--To 1500--History. 3. Frisian language--To 1550--Texts. I. Title. PF1421.B74 2009 439’.2--dc22 2008045390 isbn 978 90 272 3255 7 (Hb; alk. paper) isbn 978 90 272 3256 4 (Pb; alk. paper) © 2009 – John Benjamins B.V. No part of this book may be reproduced in any form, by print, photoprint, microfilm, or any other means, without written permission from the publisher. John Benjamins Publishing Co. · P.O. Box 36224 · 1020 me Amsterdam · The Netherlands John Benjamins North America · P.O. Box 27519 · Philadelphia pa 19118-0519 · usa Table of contents Preface ix chapter i History: The when, where and what of Old Frisian 1 The Frisians. A short history (§§1–8); Texts and manuscripts (§§9–14); Language (§§15–18); The scope of Old Frisian studies (§§19–21) chapter ii Phonology: The sounds of Old Frisian 21 A. Introductory remarks (§§22–27): Spelling and pronunciation (§§22–23); Axioms and method (§§24–25); West Germanic vowel inventory (§26); A common West Germanic sound-change: gemination (§27) B. -
Advance Program Notes Broadway in Blacksburg the Color Purple Thursday, February 13, 2020, 7:30 PM
Advance Program Notes Broadway in Blacksburg The Color Purple Thursday, February 13, 2020, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. TROIKA ENTERTAINMENT, LLC presents BOOK BY MUSIC AND LYRICS BY MARSHA NORMAN BRENDA RUSSELL ALLEE WILLIS STEPHEN BRAY BASED ON THE NOVEL WRITTEN BY ALICE WALKER AND THE WARNER BROS./AMBLIN ENTERTAINMENT MOTION PICTURE WITH MARIAH LYTTLE SANDIE LEE CHÉDRA ARIELLE ANDREW MALONE BRANDON A. WRIGHT NASHKA DESROSIERS ELIZABETH ADABALE JARRETT ANTHONY BENNETT DAVID HOLBERT PARRIS LEWIS JENAY NAIMA MON’QUEZ DEON PIPPINS GABRIELLA RODRIGUEZ SHELBY A. SYKES RENEE TITUS IVAN THOMPSON CARTREZE TUCKER JEREMY WHATLEY GERARD M. WILLIAMS SET DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN JOHN DOYLE ANN HOULD-WARD JANE COX DAN MOSES SCHREIER CHARLES G. LAPOINTE CASTING ASSOCIATE COSTUME DESIGN BINDER CASTING CHRISTOPHER VERGARA CHAD ERIC MURNANE, C.S.A. MUSIC SUPERVISION MUSIC DIRECTOR/CONDUCTOR ORCHESTRATIONS MUSIC COORDINATION DARRYL ARCHIBALD JONATHAN GORST JOSEPH JOUBERT TALITHA FEHR EXCLUSIVE TOUR DIRECTION MARKETING & PUBLICITY DIRECTION PROJECTION SUPERVISOR COMPANY MANAGER THE BOOKING GROUP BOND THEATRICAL GROUP B.J. BELLARD BARRY BRANFORD GENERAL MANAGEMENT PRODUCTION MANAGEMENT EXECUTIVE PRODUCER BRIAN SCHRADER HEATHER CHOCKLEY KORI PRIOR ASSOCIATE DIRECTOR SAMANTHA SALTZMAN DIRECTION AND MUSICAL STAGING JOHN DOYLE The Color Purple was produced on Broadway at the Broadway Theater by Oprah Winfrey, Scott Sanders, Roy Furman, and Quincy Jones. The world premiere of The Color Purple was produced by the Alliance Theatre, Atlanta, Georgia. -
Beethoven FESTIVAL, BERNADETTE PETERS, and BOYZ II MEN
RENEW BY APRIL 27 to get first access to the BEETHOVEN FESTIVAL, BERNADETTE PETERS, and BOYZ II MEN “Music Director Alain Trudel was on the podium, and the AUDIENCE WAS ON THEIR FEET.” The Blade Dear friends, Our work continues in the 2020-2021 season as we strive to inspire our region to come together though the performing arts. As a symphony orchestra, we aim to create musical moments that leap from time and remain forever in our memories. We aim for moments that move us all to think differently, to laugh, to love, to maybe even cry. We aim for moments that make us lean forward in our seats, hold our breath, and hold hands with the ones we love. These are the magical stories that our musicians and performers work to create. These are the moments that bring people together. It is with this in mind that we title this brochure “live art.” It has intentional dual meaning. As an adjective, we produce live art. Our musicians, dancers, and performers are the art, and it is created right before your eyes by people. It is created in the moment and can never be produced again in the same way. Because of this, live art seizes us—you, the audience—to feel, sense, and hear new things because it’s elusive and passes us by. It reminds us be present. As a verb, we live art. We experience it, and it changes us. Art can pour through us—through our fingers, our breath, and our bodies as we take it in.