<<

10/01/21 The Musical - Niall Richardson - P3070 | Sussex University

The Musical - Niall Richardson - P3070 View Online

Aartz, Lee. 2005. ‘Monarchs, Monsters and Multiculturalism: Disney’s Menu for Global Hierarchy.’ Pp. 75–98 in Rethinking Disney: private control, public dimensions. Middletown, Conn: Wesleyan University Press.

Akers, Anne. 2009. ‘Mamma Mia! An Analysis of the UK’s Most Popular Film of All Time.’ Retrieved (http://pdfsb.com/most+popular+of+all+times).

Altman, Rick. 1981. ‘The American Film Musical: Paradigmatic Structure and Mediatory Function.’ in Genre: the musical. London: Routledge.

Altman, Rick. 1989a. ‘An Introduction to the Theory of Genre Analysis.’ in The American film musical. Bloomington, Ind: Indiana University Press.

Altman, Rick. 1989b. ‘The American Film Musical as Dual Focus Narrative.’ Pp. 16–27 in The American film musical. Bloomington, Ind: Indiana University Press.

Altman, Rick. 1989c. ‘The Fairy Tale Musical.’ in The American film musical. Bloomington, Ind: Indiana University Press.

Altman, Rick. 1989d. ‘The Folk Musical.’ in The American film musical. Bloomington, Ind: Indiana University Press.

Altman, Rick. 1989e. ‘The Show Musical.’ in The American film musical. Bloomington, Ind: Indiana University Press.

Altman, Rick. 1989f. ‘The Structure of the American Musical.’ in The American film musical. Bloomington, Ind: Indiana University Press.

Altman, Rick. 1989g. ‘The Style of the American Film Musical.’ in The American film musical. Bloomington, Ind: Indiana University Press.

Andreas, Casper. 2010. ‘The Big Gay Musical.’

Attenborough, Richard, and Dante, Nicholas. 2008. ‘A Chorus Line.’

Babuscio, Jack. 1984. ‘Camp and the Gay Sensibility.’ Pp. 40–57 in Gays and film. New York: New York Zoetrope.

Bacon, Lloyd. 2000. 42nd Street. Burbank, Calif: Warner Home Video.

Bianca Freire-Medeiros. 2002. ‘Hollywood Musicals and the Invention of Rio de Janeiro,

1/7 10/01/21 The Musical - Niall Richardson - P3070 | Sussex University

1933-1953.’ Cinema Journal 41(4):52–67.

Bogle, Donald. 1973. ‘The 1940s: The Entertainers, the New Negroes, and the Problem People.’ in Toms, coons, mulattoes, mammies, and bucks: an interpretive history of Blacks in American films. New York: Viking P.

Braudy, Leo. 2002a. ‘Musicals and the Energy from Within.’ in The world in a frame: what we see in films. Chicago: University of Chicago Press.

Braudy, Leo. 2002b. ‘Westerns and the Myth of the Past.’ in The world in a frame: what we see in films. Chicago: University of Chicago Press.

British Film Institute. n.d. ‘Sight and Sound.’

Brooks, Mel, and Glazier, Sidney. 2004. ‘The Producers.’

Bryman, Alan. 1995. Disney and His Worlds. London: Routledge.

Christopher Gittings. 2001. ‘“Zero Patience”, Genre, Difference, and Ideology: Singing and Dancing Queer Nation’. Cinema Journal 41(1):28–39.

Clements, Ron, and Musker, John. 2006. ‘The Little Mermaid.’

Cohan, Steve. 2002. ‘“Feminizing” the Song and Dance Man: and the Spectacle of Masculinity in the Hollywood Musical’. in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Cohan, Steven. 2000. ‘Case Study: Interpreting Singin’ in the Rain.’ Pp. 53–75 in Reinventing film studies. London: Arnold.

Cohan, Steven. 2001. ‘Judy on the Net: , Fandom and the “Gay Thing Revisited”.’ Pp. 119–36 in Keyframes: popular cinema and cultural studies. London: Routledge.

Cohan, Steven. 2005. Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical. Durham, N.C.: Duke University Press.

Comolli, Jean Louis. 1966. ‘Dancing Images: Busby Berkeley’s Kaleidoscope.’ Cahiers Du Cinema in English (2).

Condon, Bill. 2006. ‘Dreamgirls.’

Davis, Amy M. 2006. Good Girls and Wicked Witches: Women in Disney’s Feature Animation. Eastleigh: John Libbey.

Diawara, Manthia. 1993. Black American Cinema. Vol. AFI film readers. New York, N.Y.: Routledge.

Donen, Stanley. 2005. ‘Seven Brides for Seven Brothers.’

Dyer, Richard. 1993. ‘And I Seem to Find the Happiness I Seek: Heterosexuality and Dance in the Musical.’ Pp. 49–95 in Dance, gender and culture. Basingstoke: Macmillan.

2/7 10/01/21 The Musical - Niall Richardson - P3070 | Sussex University

Dyer, Richard. 2002a. ‘Entertainment and Utopia.’ in Only entertainment. New York: Routledge.

Dyer, Richard. 2002b. ‘Entertainment and Utopia.’ in Only entertainment. New York: Routledge.

Dyer, Richard. 2002c. ‘Getting Over the Rainbow.’ in Only entertainment. New York: Routledge.

Dyer, Richard. 2002d. ‘Introduction.’ in Only entertainment. New York: Routledge.

Dyer, Richard. 2002e. ‘Judy Garland and Camp.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Dyer, Richard. 2002f. ‘The Idea of Entertainment.’ in Only entertainment. New York: Routledge.

Feuer, Jane. 1993. ‘Dream Worlds and Dream Stages.’ in The Hollywood musical. Basingstoke: Macmillan.

Feuer, Jane. 2002. ‘The Self-Reflective Musical and the Myth of Entertainment.’ Pp. 31–40 in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Feuer, Jane. 2004. ‘A Postscript for the 90s.’ in Popular Music: Critical Concepts in Media and Cultural Studies. Vol. 2. The Rock Era, edited by S. Frith. Routledge.

FitzGerald, Louise, and Williams, Melanie, eds. 2012. Mamma Mia!: The Movie : Exploring a Cultural Phenomenon. London: I.B. Tauris.

Fleming, Victor. 2005. ‘The Wizard of Oz.’

Flinn, C. 1995. ‘The Deaths of Camp.’ Camera Obscura: Feminism, Culture, and Media Studies 12(2 35):52–84. doi: 10.1215/02705346-12-2_35-52.

Garland, Judy, and Sidney, George. 2005. ‘The Harvey Girls.’

Glover, Carol J. 2002a. ‘Dancin’ in the Rain.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Glover, Carol J. 2002b. ‘Dancin’ in the Rain.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Grant, Barry K. 2008. ‘Science Fiction, Double Feature: Ideology in the Cult Film.’ in The cult film reader. Maidenhead: Open University Press.

Grant, Barry Keith. 2000. ‘Second Thoughts on Double Features: Revisiting the Cult Film.’ in Unruly pleasures: the cult film and its critics. Guildford: FAB Press.

Gubar, Susan. 2006. ‘RACIAL CAMP in The Producers and Bamboozled.’ Film Quarterly 60(2):26–37. doi: 10.1525/fq.2006.60.2.26.

3/7 10/01/21 The Musical - Niall Richardson - P3070 | Sussex University

Hebdige, Dick. 2005. ‘Dis-Gnosis: Disney and the Re-Tooling of Knowledge, Art, Culture, Life Etc.’ Pp. 37–52 in Rethinking Disney: private control, public dimensions. Middletown, Conn: Wesleyan University Press.

Hershfield, Joanne. 2001. ‘Dolores Del Rio, Uncomfortably Real: The Economics of Race in Hollywood’s Latin American Musicals.’ in Classic Hollywood, classic whiteness. Minneapolis, Minn: University of Minnesota Press.

Hoberman, J., and British Film Institute. 1993. 42nd Street. Vol. BFI film classics. London: B.F.I. Publishing.

Iscove, Robert. 1997. ‘Rodgers & Hammerstein’s Cinderella.’

Kaufman, Gerald, and British Film Institute. 1994. Meet Me in St Louis. Vol. BFI film classics. London: BFI.

Kilgore, John. 1986. ‘Sexuality and Identity in the Rocky Horror Picture Show.’ in Eros in the mind’s eye: sexuality and the fantastic in art and film. New York: Greenwood.

Kinder, Marsha. 2002. ‘Moulin Rouge.’ Film Quarterly 55(3):52–59. doi: 10.1525/fq.2002.55.3.52.

Kleiser, Randal. 2002. ‘Grease.’

Lima, Kevin. 2008. ‘Enchanted.’

Lloyd, Phyllida. 2008. ‘Mamma Mia!’

Lopez, Ana M. 1993. ‘Are All Latins from Manhattan? Hollywood, Ethnography, and Cultural Colonialism.’ Pp. 67–80 in Mediating two worlds: cinematic encounters in the Americas. London: BFI Publishing.

McArthur, Colin. 2003. Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema. Vol. Cinema and society series. London: I. B. Tauris.

Medhurst, Andy. 1997. ‘Camp.’ in Lesbian and gay studies: a critical introduction. London: Cassell.

Mellencamp, Patricia. 2002. ‘Sexual Economics: Gold Diggers of 1933.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Minnelli, Vincente. 2003. ‘Gigi.’

Minnelli, Vincente. 2006. ‘Cabin in the Sky.’ MGM musicals.

Minnelli, Vincente. 2007a. ‘The Pirate.’

Minnelli, Vincente. 2007b. ‘The Pirate.’

Minnelli, Vincente, and Benson, Sally. 2004. ‘Meet Me in St Louis.’

Minnelli, Vincente, and Lerner, Alan Jay. 2005. ‘Brigadoon.’

4/7 10/01/21 The Musical - Niall Richardson - P3070 | Sussex University

Mizejewski, Linda. 2002a. ‘Beautiful White Bodies.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Mizejewski, Linda. 2002b. ‘Beautiful White Bodies.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Naremore, James. 1993. ‘Uptown Folk: Cabin in the Sky.’ Pp. 51–70 in The films of . Vol. Cambridge film classics. Cambridge: Cambridge University Press.

Parker, Trey, and Stone, Matt. 2005. ‘Team America: World Police.’

Pattullo, Lauren. 2007. ‘Narrative and Spectacle in the Hollywood Musical: Contrasting the Choreography of Busby Berkeley and Gene Kelly.’ Research in Dance Education 8(1):73–85. doi: 10.1080/14647890701272878.

Preminger, Otto. 2004. ‘Carmen Jones.’

Richard Dyer. 2002. ‘The Color of Entertainment.’ Pp. 36–45 in Only entertainment. New York: Routledge.

Robertson, Pamela, 1964-. 1996. Guilty Pleasures: Feminist Camp from Mae West to Madonna. Durham: Duke University Press.

Roberts, Pamela. 2002. ‘Feminist Camp in Gold Diggers of 1933.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Roberts, Shari. 2002. ‘The Lady in the Tutti Frutti Hat.’ Pp. 143–54 in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Rogin, Michael. 2002. ‘New Deal Blackface.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Roth, Mark. 1981. ‘Some Warners Musicals and the Spirit of the New Deal.’ Pp. 41–56 in Genre: the musical. London: Routledge.

Roth, Matt. n.d. ‘The Lion King: A Short History of Disney-Fascism.’ Jump Cut (40):15–20.

Rubin, Martin. 2002. ‘Busby Berkeley and the Backstage Musical.’ Pp. 53–62 in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Rushdie, Salman. 1992. The Wizard of Oz. Vol. BFI film classics. London: BFI Pub.

Sammond, Nicholas. 2005. Babes in Tomorrowland: Walt Disney and the Making of the American Child, 1930-1960. Durham, N.C.: Duke University Press.

Sanchez, Alberto Sandoval. n.d. ‘West Side Story: A Puerto Rican Reading of “America”.’ Jump Cut (39).

Sandrich, Mark. 2005. ‘Top Hat.’

Sean Griffin. 2002. ‘The Gang’s All Here: Generic versus Racial Integration in the 1940s Musical.’ Cinema Journal 42(1):21–45.

5/7 10/01/21 The Musical - Niall Richardson - P3070 | Sussex University

Sells, Laura. 1995. ‘Where Do Mermaids Stand? Voice and Body in The Little Mermaid.’ in From mouse to mermaid: the politics of film, gender, and culture. Bloomington, Ind: Indiana University Press.

Sharman, Jim, Curry, Tim, Sarandon, Susan, and Bostwick, Barry. 2004. ‘The Rocky Horror Picture Show.’

Shohat, Ella. 1991. ‘Ethnicities in Relation: Toward a Multicultural Reading of American Cinema.’ Pp. 215–50 in Unspeakable images: ethnicity and the American cinema. Urbana, Ill: University of Illinois Press.

Shohat, Ella, and Robert Stam. 1994a. ‘The Imperial Imaginary.’ in Unthinking Eurocentrism: multiculturalism and the media. Vol. Sightlines. London: Routledge.

Shohat, Ella, and Robert Stam. 1994b. ‘Tropes of Empire.’ in Unthinking Eurocentrism: multiculturalism and the media. Vol. Sightlines. London: Routledge.

Smoodin, Eric. 1994. ‘How to Read Walt Disney.’ Pp. 1–20 in Disney discourse: producing the magic kingdom. New York, N.Y.: Routledge.

Sontag, Susan. 1966. ‘Notes on Camp.’ in Against interpretation, and other essays. Vol. A Delta book. New York, N.Y.: Dell.

Stam, Robert, and Louise Spence. 2004. ‘Colonialism, Racism and Representation: An Introduction.’ in Film theory and criticism: introductory readings. New York, N.Y.: Oxford University Press.

Stevens, George Cooper, and Gelsey, Erwin. 2006. ‘Swing Time.’

Telotte, J. P. 1991. ‘Beyond All Reason: The Nature of the Cult.’ Pp. 5–17 in The cult film experience: beyond all reason. Austin: U. of Texas P.

Tinkcom, Matthew. 2002. ‘Working Like a Homosexual: Camp Visual Codes and the Labor of Gay Subjects in the MGM Freed Unit.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge.

Vidor, King. 2006. ‘Hallelujah.’

Waters, John. 2002. ‘Hairspray.’

Weinstock, Jeffrey Andrew. 2007. The Rocky Horror Picture Show. Vol. Cultographies. London: Wallflower.

Wickstrom, Maurya. 2005. ‘The Lion King, Mimesis and Disney’s Magical Capitalism.’ Pp. 99–124 in Rethinking Disney: private control, public dimensions. Middletown, Conn: Wesleyan University Press.

Wise, Robert, Robbins, Jerome, Bernstein, Leonard, and Sondheim, Stephen. 2004. ‘West Side Story.’

Wollen, Peter. 1992. Singin’ in the Rain. Vol. BFI film classics. London: BFI.

6/7 10/01/21 The Musical - Niall Richardson - P3070 | Sussex University

Womack, Malcolm. 2009. ‘“Thank You For the Music”: Catherine Johnson’s Feminist Revoicings in’. Studies in Musical Theatre 3(2):201–11. doi: 10.1386/smt.3.2.201/1.

York, Ashley Elaine. 2010. ‘From Chick Flicks to Millennial Blockbusters: Spinning Female-Driven Narratives into Franchises.’ The Journal of Popular Culture 43(1):3–25. doi: 10.1111/j.1540-5931.2010.00728.x.

Zinnemann, Fred, Rodgers, Richard, Hammerstein, Oscar, MacRae, Gordon, Grahame, Gloria, and Jones, Shirley. 2006. ‘Oklahoma!’

7/7