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The Musical - Niall Richardson - P3070 | Sussex University 10/01/21 The Musical - Niall Richardson - P3070 | Sussex University The Musical - Niall Richardson - P3070 View Online Aartz, Lee. 2005. ‘Monarchs, Monsters and Multiculturalism: Disney’s Menu for Global Hierarchy.’ Pp. 75–98 in Rethinking Disney: private control, public dimensions. Middletown, Conn: Wesleyan University Press. Akers, Anne. 2009. ‘Mamma Mia! An Analysis of the UK’s Most Popular Film of All Time.’ Retrieved (http://pdfsb.com/most+popular+of+all+times). Altman, Rick. 1981. ‘The American Film Musical: Paradigmatic Structure and Mediatory Function.’ in Genre: the musical. London: Routledge. Altman, Rick. 1989a. ‘An Introduction to the Theory of Genre Analysis.’ in The American film musical. Bloomington, Ind: Indiana University Press. Altman, Rick. 1989b. ‘The American Film Musical as Dual Focus Narrative.’ Pp. 16–27 in The American film musical. Bloomington, Ind: Indiana University Press. Altman, Rick. 1989c. ‘The Fairy Tale Musical.’ in The American film musical. Bloomington, Ind: Indiana University Press. Altman, Rick. 1989d. ‘The Folk Musical.’ in The American film musical. Bloomington, Ind: Indiana University Press. Altman, Rick. 1989e. ‘The Show Musical.’ in The American film musical. Bloomington, Ind: Indiana University Press. Altman, Rick. 1989f. ‘The Structure of the American Musical.’ in The American film musical. Bloomington, Ind: Indiana University Press. Altman, Rick. 1989g. ‘The Style of the American Film Musical.’ in The American film musical. Bloomington, Ind: Indiana University Press. Andreas, Casper. 2010. ‘The Big Gay Musical.’ Attenborough, Richard, and Dante, Nicholas. 2008. ‘A Chorus Line.’ Babuscio, Jack. 1984. ‘Camp and the Gay Sensibility.’ Pp. 40–57 in Gays and film. New York: New York Zoetrope. Bacon, Lloyd. 2000. 42nd Street. Burbank, Calif: Warner Home Video. Bianca Freire-Medeiros. 2002. ‘Hollywood Musicals and the Invention of Rio de Janeiro, 1/7 10/01/21 The Musical - Niall Richardson - P3070 | Sussex University 1933-1953.’ Cinema Journal 41(4):52–67. Bogle, Donald. 1973. ‘The 1940s: The Entertainers, the New Negroes, and the Problem People.’ in Toms, coons, mulattoes, mammies, and bucks: an interpretive history of Blacks in American films. New York: Viking P. Braudy, Leo. 2002a. ‘Musicals and the Energy from Within.’ in The world in a frame: what we see in films. Chicago: University of Chicago Press. Braudy, Leo. 2002b. ‘Westerns and the Myth of the Past.’ in The world in a frame: what we see in films. Chicago: University of Chicago Press. British Film Institute. n.d. ‘Sight and Sound.’ Brooks, Mel, and Glazier, Sidney. 2004. ‘The Producers.’ Bryman, Alan. 1995. Disney and His Worlds. London: Routledge. Christopher Gittings. 2001. ‘“Zero Patience”, Genre, Difference, and Ideology: Singing and Dancing Queer Nation’. Cinema Journal 41(1):28–39. Clements, Ron, and Musker, John. 2006. ‘The Little Mermaid.’ Cohan, Steve. 2002. ‘“Feminizing” the Song and Dance Man: Fred Astaire and the Spectacle of Masculinity in the Hollywood Musical’. in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge. Cohan, Steven. 2000. ‘Case Study: Interpreting Singin’ in the Rain.’ Pp. 53–75 in Reinventing film studies. London: Arnold. Cohan, Steven. 2001. ‘Judy on the Net: Judy Garland, Fandom and the “Gay Thing Revisited”.’ Pp. 119–36 in Keyframes: popular cinema and cultural studies. London: Routledge. Cohan, Steven. 2005. Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical. Durham, N.C.: Duke University Press. Comolli, Jean Louis. 1966. ‘Dancing Images: Busby Berkeley’s Kaleidoscope.’ Cahiers Du Cinema in English (2). Condon, Bill. 2006. ‘Dreamgirls.’ Davis, Amy M. 2006. Good Girls and Wicked Witches: Women in Disney’s Feature Animation. Eastleigh: John Libbey. Diawara, Manthia. 1993. Black American Cinema. Vol. AFI film readers. New York, N.Y.: Routledge. Donen, Stanley. 2005. ‘Seven Brides for Seven Brothers.’ Dyer, Richard. 1993. ‘And I Seem to Find the Happiness I Seek: Heterosexuality and Dance in the Musical.’ Pp. 49–95 in Dance, gender and culture. Basingstoke: Macmillan. 2/7 10/01/21 The Musical - Niall Richardson - P3070 | Sussex University Dyer, Richard. 2002a. ‘Entertainment and Utopia.’ in Only entertainment. New York: Routledge. Dyer, Richard. 2002b. ‘Entertainment and Utopia.’ in Only entertainment. New York: Routledge. Dyer, Richard. 2002c. ‘Getting Over the Rainbow.’ in Only entertainment. New York: Routledge. Dyer, Richard. 2002d. ‘Introduction.’ in Only entertainment. New York: Routledge. Dyer, Richard. 2002e. ‘Judy Garland and Camp.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge. Dyer, Richard. 2002f. ‘The Idea of Entertainment.’ in Only entertainment. New York: Routledge. Feuer, Jane. 1993. ‘Dream Worlds and Dream Stages.’ in The Hollywood musical. Basingstoke: Macmillan. Feuer, Jane. 2002. ‘The Self-Reflective Musical and the Myth of Entertainment.’ Pp. 31–40 in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge. Feuer, Jane. 2004. ‘A Postscript for the 90s.’ in Popular Music: Critical Concepts in Media and Cultural Studies. Vol. 2. The Rock Era, edited by S. Frith. Routledge. FitzGerald, Louise, and Williams, Melanie, eds. 2012. Mamma Mia!: The Movie : Exploring a Cultural Phenomenon. London: I.B. Tauris. Fleming, Victor. 2005. ‘The Wizard of Oz.’ Flinn, C. 1995. ‘The Deaths of Camp.’ Camera Obscura: Feminism, Culture, and Media Studies 12(2 35):52–84. doi: 10.1215/02705346-12-2_35-52. Garland, Judy, and Sidney, George. 2005. ‘The Harvey Girls.’ Glover, Carol J. 2002a. ‘Dancin’ in the Rain.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge. Glover, Carol J. 2002b. ‘Dancin’ in the Rain.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge. Grant, Barry K. 2008. ‘Science Fiction, Double Feature: Ideology in the Cult Film.’ in The cult film reader. Maidenhead: Open University Press. Grant, Barry Keith. 2000. ‘Second Thoughts on Double Features: Revisiting the Cult Film.’ in Unruly pleasures: the cult film and its critics. Guildford: FAB Press. Gubar, Susan. 2006. ‘RACIAL CAMP in The Producers and Bamboozled.’ Film Quarterly 60(2):26–37. doi: 10.1525/fq.2006.60.2.26. 3/7 10/01/21 The Musical - Niall Richardson - P3070 | Sussex University Hebdige, Dick. 2005. ‘Dis-Gnosis: Disney and the Re-Tooling of Knowledge, Art, Culture, Life Etc.’ Pp. 37–52 in Rethinking Disney: private control, public dimensions. Middletown, Conn: Wesleyan University Press. Hershfield, Joanne. 2001. ‘Dolores Del Rio, Uncomfortably Real: The Economics of Race in Hollywood’s Latin American Musicals.’ in Classic Hollywood, classic whiteness. Minneapolis, Minn: University of Minnesota Press. Hoberman, J., and British Film Institute. 1993. 42nd Street. Vol. BFI film classics. London: B.F.I. Publishing. Iscove, Robert. 1997. ‘Rodgers & Hammerstein’s Cinderella.’ Kaufman, Gerald, and British Film Institute. 1994. Meet Me in St Louis. Vol. BFI film classics. London: BFI. Kilgore, John. 1986. ‘Sexuality and Identity in the Rocky Horror Picture Show.’ in Eros in the mind’s eye: sexuality and the fantastic in art and film. New York: Greenwood. Kinder, Marsha. 2002. ‘Moulin Rouge.’ Film Quarterly 55(3):52–59. doi: 10.1525/fq.2002.55.3.52. Kleiser, Randal. 2002. ‘Grease.’ Lima, Kevin. 2008. ‘Enchanted.’ Lloyd, Phyllida. 2008. ‘Mamma Mia!’ Lopez, Ana M. 1993. ‘Are All Latins from Manhattan? Hollywood, Ethnography, and Cultural Colonialism.’ Pp. 67–80 in Mediating two worlds: cinematic encounters in the Americas. London: BFI Publishing. McArthur, Colin. 2003. Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema. Vol. Cinema and society series. London: I. B. Tauris. Medhurst, Andy. 1997. ‘Camp.’ in Lesbian and gay studies: a critical introduction. London: Cassell. Mellencamp, Patricia. 2002. ‘Sexual Economics: Gold Diggers of 1933.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge. Minnelli, Vincente. 2003. ‘Gigi.’ Minnelli, Vincente. 2006. ‘Cabin in the Sky.’ MGM musicals. Minnelli, Vincente. 2007a. ‘The Pirate.’ Minnelli, Vincente. 2007b. ‘The Pirate.’ Minnelli, Vincente, and Benson, Sally. 2004. ‘Meet Me in St Louis.’ Minnelli, Vincente, and Lerner, Alan Jay. 2005. ‘Brigadoon.’ 4/7 10/01/21 The Musical - Niall Richardson - P3070 | Sussex University Mizejewski, Linda. 2002a. ‘Beautiful White Bodies.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge. Mizejewski, Linda. 2002b. ‘Beautiful White Bodies.’ in Hollywood musicals, the film reader. Vol. In focus--Routledge film readers. London: Routledge. Naremore, James. 1993. ‘Uptown Folk: Cabin in the Sky.’ Pp. 51–70 in The films of Vincente Minnelli. Vol. Cambridge film classics. Cambridge: Cambridge University Press. Parker, Trey, and Stone, Matt. 2005. ‘Team America: World Police.’ Pattullo, Lauren. 2007. ‘Narrative and Spectacle in the Hollywood Musical: Contrasting the Choreography of Busby Berkeley and Gene Kelly.’ Research in Dance Education 8(1):73–85. doi: 10.1080/14647890701272878. Preminger, Otto. 2004. ‘Carmen Jones.’ Richard Dyer. 2002. ‘The Color of Entertainment.’ Pp. 36–45 in Only entertainment. New York: Routledge. Robertson, Pamela, 1964-. 1996. Guilty Pleasures: Feminist Camp from Mae West to Madonna. Durham: Duke University Press. Roberts, Pamela. 2002. ‘Feminist Camp in Gold Diggers of 1933.’ in
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