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My Brilliant Career, by Miles Franklin
The Project Gutenberg eBook, My Brilliant Career, by Miles Franklin This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: My Brilliant Career Author: Miles Franklin Posting Date: December 16, 2010 [eBook #11620] Release Date: March 17, 2004 [Last updated: June 6, 2011] Language: English ***START OF THE PROJECT GUTENBERG EBOOK MY BRILLIANT CAREER*** E-text prepared by an anonymous Project Gutenberg contributor MY BRILLIANT CAREER MILES FRANKLIN 1901 PREFACE A few months before I left Australia I got a letter from the bush signed "Miles Franklin", saying that the writer had written a novel, but knew nothing of editors and publishers, and asking me to read and advise. Something about the letter, which was written in a strong original hand, attracted me, so I sent for the MS., and one dull afternoon I started to read it. I hadn't read three pages when I saw what you will no doubt see at once —that the story had been written by a girl. And as I went on I saw that the work was Australian—born of the bush. I don't know about the girlishly emotional parts of the book—I leave that to girl readers to judge; but the descriptions of bush life and scenery came startlingly, painfully real to me, and I know that, as far as they are concerned, the book is true to Australia —the truest I ever read. -
The Not Quite Real Miles Franklin: Diaries As Performance
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online The Not Quite Real Miles Franklin: Diaries as Performance SANDRA KNOWLES, UNIVERSITY OF NEW SOUTH WALES “Did she not threaten us all with her diary, to be published when she was safely dead?” (Marjorie Barnard qtd. in Carole Ferrier, As Good as a Yarn with You 21) With the recent publication of The Diaries of Miles Franklin by Paul Brunton, this famous Australian author has once again entered into our national consciousness. Regarded by both critics and colleagues as a mysterious, private person, Franklin’s diaries would appear to provide the long awaited story of her intimate life. In Carole Ferrier’s publication of letters, As Good as a Yarn with You, she records Katharine Susannah Pritchard’s posthumous description of the author as “a sim- ple, loveable person, and yet more than that. Somebody we never knew” (6). Marjorie Barnard similarly commented, “Who knows exactly what Miles felt— even when she told you?” (qtd. in Ferrier 6). Ferrier also writes that in her letters, “Franklin does not generally reveal a great deal about her personal life” (6). Brunton’s publication has been eagerly received. This edition celebrates Franklin as a na- tional icon, and also conforms to public and private discourses by portraying the Franklin diary subject as an authentic representation of the once living writer. However, there are many features in Franklin’s diary manuscripts that indicate they were clearly intended for publication. -
Biographical Information
BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England. -
The Rise of the Australian Novel
Richard Nile The Rise of the Australian Novel (PhD Thesis, School of History University of New South Wales, December 1987) UNIVERSITY OF N.S.W. - 8SEP 1988 LIBRARY TABLE OF CONTENTS PAGE INTRODUCTION 1 CHAPTER 1 PRODUCTION 34 CHAPTER 2 PROFESSIONAL! SAT ION 91 CHAPTER 3 CENSORSHIP 140 CHAPTER 4 REPUTATION 183 CHAPTER 5 MODERNISM 225 CHAPTER 6 WAR 268 CHAPTER 7 INDUSTRIALISM 312 CONCLUSION 357 APPENDICES 362 BIBLIOGRAPHY 378 THIS THESIS IS MY OWN WORK this thesis is dedicated to weirdo Those who read many books are like the eaters of hashish. They live in a dream. The subtle poison that penetrates their brain renders them insensible to the real world and makes them prey of terrible or delightful phantoms. Books are the opium of the Occident. They devour us. A day is coming on which we shall all be keepers of libraries, and that will be the end. (Anatole France 1888) I was wondering about the theory of the composite man. The man who might evolve in a few thousand years if we broke down all the barriers. Or if they broke themselves down, which is more likely. A completely unrestricted mating - black, white, brown, yellow, all the racial characteristics blended, all the resulting generations coming into the world free of the handicaps that are hung round the necks of half-casts now. (Eleanor Dark 1938) ACKNOWLEDGEMENTS To write this history of Australian literature was as difficult as it was enjoyable. Many times I felt very alone, locked into a private world of books and ideas. Yet many people expressed interest in this project and offered their support. -
State Library of NSW, Sydney Australia Rachel Franks And
Franks and Galassi A war of words State Library of NSW, Sydney Australia Rachel Franks and Monica Galassi A war of words: reading conflict in the writings of Miles Franklin Abstract: In Bring the Monkey: a light novel (1933), Miles Franklin, in her only work of crime fiction, queries the almost universal veneration of the war veteran. In addition to issuing challenges to readers, throughout this work, on matters of class constructed disadvantage and discrimination based on gender, Franklin calls into question the idea of the military hero; with a recipient of the Victoria Cross posited as the novel’s villain. In this way the text serves to normalise the need to question all that is around us, even if those questions are controversial and are deliberately at odds with both political and popular efforts to construct a national narrative. In 1951 Franklin penned a more overtly anti-war work, The Dead Must Not Return, a play in two acts. Drawing on the social commentaries within these two texts, and the Miles Franklin Papers held at the State Library of NSW, this paper explores the ethics of writing about war. In particular this paper highlights the role non-combatants can play in producing commentaries on conflict, thus destabilising traditional accounts that often privilege white masculinity and subsequently marginalise civilian, female contributions to national war efforts. Moreover, this paper seeks to acknowledge the impact of war – as expressed through the creative writing practice of Miles Franklin – upon all members of society. Biographical notes: Dr Rachel Franks is the Coordinator, Education & Scholarship, State Library of NSW and a Conjoint Fellow, University of Newcastle. -
The Unpublished Plays of Miles Franklin
The Unpublished Plays of Miles Franklin Jocelyn Hedley Master of Arts (Research) 2007 Faculty of Arts University of New South Wales THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hedley First name: Jocelyn Other name/s: Patricia Abbreviation for degree as given in the University calendar: MRes School: English, Media and Performing Arts Faculty: Arts Title: The Unpublished Plays of Miles Franklin Abstract 350 words maximum: (PLEASE TYPE) With the publication of her novel, My Brilliant Career, in 1901, Miles Franklin became the darling of the Sydney literati. Great things were expected of the little girl from the bush. But five years later, nothing had eventuated; her talent, Miles thought, was barely recognised in Australia. In the hope of gaining greater writing opportunities, she shipped to Chicago where she became involved in social reform. It was hard work and ill paid, and though she bewailed the fact that it sapped her writing energy, she nonetheless felt a commitment to the cause such that she remained for almost a decade. In her spare time, though, she continued to write – and not just prose. More and more she wrote for the theatre, attempting to push into a world of which she had always dreamed. Blessed with a beautiful singing voice, she had long desired to be on the stage. This was impossible, though; her voice, she believed, had been ruined by bad training in her youth. To write for the stage, then, though a poor substitute, was at least in the field of her original ideal. Miles’ plays, though, are not remembered today, and are little thought of in scholarship, are considered, in fact, to have failed. -
DONAT GALLAGHER a GREAT AUSTRALIAN Cohn
DONAT GALLAGHER A GREAT AUSTRALIAN Cohn Roderick, Miles Franklin: Her Brilliant Career. Adelaide: Rigby, 1982. $19.99. 199 pp. Nowadays Miles Franklin is best known as the author of her first novel, written when she was only twenty years old and titled with conscious irony My Brilliant Career. My Career Goes Bung was written two years later. Both titles are prophetic, both misleading. Stella Maria Sarah Miles Franklin was never to become a "success," if success is measured by sales and critical acclaim, by offices held or honours received. Large numbers of her rejected manuscripts have never been printed. Of all her many books only My Brilliant Career and All That Swagger sold at all well or received recognition in her lifetime. Until the revival of feminism and the renascence of the Australian film industry brought My Brilliant Career back into well-deserved prominence, All That Swagger was her only work still read, and then mainly by students of Australian literature. Apart from a few private testimonials, Stella's devoted work for feminist and trade union causes went unhonoured. Her only significant memorial, the annual Miles Franklin Award for an Australian novel or play, was created by herself. But from another point of view Stella's life was inspiring. The issues to which she principally devoted her energies apart from her own writing were Feminism, Trades Unionism, Austra- lianism and Australian Literature. It is open to anyone to withhold sympathy from any of these causes, or to quarrel with Stella's understanding of them. But it is impossible to follow her life through Professor Cohn Roderick's new biography, Miles Franklin: Her Brilliant Career, without being moved by the self-sacrifice, energy, persistence and courageous humour which marked her devotion. -
The Diaries of Miles Franklin. Crows Nest: Allen & Unwin, 2004
PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: «OCC5 First name: Other name/s: Abbreviation for degree as given in the University calendar: ^ School: H^Oia ANO PfiftFOB^KlAi^ AiLtS Ps ycHiC WAitiMC fOfi^THe HC^L M/US fnAf^iCUi^ Abstract 350 words maximum: (PLEASE TYPE) Current scholarship on Miles Franklin emphasises the gaps and contradictions of a secretive and mysterious author. The eagerly awaited release of her private papers was marked by Paul Brunton's 2004 publication of her diaries, an edition that has been conceived and understood as a revelation of "the real Miles Franklin" (Lecture Title, State Library). This thesis disrupts the concept of a "real" Franklin by arguing that these diaries, in their manuscript form, give us more delay. Foregrounding the performative guises of the private diary subject, this thesis establishes that we are, and will always be, waiting for the real Miles Franklin to arrive. The insights of diary and textual theories illuminate Franklin, I will argue, as one who seeks the proliferative creativity of the anonymous author, and who would use her diary writing to escape definition within public discourse. Yet the tension between creativity and the daily enables us to see how potential is distorted into waiting in the surrogate space of these diaries, as Franklin seeks protection within the nostalgia of a national past and an Edenic vision of the future. This vantage point directs us to identify, as will be seen, the vulnerabilities and instabilities of this space for Franklin, as it implicates her in the dilemma of her times. -
Australian Women Writers 1900-1950
An exhibition of material from the Monash University Library Rare Books Collection Australian Women 29 March to 31 July 2007 Writers 1900-1950 Exhibition room, level 1, ISB Wing, Sir Louis Matheson Library, Clayton campus Item 17 Image from cover of Coonardoo : the well in the shadow, by Katharine Susannah Prichard. London, Jonathan Cape, 1929 cover credits thanks Item 60 Cover of The glasshouse, by Exhibition and catalogue by Associate Thanks to art historian, Dr Janine Burke, M Barnard Eldershaw. London, Harrap, Professor Maryanne Dever and Dr Ann for opening the exhibition. Thanks to 1936 Vickery, Centre for Womens Studies and Rare Books Assistant, Lorraine David for Gender Research, Monash University. organisational work, particularly at the Copies of the catalogue are available opening; to the Publications and Web from Rare Books Collection, Library, Assistant, Rosemary Miller, for her design Box 4, Monash University, Victoria, 3800 skills; and to Iris Carydias for preparing the Australia. electronic catalogue An electronic version of this catalogue, with additional illustrations, is available at the Monash University Library website. Electronic catalogue prepared by Iris Carydias www.lib.monash.edu.au/exhibitions/ 1 Australian Women Writers 1900-1950 An exhibition of material from the Monash University Library, Rare Book Collection Introduction Writing produced by women in the first half of the twentieth century challenged previously given roles of gender and negotiated a rapidly changing social climate. Australia became an independent nation in 1901. By 1903 it was the only country where white women could both vote and stand for national parliament. Women’s writing between 1900 and 1950 reflected the suffrage movement, as well as the effects of Federation, two World Wars, increasing industrialisation and urbanisation, women entering the workplace, and emergent discourses of sexology and psychology. -
Sf Commentary 87
SF COMMENTARY 87 April 2014 80 pages MICHAEL BISHOP FEATURE: MICHAEL BISHOP PAUL DI FILIPPO CONTRIBUTORS: Doug Barbour Greg Benford Larry Bigman Michael Bishop Ned Brooks Jennifer Bryce Jason Burnett Stephen Campbell Cy Chauvin Peggyann Chevalier Gian Paolo Cossato Paul Di Filippo Brad Foster Ditmar (Dick Jenssen) Leigh Edmonds Brad Foster Bruce Gillespie Steve Jeffery Jerry Kaufman Rick Kennett Carol Kewley David Lake Dave Langford Fred Lerner Patrick McGuire Tim Marion DJ Frederick Moe Murray Moore Richard Mordern Ian Nichols Lloyd Penney Gillian Polack Mark Plummer Yvonne Rousseau Guy Salvidge Steve Sneyd Milt Stevens Steve Stiles Joe Szabo Tim Train Taral Wayne Robyn Whiteley Martin Morse Wooster Pete Young Cover: Steve Stiles SF COMMENTARY 87 April 2014 80 pages SF COMMENTARY No. 87, April 2014, is edited and published in a limited number of print copies by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Phone: 61-3-9435 7786. Preferred means of distribution .PDF file from eFanzines.com: Portrait edition (print equivalent) or Landscape edition (widescreen): http://efanzines.com or from my email address: [email protected]. Front cover: Steve Stiles: ‘Night Flight’. Back cover: Carol Kewley: ‘Venus’. Artwork: Brad Foster (p. 43); Joe Szabo (pp. 47, 48); Gian Paolo Cossato (p. 56); Dino Battaglio (p. 57). Photographs: Helena Binns (p. 3); Richard Mordern (pp. 5, 6); Bruce Gillespie (p. 7); The Age (p. 11); Murray Moore (p. 55); Jeff Kleinbard (p. 73). 14 MICHAEL BISHOP FEATURE 43 FIRST, THE LETTERS ... 14 Unaimed -
35-40.Pdf (481.8Kb)
LA TROBE UNIVERSITY ESSAY A Comet of Wonder Fallen to Earth: The Diaries of Miles Franklin Paul Brunton HEN MILES FRANKLIN received her six she met such movers and shakers in the world of feminism complimentary author’s copies of My Brilliant and social action as Rose Scott and Vida Goldstein. Even W Career in September 1901 at her family’s property, the governor-general, Lord Tennyson (son of the poet), wrote Stillwater, twenty kilometres south-west of Goulburn, she was in his own hand to Franklin to say how much he had enjoyed a few weeks short of her twenty-second birthday. the book. All in all, this was a heady moment for a young bush It must have been a moment of intense pride to hold the girl who had finished her formal education at sixteen. She sturdily bound copy of her first novel, published by the wanted desperately to be a writer, she liked the limelight distinguished Edinburgh firm of William Blackwood & Sons. and she sought fame and fortune. The book received many positive, though not uncritical, It didn’t last. reviews both in Australia and Britain. In the Bulletin of Although famous for a while, Franklin made no money. 28 September, under the heading The consequence of publishing in Brit- ‘A Bookful of Sunlight’, A.G. Stephens, ain was that copies of her book sold the doyen of Australian critics, wrote: in Australia attracted a much reduced royalty. In May 1904 she said her total It is the very first Australian novel to be earnings from the book had been published … the book is not a notable £24 and a few shillings. -
The Critical Reception of Miles Franklin
GLEN THOMAS Reading Women's Writing: The Critical Reception of Miles Franklin In a comparison of the critical reception of David Ireland's The Glass Canoe and Helen Gamer's Monkey Grip, Paul Salzman has demonstrated that women writers are often subject to a "vitriolic reception", due to what may be termed masculinist reading practices. In Salzman's survey the representations of the two authors also differed markedly; Ireland was represented as a "Joycean craftsman" while Garner found herself "pigeonholed along with her work" (Salzman 544). This model of the reception of women's writing is equally applicable to the reception and later critical stature of Miles Franklin. Franklin, like Gamer, was found to be an author whose works lacked an over- riding sense of structure and was read as a primarily autobiographical novelist. Franklin's novels were quickly disparaged after her death in 1954, and it is arguable that revisionist criticism of Franklin has revived and appropriated the pejoratives of an earlier generation of reading. What may be necessary then is a new or alternative model/frame of reading where previously privileged ideas are displaced, and instead texts are read for aspects of difference from what is perceived as dominant. In the spate of histories of Australian literature that were published in the 1960s, Franklin was regarded as "overpraised" (Hadgraft 166), lacking in depth and sophistication, as well as "immature", "slight", "odd" and "artless" (Hadgraft 164). In 1961 H.M. Green read the Franklin oeuvre as characterised by "perversities and clumsiness of presentation"; these are novels which are "seldom deep" and written in a style which is "guilty of a jargon that is excruciating" (Green 638).