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58 Hitch – Der Date-Doktor
Wettbewerb/IFB 2005 HITCH Außer Konkurrenz HITCH – DER DATE-DOKTOR HITCH Regie: Andy Tennant USA 2004 Darsteller Alex „Hitch“ Hitchens Will Smith Länge 113 Min. Sara Melas Eva Mendes Format 35 mm, Albert Brennaman Kevin James Cinemascope Allegra Cole Amber Valletta Farbe Ben Michael Rapaport Max Trundle Adam Arkin Stabliste Sven Casper Andreas Buch Kevin Bisch Casey Julie Ann Emery Kamera Andrew Dunn Tanis Ato Essandoh Kameraführung David Knox Marla Amy Hohn Schnitt Troy Takaki Cressida Robinne Lee Tracey Wadmore- Kim Rebecca Mader Smith Mika Navia Nguyen Schnittassistenz Matt Evans Raoul Maulik Pancholy Ton T.J. O’Mara Mandy Paula Patton Musik George Fenton Saras Schwester Mercedes Renard Production Design Jane Musky Neil Kevin Sussman Ausstattung Ellen Christiansen Art Director Patricia Woodbridge Requisite Martin Lasowitz Will Smith, Eva Mendes Kostüm Marlene Stewart Regieassistenz Scott Printz Casting Kathleen Chopin HITCH – DER DATE-DOKTOR Produktionsltg. Justin Morrit „Egal wie, egal wann, egal wer: Jeder Mann hat die Chance, eine Frau von Executive Producers Michael Tadross den Füßen zu fegen – vorausgesetzt, er hat den richtigen Besen.“ So lautet Wink Mordaunt eine der Weisheiten von Alex „Hitch“ Hitchens, und der muss es wissen, Produzenten James Lassiter denn Hitch, genannt der „Date-Doktor“, ist New Yorks erfolgreichster Heirats- Will Smith Teddy Zee vermittler und dabei ein Meister seines Fachs. Er verschafft jedem noch so Co-Produktion Overbrook Entertain- mittelmäßigen Typen ein Rendezvous mit dessen Traumfrau. Sein Erfolgs- ment, Beverly Hills geheimnis? Er bringt normale Jungs mit außergewöhnlichen Frauen zusam- men. Denn Hitch weiß, was Frauen wünschen, und hat alle Tricks drauf. Dank Produktion seiner genialen Flirt-Tipps und guten Kontakte arrangiert Hitch für seine Columbia Pictures Corporation 10202 West Washington Blvd. -
THE SLANG WORDS USED in the HITCH FILM by ANDY TENNANT THESIS Submitted to the Board Examiner in Partial Fulfillment of the Requ
THE SLANG WORDS USED IN THE HITCH FILM BY ANDY TENNANT THESIS Submitted to the Board Examiner In Partial Fulfillment of the Requirement For Literary Degree at English Literature Department by ROSA S NIM. AI.140269 ENGLISH LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SULTHAN THAHA SAIFUDDIN JAMBI 2018 ii iii iv MOTTO Artinya : dan diantara tanda tanda kekuasaan-Nya ialah menciptakan langit dan bumi dan berlain lainan bahasamu dan warna kulitmu. Sesungguhnya pada yang demikian itu benar benar terdapat tanda tanda bagi orang-orang yang mengetahui.Q.R. Surat Ar-Ruum, ayat 22).1 Meaning: And among His Signs is the creation of the heavens and the earth, and the difference of your langguages and colors. Verily, in that are indeed signs for men of sound knowledge.2 1 Guruandroid, Al- Quran & Terjemahan Indonesia 2 M.Taqi „Ud Din Al-HIlali, M.Muhsin Khan. (1984).Translation of the Meaning of the Noble Al-Quran in the English Language. Madinah: King Fahd Complex for the Printing of the Holy Quran. P.518 v DEDICATION بِسْمِاللََّهِ الرََّحْمَنِالرََّحِيم I thank to Allah SWT, who has given me the guidance, powerful and blessing so that I can accomplish this thesis. Shalawat and salamto Prophet Muhammad SAW who has brought human‟s life from Jahiliyyah to Islamiyyah. Proudly, I dedicate this thesis to my beloved mother (Sarniwati), father (Abdul Zabur), lovely sisters and brother (Rosi S, Nurazizah, and Peper S). They are the one and only who never stop loving, praying and supporting me in the rest of my life. They are the lights in the dark, the smile in the tears, and the warm hugs in feeling down. -
NIKKI GOOLEY Make-Up and Hair Designer/Supervisor
NIKKI GOOLEY Make-Up and Hair Designer/Supervisor FILM I AM WOMAN Make-Up and Hair Designer IAW Movie Pty Limited Director: Unjoo Moon THE GARDEN OF EVENING MISTS Make-Up and Hair Designer Biscuit Films Director: Tom Lin THE NIGHTINGALE Hair and Make-Up Designer Causeway Films Director: Jennifer Kent TRUTH Department Head and Personal Hair Make-Up Artist to Sony Pictures Classics Cate Blanchet Director: James Vanderbilt Producers: Mikkel Bondesen, Brad Fischer, William Sherak, James Vanderbilt FELONY Make-Up and Hair Designer Benaroya Pictures Director: Matthew Saville Producers: Rosemary Blight, Craig Chapman, Joel Edgerton, Ben Grant Myles Nestel, Lisa Wilson THE SAPPHIRES Make-Up and Hair Designer/Supervisor Goalpost Pictures Director: Wayne Blair Cast: Chris O’Dowd, Jessica Mauboy, Deborah Mailman, Tory Kittles X-MEN ORIGINS: WOLVERINE Make-Up and Hair Designer/Supervisor 20th Century Fox, Marvel Director: Gavin Hood Producers: Richard Donner, Louis G. Friedman, Hugh Jackman, Stan Lee, Peter MacDonald, John Palermo, Lauren Shuler Donner, Ralph Winter Cast: Live Schreiber, Danny Huston, Lynne Collins NIM’S ISLAND Make-Up and Hair Designer 20th Century Fox, Walden Media, Personal Make-Up and Hair to Jodie Foster Summit Entertainment Directors: Jennifer Flackett and Mark Levin Producers: Alan Bell, Stephen Jones, Paula Mazur, Murray Pope Cast: Jodie Foster, Gerard Butler FOOL’S GOLD Make-Up and Hair Designer Warner Bros. Personal Hair Stylist to Matthew McConaughey Director: Andy Tennant Producers: Donald De Line, Jim Dyer, Bernie Goldmann, Stephen Jones, Jon Klane, Wink Mordaunt Cast: Matthew McConaughey, Ray Winston, Donald Sutherland THE MILTON AGENCY 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Telephone: 323.466.4441 Facsimile: 323.460.4442 Nikki Gooley [email protected] www.miltonagency.com Page 1 of 4 THE WATER HORSE Make-Up and Hair Designer/Supervisor Columbia Pictures, Director: Jay Russell Revolution Studios, Producers: Robert Bernstein, Charlie Lyons, Charles Newirth, Walden Media Barrie M. -
Playing Now Productions Team
Playing Now Productions Team: Kathy Macias, Founder, CEO & Chairman of the Board. An experienced executive in global banking, regulatory compliance, and funding management solutions across various industries including real estate, film, and technology, Ms. Macias has approximately 10 years of national & international experience integrating financial solutions and creating strategic financial planning with large financial institutions. With approximately 20 years of real estate management experience, Ms. Macias has been the lead partner in over 250 files totaling over $150 million in transactions. As President of JM Capital Investments, Ms. Macias main duties included setting a company’s strategic direction and managing performance against measurable objectives; establishing/managing corporate accounting/control and infrastructure; and leading multiple exit strategies. As President of A&E Solutions, Ms. Macias’ duties include real estate investment trusts and/or related mortgage assets. As President of TMSN/CMSI both real estate private equity funds that partners with property owners, real estate investors and Realtors to help create and negotiate multiple exit strategies for the client. As the Assistant to the Executive Vice President of Distribution for Sony/Columbia and Tri Star Pictures, was responsible for the completion of pictures budgeted at over $1.5 billion per year and supervised post-production for hundreds of major films including Casino Royale and other Bond movies, the Spider- Man series, the DaVinci Code, Bugsy, A Few Good Men, the Men in Black series and many more. As CEO of Playing Now Productions, Ms. Macias represents investors in the entertainment industry for Film and P&A. Kenneth Halsband, Head of Productions/Distribution. -
TITOLO Anna and the King REGIA Andy Tennant INTERPRETI Jodie Foster, Yun-Fat Chow, Ling Bai, Tom Felton, Keith Chin, Syed Alwi GENERE Romantico DURATA 140 Min
TITOLO Anna and the King REGIA Andy Tennant INTERPRETI Jodie Foster, Yun-Fat Chow, Ling Bai, Tom Felton, Keith Chin, Syed Alwi GENERE Romantico DURATA 140 min. - Colore PRODUZIONE USA - 1999 Nel 1862 Anna Leonowens, insegnante inglese da poco vedova, arriva nel Siam insieme al figlio adolescente. A Bangkok accetta di fare da precettrice ai 58 figli di re Mongkut, alla moglie ufficiale, alle concubine. “Quando una donna che ha cosi tanto da dire tace, il suo silenzio puo' essere assordante” Siamo in piena epoca vittoriana: l'insegnante inglese Anna Leonowens (il premio Oscar Jodie Foster, vista di recente in "Contact") viene chiamata dal re del Siam Mongkut (Chow Yun Fat, visto in "The corruptor" e "Costretti ad uccidere") ad istruire i suoi cinquantotto figli. Anna sa ben poco di questo sovrano, a parte il fatto che il popolo lo venera come un dio; giunta in Siam con una serie di preconcetti sul mondo orientale, si dovrà scontrare con Mongkut, che disapprova l'occidente e soprattutto questa impertinente inglese. Ma con il passare del tempo Anna e il Re cominciano a trovare diversi punti in comune. Lei capisce che Mongkut è un uomo di grandi ideali che agisce solo nell'interesse del suo paese affinché il Siam possa trovare la giusta collocazione nel mondo moderno, ed il re non fatica a capire che Anna brilla di una luce che illumina non solo lui e la sua famiglia, ma l'intera nazione. Girato in Malesia (il Governo tailandese non ha concesso alla produzione di girare entro i confini) dal regista Andy Tennant (autore di "La leggenda di un amore: Cinderella") il film è tratto da una storia vera ed è stato fatto con dovizia di particolari. -
Ever After Free
FREE EVER AFTER PDF Kim Harrison | 516 pages | 29 Oct 2013 | HarperCollins Publishers Inc | 9780061957925 | English | New York, United States Ever After - Wikipedia In order to stand out in the podcast world nowadays, a field that has only gotten more crowded since the pandemic started, one needs the perfect combination of host Ever After concept. And a lot of people are quarantined. A lot of people on their ranches and in the mountains Ever After the Internet's not great. So I was just kinda like, what could I think of? And it was just like, I love Dr. I just think the dude is hysterical. And so Audio Up reached out and he was like, now I got an idea on how to even flip it even better. I'm going to write it right now. It has to have been your decision to have been in the business, even at a young, young age. White initially conceived Ever Ever After as a TV show, and Ever After shot a pilot for it, but had to rethink everything once the pandemic hit. A producer on the project suggested it be redeveloped as a podcast, and the result has been more fruitful conversations than White had initially imagined. And a lot of people like to create clickbait headlines. Instead, White and his fellow former child stars first give credit to the hard, complicated work they did at the beginning of their careers. So I don't think people realize just how many hours we put in. Ever After being on a set, or being Ever After front of the camera, behind the camera, on a promotions trail We're all so used to that. -
Re-Engendering “Cinderella” on Screen: Andy Tennant's Ever After
Re-engendering “Cinderella” on Screen: Andy Tennant’s Ever After: A Cinderella Story Alexandra Cheira University of Lisbon Centre for English Studies – CEAUL / ULICES ISSN: 0873-0628ANGLO SAXONICA SER. III N. 7 2014 Re-engendering “Cinderella” on Screen: Andy Tennant’s Ever After: A Cinderella Story he enchanted realm of the wonder tale has been gazed upon quite often by novelists, short-story authors and even poets, who have Timaginatively translated into their creations their own personal wanderings in wonderland. In the particular case of “Cinderella”, the wonder tale I want to focus on, Anne Sexton, Roald Dahl and Emma Donoghue can be counted among the contemporary authors who have reread Charles Perrault’s and the Grimms’ versions by rewriting them in poems and short stories. In so doing, “they have also stretched the tales, giving them a modern, feminist appearance by reversing or highlighting many of the perverse misogynistic views with which the source texts were imbued” (Bobby 31). The wonder tale realm has also been inhabited by literary scholars and folklorists who continue to find fresh meanings in new readings of old tales and have, more often than not, brought critical attention to neglected or forgotten tales by first making them available for the public in general, thus opening more doors into Wonderland. A case in point is Jack Zipes’s collection The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm (2001), which gathers together the four different versions of “Cinderella” which I will presently bring into discussion. In fact, alongside the well-known Perrault’s “Cinderella; or, the Glass Slipper” (1697) and the Grimms’ “Cinderella” (1857), Zipes has also collected two former, and relatively unknown, versions: Giambattista Basile’s “The Cat Cinderella” (which was posthu - mously published in 1634) and Marie-Cathérine d’Aulnoy’s “Finette Cendron” (1697). -
1 CHAPTER I INTRODUCTION A. Background of the Study in Real Life, a Struggle Can Be Seen in a Society. Struggle Means Some Effor
CHAPTER I INTRODUCTION A. Background of the Study In real life, a struggle can be seen in a society. Struggle means some efforts to reach something. The struggle varies, such as struggle for justice, struggle to get a job, struggle to get a higher position on their profession, struggle for freedom, and struggle for life, struggle to get achievement, and also struggle for love. Many ways are used to make necessities come true. They can do everything to struggle something they need. Although struggle to get or reach something is hard, at least the better condition is able to reach. In the struggle to find love, people’s personality and life style change. People will try to be better when they meet someone that they love, because loves for them are important. Lack of love will make them feel anxious, bored and lonely. Love can make people feel: happy, sad, and angry. It makes people laugh and cry. Musbikin (2002: 30) says that love is sacred. It is given by Allah SWT, It’s priceless. It means everybody deserves love even though he or she has to struggle for it. Someone who is falling in love will always feel happy and tries to look better and better in front of the person that they love. They will do everything as a form of sacrifice. Although they realize that love is not always beautiful like our wish. Because of love our life has a meaning. 1 2 Hitch is a drama comedy, romantic movie which is Andy Tennant as the director. -
Myangel,Mysoul,Myotherself
““MMYY AANNGGEELL,, MMYY SSOOUULL,, MMYY OOTTHHEERR SSEELLFF”” PPAASSTT GGLLOORRIIEESS//FFUUTTUURREE RREEFFLLEECCTTIIOONNSS The last great literary/film venture from Columbia harkened all the way back to 1984 and Milos Forman Amadeus for its muse and inspiration. Under director Bernard Rose, Immortal Beloved (1994) became an intense and engaged detailing of the flawed and tragic life of composer Ludwig von Beethoven. Once again, more speculation than fact proved the order of the day in this bio-pic. The crux of the film’s narrative derives from a mysterious letter found after Beethoven’s death, bequeathing all of his worldly possessions to an ‘immortal beloved.’ Although scholars and musicologists have yet to agree on the origins of this mystery woman, director/writer Rose chose to conduct my own research from original sources, letters, court transcri pts, conversation books and most of all, Beethoven’s music. “I soon realized,” Rose would later write, “…that there is no imaginable way of conclusively proving such a thing as the recipient of an unaddressed letter a hundred and ninety years ago.” Not that that stopped Rose from trying. Buttressed by a formidable performance from chameleon character actor, Gary Oldman and a stellar screenplay which kept one guessing until the very end, Immortal Beloved emerged as a probable fiction – fairly accurate and wholly satisfying as epic entertainment, perhaps most efficiently summarized by film critic Roger Ebert as “…clearly…made by people who feel Beethoven directly in their hearts.” (Above: Gary Oldman as Beethoven – a powerful performance virtually overlooked at Oscar time. Right: will the real ‘immortal beloved’ please stand up. -
Sophie De Rakoff Costume Designer
SOPHIE DE RAKOFF COSTUME DESIGNER SELECTED FEATURE FILMS: Of men and mavericks Director: Curtis Hanson Studio: Fox Talent: Jonny Weston, Gerard Butler and Elisabeth Shue This Means War Director: McG Studio:Fox Talent: Reese Witherspoon, Chris Pine, Tom Hardy The Bounty Hunter Director: Andy Tennant Studio:Sony Talent: Jennifer Aniston, Gerard Butler Four Christmases Director: Seth Gordon Studio: New Line Cinema Talent: Reese Witherspoon, Vince Vaughn, Robert Duvall The Informers Director: Gregor Jordan Studio: Senator Film Produktion GmbH Talent: Billy Bob Thornton, Mickey Rourke, Winona Ryder Fever Pitch Director: The Farrelly Brothers Studio: Fox 2000 Talent: Drew Barrymore, Jimmy Fallon In Her Shoes Director: Curtis Hanson Studio: Fox 2000 Talent: Cameron Diaz, Toni Colette Just Like Heaven Director: Mark Waters Studio: DreamWorks SKG Talent: Reese Witherspoon, Mark Ruffalo Shall We Dance Director: Peter Chelsom Studio: Miramax Films Talent: Jennifer Lopez, Richard Gere, Susan Dallas 362 Director: Scott Caan Studio: Sunlion Films Talent: Scott Caan, Jeff Goldblum, Selma Blair Grand Theft Parsons Director: David Caffrey Studio: Lionsgate U.K. Talent: Johnny Knoxville, Michael Madden Legally Blond 2 Director: Charles Herman Wurmfeld Studio: Metro-Goldwyn-Mayer Pictures (MGM) Nomination: CDG Award for Best Costume Talent: Reese Witherspoon, Sally Field All About The Benjamins Director: Kevin Bray Studio: New Line Cinema Talent: Ice Cube, Mike Epps Sweet Home Alabama Director: Andy Tennant Studio: Buena Vista Production Group Talent: Reese -
Television Academy Awards
2020 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance Big Mouth • How To Have An Orgasm • Netflix • Netflix Maya Rudolph as Connie the Hormone Monstress Central Park • Episode One • Apple TV+ • 20th Century Fox Television Leslie Odom, Jr. as Owen Crank Yankers • Bobby Brown, Wanda Sykes & Kathy Griffin • Comedy Central • Kimmelot, ITV, Central Productions, LLC Wanda Sykes as Gladys The Mandalorian • Chapter 8: Redemption • Disney+ • Lucasfilm Ltd. Taika Waititi as IG-11 The Simpsons • Better Off Ned • FOX • Gracie Films in association with 20th Century Fox Television Nancy Cartwright as Bart Simpson, Nelson, Ralph, Todd The Simpsons • Frinkcoin • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Professor Frink, Moe, Chief Wiggum, Carl, Cletus, Kirk, Sea Captain Outstanding Animated Program Big Mouth • Disclosure The Movie: The Musical! • Netflix • Netflix Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer Mark Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Co-Executive Producer Kelly Galuska, Supervising Producer Gil Ozeri, Supervising Producer Ben Kalina, Supervising Producer Shannon Prynoski, Supervising Producer Chris Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Mike L. Mayfield, Co-Supervising Director Nate Funaro, Produced by Emily Altman, Producer / Writer Victor Quinaz, Writer Bob Suarez, Director David Bastian, Animation Timer Edgar Larrazabal, Animation Timer Maureen Mlynarczyk, Animation -
Toni Barton Resume Online
TONI BARTON TELEVISION ARCHIVE 81 (Season 1: Production Designer) Netflix Showrunner: Rebecca Sonnenshine INVASION (Addl Prod Designer Morocco: Episodes 102, 105) Apple TV+ Showrunner: Andrew Baldwin Executive Producer: Amy Kaufman FOR LIFE (Season 1: Production Designer) ABC Showrunner: Hank Steinberg Producing Director: Russell Fine STUMPTOWN (Pilot: Production Designer) ABC Creator: Greg Rucka / Showrunner: / Director: ames Jason Richman J Griffiths JESSICA JONES (Seasons 3: Production Designer) Netflix/Marvel Showrunner: Melissa Rosenberg STAR (Seasons 2: Production Designer) Fox Creator: Lee Daniels / Tom Donaghy Showrunner: Karin Gist LUKE CAGE (Season 1: Production Designer: Episodes 112, 113) Netflix/Marvel Showrunner: Cheo Hodari Coker THE DEFENDERS (Season 1: Art Director) Netflix/Marvel Showrunner: Marco Ramirez IRON FIST (Season 1: Art Director) Netflix/Marvel Showrunner: Scott Buck JESSICA JONES (Season 1: Art Director) Netflix/Marvel Showrunner: Melissa Rosenberg DAREDEVIL (Season 1: Art Director) Netflix/Marvel Showrunner: Steven DeKnight STATE OF AFFAIRS (Pilot: Art Director) NBC Director: Joe Carnahan GIRLS (Seasons 2 - 3: Art Director) HBO Creator: Lena Dunham PEOPLE IN NEW JERSEY (Pilot: Art Director) HBO Director: Paul Feig PERSON OF INTEREST (Season 2: Art Director) CBS Creator: Jonathan Nolan THE BIG C (Seasons 3 - 4: Art Director) Showtime Creator: Darlene Hunt GEORGETOWN (Pilot: Art Director) ABC Director: Mark Piznarski RUBICON (Season 1: Art Director) AMC Showrunner: Henry Bromell SHERRI (Season 1: Art Director)