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France Artists and Exiles LSINDP / FRENCH 491 Spring 2018 UW-Whitewater 3 CREDIT FACULTY-LED TRAVEL STUDY APPLICATION LOCATION REQUIREMENTS Apply Online: Paris Minimum of 2.5 GPA, at least second semester freshman www.uww.edu/international status, & good disciplinary standing. Application deadline: DURATION Spring 2018 (Program) LANGUAGE OF INSTRUCTION: English May 23 – June 2, 2018 (If taken for French Credit, all coursework will be done Friday December 1st (Tentative travel) in French) After you apply to the program, apply for Course Selection: LSINDP / FRENCH 491 the WI Grant and Scholarships if eligible: http://www.uww.edu/international/globalexp THE PROGRAM eriences/financial-information/scholarships- and-grants Why did so many artists choose to work and live in Paris? In this course, we will attempt to answer that question as we explore Paris from a cultural and historical perspective, http://www.south-africa-tours-and- specifically looking at the reasons Paris provided such a fertile cultural environment for WI Grant Deadline: Oct 15 travel.com/images/university-witwatersrand- many expatriate artists, from the Lost Generation (such as Ernest Hemingway, James sat-studyabroadinsouthafrica.jpg Joyce, T.S. Eliot, and Pablo Picasso), to women (such as Gertrude Stein, Janet Flanner, and Scholarship Deadline: Nov 1 Sylvia Beach), and African American writers and artists (including Richard Wright, James Baldwin and Chester Himes). Beginning with a historical overview of France and Paris, we FACULTY CONTACTS will then delve deeper into a study of several individual artists and their works. During the travel portion, we will visit the great monuments and cultural highlights of Paris as well as Sheila Turek > [email protected] the cafés and other lesser-known treasures frequented by artists, to get a true feel for the Howard Ross > [email protected] Paris experience and understand the conditions in which these artists lived and worked. COORDINATOR CONTACT Dan Colleran > [email protected] [email protected] France Artists and Exiles LSINDP / FRENCH 491 Spring 2018 UW-Whitewater FEES AND EXPENSES THE TENTATIVE TRAVEL ITINERARY 23 May: Depart for Paris 29 May: Musée d'Orsay, Estimated Program Fee: Musée Rodin $3599 24 May: Explore Latin Quarter Napoleon’s Tomb Welcome Dinner FEES INCLUDE: Eiffel Tower at night 30 May: Free day in Paris Airfare and local transportation 25 May: The Louvre, Café tour 31 May: Guest lecture Local Tours/ Tour of Luxembourg Gardens 26 May: Walking Tour of Montmartre accommodations Arc de Triomphe & Indicated group meals 01 Jun: Left Bank tour Champs-Élysées Free time UW System academic Farewell dinner/cabaret abroad insurance 27 May: Explore local markets Opera Garnier 02 Jun: Fly back to Chicago *The estimated program fee is 28 May: Notre Dame, Ste-Chapelle & based on 14 paying participants. Île de la Cité, The actual program fee will be Palace of Versailles established mid-term when all Group dinner participants have obtained legal travel documents. Hyland Hall Suite 1227 Phone: 262-472-5759 www.uww.edu/international .

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Full Diss Reformatted II
“NEWS THAT STAYS NEWS”: TRANSFORMATIONS OF LITERATURE, GOSSIP, AND COMMUNITY IN MODERNITY Lindsay Rebecca Starck A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Gregory Flaxman Erin Carlston Eric Downing Andrew Perrin Pamela Cooper © 2016 Lindsay Rebecca Starck ALL RIGHTS RESERVED ii ABSTRACT Lindsay Rebecca Starck: “News that stays news”: Transformations of Literature, Gossip, and Community in Modernity (Under the direction of Gregory Flaxman and Erin Carlston) Recent decades have demonstrated a renewed interest in gossip research from scholars in psychology, sociology, and anthropology who argue that gossip—despite its popular reputation as trivial, superficial “women’s talk”—actually serves crucial social and political functions such as establishing codes of conduct and managing reputations. My dissertation draws from and builds upon this contemporary interdisciplinary scholarship by demonstrating how the modernists incorporated and transformed the popular gossip of mass culture into literature, imbuing it with a new power and purpose. The foundational assumption of my dissertation is that as the nature of community changed at the turn of the twentieth century, so too did gossip. Although usually considered to be a socially conservative force that serves to keep social outliers in line, I argue that modernist writers transformed gossip into a potent, revolutionary tool with which modern individuals could advance and promote the progressive ideologies of social, political, and artistic movements. Ultimately, the gossip of key American expatriates (Henry James, Djuna Barnes, Janet Flanner, and Ezra Pound) became a mode of exchanging and redefining creative and critical values for the artists and critics who would follow them.
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Genêt Unmasked : Examining the Autobiographical in Janet Flanner
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OPUS: Open Uleth Scholarship - University of Lethbridge Research Repository University of Lethbridge Research Repository OPUS http://opus.uleth.ca Theses Arts and Science, Faculty of 2006 Genêt unmasked : examining the autobiographical in Janet Flanner Gaudette, Stacey Leigh Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2006 http://hdl.handle.net/10133/531 Downloaded from University of Lethbridge Research Repository, OPUS GENÊT UNMASKED: EXAMINING THE AUTOBIOGRAPHICAL IN JANET FLANNER STACEY LEIGH GAUDETTE Bachelor of Arts, University of Lethbridge, 2003 A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfillment of the Requirements of the Degree MASTER OF ARTS Department of English University of Lethbridge LETHBRIDGE, ALBERTA, CANADA © Stacey Leigh Gaudette, 2006 GENÊT UNMASKED: THE AUTOBIOGRAPHICAL IN JANET FLANNER STACEY LEIGH GAUDETTE Approved: • (Print Name) (Signature) (Rank) (Highest Degree) (Date) • Supervisor • Thesis Examination Committee Member • External Examiner • Chair, Thesis Examination Committee ii Abstract This thesis examines Janet Flanner, an expatriate writer whose fiction and journalism have been essential to the development of American literary modernism in that her work, taken together, comprises a remarkable autobiographical document which records her own unique experience of the period while simultaneously contributing to its particular aesthetic mission. Although recent discussions have opened debate as to how a variety of discourses can be read as autobiographical, Flanner’s fifty years worth of cultural, political, and personal observation requires an analysis which incorporates traditional and contemporary theories concerning life-writing. Essentially, autobiographical scholarship must continue to push the boundaries of analysis, focusing on the interactions and reactions between the outer world and the inner self.
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Papers of Janet Flanner and Solita Solano
Janet Flanner and Solita Solano A Register of Their Papers in the Library of Congress Prepared by Mary M. Wolfskill Revised and expanded by Patrick Kerwin Manuscript Division, Library of Congress Washington, D.C. 2003 Contact information: http://lcweb.loc.gov/rr/mss/address.html Finding aid encoded by Library of Congress Manuscript Division, 2003 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms003029 Latest revision: 2004-07-26 Collection Summary Title: Papers of Janet Flanner and Solita Solano Span Dates: 1870-1976 Bulk Dates: (bulk 1955-1975) ID No.: MSS47084 Creator: Flanner, Janet, 1892- Creator: Solano, Solita, 1888-1975 Extent: 3000 items; 20 containers plus 3 oversize; 7 linear feet; 2 microfilm reels Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Journalists, writers, and literary editors. Correspondence, subject files, drafts of articles, books, poems, and other writings, and miscellaneous material, including scrapbooks and memorabilia, relating primarily to Flanner's career as a writer, especially with the New Yorker; to Solano's interest and writings; and to literary and intellectual life in Paris and New York. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. Names: Flanner, Janet, 1892- Abbott, Berenice, 1898- Anderson, Margaret, 1890-1973 Aragon, 1897- Balayé, Geraldine Barnes, Djuna Bedford, Sybille, 1911- Boyle, Kay, 1902- Caruso, Dorothy Clark, Elizabeth Jenks Colette, 1873-1954 Cunard, Nancy, 1896-1965 Dinesen, Isak, 1885-1962 Fielding, Daphne Vivian, 1904- Gurdjieff, Georges Ivanovitch, 1872-1949 Hemingway, Ernest, 1899-1961 Hulme, Kathryn Cavarly, 1900-1981 Leblanc, Georgette, 1869-1941 Malraux, André, 1901-1976 Massot, Pierre de Moore, George, 1852-1933 Moore, Marianne, 1887-1972 Mortimer, Raymond, 1895-1980 Murphy, Noel Haskins, b.
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Warm Ashes: the Life and Career of Mary Reynolds Page 1 of 25
Warm Ashes: The Life and Career of Mary Reynolds Page 1 of 25 Warm Ashes: The Life and Career of Mary Reynolds SUSAN GLOVER GODLEWSKI Boston, Massachusetts By nature a modest, self-effacing woman who preferred being in the background, Mary Reynolds nonetheless found herself at the center Man Ray of the Surrealist movement, as both artist and advocate. As the (Emmanuel Radnitzky) artist Marcel Duchamp described her, she "was an eye-witness of ESSAYS (American, 1890–1977). Mary Reynolds, 1930. the Dadaist manifestations and on the birth of Surrealism in 1924.... View Works of Art Book Bindings by [and] was among the 'supporters' of the new ideas. In a close Mary Reynolds friendship with André Breton, Raymond Queneau, Jean Cocteau, Finding Aid/ Djuna Barnes, James Joyce, Alexander Calder, [Joan] Miró, Search Collection Jacques Villon, and many other important figures of the epoch, she Related Websites found the incentive to become an artist herself. She decided to Art Institute of apply her talents to the art of bookbinding."[1] The bindings Chicago Home preserved in the Mary Reynolds Collection at The Art Institute of Chicago are an eloquent testament to her significance as an artist. Duchamp was a key influence on Mary Reynolds's life and art. For nearly three decades, Reynolds and Duchamp enjoyed a union that was "thought by their friends to be happier than most marriages."[2] From the late 1920s on, Duchamp had two addresses in Paris: his own small apartment on rue Larrey and Reynolds's house on rue Hallé. He had long before stopped making art publicly, but continued to be immersed in the "new forms of rebellion" that would lead to Surrealism.
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Between the Covers Rare Books, Inc
BETWEEN THE COVERS Rare Books, Inc. 112 Nicholson Rd Catalog: $10 Gloucester City NJ 08030 (856) 456-8008 www.betweenthecovers.com [email protected] With Gertrude Stein’s Only Blurb 2 Earl LIND (“Ralph Werther” — “Jennie June”). 1 Charles [Henri] FORD and Parker TYLER. Autobiography of an Androgyne. New York: The Medico-Legal Journal 1919. The Young and Evil. Paris: Obelisk Press (1933). First edition. Edited and Introduction by Alfred First edition. Self-wrappers. Brown W. Herzog, Ph.D., A.M., M.D. 265pp. Boards butcher paper wrappers printed in show some wear with spine gilt rubbed, rear red. A very good or better copy that hinge starting, and ever so slightly cocked, about is a trifle cocked, and with small near fine. Owner’s blind stamp on the front free tears and nicks at the spine ends. A endpaper and title page. The earliest known notorious and exceptionally scarce American autobiography of a transgender man; a novel of homosexual life in frank memoir of the life of a cross-dressing Greenwich Village. Parker met Ford hustler on the streets of New York in the late 19th Century who ultimately decided on while writing for Ford’s castration to help regulate his behavior. The first of a proposed trilogy, but only one other amateurishly produced Blues book was published, The Female Impersonators in 1922. The book features four photos of magazine, which was published in the author: one as a child and three as an adult. Originally available only by mail to Ford’s parents’ home in Mississippi during 1929-30.
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Proquest Dissertations
THE AMAZON IN THE DRAWING ROOM: NATALIE CLIFFORD BARNEY'S PARISIAN SALON, 1909 - 1970 MARY CLARE GREENSHIELDS Bachelor of Arts, University of Lethbridge, 2001 A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfilment of the Requirements for the Degree MASTER OF ARTS Department of English University of Lethbridge LETHBRIDGE, ALBERTA, CANADA © Mary Greenshields, 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-80165-9 Our file Notre reference ISBN: 978-0-494-80165-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins conrmnerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
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The Amazon in the Drawing Room: Natalie Clifford Barney’S Parisian Salon, 1909 – 1970
THE AMAZON IN THE DRAWING ROOM: NATALIE CLIFFORD BARNEY’S PARISIAN SALON, 1909 – 1970 MARY CLARE GREENSHIELDS Bachelor of Arts, University of Lethbridge, 2001 A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfilment of the Requirements for the Degree MASTER OF ARTS Department of English University of Lethbridge LETHBRIDGE, ALBERTA, CANADA © Mary Greenshields, 2010 Abstract This thesis is organised into two chapters and an appendix. The first chapter explores the significant American expatriate movement in France in the early part of the twentieth century, in an effort to answer the question ―Why France?‖ The second chapter examines the life and work of Natalie Clifford Barney, an American expatriate writer in Paris, who wrote predominantly in French and ran an important weekly salon for over sixty years. Specifically, her aesthetic and subject matter, her life, and her fraught publishing history are considered. The appendix is a translation of Barney's 1910 book of aphorisms entitled Éparpillements. iii Acknowledgements When this thesis began with a reading recommendation in a bookstore in Québec, I had no idea how much I would learn about myself in the process of exploring someone else‘s life. I would not be the woman that I am today without the constancy and love of Bonny and Malcolm Greenshields, my parents. I owe them my life. Dr. Craig Monk, my supervisor, has provided me with endless encouragement, inexhaustible patience and wise counsel. For these, I am eternally grateful. This thesis has also benefited from the careful review and insightful commentary of my committee members, Drs.
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On Her Mouth You Kiss Your Own: Lesbian Conversations in Exile, 1924-1936
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1992 On her mouth you kiss your own: Lesbian conversations in exile, 1924-1936 Luita Deane Spangler University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Spangler, Luita Deane, "On her mouth you kiss your own: Lesbian conversations in exile, 1924-1936" (1992). Doctoral Dissertations. 1691. https://scholars.unh.edu/dissertation/1691 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps.
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Natalie Clifford Barney: an Annotated Bibliography. PUB DATE 7 May 82 NOTE 68P.; M.L.S
DOCUMENT RESUME ED 220 847 CS 207 169 AUTHOR Rodriguez, Harmony TITLE Natalie Clifford Barney: An Annotated Bibliography. PUB DATE 7 May 82 NOTE 68p.; M.L.S. Thesis, University of California, Los Angeles. EDRS PRICE 14F01/PC03 Plus Postage. DESCRIPTORS Annotated Bibliographies; *Authors; *Feminism; Fiction; *Womens Studies IDENTIFIERS *Barney (Natalie Clifford) ABSTRACT -_--/ Designed to aid and eneourage more femitist research about Natalie Clifford Barney (1876-1972) and her circle of friends, this bibliography lists works relevant to the life of this American writer who lived and worked in Paris. The bibliography opens with an introduction providing biographical details, information about Barney's relationships with other writers, and comments about her relevance to feminist studies. The citations include works written by and about her, and there is also a listing of works in which she appears as a fictional character. French as well as English language works are listed, and the citations are annotated whenever possible. Indexes of names and authors and of titles conclude the bibliography. (HTH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** US, DEPARTMENT OF EDUCATION NATIONAL INSTITUTE OF EDUCATION EDUCATIONAL RESOURCES INFORMATION CENTER IERICII 741.Ns document has bten reproduced as 0oved from the person Or organuat,On orOnahndd teliflUf clhanye,
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Paris in the Twenties”: • the Germans Had Twice Failed to Break Through at the Marne for an Invasion of Paris, but Now a Peacetime Invasion Was Taking Place
“If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.” Ernest Hemingway PARIS: The Golden Years • Also known as… T PARIS: The Lost Generation This Photo by Unknown Author is licensed under CC BY-SA-NC T T Also known as… The Crazy Years [email protected] •I WILL PLACE THE SLIDES OF EACH CLASS ON OSHER’S WEBSITE AFTER EACH CLASS. HOW TO ACCESS THE CLASS NOTES • Click on the Osher Website (not the Registration site): • https://www.wm.edu/offices/auxiliary/osher/index.php • On the left side of the page, click “Course Information,” and then click on “Class Notes and Presentation.” • When the next page comes up, click on my name next to the class notes you want. Let’s get started with … Paris in the 1920s Th If you ask some people about what happened in Paris in the 20s, they’re liable to say, “Huh! Something happened? I didn’t know.” Ask others and they might say, “A lot of Americans went to Paris in the 20s.” Still others might say, “1920s? Well, I think these two guys went there.” T In the immortal words of these other two guys, “Who are those two guys” in that previous slide? •And speaking of Hemingway, let me make a point using two examples. First example (which will probably strike you as somewhat odd) is this man: Q: Who is he? Wyatt Earp (1848-1929) • …… it is now considered "highly imaginative" and "largely fictional.” Winston Churchill (1874-1965) • “History will be kind to me for I intend to write it.” Th And one more incomplete idea, viz., that Paris in the 1920s was one big party where men who would become famous did a lot of drinking and other things! One final error is to think that only Americans showed up in Paris in the 1920s.
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FLANNER, Janet (1892-1978) 
FLANNER, Janet (1892-1978) The American Library in Paris Special Collections Department 10 rue du Général Camou 75007 Paris FRANCE +33 1 53 59 12 60 americanlibraryinparis.org Compiled Spring 2019 by Hannah Jones, Aine O’Connor, Dr. Natalie Dykstra, Kelly Jacobsma Hope College in Holland, MI See Archives Stories website for details on the project: https://archivestoriesparis.wordpress.com/janet-flanner-collection/ 1. Biography 2. Items in the American Library in Paris Flanner Special Collection 3. References to Janet Flanner in the American Library in Paris Institutional Archives 4. References to Flanner using the American Library in Paris Facility 5. Provenance of Flanner Special Collection at the American Library in Paris 6. Other Resources 1. Biography Janet Flanner was born to Quaker parents in Indianapolis, Indiana in 1892. She was the middle of two sisters, Mary Emma (Marie), a pianist and composer, and Hildegarde, a poet. Janet and Hildegarde were quite close throughout their childhood and adult lives. Mary Flanner, the matriarch of the Flanner family, was also a poet. When Flanner was twenty years old, her father, Frank Flanner, committed suicide in his own mortuary. Flanner fled Indianapolis soon after to go to the University of Chicago, where she showed an interest in English and sociology--when she managed to go to class. Three years before her father’s death, Janet had visited Europe for the first time and came away with a deep desire to return to the continent. Europe must have seemed like a distant dream to Flanner in the years following Frank Flanner’s suicide as she went to school.
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Ford CH Presse 08
Galerie Daniel Buchholz Galerie Daniel Buchholz OHG Neven-DuMont-Str. 17 50667 Köln Tel +49-221-2574946 Fax +49-221-253351 [email protected] www.galeriebuchholz.de Charles Henri Ford 14. März - 5. April 2008 Christophstraße 18, Köln Präsentation am Samstag, dem 15. März 2008 13 - 16 Uhr Ansonsten nur nach Vereinbarung Tel. +49 221 2574946 [email protected] In der Christophstraße 18 zeigen wir eine Ausstellung mit Collagen, Fotografien, Büchern und Zeitschriften des Künstlers, Schriftstellers und Publizisten Charles Henri Ford (1913-2002), sowie Zeichnungen seines Freundes, des Künstlers Pavel Tchelitchew. Wir danken Mitchell Algus und Indra Tamang. http://en.wikipedia.org/wiki/Charles_Henri_Ford Charles Henri Ford (February 10, 1913 - September 27, 2002) was an American novelist, poet, filmmaker, photographer, and collage artist best known for his brilliant editorship of the Surrealist magazine View in New York City in the 1940s, and as the partner of the artist Pavel Tchelitchew. Contents 1 Life 2 Books 2.1 Nonfiction 2.2 Fiction 2.3 Poetry 3 References 4 External links Life Born in Brookhaven, Mississippi, he dropped out of high school, although by the age of 16, he had started his first magazine, Blues.[1] His sister is actress Ruth Ford. Not long after, he became part of Gertrude Stein's salon in Paris, where he met Natalie Barney and Marie-Louise Bousquet and became friends with Man Ray, Kay Boyle, Janet Flanner, Peggy Guggenheim, Djuna Barnes and others of the American expatriate community in Montparnasse and Saint-Germain-les-Pris.[1]
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