Spruce Street Forum/Fresh Sound Concerts

Total Page:16

File Type:pdf, Size:1020Kb

Spruce Street Forum/Fresh Sound Concerts Date Concert Performers 1997 Feb 15, 1997 Boom Crash Whack Wham Steve Schick/Vanessa Tomlinson 1 Feb. 22, 1997 Boom Crash Whack Wham Skin and Bones Terry Longshore, Brett Reed 1 Mar 8, 1997 Leo Wadada Smith Leo and Harumi Nakimo Smith 1 Apr 27, 1997 American Jazz w/Bill Horowitz Band Bill Horowitz, guitar; Joseph Sabella, drums, Steve Adam, sax/flute 1 May 3, 1997 Rant Marita Bolles with mixed ensemble - flute, trumpet, guitar, bass, percussion 1 May 24, 1997 An Unlikely Pair Harry Castle, computer and Janet Parish-Whittaker, flute 5/30/97 1 May 30, 1997 Uptown Music from Down Under Anthony Burr, clarinet; Venessa Tomlinson, percussion - contemporary composers 1 Jun 21, 1997 Concert and CD Release party Lisa Cella, Terry Longshore, Syliva Re, Martha Renner/Sollberger composer 1 Aug 14, 1997 Kartik Seshadri Kartik Seshadri, sitar; Arup Chaterjee, tabla 1 Aug 21, 1997 Shwete Jhaveri Shweta Jhaveri, vocalist; Arup Chaterjee, tabla 1 Aug 23, 1997 Solo Concert Steve Schick, percussionist 1 1998 Feb.14, 1998 Glenn Horiuchi Glenn Horiuchi, shamisen; Francis Wong, Sax and violin; Bill Roper, tuba 1 Feb 22, 1998 Improvisational ensemble Dan Plonsey, sax; Scott Walton, bass; Dana Reason, piano 1 Mar 1, 1998 Joel Harrison Quartet Harrison, piano; Paul Hanson, bassoon; John Evans, bass; Russ Gold, drums 1 Mar 14, 1998 Fiddle Hickies- Trad. Irish Music Patric Petrie, fiddle; Peter Damahek, guitar, banjo, fiddle; Chris Davis, fiddle; Steve Blass, mando-banjo 1 Mar 18, 1998 What We Live Larry Ochs, sax; Lisle Ellis, bass; Don Robinson, drums (from SF) 1 Apr 5, 1998 CD Release Party Patrick O’Keefe, clarinet; Jason Stanyek, guitar; Scott Walton, bass; Glen Whitehead, trumpet 1 Apr 10, 1998 GE Stinson Quartet Stinson, guitar; Steuart Liebig, bass; Jeff Gauthier, violin; Gregg Bendian, drums 1 Apr 17, 1998 Buckner/Lewis Duo Tom Buckner, baritone; George Lewis, trombone 1 Apr 24, 0998 Arc-en-ciel Chamber Music Qt. Theresa Tunnicliff, clarinet; Mary Szanto, cello; Igor Pandurski, violin; Linda Scott, piano -Messiaen, Satie 1 May 1, 1998 Noah Howard Trio Noah Howard, sax; Anthony Davis, piano; Scott Walton, bass 1 May 3, 1998 Chris Speed Band Chris, sax; Cuong Vu, trumpet; Skuli Sverson, bass; Jim Black, drums 1 May 24, 1998 Eric Griswold’s Clocked Out Celebrating the music of Sun Ra and Duke Ellington 1 Jun 14, 1998 Gerry Hemingway Quartet Hemingway, drums; Ray Anderson, trombone; Ellery Eskelin, sax; Mark Dresser, bass 1 Oct 10, 1998 Rova Sax Quartet Larry Ochs, Steve Adams, Jon Raskin, Bruce Ackley 1 Oct 18, 1998 UCSD Women Composers/Perf. Benefit to raise funds to atttend the Frau Musica Festival in Germany 1 Oct 24, 1998 StaLiQ Quartet Steuart Liebig, bass; Alex Cline, drums; Jeff Gauthier, violin; Erik Barber, reeds 1 Oct 25, 1998 Glossarium Vinny Golia, saxes; Bert Turetzky, bass; Ed Harkins, brass (19 instruments) 1 Nov 4, 1998 Yasuhiro Otani From Tokyo, New music composer for Mac, and software - real time 1 Nov 7, 1998 Revontulet Ensemble Jeanette Wrate, percussion; Jeff Gauthier, violin; Craig Ochikubo, keyboards; Anders Swanson, bass 1 Nov 14, 1998 Brad Dutz Quartet Dutz, percussion; Kim Richmond, woodwinds; plus 2 others? 1 Nov 21, 1998 Skin and Bones Terry Longshore and Brett Reed 1 Dec 5, 1998 Vijay Iyer Vijay, piano solo 1 Dec 12, 1998 Paul Plimley Solo piano 1 1999 Jan 9, 1999 Cynthia Aaronson Davis Cynthia, soprano; Scott Walton, piano; Music by Strauss, Bernstein, Argento, Handel, A. Davis 1 Jan 16, 1999 GE and Alex GE Stinson, guitars; Alex Cline, drums 1 Jan 31, 1999 Gloria Cheng Solo piano - Scriabin, Hindemuth, Applebaum, and more 1 Feb 6, 1999 Chris Brown Chris Brown, piano and electronics 1 Feb 27, 1999 Project Punk #1 Ulfar Haraldsson, bass; Erik Griswold, keyboards; Terry Longshore/Brett Reed, percussion; Jason Robinson, sax; Glen Whitehead, trumpet1 Mar 6, 1999 Hear Hannes Giger, bass; Eric Fischer, vibraphone (from Switzerland) 1 Mar 13, 1999 Jon Jang Jon Jang, piano 1 Mar 18, 1999 Leroy Jenkins Leroy Jenkins, solo violin (AACM founding member) 1 Mar 20, 1999 Aleck Karis Aleck Karis, solo piano - Philip Glass piano works 1 Mar 26, 1999 Steve Lacy Trio Steve Lacy, soprano sax; Jean-Jacques Avenel, bass; John Betsch, drums 1 Apr 3, 1999 Michael Dessen Quintet Dessen, trombone; Mike Wofford, piano; Kerry Campbell, sax; Rob Thorsen, bass; Craig Dawson, drums, Gil Castellano, trumpet 1 April 8-10 1999 Improvisor’s Festival Three days concerts/symposiums, featuring Pauline Oliveros, LaDonna Smith, Eddie Provost, UCSD Grad students. 3 Apr 17, 1999 Vinny Golia Trio Vinny Golia, saxes; Mike Wofford, piano; Mike Elizondo, bass 1 Apr 24, 1999 Wadada Smith Trio Wadada, trumpet; Alex Cline, drums, Harumi, poetry 1 May 1, 1999 Joel Harrison Quartet Harrison, guitars; Paul Hanson, bassoon; Devon Huff, bass; Russ Gold, drums. 1 May 8, 1999 Gregg Bendian Quartet Bendian, percussion; Jim Whitney, bass; David Witham, piano 1 May 14, 1999 Vanessa Tomlinson and Friends Vanessa, percussion; UCSD colleagues; works by Erik Griswold, Jean Charles Francois 1 May 18, 1999 City Winds Ensemble Esther Landau, flute; Tom Nugent, oboe; Jim Freeman, clarinet; Zachary Limacher, horns; William Hunker, bassoon 1 May 29, 1999 GE Stinson, Nels Cline GE Stinson, guitars; Nels Cline, guitars 1 Jun 5, 1999 Michael Vlatkovich Trio Vlatkovich, trombone; Anders Swanson, bass; Christopher Garcia, percussion 1 Jun 26, 1999 Anthony Davis/James Newton Anthony Davis, piano, improvisation/composition; James Newton, flute, improvistation/composition 1 Oct 16, 1999 Equal Interest Trio Myra Melford, piano; Leroy Jenkins, violin; Joseph Jarman, woodwinds 1 Oct 23, 1999 Steve Lacy Steve Lacy, soprano saxophones, Irene Aebi, vocalist 1 Dec 4, 1999 Andrew Cyrille Andrew - solo percussion 1 Dec 11, 1999 Pauline Oliveros Pauline, accordion; Dana Reason pieno; Philip Geld, shakuhachi 1 2000 Jan 21, 2000 Vijay Iyer and Ben Goldberg Iyer, piano; Goldberg, clarinet 1 Jan 25, 2000 Frode Gjerstad Frode Gjerstad, sax; (Norway) William Parker, bass; Hamid Drake, percussion 1 Feb 5, 2000 Triana JD Parran, clarinets; Anthony Davis, piano; Bert Turetzky, bass 1 Feb 19, 2000 Paul Plimley Plimley, piano solo 1 Mar 4, 2000 Sarah Cahill Cahill, piano solo 1 Mar 18, 2000 Mike Wofford Quartet Wofford, piano; Holly Hofmann, flute; Duncan Moore, drums; Derk Lieszkiewicz, bass 1 Apr 7, 2000 Terry Riley Terry Riley, piano; Stefano Scodanibbio, bass (Italy) 1 Apr 22, 2000 Cecil Lytle Lytle, solo piano 1 May 27, 2000 Cline/Stinson/Gauthier Alex Cline, drums; Jeff Gauthier, electric violin, GE Stinson, guitars 1 Jun 2, 2000 Jason Robinson Ensemble Robinson, sax; Anthony Davis, piano; Robert Perkins, percussion; Rob Thorsen, bass 1 Jun 10, 2000 Liebig Trio Steuart Liebig, bass; Billy Mintz, drums; Vinny Golia, woodwinds 1 Jun 15, 2000 Van Hove/ Bauer At St. Paul’s Episcopal Cathedral. Fred van Hove (Belgium), organ; Johannes Bauer, trombone (Germany) 1 Sep 23, 2000 Lisle Ellis Solo concert for bass and electronics 1 Oct 14, 2000 Trio Three Andrew Cyrille, drums; Oliver Lake, saxes; Reggie Workman, drums 1 Oct 21, 2000 Bennink and Plimley Han Bennink (Amsterdam), drums; Paul Plimley (Vancouver), piano 1 Nov 4, 2000 Ellery Eskelin Trio Eskelin, sax; Andrea Parkins, accordion/sampler; Jim Black, drums 1 Nov 11, 2000 Preston/Cline/Cline Don Preston, piano; Nels Cline, bass guitar; Alex Cline, percussion 1 Dec 1, 2000 Scot Ray Quintet Scot Ray, trombone; Alex Cline, drums; Nels Cline,electric guitar; Jeff Gauthier, violin; Steuart Liebig, bass guitars 1 Dec 9, 2000 Le Quon Ninh Ninh, percussionist from France 1 Dec 16, 2000 Michael Dessen Ensemble Dessen, trombone, plus UCSD performers 1 2001 Jan 7, 2001 Tribute to Robert Erikson Concert performed by Erikson’s colleagures from UCSD - benefit for Music Dept. Scholarship Fund 1 Feb 3, 2001 Saadet Turkoz Saadet, vocalist - lives in Zurich from Kazakhstan/Turkey 1 Feb 16, 2001 Shipp/Parker/Cleaver Matthew Shipp, piano; William Parker, bass; Gerald Cleaver, drums 1 Feb 21, 2001 Derome/Tanguay Danse Jean Derome, sax, flutes, voice; Pierre Tanguay, drums, voide. From Montreal 1 Feb 24, 2001 Joan Jeanrenaud Solo acoustic cello. works by Terry Riley, Steve Mackey, and others 1 Mar 2, 2001 Topaz Erik Friedlander, cello; Stomu Takeishi, bass; Andy Laster, sax; Satoshi Takeishi, percussin. 1 Mar 24, 2001 Misha Mengleberg Solo piano - from Amsterdam 1 Apr 7, 2001 Paraphrase Tim Berne, reeds; Tom Rainey, drums; Crew Gress, bass 1 Apr 14, 2001 Buckner and Kubera Tom Buckner, baritone; Joseph Kubera, piano - music by Charles Ives/ lecture by Mitchell Morris about Ives precedes 1 Apr 28, 2001 Alvin Curran Piano and electronica - solo 1 May 5, 2001 Hans Fjellestad Solo electronics and video 1 May 12, 2001 Griffin and Snapper Sean Griffin, harpist and composer; Juliana Snapper, soprano. 1 May 26, 2001 Stefano Scodonibbio Solo bass - from Italy. 1 May 27, 2001 School Days Ken Vandemark, sax; Jef Bishop, trombone; Ingebright Haker-Flaten, bass; Paal Nilssen-Love, drums; Kjell Noredson, vibes 1 Jun 7, 2001 Street of Dreams Theresa Gunn’s presentation of at risk students - songs and music 1 Sep 21, 2001 Amy Knoles Knoles, percussion solo - video and electronics 1 Oct 19, 2001 Terry Riley Terry, piano and synthesizer; George Brooks, sax; Krishna Bhatt, sitar 1 Oct 26, 2001 Konk Pack Thomas Lehn, analogue synthesizer; Tim Hodgkinson, steel guitar; Roger Turner, drums, percussion (from Germany/England) 1 Nov 9, 2001 Nortec Collective Bostich and Plankton Man performs with Trummerflora Collective 1 Nov 16, 2001 Saadet Turkoz Saadet, vocalist; Eyvind Kang, viola 1 Dec 1, 2001 Scot Ray Quintet Alex Cline, drums; Nels Cline, electric guitar; Jeff Gauthier, electric violin; Steuart Liebig, bass, Scott Ray, trombone 1 Dec 8, 2001 Steven Feld Ethnomusicologist - The Sound of the Rainforest, video and sound - bird song of Papua New Guinea 1 2002 Jan 19, 2002 Aspect of Physics Jason Soares, Matt Lorenz, and JFRE Coad - electronics, guitars, and video 1 Jan 27, 2002 Brooklyn Sax Quartet David Bindman, Fred Ho, Sam Furnace, Chris Jones 1 Feb 1, 2002 Raw Materials Vijay Iyer, piano; Rudresh Mahanthappa, sax 1 Feb 23, 2002 Marcelo and Marcos Marcelo Radulovich, electronics, Marcos Fernandes, phonography, field recordings.
Recommended publications
  • Amjad Ali Khan & Sharon Isbin
    SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S.
    [Show full text]
  • Subjective (Re)Positioning in Musical Improvisation: Analyzing the Work of Five Female Improvisers *
    Subjective (Re)positioning in Musical Improvisation: Analyzing the Work of Five Female Improvisers * Marc Hannaford NOTE: The examples for the (text-only) PDF version of this item are available online at: h+p:,,www.mtosmt.org,issues,mto.10.12.1,mto.17.12.1.hanna ord.php 4E5WORDS: Feminist music theory, gender, improvisation, jazz, Shannon 7arne+, Caroline Davis, Ingrid 9aubrock, 9inda Oh, Anna Webber A7STRACT: This article analyzes the music o :ve emale improvisers. I employ these women’s lived experiences o discrimination as a basis or my analysis o improvisation in terms o what I call subjective (re)positioning. Given these women’s experiences o discrimination, trust means something ar richer than musically working together during per ormance. Trusting improvising partners create a conceptual space in which musicians are able to position and reposition themselves, thus expressing agency. Received March 2016 Volume 23, Number 2, June 2010 Copyright © 2017 Society for Music Theory A/B At a recent per ormance o improvised music at a venue in New 5ork, some musicians and I noticed that the cover o the March 2015 DWomen’s Eistory Month” issue o The New York Jazz Record eatured male pianist Vijay Iyer on the cover. Our jokes about dishpan hands soon gave way to melancholy: it seems that, despite some jazz progressivists, neo-classicists, and academics arguing that jazz is a site or the realization o egalitarian or democratic ideals ( 7urns 2004 , Fischlin 2012 , Nicholls 1012 ), there is still work to be done. (1) A1B This article analyzes music by composer,improvisers Shannon 7arne+, Caroline Davis, Ingrid 9aubrock, 9inda Oh, and Anna Webber in conjunction with interviews I conducted with each o them ( 7arne+ 1015 , Davis 2015 , 9aubrock 2015 , Oh 2015 , Webber 2015 ).
    [Show full text]
  • EMAIL INTERVIEW with Pachi Tapiz, Spanish Music Critic December 2009 to February 2010. Published in Spanish by Tomajazz in June
    EMAIL INTERVIEW with Pachi Tapiz, Spanish Music Critic December 2009 to February 2010. Published in Spanish by Tomajazz in June 2010 http://www.tomajazz.com/perfiles/ochs_larry_2010.html Q1: Why did Rova decide to join its creative forces with Nels Cline Singers? Ochs: Rova has employed all these guys over the past 12 years or so in different bands. Scott Amendola and I work together in Larry Ochs Sax & Drumming Core as well as in a new band called Kihnoua featuring the great vocals of Korean‐born Dohee Lee. (That band plays in Europe very soon, but unfortunately nothing in Spain. I thought “maybe” some place there would hire this band after all the news / nonsense in December, but no one called me except journalists. No, I was not surprised that no one called. But I do feel strongly that Kihnoua is a great band, but I would agree with those on the other side; it is not a jazz band. Jazz influenced? Definitely; jazz band? No. I will send you the just released CD in early May when I return from the tour.) Sorry for the digression: So Scott performed first with Rova in a big piece of mine in 1998 called “Pleistocene: The Ice Age.” (as well as Adams’ and Raskin pieces that same evening.) And he worked in Vancouver with us on Electric Ascension in 2005 along with Devin Hoff and Nels, of course. Nels recorded Electric Ascension with us live in 2003, played on every performance of that “event” until 2009, and he is “the man” in free jazz when it comes to playing updated versions of late‐period Coltrane on guitar.
    [Show full text]
  • New Original Works Festival 2009 Program Two
    NEW ORIGINAL WORKS FESTIVAL 2009 PROGRAM TWO July 30 – August 1, 2009 8:30pm presented by REDCAT Roy and Edna Disney/CalArts Theater California Institute of the Arts NOW FESTIVAL 2009: PROGRAM TWO NEW ORIGINAL WORKS FESTIVAL 2009 UPCOMING PERFORMANCES August 6 – August 8 : Program Three 1 CAROLE KIM W/ OGURI, ALEX CLINE AND DAN CLUCAS: N Zackary Drucker / Mariana Marroquin / Wu Ingrid Tsang: PIG direction and video installation: Carole Kim Meg Wolfe: Watch Her (Not Know It Now) dance: Oguri Lauren Weedman: Off percussion: Alex Cline winds: Dan Clucas live-feed video: Adam Levine and Moses Hacmon lighting design: Chris Kuhl I. Reflect --he vanishes Into the skin of water... ...And leaves me with my arms full of nothing But water and the memory of an image? ...The one I loved should be let live. He should live on after me, blameless.’ [Tales from Ovid, Hughes] II. Hall of Mirrors The black mirror is a surface, but this surface is also a depth. This specular catastrophe, prefigured by the myth of Narcissus, is inseparable from a process that renders the gaze opaque. [The Claude Glass: Use and Meaning of the Black Mirror in Western Art, Arnaud Maillet] III. Syphon IV. Shade This mirror creates, as it were, a hole in the wall, a door into the realm of the dead. But it also constitutes an epiphany, since the divinity is seen in all its glory and clarity. [Maillet] Improvising … hinges on one’s ability to synchronize intention and action and to maintain a keen awareness of, sensitivity to, and connection with the evolving group dynamics and experiences.
    [Show full text]
  • Jazz-Fest-2017-Program-Guide.Pdf
    JUNE 22 – JULY 2 | 2017 /coastaljazz | #VanJazzFest | COASTALJAZZ.CA 20TH ANNIVERSARY SEASON 2017 181 CHAN CENTRE PRESENTS SERIES The Blind Boys of Alabama with Ben Heppner I SEP 23 The Gloaming I OCT 15 Zakir Hussain and Dave Holland: Crosscurrents I OCT 28 Ruthie Foster, Jimmie Dale Gilmore and Carrie Rodriguez I NOV 8 The Jazz Epistles: Abdullah Ibrahim and Hugh Masekela I FEB 18 Lila Downs I MAR 10 Daymé Arocena and Roberto Fonseca I APR 15 Circa: Opus I APR 28 BEYOND WORDS SERIES Kate Evans: Threads I SEP 29 Tanya Tagaq and Laakkuluk Williamson Bathory I MAR 16+17 SUBSCRIPTIONS ON SALE MAY 2 DAYMÉ AROCENA THE BLIND BOYS OF ALABAMA HUGH MASEKELA TANYA TAGAQ chancentre.com Welcome to the 32nd Annual TD Vancouver International Jazz Festival TD is pleased to bring you the 2017 TD Vancouver International Jazz Festival, a widely loved and cherished world-class event celebrating talented and culturally diverse artists from Canada and around the world. In Vancouver, we share a love of music — it is a passion that brings us together and enriches our lives. Music is powerful. It can transport us to faraway places or trigger a pleasant memory. Music is also one of many ways that TD connects with customers and communities across the country. And what better way to come together than to celebrate music at several major music festivals from Victoria to Halifax. ousands of fans across British Columbia — including me — look forward to this event every year. I’m excited to take in the music by local and international talent and enjoy the great celebration this festival has to o er.
    [Show full text]
  • Sophie Stévance* Université Laval, Québec Faculty of Music
    Article received on 25th May 2011 Article accepted on 12th April 2012 UDC: 78(714.1) 78.07 Мекрир П. Sophie Stévance* Université Laval, Québec Faculty of Music CONTEMPORARY MUSIC AT THE FRINGE: THE EXAMPLE OF “MUSIQUE ACTUELLE” IN CANADA Abstract: The International Week of Today’s Music (SIMA), organised in 1961 by Pierre Mercure within the framework of the Montreal Festivals, is a master event: beside the works of Serge Garant, Karlheinz Stockhausen or Iannis Xenakis, this event permitted to the experimental music of today to be heard as provocative and heterogeneous as it may be, in particular with Cage Atlas Eclipticalis’ creation or Richard Maxfield’s Piano Concert for David Tudor. Mercure challenged an American experimental aesthetic’s different from Europeans experimentations. The hypothesis of this paper is that what has been called “musique actuelle” since 1979 in Quebec, refers to Mercure’s artistic perspectives. How affiliated is musique actuelle to the SIMA? This paper seeks to answer this question by looking at the different uses of the expression of musique actuelle so as to bring to light the historical reasons, roots and fundaments of the expression since its first uses. The ac- tualist movement has in common with Mercure’s project more than a name: it carries and maybe focuses for the Mercure’s aesthetic and social policy by refusing certain zone sys- tem within cultural poles with creation methods such as free and collective improvisation. But beyond this project, it’s definitely of Mercure event’s tradition that actualists arose and built their identity field. * Author contact information: [email protected] 51 New Sound 38, II/2011 Keywords: Musique actuelle, actualism, Pierre Mercure, Productions SuperMusique, mu- sical identity, The International Week of Today’s Music Апстракт: Међународна недеља савремене музике (SIMA), коју је, у оквиру Монт- реалских фестивала, 1961.
    [Show full text]
  • Real-Time Programming and Processing of Music Signals Arshia Cont
    Real-time Programming and Processing of Music Signals Arshia Cont To cite this version: Arshia Cont. Real-time Programming and Processing of Music Signals. Sound [cs.SD]. Université Pierre et Marie Curie - Paris VI, 2013. tel-00829771 HAL Id: tel-00829771 https://tel.archives-ouvertes.fr/tel-00829771 Submitted on 3 Jun 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Realtime Programming & Processing of Music Signals by ARSHIA CONT Ircam-CNRS-UPMC Mixed Research Unit MuTant Team-Project (INRIA) Musical Representations Team, Ircam-Centre Pompidou 1 Place Igor Stravinsky, 75004 Paris, France. Habilitation à diriger la recherche Defended on May 30th in front of the jury composed of: Gérard Berry Collège de France Professor Roger Dannanberg Carnegie Mellon University Professor Carlos Agon UPMC - Ircam Professor François Pachet Sony CSL Senior Researcher Miller Puckette UCSD Professor Marco Stroppa Composer ii à Marie le sel de ma vie iv CONTENTS 1. Introduction1 1.1. Synthetic Summary .................. 1 1.2. Publication List 2007-2012 ................ 3 1.3. Research Advising Summary ............... 5 2. Realtime Machine Listening7 2.1. Automatic Transcription................. 7 2.2. Automatic Alignment .................. 10 2.2.1.
    [Show full text]
  • Miller Puckette 1560 Elon Lane Encinitas, CA 92024 [email protected]
    Miller Puckette 1560 Elon Lane Encinitas, CA 92024 [email protected] Education. B.S. (Mathematics), MIT, 1980. Ph.D. (Mathematics), Harvard, 1986. Employment history. 1982-1986 Research specialist, MIT Experimental Music Studio/MIT Media Lab 1986-1987 Research scientist, MIT Media Lab 1987-1993 Research staff member, IRCAM, Paris, France 1993-1994 Head, Real-time Applications Group, IRCAM, Paris, France 1994-1996 Assistant Professor, Music department, UCSD 1996-present Professor, Music department, UCSD Publications. 1. Puckette, M., Vercoe, B. and Stautner, J., 1981. "A real-time music11 emulator," Proceedings, International Computer Music Conference. (Abstract only.) P. 292. 2. Stautner, J., Vercoe, B., and Puckette, M. 1981. "A four-channel reverberation network," Proceedings, International Computer Music Conference, pp. 265-279. 3. Stautner, J. and Puckette, M. 1982. "Designing Multichannel Reverberators," Computer Music Journal 3(2), (pp. 52-65.) Reprinted in The Music Machine, ed. Curtis Roads. Cambridge, The MIT Press, 1989. (pp. 569-582.) 4. Puckette, M., 1983. "MUSIC-500: a new, real-time Digital Synthesis system." International Computer Music Conference. (Abstract only.) 5. Puckette, M. 1984. "The 'M' Orchestra Language." Proceedings, International Computer Music Conference, pp. 17-20. 6. Vercoe, B. and Puckette, M. 1985. "Synthetic Rehearsal: Training the Synthetic Performer." Proceedings, International Computer Music Conference, pp. 275-278. 7. Puckette, M. 1986. "Shannon Entropy and the Central Limit Theorem." Doctoral dissertation, Harvard University, 63 pp. 8. Favreau, E., Fingerhut, M., Koechlin, O., Potacsek, P., Puckette, M., and Rowe, R. 1986. "Software Developments for the 4X real-time System." Proceedings, International Computer Music Conference, pp. 43-46. 9. Puckette, M.
    [Show full text]
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • Wilco-Songs Minimalistisch
    Folkdays … Wilco-Songs minimalistisch Musik | Jeff Tweedy: Together At Last Jeff Tweedy, das ist einerseits ein Singer-Songwriter, andererseits ist er der Macher von Wilco in Zusammenarbeit mit John Stirratt, Glenn Kotche, Mikael Jorgensen, Nels Cline und Pat Sansone. Er war auch einmal mit dem Band-Projekt Golden Smog zu hören und es gibt neue Bands von ihm genannt Loose Fur und Tweedy. Das zuerst kurz als Fakten. Von TINA KAROLINA STAUNER Das neue Album von Jeff Tweedy ›Together At Last‹ ist wie ein Überbleibsel aus einer Zeit, in der die Freude Americana, Alternative Country und Neofolk zu hören manchmal fast ungetrübt war. Kein Mainstream laberte irgendeinen Klimbim dazwischen und neben Befindlichkeits- und Beziehungstexten war Sozial- und Gesellschaftskritik in Lyrics ein Zeichen für Anspruch und Niveau. Die Chicagoer Independent-Band Wilco hatte sich mit den ersten Alben in den 1990er Jahren mit Leib und Seele in den Spirit einer ganzen Independent-Generation gespielt. Entstanden aus Uncle Tupelo war Wilco immer wichtig im Diskurs. Bezogen auf traditionelles Wissen über Country und Folk hatte die Band einen ureigenen Sound und integrierte manchmal auch neue und elektronische Klänge in den Kontext. Mittlerweile scheint Jeff Tweedy teils zynisch bis zum geht-nicht-mehr und nach ›Star Wars‹ und ›Schmilco‹ mit Cover-Artwork wie ein Cartoon kam ein ›Together At Last‹. Vergangenheit ist das Woody Guthrie Project, das er mit Nora Guthrie und Billy Bragg vor Jahren veröffentlichte. Vergangenheit sind die frühen Independent-Jahre, wenn es überhaupt noch Leute gibt, die sich daran erinnern. Vergangenheit ist die Band-Dokumentation ›Man in the Sand‹. Vergangenheit sind Songs wie ›In A Future Age‹.
    [Show full text]
  • Slch Prog 2019-20 Ang F Nc Low.Pdf
    T TABOUT US T Founded in 1904, the Schulich School of Music of McGill University is home to a diverse community of performers, composers, music theorists, educators, scientists, and researchers, and offers more than 45 undergraduate, graduate, and professional programs. In 2018, 513 undergraduate and 375 graduate students were enrolled at Schulich, with a third of that total coming from outside of Canada. This season, Schulich will present over 600 public events at a variety of venues within the School, throughout the City of Montreal, and elsewhere. S SSS S SCHULICH STUDENT POPULATION 63% 37% PERFORMANCE RESEARCH 34% 33% 33% FROM QUEBEC REST OF CANADA INTERNATIONAL S SSS S @schulichmusic INFORMATION S BOX OFFICE 514-398-4547 · mcgill.ca/music T TABLE OF CONTENTS T About Us ..........................................4 Musical Chairs Welcome Message ..........................5 Chamber Music Festival ...........25 McGill Symphony Orchestra........ 6-7 Schulich in Concert .................. 26-28 Opera McGill ................................ 8-9 Schulich in Your Neighbourhood ......28 Baroque Orchestra ........................10 McGill Noon-Hour Organ ..............29 Contemporary Music Ensemble .......11 Intermezzo .....................................29 McGill Choral Ensembles ........ 12-14 Musical 5 à 7 ..................................30 McGill Wind Orchestra ...................15 Schulich@COC ...............................31 McGill Jazz Ensembles ............ 16-17 Schulich@McCord .........................31 2019-2020 Competitions
    [Show full text]
  • Talking Heads Musician Biographies: Pauline Oliveros
    PERFORMANCE: (Not Just) Talking Heads Musician Biographies: Pauline Oliveros (1932) is an internationally acclaimed composer, performer, humanitarian, and pioneer in American music. For five decades she has explored sound and forged new ground for herself and others. Through improvisation, electronic music, teaching, ritual, and meditation she has created a body of work with such breadth of vision that it profoundly affects those who experience it. Oliveros was born and raised in Houston, Texas to a musical family. In 1985 she started the Pauline Oliveros Foundation, a non- profit organization in New York, to “support all aspects of the creative process for a worldwide community of artists." Currently she serves as Distinguished Research Professor of Music at Rensselaer Polytechnic Institute in Troy, N.Y., and as Darius Milhaud Composer-in-residence at Mills College in Oakland, Calif. More information is available atwww.deeplistening.org/pauline. Roger Dean is an Australian sound and multimedia artist, and researcher in music computation and cognition. He is a participant in the Canadian SSHRC MCRI project on Improvisation, Community and Social Practice. He has performed in more than 30 countries, and his compositions include computer and chamber music, and commissions for many ensembles. His music is available on more than 30 commercial recordings originating in Australia, UK, US, and in several publications. He is particularly involved in computerinteractive sound and intermedia work. He has published five research books and many articles on improvisation, particularly in music. He is the founder and director of austraLYSIS, the international creative ensemble making sound and intermedia, and also formed the Sonic Communications Research Group at the University of Canberra.
    [Show full text]