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The Evelyn Waugh Society is also on Twitter: https://twitter.com/#!/evelynwaughsoc. The Waugh Society is providing RSS feed: http://evelynwaughsociety.org/feed. And the Waugh Society’s web site has added opportunities for threaded discussions: http://evelynwaughsociety.org/forums/. Evelyn Waugh Undergraduate Essay Contest The Eighth Annual Evelyn Waugh Undergraduate Essay Contest is sponsored by Evelyn Waugh Studies. Undergraduates in any part of the world are eligible. The editorial board will judge submissions and award a prize of $250. Essays up to 5000 words on any aspect of the life or work of Evelyn Waugh should be submitted to Dr. John H. Wilson, preferably by e-mail at [email protected], or by post to Department of English, Lock Haven University, Lock Haven PA 17745, USA. The deadline is 31 December 2012. Intermodernism in Paperback Intermodernism: Literary Culture in Mid-Twentieth-Century Britain (2009), edited by Kristin Bluemel, has been published in paperback by Edinburgh University Press, and it is available from Columbia University Press for $35 per copy. For a review, see “Utopian Hopes,” by Laura Mooneyham White, EWNS 42.1 (Spring 2011). Henley Literary Festival Selina Hastings spoke about Evelyn Waugh and Nancy Mitford at the Henley Literary Festival on 30 September 2011. Daisy Waugh, daughter of Auberon Waugh and granddaughter of Evelyn, spoke about her most recent novel, Last Dance with Valentino, on 2 October 2011. For more information, see http://www.henleyliteraryfestival.co.uk/hlf_2011_sml.pdf. Comedian’s Knowledge of Evelyn Waugh Wins Contest Russell Kane chose the life and novels of Evelyn Waugh as his specialist subject and won BBC TV’s Mastermind on 11 November 2011. Architecture of Downside Abbey “Amazing grace,” Colin Amery’s review of Downside Abbey: An Architectural History, edited by Dom Aidan Bellenger, is available at The Spectator. Inscribed Copy of Decline and Fall Greyfriars Books of Colchester in England sold a rare copy of Decline and Fall, inscribed to Osbert Sitwell. Seventieth Anniversary of Crete Evelyn Waugh was cited in an article by Nigel Richardson, "Crete, Greece: Ghostly soldiers on the Battle of Crete anniversary," published in the Daily Telegraph on 18 May 2011. Featured in Wikipedia "Evelyn Waugh" was the featured article on the main page of Wikipedia on 26 May 2011. Lor d Onslow, 1938-2011 Michael William Coplestone Dillon Onslow, the seventh Earl of Onslow, passed away on 14 May 2011. .

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An Eden with No Snake in It: Pure Comedy and Chaste Camp in The
An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 ABSTRACT An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 Copyright by Joshua Gibbons Striker 2019 Abstract In this dissertation I use an old and unfashionable form of literary criticism, close reading, to offer a new and unfashionable account of the literary subgenre called camp. Drawing on the work of, among many others, Susan Sontag, Rita Felski, and Peter Lamarque, I argue that P.G. Wodehouse, E.F. Benson, and Angela Thirkell wrote a type of pure comedy I call chaste camp. Chaste camp is a strange beast. On the one hand it is a sort of children’s literature written for and about adults; on the other hand it rises to a level of literary merit that children’s books, even the best of them, cannot hope to reach.
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EVELYN WAUGH STUDIES Vol
EVELYN WAUGH STUDIES Vol. 48, No. 2 Fall 2017 CONTENTS Paul Pennyfeather and the Victorian Governess: 2 The Rejection of Nineteenth-Century Idealism in Decline and Fall Ellen O’Brien Put Out More Flags and Literary Tradition 13 Robert Murray Davis REVIEWS Fictional Counterparts 19 Commando General: The Life of Major General Sir Robert Laycock KCMG CB DSO, by Richard Mead. Reviewed by Donat Gallagher A Slow Build 25 Evelyn Waugh’s Satire: texts and Contexts, by Naomi Milthorpe. NEWS A Personal Note I Owe It All to Brideshead 29 David Bittner Evelyn Waugh Studies 2 Paul Pennyfeather and the Victorian Governess: The Rejection of Nineteenth-Century Idealism in Decline and Fall Ellen O’Brien Much has been written on the disputed use of satire in Evelyn Waugh’s first novel.1 While critics have offered various readings of the satirical elements in Decline and Fall (1928), the novel also invites discussion of the role of parody, farce, black humour, burlesque, the bildungsroman, the picaresque and the anti-hero in creating an amusing but damning representation of society between the wars. This difficulty identifying a clear style is possibly due to the elusive nature of Waugh’s moral critique, which is so subtle as to be “everywhere felt but nowhere expressed” (Heath 77). His satirical target has been variously described as the “the beastliness of undergraduate societies and the leniency of college authorities toward wealthy and aristocratic members… the morals and outlook of ‘smart’ society,” the mismanagement of private boarding schools, the prison system, and modern religion, (Nichols 51) and more broadly as “inconsistency, hypocrisy, cruelty and folly… a satirical engagement with contemporary anxieties about English cultural decline in the years following the Great War” (Milthorpe 2, 20).
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http://oac.cdlib.org/findaid/ark:/13030/c8gm8d1h No online items Hilary Mantel Papers Finding aid prepared by Natalie Russell, October 12, 2007 and Gayle Richardson, January 10, 2018. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2007 The Huntington Library. All rights reserved. Hilary Mantel Papers mssMN 1-3264 1 Overview of the Collection Title: Hilary Mantel Papers Dates (inclusive): 1980-2016 Collection Number: mssMN 1-3264 Creator: Mantel, Hilary, 1952-. Extent: 11,305 pieces; 132 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: The collection is comprised primarily of the manuscripts and correspondence of British novelist Hilary Mantel (1952-). Manuscripts include short stories, lectures, interviews, scripts, radio plays, articles and reviews, as well as various drafts and notes for Mantel's novels; also included: photographs, audio materials and ephemera. Language: English. Access Hilary Mantel’s diaries are sealed for her lifetime. The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher.
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Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60).
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The World of Evelyn Waugh
PERSPECTIVES The World of Evelyn Waugh The late Edmund Wilson, America's foremost critic, once hailed Britain's Evelyn Waugh as "the only first rate comic genius in English since George Bernard Shaw." Waugh's more serious work, including Brideshead Revisited and his war trilogy Sword of Honour, has steadily gained renown in this country. Yet until last fall, when they were re-issued here to coincide with the publication of his diary, Waugh's early comic novels were hard to find in America. Here, we present Kathleen Darman's profile of Waugh, followed by several excerpts from those penetratingly funny early books. by Kathleen Emmet Barman A comic, detached ambivalence lies cism. (Still, he found the Church's at the heart of Evelyn Waugh's work. Index of forbidden books a "conven- He immersed himself in the glitter- ient excuse for not reading Sartre.") ing, sordid swirl of prewar England He came out of a Victorian middle- but at the same time believed it class family but chose the high life would be "very wicked indeed to do among the titled rich, the merely anything to fit a boy for the modem rich, and the leisured indigent-most world." He could be generous, chari- of whom he both loved and deplored. table, and kind, but in his novels he His first published essay was a de- clearly, if genially, detests Ameri- fense of Cubism; but in the end, as he cans, blacks, peers, machines, Eng- conceded in his autobiographical lishmen, Jews, everything. He meted The Ordeal of Gilbert Pinfold, "his out prejudice equitably, outrage- strongest tastes were negative.
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Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing
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Newsletter_42.1 EVELYN WAUGH NEWSLETTER AND STUDIES Vol. 42, No. 1 Spring 2011 1066 And All That? History in Evelyn Waugh’s Edmund Campion [1] by Donat Gallagher James Cook University Reviewing the American Edition of Edmund Campion for the New Yorker in 1946, Edmund Wilson, the eminent novelist and critic, wrote:“Waugh’s version of history is in its main lines more or less in the vein of 1066 And All That. Catholicism was a Good Thing and Protestantism was a Bad Thing, and that is all that needs to be said about it.”[2] Strangely, Wilson went on to accuse Edmund Campion of making “no attempt to create historical atmosphere”; and this of a biography that offends, where it offends, by locating its central biographical narrative within a boldly tendentious—and atmospheric— version of Elizabethan history. Despite this opening, which seems to promise a discussion of Waugh’s history in the broad, the following modest essay will concern itself mainly with slips and blunders, primarily because one noted Campion scholar virtually defines Waugh's Edmund Campion by its“irritating historical errors.”[3] But it is fair to ask how numerous, and how significant, such errors really are, and why they have been given such notoriety. Is Waugh’s history really “in the vein of 1066 And All That”? At the outset it must be said that Waugh went to extraordinary lengths to disclaim any pretensions to scholarship for his “short, popular life.” He emphasized his heavy dependence on Richard Simpson’s biography of Campion,[4] and in the Preface to the Second [British] Edition declares: “All I have done is select the incidents which struck a novelist as important, and relate them in a single narrative.” But Waugh was being modest, for close reading shows that he drew extensively on the scholarly works listed in his bibliography and that he used a collection of “notes and documents” made available to him by Father Leo Hicks, S.J., an historian of note.
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