HAYDN RAWSTRON LIMITED

Roman Sadnik's plans for the coming season include his début at the Teatro Colón in Prokofiev's The Fiery Angel (Agrippa and Mefisto), Matteo in Arabella in Tallinn, Melot in a new production of in Baden-Baden and a revival of Rosenkavalier at La Scala, Milan. Recent roles include two Strauss Operas: Rosenkavalier at La Scala, Milan, and Salome in Bonn. Previous season have seen him at the Festival (Rosenkavalier), Tokyo ( and die Tote Stadt), Paris (La fanciulla del West), Munich (Wozzeck) and Bregenz (Die Schatzgräber), amongst others.

His repertoire encompasses the major spinto roles of the Italian, German, French and Roman Sadnik Slavic roles in the Jugendlich-Heldentenor Fach (Cavaradossi, Radames, Otello, Canio, Tenor Pinkerton, Kaiser, Bacchus, Tannhäuser, Parsifal, Siegmund, Herodes, Max, German, Laca, Gregor). He has performed in many major European opera houses including, La Scala, The Munich State Opera, , Amsterdam, Lyon, Luxembourg, , , Leipzig, Zürich, Bonn and Innsbruck. Working with such directors as: Peter Stein, Martin Kusej, Claus Guth, George Tabori, Harry Kupfer, Nikolaus Lehnhof, Thomas Langhoff, Peter Mussbach, Olivier Tambosi and Kirsten Harms. In concert Roman Sadnik has performed at numerous prestigious concert halls, including in: Salzburg, Munich, Athens, Bregenz, Aix en Provence, Schwetzingen, Vienna Festival and the Vienna Musikverein. With conductors, such as: Georges Prêtre, , Kyrill Petrenko, Ingo Metzmacher, Daniele Gatti, Daniel Harding, Fabio Luisi, Jun Märkl, Mark Albrecht, Michel Plasson, Michael Boder, Stefan Soltesz and . He has recorded a number of CDs and DVDs, including: Schreker’s Irrelohe, Alfano’s Cyrono de Bergerac, Resnicek’s Donna Diana, Furrer’s Die Blinden, Neuwirth’s Bählamms Fest, Krenek’s Die Zwingburg, Brahms’ Ein Deutsches Requiem, Puccini’s La Fanciulla del West and Krenek’s- Kehraus um St. Stephan. Roman Sadnik was born in Vienna/Austria and studied at the Musikhochschule Vienna, and subsequently at the Vienna State Opera, with K.S.Walter Berry and K.S. Hugh Beresford.

September 2015

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