DOCSLIB.ORG

Annual Report 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The mission of the Tibbits Opera Foundation & Arts Council is to engage all in arts, culture, education and the preservation of the historic opera house. The vision of the Tibbits Opera Foundation & Arts Council is to be a center of arts and culture. Annual Report Design by Stephanie Burdick, Cover Design by Matt Biolchini Additional nonprofit information is available on Guide Star: www.guidestar.org Audited financials are available at the administrative office, 93 W. Chicago Street TableTable ooff CContentsontents TIBBITS OPERA FOUNDATION & ARTS COUNCIL Tibbits Opera House xPresident’s Message page 2 xExecutive Director’s Message page 3 xBoard & Staff page 4 xPreservation & Maintenance page 5 xCommunity Use page 6 Program Activities xTibbits Summer Theatre (TST) page 8 xTibbits Young Audiences (TYA) page 12 School Programming Tibbits Theatre & Beyond (TTAB Teen Advisory Board) xEntertainment Series page 14 Concerts Comedy Fest xClassic Film Series page 14 xArts Alive page 15 Gallery Shows The Art of the Holiday Kids Art Rocks ArtWalk Funding & Support xMembership page 16 xSpecial Events page 21 xVolunteers page 22 xCommunity Service/BCCT page 25 xMemorials page 26 xGrants page 27 xFinancials page 28 TIBBITS OPERA HOUSE ENDOWMENT page 31 Funds Invested For: xMaintenance xOperations xProgramming Children’s Programming 1 President’s Message Our 2019-2020 fiscal year was unlike any that we have ever experienced in our long history. As I mentioned last year at this time, the times are a’changin but little did we know when the year started how many changes there would be! Of course there were many challenges; however, through the dedication and persistence of our staff and our Board as well as the unwavering support of our volunteers, donors and sponsors, Tibbits was able to remain open and do what we do best… be the center for arts and entertainment for the community. I am proud to say that we were one of only a few theaters that were able to do just that and remain operating for the entire year. I am immensely grateful for the community support for Tibbits as well as for all of our nonprofits in the area. Our year started with a bang. Fall of 2019 brought the ever-popular Classic Film Series back to Tibbits as well as our successful Mary Poppins themed “Spoonful of Sugar” auction. Michigan- based band, The Accidentals, called one of the top 10 bands to watch, took the stage in late fall. Early winter brought an exciting and inspirational Christmas holiday show with music performed by a tribute band, Siberian Solstice, in the style of the nationally acclaimed Trans-Siberian Orchestra. In January, Tibbits brought in two additional pop tribute bands, AbbaMania and Night Fever, to compliment activities surrounding Coldwater’s Winterfest. Then, to shake off the winter blues, we held our annual Comedy Fest, bringing in professional comedi- ans to entertain the community. Little did we know that this would just be the beginning of our blues as the Covid-19 pandem- ic resulted in the theater going dark and raised havoc with our spring and summer schedule. But, within weeks, the staff and Board re-evaluated what had to be done realizing that we had a role in uplifting the community spirit and that the show must go on. While working remotely, Tibbits’ staff adapted quickly and was devoted to keeping the theatre alive through social media posts and virtual workshops as well as planning for the future. Our Summer Theatre Kids Workshop, which was also blindsided by the pandemic, changed courses and was performed outdoors on the steps of the theatre to a socially-distanced audi- ence of their families. Summer Theatre (TST) was totally re-vamped. What normally took 9 to 12 months of reading scripts, selecting plays, hiring crew and actors and rehearsing to bring the shows to the stage was done in less than 1 month! While it was a substantially different TST for- mat in that it was a reader’s theatre presentation with a smaller cast, smaller sets, no full orches- tra and held outdoors, audiences were appreciative and there were sold-out performances. It also provided insights for potential venues in the future. I again wish to thank all, and especially the sponsors and donors, who helped make this 2020 TST season so successful. Alas, this TST season also brought a farewell to Charles Burr, our Artistic Director of 30 years. Unfortunately, not quite the season nor the way he had planned to go out but he adapted to the change of script! Charles plans to continue to be selectively involved in the theatre in his retire- ment, so we will be able to be graced by his presence in the future. Please welcome Peter Riopelle as our new Artistic Director. He has been associated with Tibbits for a number of years and looks forward to continuing to bring great shows to Tibbits Summer Theatre. In conclusion, as you will note later in this report, considering what transpired over the year, with various grants, due diligence and support from our donors, sponsors and community, we remain financially viable. I look forward to your continued support and seeing you at the many activities that we have planned for 2020-21 season. Be Safe, Be Kind and Be Hopeful…. as the end of the pandemic craziness is in sight! Richard Merrill, President Tibbits Opera Foundation and Arts Council, Inc. 2 Executive Director's Report “Science is how we solve problems, but art is how we cope with them.” ~ David Zinn We all know what a challenge this year has been, for everyone, and in ways we never imagined. You will find throughout this report evidence of the amazing things that happened in response to those challenges. On behalf of everyone at Tibbits I’d like to say thank you to each person, business and organization that was behind all those amazing things. You will notice a fresh look to this report with many more photos and more concise summaries of the various activities. We’ve laid it out to more clearly correspond with the aspects of our mission—programming, preservation of the building, and the fund- ing and support that makes it happen. The financials focus on the overall picture with- out the accounting detail. That detail is always available upon request within the audit- ed financial statements. The report demonstrates a running theme of how we adapted and maneuvered through the course of the year. Even while the theatre was dark, it continued to inspire and entertain. That could not have happened without the staff, the board of directors and a very long list of donors, volunteers and supporters. Volunteers continued to find ways to help. Donors came through with their donations through membership. Tibbits’ Board of Directors stepped up to create its Board Match Challenge. Summer Theatre was the ultimate adaptation as we turned it completely upside down in just a few weeks. My deepest respect to Charles Burr for all of his efforts inventing something new. Thank you also to the truly inspiring group of actors and technicians who joined the company ready to adapt to whatever the season, amid the restrictions, ended up being. It ended up being an incredible, creative and rewarding season. It could not have happened without the sponsors who kept their support, The Ponds which opened its venue to us, the volunteers who opened their homes to the actors, and the volunteers who stayed active doing their part for each performance. There are so many to name there isn’t room. I trust they know who they are. We’ve tried to thank them all, but I don’t think it’s possible to thank them enough, that they can truly understand how important they have been to Tibbits this past year. My Sincerest Thanks to Our Community. Christine Delaney, Executive Director Tibbits Opera House 3 Board of Directors and Staff 2019-2020 Board of Directors Rick Merrill* President Chris Donbrock* Vice President Wayne Weaver* Treasurer Seth Berry* Secretary Polly Locke* Member-at-Large David Coyle* Member-at-Large Christine Delaney* Executive Director Jose Albarran, John Bolton, Donna Gardner, Diane Harmon, Bonita Hoffner, Joe Hughes, Ken Norton, Diane Pridgeon *Denotes Executive Committee 2019-2020 Staff Christine Delaney - Executive Director Charles Burr - Artistic Director Stephanie Burdick - Operations Director Andrew French - Development Director (starting March 2020) Larry Downs - Accounting Manager (until Aug 2020) Christylee Fraley - Accounting Manager (starting March 2020) Matt Biolchini - Graphic Designer Tirsha Odisher - Audience Services Director Chloe Butler - Audience Services Julia Littley - Audience Services Dave Brown - Facility Manager Joan Spaulding - Building Assistant Angie Washburn - Office Assistant 4 Building & Facility Projects Electric Upgrade – $140,000 project brought the theatre’s antiquated electrical sys- tem to the 21st century. In addition to upgrading from single-phase to three-phase electric and new panels installed on the back of the building, new dimmers were added for the stage lighting. Project funding included $70,000 from MCACA which was matched by restoration funds. Scene Shop – Improvements to the scene shop alleviated drainage and flooding is- sues and improved the grade of the driveway, very helpful when moving scenery in and out. Funding for the $12,078 project came in part from Branch County Commu- nity Theatre, Parrish Excavating, METC Easement and Coldwater Rotary Club. Ro- tary also invested in improvements to the driveway on the east side of the building. Fire/Sprinkler Repairs & Monitoring System – Early in the year, the compressor which maintains pressure to the sprinkler system failed, resulting in a partial flood- ing of the art gallery. The compressor was replaced and repairs made. Then, an alarm system was installed to notify the fire department if a fire (or leak) triggers the sprinkler system.
Recommended publications
  • Training News Spring 2016

    Training News Spring 2016

    Spring 2016 Training News Photos: Cover: Cast of Freedom Rider. UMKC Theatre 2015 Inside Front: From Top: Joshua Gilman in The Learned Ladies. TRAINING NEWS UMKC Theatre 2015 Korrie Murphy in WRITERS: PROJECT MANAGER: EDITORS: The Rocky Horror Show. Jamie Alderiso Tom Mardikes Felicia Londré UMKC Theatre 2015 Amanda Davison Cindy Stofiel Andrew Hagerty Collin Vorbeck Alex Ritchie in Wittenberg. Dalton Pierce DESIGN/LAYOUT MANAGER: UMKC Theatre 2015 David Ruis Sarah M. Oliver DESIGNER: Inside Front Facing Page: Collin Vorbeck Kate Mott Mariem Diaz, Frank Oakley, Ethan Zogg and Aishah Ogbeh in Freedom Rider. UMKC Theatre 2015 Collective Collaboration 1 En Charrette 3 Inside Back From Left: Lightning Strikes Twice in Scenic Design 5 Cast of Wittenberg. Illuminating Projections 8 UMKC Theatre 2015 Matt Carter and the Hudson Scenic Studio 10 Frank Lillig and Korrie Professional Educators 12 Murphy in Pericles. Professors Stay Sharp 14 UMKC Theatre 2014 Working Actors 18 A Lasting Bond 20 Michael Thayer in Sound Mandala 22 The Learned Ladies. Graduate Students Strut Their Stuff 23 UMKC Theatre 2015 A National Collaboration 26 Alumni at Work 28 Back: Shaping Stage Managers 35 Cast of Caucasian Chalk Playwrighting: The Art and the Craft 36 Circle. A Vocal Homecoming 37 UMKC Theatre 2014 Fringe With Benefits 39 Above photos courtesy of Dramaturgs on the Rise 41 Brian Paulette UMKC Theatre is composed of a team of creative, educational profes- sionals who work actively in the professional theatre. We build bridg- es. We assist the creative student to make the journey to becoming a creative professional. The practice of the department is to vigorously educate students in the many arts, crafts and traditions of theatre, and to provide a basis for future careers in the creative industries.
  • Annual Report 2019

    Annual Report 2019

    Additional Non Profit information is available on Guide Star: www.guidestar.org Audited financials are available at the administrative office, 93 W Chicago Street Our Mission W X The mission of the Tibbits Opera Foundation & Arts Council is to engage all in arts, culture, education and the preservation of the historic opera house. The vision of the Tibbits Opera Foundation & Arts Council is to be a center of arts and culture. W X 1 President’s Message I am delighted to share this 2019Annual Report which highlights the great things that have happened at Tibbits Opera House over the past year. The year started out with a bang with Classic Stones Live, a Rolling Stones tribute band, followed by Comedy Fest; Paula Pound- stone and Roomful of Blues. Then we had our exciting summer theater presentations, often fill- ing the house, which included, among others, the ever popular Joseph and The Amazing Technicolor Dreamcoat and West Side Story. In mid-summer, BritBeat, a Beatles trib- ute band, provided a great chronology of their life and music. We did all of this plus had the TYA, Arts Alive, Branch County Community Theater, Classic Films and many other private events. Oh, we even threw a party in the fall honoring Tibbits 137th birthday and being put on the National Historic register! During the year, in an effort to expand our offerings, enlarge our audience base and address relevant, current issues, we formed new partnerships with several other non-profits to offer several performances. In the spring, the film, Ring of Silence, a moving, educational story about sex trafficking, was provided multiple times throughout the day.
  • Tibbits.Org • 517.278.6029 FAP-1966E-A Jones financialadvisortoday

    Tibbits.Org • 517.278.6029 FAP-1966E-A Jones financialadvisortoday

    2020 SUMMER THEATRE Conquering Covid One Show at a Time Tibbits.org • 517.278.6029 When it comes to your to-do list, put your future first. To find out how to get your financial goals on track, contact your Edward Jones financial advisor today. Diana Butler edwardjones.com Financial Advisor Member SIPC 863 E Chicago St Coldwater, MI 49036 517-279-0541 FAP-1966E-A FAP-1966E-A Welcoming New Patients Make your appointment with one of our doctors today, where we will provide you with a dental home! Matthew C. Christopher, DDS 369 E. Chicago St., Coldwater 279.7943 715 N. Broadway, Union City 741.4565 UCSmiles.com 517.278.6029 03 A Message from the Executive Director Theatre and live performance teach us a very important skill, how to adapt. The 57th season of Tibbits Summer Theatre is all about adapting. Without resorting to a litany of clichés, we needed to rethink and reconfigure every aspect of what we traditionally do. Through the amazing talents of Charles Burr and Tibbits’ entire staff of creative thinkers and doers, we have pulled together what we hope you will find to be a unique and fulfilling season. The shows will not have full sets or live orchestras. They will have great talent and many familiar faces. They won’t be full productions, but you will still be fulfilled...able to smile, laugh, tap your toe and maybe escape for a period of time. We will still have something for our youngest patrons even if it isn’t popcorn at intermission.
  • Your Funeral Now? Ed Place to Pay Our Respects We Must Win the Freedom They Fought to Lend Our Support to Those Who Work for Achieve? Yes, They Did." I Lasting Peace

    Your Funeral Now? Ed Place to Pay Our Respects We Must Win the Freedom They Fought to Lend Our Support to Those Who Work for Achieve? Yes, They Did." I Lasting Peace

    • Wayne County's nl J __& W __ I 1 ~l. ." " .,,~ I"'". C" ') r ", " I "'t ~ t) ~ '? r v 10"., • Publtutlon Num~ USPS 3Qt\.MO Vol. 112,No. 40, Four sections, 40 Pages, Plus Supplement Wednesday, May 27,1981 -Northville, Michigan • TWENTY-FIVE CENTS School committee to mal~e millage recommendation After more than six weeks of intense they were aware of the election, 28.2 thville Record - yes - 35.6 percent; no bUdget review sessions and cost percent said they were not aware of the - 38.5percent; unsure - 25.8 percent. analysis examinations, the Northville election. 2. Recent property tax assessment in- Board of Education Citizens Advisory 56.7 percent of the persons surveyed creases - yes - 83.5 percent; no -7.7 Committee will discuss tonight its final thought the request was a renewal. 20.3 percent; unsure - 8.8 percent. millage recommendation to be made to percent thought the request was an in- 3. Current economic conditions - yes the school board for the July school crease. 21.9 percent said they were un- - 82.7 percent; no - 11.4 percent; un- millage election. sure if it was an increase or a renewal, sure - 5.9 percent. The committee will make a recom- and 1.1 percent thought it was both an 4. The announced administration mendation to the board based on what it increase and a renewal. salary increases - yes - 66.8 percent; believes the Northville community will 37.1 percent of those surveyed said no - 16.8 percent; unsure - 16.4 per- support and what level of funding will they knew the value of the request to cent.
  • Finding Aid for the THEATRE HISTORICAL SOCIETY THEATRE FILE COLLECTION

    Finding Aid for the THEATRE HISTORICAL SOCIETY THEATRE FILE COLLECTION

    152 N. York St., 2nd Floor, Elmhurst, IL 60126 historictheatres.org Finding Aid for the THEATRE HISTORICAL SOCIETY THEATRE FILE COLLECTION Acc No.: Future Additions Expected: Yes Finding Aid creation: July 31, 2014 Size: Approximately 148 linear feet Abstract The Theatre Historical Society Theatre File Collection consists of approximately 148 linear feet of files on nearly 10,000 theatres. The Theatre File collection has international holdings but the primary focus is on United States theatres. Background Information The Theatre Historical Society of America was founded in 1969 to promote the legacy of America’s historic theatres and insure the documentation of the architectural, cultural and social history of those theatres. Materials were collected by members and kept in separate locations. Over time the collections were brought to one location and combined. From these initial collections the materials were organized and separated into several different collections. Records detailing histories of specific theatres were labeled the Theatre File, materials containing information on theatre mechanics, cinema chains, architects, THS members, vaudeville circuits, among other topics became the Subject Files, Photos that were used in the publication of Marquee were gathered into the Editors Collection, photographic slides, postcards, and negatives became the THS Slide Collection, THS Postcard Collection, and THS Negative Collection respectively. These collections came from THS members and donations made throughout the organization’s history. Scope and Contents Note The Theatre File collection consists of 148 linear feet of folders stored in 28 vertical filing cabinets. The files are organizes geographically by country, state, city and then alphabetically by theatre. The file headings use US postal code abbreviations and include the city and theatre name in the file name, for example IL-Chicago- Tivoli.
  • The Farmland Opera House: Culture, Identity, and the Corn Contest.”

    The Farmland Opera House: Culture, Identity, and the Corn Contest.”

    THE FARMLAND OPERA HOUSE: CULTURE, IDENTITY, AND THE CORN CONTEST Rose Wernicke Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University December 2013 Accepted by the Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. __________________________________ Elizabeth Brand Monroe, Ph.D., J.D., Chair __________________________________ Anita Morgan, Ph.D. Master’s Thesis Committee __________________________________ Nancy Marie Robertson, Ph.D. ii Dedication To the makers of history in rural America; yours matters. iii Acknowledgements Circumstances leading to the opportunity for me to write this history of Farmland have been made possible by many people. My colleagues at Architecture Trio introduced me to the Farmland Opera House and encouraged my quest for further study. Thank you Pat and Julie. Several people in Randolph County have inspired me to search further. Special thanks to Greg Hinshaw and Monisa Wisner. Your assistance has helped tremendously. Much of my study was fueled by milkshakes from the Chocolate Moose, conveniently located across the street from the opera house. While writing the thesis, I received constant encouragement for which I am truly grateful. Thanks to my thesis advisor, Elizabeth Brand Monroe for your enthusiasm for my topic and your patient reads and rereads of my drafts. Committee members, Nancy Robertson and Anita Morgan, thank you for your inspiring suggestions, comments and friendly smiles to a stressed- out writer. I want to thank my Supreme Court family for your encouragement and thanks to my supervisor, Elizabeth Osborn for allowing me a flexible schedule so I could finish my thesis.
  • Theatre W08-09WEB.Pdf

    Theatre W08-09WEB.Pdf

    Nonprofit Org. Postage PAID Indiana University Alumni Association IU College luggage tags College of Arts & Sciences Alumni Association · Winter 2008-09 Send us your business card and we’ll send you a custom College IU Department of Theatre and Drama Lee Norvelle Theatre and Drama Center luggage tag! Membership matters. This publication is paid for in part by dues-paying members of the Indiana University Alumni Association. Mail to: Luggage Tags, College of Arts & Sciences, Kirkwood Hall 208, 130 S.Woodlawn, Bloomington, IN 47405. Building the future one play at a time Printed on recycled paper in U.S.A. his year, Indiana University STAGES celebrates its 75th season of plays, Theatre & Drama Alumni: What’s new with you? Ttracing its formal commitment to This newsletter is published by the artistic and academic excellence back to Indiana University Alumni Association, The IU Alumni Association is charged with maintaining records for all IU alumni. Oct. 10, 1933, when, under the direction Please print as much of the following information as you wish. Its purpose, in addition to in cooperation with the Department of of Professor Lee Norvelle, the University Theatre and Drama and the college of providing us with your class note, is to keep IU’s alumni records accurate and up to date. ✄ Theatre presented The First Mrs. Frazer. Arts & Sciences Alumni Association, to To verify and update your information online, visit our online alumni directory at encourage alumni interest in and support www.alumni.indiana.edu/directory. Theatre has been part of campus life since for Indiana University. For activities and Name _________________________________________ Date____________________ the 1880s, when various student groups membership information, call (800) 824- Preferred name __________________________________________________________ were performing plays on the Bloomington 3044 or send e-mail to iualumni@indiana.
  • Annual Reportreport

    Annual Reportreport

    tibbits Opera Foundation & Arts Council, Inc. ANNUALANNUAL REPORTREPORT 2018 Annual Report for Fiscal Year October 1, 2017 - September 30, 2018 Additional Non Profit information is available on Guide Star: www.guidestar.org Audited financials are available at the administrative office, 93 W Chicago Street Our Mission W X The mission of the Tibbits Opera Foundation & Arts Council is to engage all in arts, culture, education and the preservation of the historic opera house. The vision of the Tibbits Opera Foundation & Arts Council is to be a center of arts and culture. W X 1 President’s Message As we enter the new year and our 137th in existence, glancing through the annual report you will note that we continue to head in the right direction financially. We have done this in a num- ber of ways. One, which has been recently embraced by a number of theaters throughout the US, has been to gain our liquor license and open our Ghost Light Bar. This has produced in- come for our shows as well as for private events. Secondly, our Board and Building committee have been fiscally responsible by looking at our on-going lists of repairs and making forward looking decisions based upon our long range restoration plans, continuing to improve our physi- cal facilities to enable a more enjoyable atmosphere at the theater. Good examples of this, as well as how the community has generously supported us, are our new boilers for the theater and heating/cooling system for the Ghost Light lobby bar area. Speaking of a more enjoyable theater experience, we have continued, again with generous sup- port of our members and donors, to address the issue of sound.
  • The Vogue Theatre Manistee, Michigan

    The Vogue Theatre Manistee, Michigan

    The Vogue Theatre Manistee, Michigan FEASIBILITY STUDY Revitalizing Supporting Building Downtown July 2010 The Urban Resource Alliance The Urban Resource Alliance Comprehensive Redevelopment Services July 12, 2010 Ms. Cyndy Fuller Executive Director Alliance for Economic Success 1361 U.S. 31 South Manistee, MI 49660 Dear Ms. Fuller: The Urban Resource Alliance is most pleased to submit the Adaptive Reuse/Feasibility Studies for the Vogue Theatre in the downtown and the Iron Works Building on the Peninsula east of the Downtown. The locations and Iconic presence of these structures present a rare revitalization opportunity for Manistee on the west coast shoreline of Lake Michigan that is unique to all others, even throughout the State. The Iron Works project, ideally situated on the Peninsula where Manistee Lake meets the Channel leading out to Lake Michigan, is proposed to include a collection of food – and outdoor/sports-themed retail, anchored by a boutique “loft-style” hotel, restaurant/micro- brewery, transient marina, and Farmer’s Market. These Uses are all tied together with food- related learning programs and activities including a culinary school, community gardens, greenhouses and cooking/growing/brewing workshops. The Vogue Theatre, on the other hand, will anchor a proposed west-end commercial “arts” district that will promulgate the inherent cultural/arts heritage of the Manistee community. Together these concepts will attempt to achieve the full economic and use potential of the buildings and site while still remaining sensitive to the historic character downtown and the waterfront environment which embraces them. The Intent to enhance and compliment the other attractions in the community and not compete has been a major underlying objective in this feasibility process.
  • Visitors-Guide-2020.Pdf

    Visitors-Guide-2020.Pdf

    B TTLE CREEK • MARSHALL • ALBION CALHOUN COUNTY OFFICIAL VISITORS GUIDE Marshall Riverwalk Start Here! BattleCreekVisitors.org What Will You Do First? Start Here! ITINERARY EXPERIENCE EXPERIENCE #adventuretime #pickyourpairing #bcwelcomecenter If you’re traveling with your sweetie, Don’t just look for a pit stop, discover Highly trained itinerary planners will your friends, or your family - plan your an experience with our perfect pairings. help you find brochures, souvenirs, and best trip here. Pages 6-15 Pages 16-17 answers to your questions. Page 22 EXPERIENCE HISTORY LISTING #binderparkzoo #discoverhistory #beyondtheburger Discover the lion pride in Wild Africa at Read about the birth of flaked cereal, the Innovative dining options don’t stop with Binder Park Zoo, along with giraffes you notorious Purple Gang, and the courage delicious burgers, we have scrumptious can feed by hand! Pages 18-19 of Sojourner Truth. Pages 26-31 noodles and more. Pages 32-38 Welcome! LISTING LISTING LISTING Welcome to Calhoun County, where we have something for everyone – even dogs. So what kind of traveler are you? If you’re laid-back and relaxed, we have good food, good beer and good golf. If you want action, there’s skateboarding, kayaking and one tough mountain bike trail. If you want to be inspired, check #top5events #followtheriver #golf Join us for a day of fun at the World’s Parks and rivers criss-cross our area, World-class golf courses are waiting for out our history, murals and architecture. Longest Breakfast Table during our offering you lots of options for playing you to experience the thrill of testing your If you have little ones to entertain, get National Cereal Festival.
  • A Cyclopedic Directory of the Motion Picture Industry

    A Cyclopedic Directory of the Motion Picture Industry

    rttrican It .pictur rectorp tUt ©irettorp of Class /^/ OS'' Bonk .A 1 - G3pyii^htN^_ Scanned from the collections of The Library of Congress AUDIO-VISUAL CONSERV'ATION at The UBKARY t CONGRESS Packard Cannpus for Audio Visual Conservation www.loc.gov/avconservation Motion Picture and Television Reading Room www.loc.gov/rr/mopic Recorded Sound Reference Center www.loc.gov/rr/record THE AMERICAN MOTION PICTURE DIRECTORY A CYCLOPEDIC DIRECTORY OF THE MOTION PICTURE INDUSTRY 1914-15 PUBLISHED BY AMERICAN MOTION PICTURE DIRECTORY CO. CHICAGO, U. S. A. Copyright 1915 by American Motion Picture Directory Co., Chicago, 111. (' \ HE American Motion Pic- ture Directory Company presents this as its first Directory of the moving picture business. This volume is, we trust, the forerunner of editions to follow year by year, it represent- ing pioneer work of this kind, and is subject to criticism and improve- ments. This Company will welcome suggestions and criticisms and en- deavor to improve future edijtions. It is the hope of the managers that the American Motion Picture Directory will become the standard for the business it represents. ©GI,A398979 CENSORSHIP The most perplexing question in connection with the motion picture industry is that relating to the censorship of films. The legal and ethical questions involved are many and complicated. Motion picture censorship arose out of the manufacture and exhibition of a class of pictures depicting sectional, national and class prejudices; the exploitation of notorious characters; insanity; use and effects
  • STAGES Theatre Circle INSIGHTS Special Edition - Fall 2014 Indiana University Department of Theatre, Drama, + Contemporary Dance

    STAGES Theatre Circle INSIGHTS Special Edition - Fall 2014 Indiana University Department of Theatre, Drama, + Contemporary Dance

    STAGES Theatre Circle INSIGHTS Special Edition - Fall 2014 Indiana University Department of Theatre, Drama, + Contemporary Dance IU Theatre’s Journey to the Prague Quadrennial of Performance, Design, and Space n 2010 faculty Technical Director Paul Brunner was selected Ito be part of the United States entry in the 2015 Prague Qua- drennial. As a member of the design team, Paul has been attend- ing weekly webinar meetings with team colleagues in New York, London, Houston, and L.A. to discuss the design and fabrication details. Eight IU students applied to take part in the project and volunteered five weeks of their summer to fabricate two exhibits at IU’s Scenic Studio: the national exhibit that represents U.S. design- ers, and the student exhibit which highlights schools of theatre. Tese students will travel to Prague next summer to install the exhibits and serve as hosts to thousands of attendees from around the world. Te opportunity for these theatre students to attend the Prague Quadrennial, to be exposed to the very best in design and live performance from around the world, and to spend almost three weeks in Prague is a rich and life-changing experience. Of the eight students, four are funded by the project’s major sponsor, the United States Institute for Teatre Technology (USITT.org), and four by a gracious local donor. It is not easy to put the Quadrennial into context. Since 1967, the event has been held every four years and is the only interna- Computer-generated rendering of the USA Exhibit entry in the Prague Qua- tional exhibition of performance design and space.