RICK AMOR B. 1948, Frankston, Victoria
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Rick Amor Bio Rick Amor was born in Frankston, Victoria in 1948. In 1965 he completed a Certificate of Art at the Caulfield Institute of Technology, and from 1966 to 1968 studied at the National Gallery School, Melbourne where he received an Associate Diploma of Painting. He has been the recipient of several Australia Council studio residencies, which have allowed him to work in London, New York and Barcelona. In 1999 the Australian War Memorial appointed him as the official war artist to East Timor. Amor has held over 50 solo exhibitions since first exhibiting at Joseph Brown Gallery in 1974 and has shown annually at Niagara Galleries since 1983. A major survey exhibition of his paintings was curated by McClelland Gallery in 1990 and toured various regional galleries in Victoria and South Australia. In 1993 an exhibition mounted by Bendigo Art Gallery toured Victoria and Tasmania, presenting his work as a printmaker and graphic artist. An important exhibition of Rick’s bronze sculpture was undertaken by Benalla Art Gallery in 2002, including many maquettes never previously exhibited. In 2005, Robert Lindsay curated Rick Amor: Standing in the Shadows, the second major survey of Amor’s work to be presented at McClelland Gallery+Sculpture Park. In March 2008, Heide Museum of Modern Art presented Rick Amor: A Single Mind, a triumphant survey of Rick’s paintings and works on paper from 1968 – 2008. Gary Catalano’s biography The Solitary Watcher: Rick Amor and his Art, was published by The Miegunyah Press in 2001; and in 2008, The Beagle Press published Gavin Fry’s richly illustrated monograph, Rick Amor. -
Heritage Precincts: History and Significance
MELBOURNE PLANNING SCHEME TABLE OF CONTENTS Introduction 4 1 The City of Melbourne 5 Background History 5 City of Melbourne Summary Statement of Significance 11 2. Carlton Heritage Precinct 13 Background History 13 Statement of Significance for Carlton Heritage Precinct 16 3. East Melbourne Heritage Precinct including Jolimont and the Parliamentary Precinct 19 Background History 19 0 Statement of Significance for East Melbourne Heritage Precinct including Jolimont and the Parliamentary Precinct 22 4. Kensington & Flour Milling Heritage Precinct 27 Background History 27 Statement of Significance for Kensington & Flour Milling Heritage Precinct 29 5. North & West Melbourne Heritage Precinct 31 Background History 31 Statement of Significance for North & West Melbourne Heritage Precinct 34 6. Parkville Heritage Precinct 37 Background History 37 Statement of Significance for Perky'Ile Heritage Precinct 40 7. South Yarra Heritage Precinct 43 Background History 43 Statement of Significance for South Yarra Heritage Precinct 46 8. Bank Place Heritage Precinct 50 Background History 50 Statement of Significance for Bank Place Heritage Precinct 52 9. Bourke Hill Heritage Precinct 54 Background History 54 Statement of Significance for Bourke Hill Heritage Precinct 56 10. Collins Street East Heritage Precinct59 Background History 59 Statement of Significance for Collins Street East Heritage Precinct 61 REFERENCE DOCUMENT - PAGE 2 OF 94 MELBOURNE PLANNING SCHEME 11. Flinders Lane Heritage Precinct 64 Background History 64 Statement of Significance for Flinders Lane Heritage Precinct 65 12. Flinders Street Heritage Precinct 68 Background History 68 Statement of Significance for Flinders Street Heritage Precinct 69 13. Guildford Lane Heritage Precinct 72 Background History 72 Statement of Significance for Guildford Lane Heritage Precinct 73 14. -
Artists Statement for Me the Nature of Colour Is the Colour of Nature
David Aspden Born Bolton, England, arrived Australia 1950 1935 - 2005 COLLECTIONS Aspden is represented in National Gallery of Australia, Art Gallery of New South Wales, Art Gallery of Western Australia, Museums and Galleries of the Northern Territory, National Gallery of Victoria, Art Gallery of South Australia, and other state galleries. His work is found in regional galleries including Bathurst, Newcastle, Wollongong, Gold Coast, Orange, Armidale, Ballarat, Benalla, Muswellbrook, Manly, Stanthorpe and Geelong. Aspden’s paintings are hung in New Parliament House, Canberra and the NSW State Parliament. His work is in the collections of Artbank, Heide, Tarrawarra Museum of Art, Macquarie University, National Bank of Australia, Macquarie Bank, St George Bank, The Australian Club, Festival Hall Adelaide, Allens Arthur Robinson, Clayton Utz, Melbourne Casino, Fairfax, News Limited, University of Western Australia, Monash University, Beljourno Group, Shell Company of Australia Limited, and numerous corporate and private collections. Individual Exhibitions 1965 Watters Gallery, Sydney 1966 Watters Gallery, Sydney - March and November 1967 Watters Gallery, Sydney Strines Gallery, Melbourne 1968 Farmers' Blaxland Gallery, Sydney Gallery A, Melbourne 1970 Rudy Komon Art Gallery, Sydney 1971 Rudy Komon Art Gallery, Sydney 1973 Rudy Komon Art Gallery, Sydney 1974 Rudy Komon Art Gallery, Sydney 1975 Solander Gallery, Canberra 1976 Monash University, Victoria Rudy Komon Art Gallery, Sydney 1977 Rudy Komon Art Gallery, Sydney 1981 Rudy Komon Art Gallery, -
Imants Tillers
IMANTS TILLERS Born Sydney, Australia 1950. EDUCATION 2005 Awarded a Doctor of Letters (Honoris Causa), University of New South Wales, Sydney. 2001 Visiting Fellow, Fine Art Research Centre, Southampton Institute, UK Co-curator with Marketta Seppälä, Empathy: Beyond the Horizon, Pori Art Museum, Finland. Appointed Trustee of the Art Gallery of New South Wales, Sydney. 1976 Cité Internationale des Arts Residency, Paris Owen Tooth Cottage Residency, Vence. 1969 – 72 Bachelor of Science Architecture (First Class Hons, University Medal), University of Sydney. 2010 Collaborated with Janis Balodis on Exile and Fatherland, 53rd Australian Latvian Arts Festival, Melbourne 2011 Appointed a Director of Immigration Place, Australia, Canberra. SELECTED SOLO EXHIBITIONS 2016 Metafisca Australe, ARC ONE Gallery, Melbourne. 2015 Metafisca Australe, Roslyn Oxley9 Gallery, Sydney 2014 Big Storm Between Two Place: Michael Nelson Jagamara and Imants Tillers, Fire works Gallery, Brisbane Latvian Mandala, Australian Latvian Arts Festival, Latvian House, Sydney. Haunted Nation, Bett Gallery, Hobart The Philosopher’s Walk, Greenaway Art Gallery, Adelaide 2013 The Fleeting Self, ARC ONE Gallery, Melbourne 2012 Tabula Rasa, Roslyn Oxley9 Gallery, Sydney The Loaded Ground: Michael Nelson Jagamara and Imants Tillers, Drill Hall Gallery, Australian National University Art Gallery, Canberra. 2011 Nature Speaks, Greenaway Art Gallery, Adelaide. The Journey South, Bett Gallery, Hobart. 2010 The Blossoming World, Arc One Gallery. A Poem of the Land, Roslyn Oxley9 Gallery, Sydney. Dual Worlds: Dadang Christanto and Imants Tillers, Jan Manton Art, Brisbane. 2009 Leap of Faith, Greenaway Art Gallery, Adelaide. Value Added Landscapes, Jan Manton Art, Brisbane. Clouds on a distant horizon, Bett Gallery, Hobart. The Long Poem, Lawrence Wilson Art Gallery, University of Western Australia, Perth. -
Fred Williams
FRED WILLIAMS Born: 1927, Melbourne, Australia Died: 1982 SELECTED EXHIBITIONS 1947 Figure And Portrait Exhibition, Victorian Artists Society, Melbourne 1951 Ian Armstrong, Fred Williams, Harry Rosengrave, Stanley Coe Galleries, Melbourne Australian Arts Association Exhibition, Royal Watercolour Society Gallery, London. 1952 Group Exhibition, Australian Artists' Association 1957 Fred Williams, Oil Painting And Gouache, Australian Galleries, Melbourne Fred Williams, Etchings, Gallery Of Contemporary Art, Melbourne 1958 Fred Williams, Landscapes, Australian Galleries, Melbourne Fred Williams - Etchings, Gallery Of Contemporary Art, Melbourne May Day Art Show, Lower Town Hall, Melbourne A Critic's Choice, Selected By Alan Mcculloch, Australian Galleries, Melbourne 2nd Anniversary Exhibition, Australian Galleries, Melbourne Crouch Prize, Ballarat Art Gallery, Victoria 1959 Fred Williams, Recent Landscapes And Still Life, Australian Galleries, Melbourne 18 Recent Acquisitions..., Museum Of Modern Art, Melbourne 1960 Fred Williams, Australian Galleries, Melbourne Helena Rubenstein Travelling Art Scholarship, (By Invitation), National Gallery Of Victoria, Melbourne Drawings And Prints, Australian Galleries, Melbourne 1960 Perth Art Prize, Art Gallery Society, Western Australia, Art Gallery Of W.A., Perth Mccaughey Memorial Art Prize, National Gallery Of Victoria, Melbourne Drawings, Paintings And Prints Up To 45 Gns, Australian Galleries, Melbourne 1961 Fred Williams, Paintings, Australian Galleries, Melbourne Fred Williams, The Bonython Art -
Melbourne Planning Scheme
MELBOURNE PLANNING SCHEME MELBOURNE PLANNING SCHEME REFERENCE DOCUMENT CITY OF MELBOURNE HERITAGE PRECINCTS BACKGROUND HISTORY & SIGNIFICANCE ASSESSMENT This document is a reference document to Clause 22.06 of the Melbourne Planning Scheme REFERENCE DOCUMENT PAGE 1 OF 12 FEBRUARY 2007 MELBOURNE PLANNING SCHEME TABLE OF CONTENTS Introduction 4 1 The City of Melbourne 5 Background History 5 City of Melbourne Summary Statement of Significance 11 2. Carlton Heritage Precinct 13 Background History 13 Statement of Significance for Carlton Heritage Precinct 16 3. East Melbourne Heritage Precinct including Jolimont and the Parliamentary Precinct 19 Background History 19 Statement of Significance for East Melbourne Heritage Precinct including Jolimont and the Parliamentary Precinct 22 4. Kensington & Flour Milling Heritage Precinct 27 Background History 27 Statement of Significance for Kensington & Flour Milling Heritage Precinct 29 5. North & West Melbourne Heritage Precinct 31 Background History 31 Statement of Significance for North & West Melbourne Heritage Precinct 34 6. Parkville Heritage Precinct 37 Background History 37 Statement of Significance for Parkville Heritage Precinct 40 7. South Yarra Heritage Precinct 43 Background History 43 Statement of Significance for South Yarra Heritage Precinct 46 8. Bank Place Heritage Precinct 50 Background History 50 Statement of Significance for Bank Place Heritage Precinct 52 9. Bourke Hill Heritage Precinct 54 Background History 54 Statement of Significance for Bourke Hill Heritage Precinct 56 10. Collins Street East Heritage Precinct 59 Background History 59 Statement of Significance for Collins Street East Heritage Precinct 61 REFERENCE DOCUMENT - PAGE 2 OF 94 MELBOURNE PLANNING SCHEME 11. Flinders Lane Heritage Precinct 64 Background History 64 Statement of Significance for Flinders Lane Heritage Precinct 65 12. -
GEOFFREY RICARDO Born 1964, Melbourne, Australia
GEOFFREY RICARDO Born 1964, Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VIC SOLO EXHIBITIONS 2014 ‘I am not afraid of the dark’, Scuola Internazionale di Grafica, Venice, Italy ‘Ad Absurdum’, Australian Galleries, Derby Street, Melbourne 2012 ‘Collection of Works’, The Art Vault, Mildura, VIC ‘Deeper Meanings’, The Incinerator Gallery, Melbourne -
Annual Report 2001–2002 Annual Report 2001–2002 NATIONAL GALLERY of AUSTRALIA Annual Report 2001–2002 © National Gallery of Australia
NATIONAL GALLERY OF AUSTRALIA GALLERY NATIONAL NATIONAL GALLERY OF AUSTRALIA Annual Report 2001–2002 Annual Report 2001–2002 Annual Report NATIONAL GALLERY OF AUSTRALIA Annual Report 2001–2002 © National Gallery of Australia ISSN 1323-5192 All rights reserved. No part of this publication may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage retrieval system, without permission in writing from the publisher. Produced by the Publications Department of the National Gallery of Australia, Canberra. Printed by Paragon Printers, Canberra, ACT National Gallery of Australia GPO Box 1150, Canberra ACT 2601 www.nga.gov.au cover and left: Paminggir people Lampung, Sumatra, Indonesia Ceremonial textile [tampan] 19th century Cotton, gold thread, dyes; supplement weft Acquired through gift and purchase from the Collection of Robert J. Holmgren and Anita E. Spertus, New York, 2000 iii Contents Letter of Transmittal iii Chairman’s Foreword 1 Director’s Report 3 Performance Report 2001–2002 Outcome and Outputs 7 Corporate Overview 9 Report against Strategic Plan 2001–2004 15 National Gallery of Australia Financial Reports 2001–2002 Independent audit report 54 Statement by Directors 56 Statement of Financial Performance 57 Notes to the Financial Statement 62 Appendixes 1. Council of the National Gallery of Australia 86 2. Management structure at 30 June 2002 88 3. Staff of the National Gallery of Australia at 30 June 2002 89 4. Acquisitions 2001–2002 92 5. Acquisitions including purchases and gifts 1945–2002 116 6. Exhibitions held at the National Gallery of Australia 117 7. Attendance at the National Gallery of Australia 1982–2002 119 8. -
VICTORIAN BAR NEWS No
VICTORIANVICTORIAN BARBAR NEWSNEWS No. 117 ISSN 0150-3285 WINTER 2001 MAJOR GENERAL GREG GARDE AM, RFD, QC Welcome: Ian Gray, Chief Magistrate Farewell: Mr Justice Tadgell Obituaries: Judge Kent and Hubert Theodore Frederico Junior Silk’s Bar Dinner Speech Jack Cullity A Practical Way to Early Resolution of the Head od State Issue Celebrating Federation and Networking Constitutional Law ASIC Chairman Reviews HIH Collapse in Corporate Governance Address Hong Kong: After the Change Over Actual Hypothetical VICTORIAN BAR NEWS No. 117 WINTER 2001 Contents EDITORS’ BACKSHEET 5 Political Correctness and the Victorian Bar CHAIRMAN’S CUPBOARD 7 On Reviews, Discussions, Issues, Fees, and Rules ATTORNEY-GENERAL’S COLUMN 10 Attorney-General’s Job “Exceeding Expectations” LEGAL PRACTICE NOTES 12 Legal Profession Tribunal: Publication of Welcome: Ian Gray, Farewell: Mr Justice Obituary: Judge Kent Orders Chief Magistrate Tadgell 12 Federal Magistrates Court Rules CORRESPONDENCE 14 Letters to the Editors WELCOME 15 Ian Gray, Chief Magistrate FAREWELL 16 Mr Justice Tadgell OBITUARIES 18 Judge Kent 19 Life and Times: Hubert Theodore (Freddie) Frederico — Lawyer ARTICLES 20 Major General Greg Garde AM, RFD, QC NEWS AND VIEWS 24 Madam Junior Silk’s Bar Dinner Speech Bar Dinner Speech 29 Response to Bar Dinner Speech 34 Verbatim 35 Jack Cullity 37 Mediation Centre Function 38 A Practical Way to Early Resolution of the Head of State Issue 42 Celebrating Federation and Networking Constitutional Law 44 ASIC Chairman Reviews HIH Collapse in Corporate Governance Address 46 After the Change Over 49 Actual Hypothetical 51 Indian Summer Holiday to Chennai Courts and Bar ASIC Chairman reviews HIH Barrister’s holiday in Chennai 53 Speakers Outnumber the Delegates at the International Law Congress in Nicosia 55 All’s Well That Ends -al 57 The Stefan Kiszko Case 59 Exhibition of Paintings LAWYER’S BOOKSHELF 60 Books Reviewed 58 CONFERENCE UPDATE Cover: Major-General Greg Garde QC, receiving his Marmaluke Sword from Chief of Army General Cosgrove. -
Stephen Wickham Curriculum Vitae
STEPHEN WICKHAM CURRICULUM VITAE 17 River Parade | Barwon Heads Victoria | Australia | 3227 0438 866 603 [email protected] QUALIFICATIONS Masters of Arts (Visual Arts), Monash University, Victoria Graduate Diploma of Education, Melbourne University, Victoria Diploma of Arts, National Gallery Art School of Victoria SOLO EXHIBITIONS 2017 Non-Objective: Painting, Deakin University Downtown Gallery. Victoria. 2013 Stephen Wickham @ Factory 49, Factory 49, Marrickville, New South Wales 2011 – 12 Snow as Ash: From Stefan to Georg Weisz, Exhibition Gallery, Deakin University, Victoria 2011 Dark Mantras as Dark Matter, Stephen McLaughlan Gallery, Melbourne, Victoria 2009 Peppie Vs Godzilla: Part Ι & Π, Shell Regional Arts Program, Geelong Gallery, Victoria 2008 Dark Mantra, Stephen McLaughlan Gallery, Melbourne, Victoria 2007 Peppie Vs Godzilla, Stephen McLaughlan Gallery, Melbourne, Victoria 2004 Another Apocryphal History of Modernity, Stephen McLaughlan Gallery, Melbourne, Victoria 2004 …from Stefan Weisz for Georg Weisz… Icon Museum of Art, Deakin University, Victoria 2001 …from Stefan Weisz for Elizabeth, Emil, George Weisz, and Margaret Lasica… Stephen McLaughlan Gallery, 1999 Dark Mantras, Stephen McLaughlan Gallery, Melbourne, Victoria 1998 Arcadian Mists, Byron + Mapp Gallery, Sydney, New South Wales 1998 Whispers from The Hindu Love Gods, Stephen McLaughlan Gallery, Melbourne, Victoria 1997 Creatio ex Nihlo, Stephen McLaughlan Gallery, Melbourne, Victoria 1995 Recent Painting, Stephen McLaughlan Gallery, Melbourne, Victoria 1994 -
Mandy Martin
MANDY MARTIN Mandy Martin’s art has always been thematically concerned with commenting on the environment and those issues which impact on it. Her works have always dealt with a range of socio-political themes with her early works exploring the suburban nature of Canberra and Queanbeyan and the isolation of migrant women living there. In conjunction with these paintings,Mandy began looking at buildings (houses, warehouses, factories) and the sense of alienation that these structures could symbolise. Mandy’s extensive travels in outback Australia since the 1980shave provided the source for some of her most vital and powerful visualstatements and continue to provide inspiration to the present day.From the 1990s onwards, the land, the environment and the layers of Aboriginal and European culture have given her the materials to create her own vision of the human condition andits relationship to the natural world. During this period, Mandy has been coordinating art and environment projects and is currently working on an ongoing project in Arnhem Land, ‘Arnhembrand: Living on Healthy Country. Her current works arise from these art projects and her series about mining and climate change. Mandy Martin has been exhibiting for thirty years and has held numerous exhibitions in Australia and internationally including Mexico, the United States of America, France, Germany and Japan. Born in Adelaide, Mandy studied at the South Australian School of Art before becoming a lecturer at the Australian National University School of Art in the late 1970s. She has held the position of adjunct professor at the School of Environment and Society, Australian National University since 2008. -
G Eelong G Allery Annual Report
Geelong Gallery annual report 2011–2012 Geelong Gallery annual report 2011–2012 Geelong Contents Gallery President’s report 02 Little Malop Street Director’s report 04 Geelong 3220 T 03 5229 3645 Honorary Secretary’s report 08 Open daily 10am–5pm The Geelong Art Gallery Foundation 20 Closed Christmas Day, Boxing Day, The Geelong Gallery Grasshoppers 22 New Year’s Day and Good Friday Friends of the Geelong Gallery 24 www.geelonggallery.org.au Collections report 28 Financial statements for 38 the year ended 30 June 2012 Government partners and sponsors 52 COVER Arthur Streeton Ocean blue, Lorne (detail) 1921 oil on canvas Collection: Geelong Gallery Purchased with funds generously provided by Geelong Art Gallery Foundation, Robert Salzer Foundation Art Program, Geelong Community Foundation, Will and Dorothy Bailey Charitable Gift, and numerous individual donors, 2011 Geelong Gallery annual report 2011–2012 02 Geelong Gallery annual report 2011–2012 03 President’s report It is my pleasure to report that the 2011–2012 An estimate of the total value of new The Gallery was host venue during the year In recent months we have been fortunate year was, once again, a year of creative acquisitions—including gifts, purchases and for functions convened variously by the City to make two new significant appointments activities and positive outcomes for the bequests—approved in the 2011–2012 financial of Greater Geelong, the Geelong Chamber to the Gallery’s staff. Melissa Hart has taken Geelong Gallery. year is in the order of $500,000. of Commerce, the Committee for Geelong, up the new position of Marketing and Public the Transport Accident Commission, and other Programs Co-ordinator and, more recently During this time the Gallery presented some The single most valuable and notable of these business and community organisations.