Shane Jones CV
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The Hybrid Photobook
SELF-PUBLISHING IN THE DIGITAL AGE: THE HYBRID PHOTOBOOK Exegesis submitted by DOUGLAS RONALD SPOWART Graduate Diploma Arts (Visual Art), Monash University (2003) Master of Photography, Fellow and Honorary Fellow of the Australian Institute of Professional Photography in October 2011 with creative work in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY in the School of Creative Arts JAMES COOK UNIVERSITY ACKNOWLEDGEMENTS My deepest gratitude goes to fellow PhD candidate and partner Victoria Cooper for her encouragement, challenge and support throughout the candidature. I would also wish to acknowledge Professor Diana Davis for the opportunity to engage with this research project and to Professor Dr Stephen Naylor for his supervision and mentorship through the process to its conclusion. For their generosity, support and willing participation during the process of the work, I wish to express my thanks to the following: SUPERVISORS • Professor Diana Davis – Principal Supervisor 2004-2006 • Professor Dr Stephen Naylor – Principal Supervisor 2006-2011 • Ronald McBurnie – Associate Supervisor MY MENTORS: FORMAL AND INFORMAL I have some heroes and heroines who historically have fuelled my interest in making photographs and books. These photographers, artists and bookmakers have rewarded my life and research activities through their book works, commentaries about books and occasionally, through personal conversation. Most importantly these mentors have shaped my work in the book as a personal communiqué. Thank you to: Victoria Cooper is my life partner and also a photographer and artists’ bookmaker. Whilst we work as independent practitioners, our fieldwork, conceptual refinement of work, and production work are often linked by the kinds of discussion that can take place over the breakfast table, driving in the car or walking. -
David Frazer - Curriculum Vitae
David Frazer - Curriculum Vitae ! born 1966, Foster, Victoria, Australia Qualifications 1998-2000 Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, Monash University 1996 Honours Degree, Fine Art (Printmaking), Monash University 1991 Diploma of Education (Secondary-Art/Craft), Latrobe University 1984-1986 B.A. Fine Arts (Painting), Phillip Institute of Technology Solo Exhibitions 2018 “SLOW BOAT” Beaver Galleries, Canberra 2017 “HAPPY HOUR” fortyfivedownstairs Melbourne 2016 “SLOW BOAT” Port Jackson Press Melbourne 2016 “DRIFT” Beaver Galleries Canberra 2014 “HUG” 45 downstairs Melbourne 2014 “HUG” Beaver Galleries Canberra 2013 “HUG” Dickerson Gallery Sydney 2013 “Home Sweet Home” Guanlan Original Print Base, Shenzen, China 2013 Hillsmith Gallery Adelaide 2012 “Homesick” James Makin Gallery Melbourne 2012 Port Jackson Press Print Room, Melbourne 2012 “Homesick” Beaver galleries Canberra 2011 “Half way Home” Falkner Gallery Castlemaine Victoria 2011 “Last Blossom” Rebecca Hossack Gallery London UK 2011 “Works on paper” Post Office Gallery Ballarat Uni. 2010 “Broken Home” James Makin Gallery, Melbourne 2010 La Trobe University Visual Arts Centre, Bendigo, Victoria 2009 Beaver Galleries, Canberra, ACT 2009 The Art Vault Mildura VIC 2009 Falkner gallery Castlemaine Victoria 2008 “Lost” Dickerson Gallery Sydney 2008 “Lost” Dickerson Gallery Melbourne 2007 Adele Boag Gallery, Adelaide 2007 “Passing through the old world” Dickerson Gallery, Melbourne 2006 “On the Edge of Town” Dickerson Gallery, Melbourne. 2006 “Mr Vertigo” ICON gallery, Deakin Museum of Art. Melbourne 2005 “Somewhere over the hill” Dickerson Gallery Sydney 2005 “The Escape” Australian Galleries Melbourne 2004-2005 “Pastoral Melancholia” (touring show) Shepparton Art Gallery, Horsham Art Gallery, Wangaratta Exhibitions Gallery, Swan Hill Regional Art Gallery, Gippsland Art Gallery.Sale. -
Cvcatherine Pilgrim
Catherine Pilgrim - CV Born 1968, Melbourne, Victoria, Australia Meticulous, considered drawing is the basis for Catherine Pilgrim’s practice including lithographs, drawings and textiles. Fastidious attention to detail is the common element with personal narratives, absence and contemporary ideas around ‘Still Life’ influencing the subject matter. Catherine has exhibited widely since 1994, when she returned to Australia after studying lithography and drawing in Washington DC, USA. In 2011, Catherine completed her Master of Fine Art (Research) at Monash University, Melbourne. Her research was based on the subjective process of capture, which occurs in making a representational image. Catherine has won a number of awards for her intricate works on paper including the Australian Print Workshop Collie Trust Award and the Works on Paper, Warwick Non-Acquisitive Art Award. In 2014, Catherine was Artist in Residence at Buda Historic Home and Garden, in Castlemaine, researching the Leviny family history in preparation for a project exhibition held at the Castlemaine Art Gallery and Historic Museum in February 2015. Catherine Pilgrim’s works are held in public and private collections including the National Gallery of Australia, Geelong Regional Art Gallery, National Australia Bank and Castlemaine Art Gallery and Historical Museum. © The Artist 2016 Education: 2011 MA (Research) Monash University 1999 BA (Hons) (Fine Art) Royal Melbourne Institute Technology 1995 BA (Humanities) Deakin Universtiy 1994 BA (Fine Art) Deakin University Solo Exhibitions: -
Shimmen Full CV 2019
HEATHER SHIMMEN Born 1957, Melbourne 78. BA Fine Art (Painting), RMIT, Melbourne 2010 Artists in residence, RMIT, Melbourne , Vic 2013 Artist in residence, The Art Vault, Mildura, VIC SOLO EXHIBITIONS 2019. ‘Ladies of the Pleiades’, Sale Regional Gallery, Sale 2017. 'Time Warps',Australian Galleries,Melbourne 2014. 'Insectivoria', Australian Galleries, Melbourne 2011. ‘The Swamp Maidens Tale’, Australian Galleries, Smith Street, Melbourne 2008. ‘Betwixt’, Gallery 101, Melbourne 2006 ‘I Dreamt I Dwelt in Marble Halls’, Stonnington Stables Museum of Art, Deakin University, Melbourne ‘Whispers’ Adele Boag Gallery, Adelaide 2005 ‘Figment, Fragment’, Gallery 101, Melbourne 2002 ‘Things That Float In The Air’, Joshua McClelland Print Room, Melbourne 1999. ‘The Sutured Heart’, Bulle Gallery, Melbourne 1997. ‘The Invisible Hand of the Future’, Lyall Burton Gallery, Melbourne 1996. Lyall Burton Gallery, Melbourne Adelaide Central Gallery, Adelaide 1993 Adelaide Central Gallery, Adelaide Lyall Burton Gallery, Melbourne 1991. Realities Gallery, Melbourne 1990. Realities Gallery, Melbourne 1986. Realities Gallery, Melbourne 1984 Bitumen River Gallery, Canberra 1983. Anthill Theatre, Melbourne 1982. Drummond Street Gallery, Melbourne GROUP EXHIBITION 2020. ‘Let All the Birds Fly- the hybrid print’,Maitland Regional Galleries,NSW ‘Fem -aFfinity’, Devonport Regional Art Gallery Tas Benalla Art GalleryVic Noosa Regional Art Gallery Qld Horsham Regional Art Gallery Vic Bunjil Place Gallery Vic Riddoch Art GallerySA 2019 ‘Paper Made’, Australian Galleries, Melbourne ‘Fem-aFfinity’, Arts Project, Melbourne ‘Beyond the Veil’,Art for the World Gallery, Cannaregio, Biennale de Venetzia, Venice,Italy ‘Beyond the Veil’,Memoire de L’Avenir Espace cultures pluridisciplinairl, Paris, France ‘2019 Ulsan International Woodcut Biennale’ South Korea ‘Round About’ Gecko Gallery, Fish Creek,VIC ‘Sydney Contemporary Art Fair’Sydney,NSW ‘Art Meets Nature’,WAMA, Sofitel,Melbourne ‘A Fine Line’, Bright Space, Melbourne 2018. -
I Have Witnessed a Strange River Victoria Pamela
I HAVE WITNESSED A STRANGE RIVER Re-Placing Non-human Entities within Visual Narratives of Three Australian Freshwater Sites. Exegesis with Creative Work submitted by VICTORIA PAMELA COOPER Graduate Diploma Arts (Visual Art), Monash University (2003) Master of Photography and Honorary Fellow, Australian Institute of Professional Photography in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY in the School of Creative Arts JAMES COOK UNIVERSITY November 2012 ACKNOWLEDGEMENTS For their generosity, support and willing participation during the process of the work, I wish to express my thanks to the following: SUPERVISORS Professor Diana Davis – Principal Supervisor 2004-2006 Professor Stephen Naylor – Principal Supervisor 2006-2012 Ronald McBurnie – Associate Supervisor 2004-2012 John Reid – External Supervisor 2006-2012 and currently Senior Lecturer, Environmental Studies Studio, School of Art, Australian National University (ANU) SPECIAL MENTION Dr Doug Spowart – artist, PhD (awarded May 2012) and teacher. As mentor, collaborator, and for his bookbinding and 3D construction skills and his encouragement, challenge and support throughout the candidature. Dr Malcolm Ryley and Dr Gary Kong – Principal Plant Pathologists; Sue Ryley – Sunflower Pathology Researcher; and Dr John Alcorn – Former Curator, BRIP Plant Pathology Herbarium Department of Agriculture, Fisheries and Forestry (DAFF), Queensland. As mentors and collaborators in scientific work, for their contribution to and work on the identification of the aquatic fungi and related microscopic species. Also important to the sucess of my project was the shared space within their work environment supported by their respect for the work that I was creating. I am deeply indebted to their generosity of time and their ability to think creatively in discussing all aspects of my project as this was vital to the progress of my study. -
Rick Amor.Docx
Rick Amor Bio Rick Amor was born in Frankston, Victoria in 1948. In 1965 he completed a Certificate of Art at the Caulfield Institute of Technology, and from 1966 to 1968 studied at the National Gallery School, Melbourne where he received an Associate Diploma of Painting. He has been the recipient of several Australia Council studio residencies, which have allowed him to work in London, New York and Barcelona. In 1999 the Australian War Memorial appointed him as the official war artist to East Timor. Amor has held over 50 solo exhibitions since first exhibiting at Joseph Brown Gallery in 1974 and has shown annually at Niagara Galleries since 1983. A major survey exhibition of his paintings was curated by McClelland Gallery in 1990 and toured various regional galleries in Victoria and South Australia. In 1993 an exhibition mounted by Bendigo Art Gallery toured Victoria and Tasmania, presenting his work as a printmaker and graphic artist. An important exhibition of Rick’s bronze sculpture was undertaken by Benalla Art Gallery in 2002, including many maquettes never previously exhibited. In 2005, Robert Lindsay curated Rick Amor: Standing in the Shadows, the second major survey of Amor’s work to be presented at McClelland Gallery+Sculpture Park. In March 2008, Heide Museum of Modern Art presented Rick Amor: A Single Mind, a triumphant survey of Rick’s paintings and works on paper from 1968 – 2008. Gary Catalano’s biography The Solitary Watcher: Rick Amor and his Art, was published by The Miegunyah Press in 2001; and in 2008, The Beagle Press published Gavin Fry’s richly illustrated monograph, Rick Amor. -
Introduction & Recommendations
Separate Attachment COM 20A Ordinary Meeting of Council 26 April 2016 MOUNT ALEXANDER SHIRE THEMATIC HERITAGE STUDY ARCHITECTS CONSERVATION Introduction & CONSULTANTS Recommendations TABLE OF CONTENTS 1 Introduction 1.1 Background 1 1.2 Brief 2 1.3 Study Area 2 1.4 Earlier Reports 3 1.5 Study Team 3 1.5 Acknowledgements 3 2 Methodology 2.1 General 4 2.2 Survey Work 4 2.3 Research 4 2.4 Consultation 5 3 The Themes 3.1 The Framework 6 3.2 Overview of the Themes 6 4 Recommendations 4.1 Introduction 8 4.2 Existing Schedule to the Heritage Overlay 8 4.3 Further Review Work 9 Mount Alexander Shire Thematic Heritage Study Introduction & Recommendations Volume 1 1 INTRODUCTION 1.1 Background This Thematic Heritage Study has been prepared for the Shire of Mount Alexander by RBA Architects and Conservation Consultants. It consists of two sections: Volume 1 – Introduction & Recommendations. This volume outlines the process by which the thematic history was prepared as well as recommending some areas for further investigation and places of potential significance. Volume 2 – A Thematic History of the Shire according to nine themes and concluding with a Statement of Significance. The need for the preparation of an all-encompassing, Shire-wide thematic history had been identified as a key priority in the local Heritage Strategy 2012-2016.1 A thematic history has previously been prepared for sections of Mount Alexander Shire, within the heritage studies of the former shires of Metcalfe and Newstead. In addition, although many places are protected by heritage overlays further assessment was needed according to the Heritage Strategy as follows: Protecting & Managing There are over 1000 places in the Schedule to the Heritage Overlay however these are unevenly spread across the Shire. -
Community Directory Volume I 2003 - 2016
Standards Community Directory Volume I 2003 - 2016 The Standards Review Program has been developed by Museums & Galleries of NSW and Museums & Galleries Queensland and funded by Arts NSW and Arts Queensland. 2 Welcome to the Standards Community 2017 What is the Standards Review How do I use the Standards Program? Community Directory? This program, implemented by Museums & Galleries of NSW The Standards Community Directory features a profile of each (M&G NSW) in 2003, and since 2005 in partnership with museum and gallery that has gone through the Standards Review Museums & Galleries Queensland (M&G QLD), supports Program. The profile includes a description of each organisation, museums and galleries through a process of self-review and contact details and how they benefitted from participating in the external feedback. Standards Review Program. It provides an exciting opportunity for museums and galleries Each organisation listed in this directory: to assess their practices and policies against the National • Is promoting its unique profile to the “Standards Community” Standards for Australian Museums and Galleries. The program and wider audiences aims to establish a long term network for sustainable community • Is available to assist and answer any questions you may museums and galleries as well as acknowledging the hard work have as you undertake each stage of the Standards Review undertaken by volunteers and paid staff to maintain Australian Program heritage. • Is contactable via the details and hours as per their profile page What are the key components? • Will share with all other “Standards Community” members (including new members) their achievements and outcomes • Working with regional service providers to develop ongoing from participating in the Standards Review Program support for museums and galleries • Has provided words of support and encouragement to new • Self-assessment by participants guided by the National participants in the Standards Review Program. -
GEOFFREY RICARDO Born 1964, Melbourne, Australia
GEOFFREY RICARDO Born 1964, Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VIC SOLO EXHIBITIONS 2014 ‘I am not afraid of the dark’, Scuola Internazionale di Grafica, Venice, Italy ‘Ad Absurdum’, Australian Galleries, Derby Street, Melbourne 2012 ‘Collection of Works’, The Art Vault, Mildura, VIC ‘Deeper Meanings’, The Incinerator Gallery, Melbourne -
Petrina Hicks
PETRINA HICKS SELECTED SOLO EXHIBITIONS 2015 THIS IS NO FANTASY, VOLTA NY, New York The Unbearable Lightness of Being, THIS IS NO FANTASY + dianne tanzer gallery, Melbourne The Unbearable Lightness of Being, Michael Reid Gallery, Berlin 2013 Selected Works, Helen Gory Galerie, Melbourne 2012 Helen Gory Galerie at Art Platform Los Angeles, Barker Hanger, Santa Monica, USA Selected Works, Venn Gallery, Perth 2011 Hippy and the Snake, Helen Gory Galerie, Melbourne Beautiful Creatures, Stills Gallery, Sydney 2010 Every Rose Has Its Thorn, Akademie Schloss Solitude, Stuttgart, Germany Every Rose Has Its Thorn, Stills Gallery, Sydney 2008 The Descendants, Stills Gallery, Sydney 2007 Flawless, Museum of Brisbane, Brisbane 2006 Petrina Hicks, Stills Gallery, Sydney Petrina Hicks: Australia-Japan, The Exchange of Viewpoints, Early Gallery, Osaka,Japan 2005 Stills Gallery at Seippel Galerie, Cologne, Germany Petrina Hicks, Stills Gallery, Sydney SELECTED GROUP EXHIBITIONS 2017 Ecstasy, Baroque and Beyond, UQ Art Museum, Queensland 2015 Sydney Contemporary, THIS IS NO FANTASY + Dianne Tanzer Gallery, Sydney Bowness Hall of Fame, Monash Gallery of Art, Melbourne 2014 New Passports, New Photography, Art Gallery of Western Australia In the Flesh, National Portrait Gallery, Canberra New Acquisitions, Dubbo Regional Gallery, NSW, Australia Fictions, Parer Place Urban Screens, QUT Creative Industries Precinct, QLD Cats and Dogs: Olsen Irwin Gallery, NSW, Australia Group Show, THIS IS NO FANTASY, Melbourne Private Assembly; a contemporary collection, Tweed -
Annual Report 2001–2002 Annual Report 2001–2002 NATIONAL GALLERY of AUSTRALIA Annual Report 2001–2002 © National Gallery of Australia
NATIONAL GALLERY OF AUSTRALIA GALLERY NATIONAL NATIONAL GALLERY OF AUSTRALIA Annual Report 2001–2002 Annual Report 2001–2002 Annual Report NATIONAL GALLERY OF AUSTRALIA Annual Report 2001–2002 © National Gallery of Australia ISSN 1323-5192 All rights reserved. No part of this publication may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage retrieval system, without permission in writing from the publisher. Produced by the Publications Department of the National Gallery of Australia, Canberra. Printed by Paragon Printers, Canberra, ACT National Gallery of Australia GPO Box 1150, Canberra ACT 2601 www.nga.gov.au cover and left: Paminggir people Lampung, Sumatra, Indonesia Ceremonial textile [tampan] 19th century Cotton, gold thread, dyes; supplement weft Acquired through gift and purchase from the Collection of Robert J. Holmgren and Anita E. Spertus, New York, 2000 iii Contents Letter of Transmittal iii Chairman’s Foreword 1 Director’s Report 3 Performance Report 2001–2002 Outcome and Outputs 7 Corporate Overview 9 Report against Strategic Plan 2001–2004 15 National Gallery of Australia Financial Reports 2001–2002 Independent audit report 54 Statement by Directors 56 Statement of Financial Performance 57 Notes to the Financial Statement 62 Appendixes 1. Council of the National Gallery of Australia 86 2. Management structure at 30 June 2002 88 3. Staff of the National Gallery of Australia at 30 June 2002 89 4. Acquisitions 2001–2002 92 5. Acquisitions including purchases and gifts 1945–2002 116 6. Exhibitions held at the National Gallery of Australia 117 7. Attendance at the National Gallery of Australia 1982–2002 119 8. -
Book 4 29, 30 and 31 October 2002
PARLIAMENT OF VICTORIA PARLIAMENTARY DEBATES (HANSARD) LEGISLATIVE ASSEMBLY FIFTY-FOURTH PARLIAMENT FIRST SESSION Book 4 29, 30 and 31 October 2002 Internet: www.parliament.vic.gov.au/downloadhansard By authority of the Victorian Government Printer The Governor JOHN LANDY, AC, MBE The Lieutenant-Governor Lady SOUTHEY, AM The Ministry Premier and Minister for Multicultural Affairs ....................... The Hon. S. P. Bracks, MP Deputy Premier and Minister for Health............................. The Hon. J. W. Thwaites, MP Minister for Education Services and Minister for Youth Affairs......... The Hon. M. M. Gould, MLC Minister for Transport and Minister for Major Projects................ The Hon. P. Batchelor, MP Minister for Energy and Resources and Minister for Ports.............. The Hon. C. C. Broad, MLC Minister for State and Regional Development, Treasurer and Minister for Innovation........................................ The Hon. J. M. Brumby, MP Minister for Local Government and Minister for Workcover............ The Hon. R. G. Cameron, MP Minister for Senior Victorians and Minister for Consumer Affairs....... The Hon. C. M. Campbell, MP Minister for Planning, Minister for the Arts and Minister for Women’s Affairs................................... The Hon. M. E. Delahunty, MP Minister for Environment and Conservation.......................... The Hon. S. M. Garbutt, MP Minister for Police and Emergency Services and Minister for Corrections........................................ The Hon. A. Haermeyer, MP Minister for Agriculture and Minister for Aboriginal Affairs............ The Hon. K. G. Hamilton, MP Attorney-General, Minister for Manufacturing Industry and Minister for Racing............................................ The Hon. R. J. Hulls, MP Minister for Education and Training................................ The Hon. L. J. Kosky, MP Minister for Finance and Minister for Industrial Relations.............. The Hon. J. J.