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The Hybrid Photobook
SELF-PUBLISHING IN THE DIGITAL AGE: THE HYBRID PHOTOBOOK Exegesis submitted by DOUGLAS RONALD SPOWART Graduate Diploma Arts (Visual Art), Monash University (2003) Master of Photography, Fellow and Honorary Fellow of the Australian Institute of Professional Photography in October 2011 with creative work in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY in the School of Creative Arts JAMES COOK UNIVERSITY ACKNOWLEDGEMENTS My deepest gratitude goes to fellow PhD candidate and partner Victoria Cooper for her encouragement, challenge and support throughout the candidature. I would also wish to acknowledge Professor Diana Davis for the opportunity to engage with this research project and to Professor Dr Stephen Naylor for his supervision and mentorship through the process to its conclusion. For their generosity, support and willing participation during the process of the work, I wish to express my thanks to the following: SUPERVISORS • Professor Diana Davis – Principal Supervisor 2004-2006 • Professor Dr Stephen Naylor – Principal Supervisor 2006-2011 • Ronald McBurnie – Associate Supervisor MY MENTORS: FORMAL AND INFORMAL I have some heroes and heroines who historically have fuelled my interest in making photographs and books. These photographers, artists and bookmakers have rewarded my life and research activities through their book works, commentaries about books and occasionally, through personal conversation. Most importantly these mentors have shaped my work in the book as a personal communiqué. Thank you to: Victoria Cooper is my life partner and also a photographer and artists’ bookmaker. Whilst we work as independent practitioners, our fieldwork, conceptual refinement of work, and production work are often linked by the kinds of discussion that can take place over the breakfast table, driving in the car or walking. -
David Frazer - Curriculum Vitae
David Frazer - Curriculum Vitae ! born 1966, Foster, Victoria, Australia Qualifications 1998-2000 Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, Monash University 1996 Honours Degree, Fine Art (Printmaking), Monash University 1991 Diploma of Education (Secondary-Art/Craft), Latrobe University 1984-1986 B.A. Fine Arts (Painting), Phillip Institute of Technology Solo Exhibitions 2018 “SLOW BOAT” Beaver Galleries, Canberra 2017 “HAPPY HOUR” fortyfivedownstairs Melbourne 2016 “SLOW BOAT” Port Jackson Press Melbourne 2016 “DRIFT” Beaver Galleries Canberra 2014 “HUG” 45 downstairs Melbourne 2014 “HUG” Beaver Galleries Canberra 2013 “HUG” Dickerson Gallery Sydney 2013 “Home Sweet Home” Guanlan Original Print Base, Shenzen, China 2013 Hillsmith Gallery Adelaide 2012 “Homesick” James Makin Gallery Melbourne 2012 Port Jackson Press Print Room, Melbourne 2012 “Homesick” Beaver galleries Canberra 2011 “Half way Home” Falkner Gallery Castlemaine Victoria 2011 “Last Blossom” Rebecca Hossack Gallery London UK 2011 “Works on paper” Post Office Gallery Ballarat Uni. 2010 “Broken Home” James Makin Gallery, Melbourne 2010 La Trobe University Visual Arts Centre, Bendigo, Victoria 2009 Beaver Galleries, Canberra, ACT 2009 The Art Vault Mildura VIC 2009 Falkner gallery Castlemaine Victoria 2008 “Lost” Dickerson Gallery Sydney 2008 “Lost” Dickerson Gallery Melbourne 2007 Adele Boag Gallery, Adelaide 2007 “Passing through the old world” Dickerson Gallery, Melbourne 2006 “On the Edge of Town” Dickerson Gallery, Melbourne. 2006 “Mr Vertigo” ICON gallery, Deakin Museum of Art. Melbourne 2005 “Somewhere over the hill” Dickerson Gallery Sydney 2005 “The Escape” Australian Galleries Melbourne 2004-2005 “Pastoral Melancholia” (touring show) Shepparton Art Gallery, Horsham Art Gallery, Wangaratta Exhibitions Gallery, Swan Hill Regional Art Gallery, Gippsland Art Gallery.Sale. -
Cvcatherine Pilgrim
Catherine Pilgrim - CV Born 1968, Melbourne, Victoria, Australia Meticulous, considered drawing is the basis for Catherine Pilgrim’s practice including lithographs, drawings and textiles. Fastidious attention to detail is the common element with personal narratives, absence and contemporary ideas around ‘Still Life’ influencing the subject matter. Catherine has exhibited widely since 1994, when she returned to Australia after studying lithography and drawing in Washington DC, USA. In 2011, Catherine completed her Master of Fine Art (Research) at Monash University, Melbourne. Her research was based on the subjective process of capture, which occurs in making a representational image. Catherine has won a number of awards for her intricate works on paper including the Australian Print Workshop Collie Trust Award and the Works on Paper, Warwick Non-Acquisitive Art Award. In 2014, Catherine was Artist in Residence at Buda Historic Home and Garden, in Castlemaine, researching the Leviny family history in preparation for a project exhibition held at the Castlemaine Art Gallery and Historic Museum in February 2015. Catherine Pilgrim’s works are held in public and private collections including the National Gallery of Australia, Geelong Regional Art Gallery, National Australia Bank and Castlemaine Art Gallery and Historical Museum. © The Artist 2016 Education: 2011 MA (Research) Monash University 1999 BA (Hons) (Fine Art) Royal Melbourne Institute Technology 1995 BA (Humanities) Deakin Universtiy 1994 BA (Fine Art) Deakin University Solo Exhibitions: -
Shimmen Full CV 2019
HEATHER SHIMMEN Born 1957, Melbourne 78. BA Fine Art (Painting), RMIT, Melbourne 2010 Artists in residence, RMIT, Melbourne , Vic 2013 Artist in residence, The Art Vault, Mildura, VIC SOLO EXHIBITIONS 2019. ‘Ladies of the Pleiades’, Sale Regional Gallery, Sale 2017. 'Time Warps',Australian Galleries,Melbourne 2014. 'Insectivoria', Australian Galleries, Melbourne 2011. ‘The Swamp Maidens Tale’, Australian Galleries, Smith Street, Melbourne 2008. ‘Betwixt’, Gallery 101, Melbourne 2006 ‘I Dreamt I Dwelt in Marble Halls’, Stonnington Stables Museum of Art, Deakin University, Melbourne ‘Whispers’ Adele Boag Gallery, Adelaide 2005 ‘Figment, Fragment’, Gallery 101, Melbourne 2002 ‘Things That Float In The Air’, Joshua McClelland Print Room, Melbourne 1999. ‘The Sutured Heart’, Bulle Gallery, Melbourne 1997. ‘The Invisible Hand of the Future’, Lyall Burton Gallery, Melbourne 1996. Lyall Burton Gallery, Melbourne Adelaide Central Gallery, Adelaide 1993 Adelaide Central Gallery, Adelaide Lyall Burton Gallery, Melbourne 1991. Realities Gallery, Melbourne 1990. Realities Gallery, Melbourne 1986. Realities Gallery, Melbourne 1984 Bitumen River Gallery, Canberra 1983. Anthill Theatre, Melbourne 1982. Drummond Street Gallery, Melbourne GROUP EXHIBITION 2020. ‘Let All the Birds Fly- the hybrid print’,Maitland Regional Galleries,NSW ‘Fem -aFfinity’, Devonport Regional Art Gallery Tas Benalla Art GalleryVic Noosa Regional Art Gallery Qld Horsham Regional Art Gallery Vic Bunjil Place Gallery Vic Riddoch Art GallerySA 2019 ‘Paper Made’, Australian Galleries, Melbourne ‘Fem-aFfinity’, Arts Project, Melbourne ‘Beyond the Veil’,Art for the World Gallery, Cannaregio, Biennale de Venetzia, Venice,Italy ‘Beyond the Veil’,Memoire de L’Avenir Espace cultures pluridisciplinairl, Paris, France ‘2019 Ulsan International Woodcut Biennale’ South Korea ‘Round About’ Gecko Gallery, Fish Creek,VIC ‘Sydney Contemporary Art Fair’Sydney,NSW ‘Art Meets Nature’,WAMA, Sofitel,Melbourne ‘A Fine Line’, Bright Space, Melbourne 2018. -
I Have Witnessed a Strange River Victoria Pamela
I HAVE WITNESSED A STRANGE RIVER Re-Placing Non-human Entities within Visual Narratives of Three Australian Freshwater Sites. Exegesis with Creative Work submitted by VICTORIA PAMELA COOPER Graduate Diploma Arts (Visual Art), Monash University (2003) Master of Photography and Honorary Fellow, Australian Institute of Professional Photography in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY in the School of Creative Arts JAMES COOK UNIVERSITY November 2012 ACKNOWLEDGEMENTS For their generosity, support and willing participation during the process of the work, I wish to express my thanks to the following: SUPERVISORS Professor Diana Davis – Principal Supervisor 2004-2006 Professor Stephen Naylor – Principal Supervisor 2006-2012 Ronald McBurnie – Associate Supervisor 2004-2012 John Reid – External Supervisor 2006-2012 and currently Senior Lecturer, Environmental Studies Studio, School of Art, Australian National University (ANU) SPECIAL MENTION Dr Doug Spowart – artist, PhD (awarded May 2012) and teacher. As mentor, collaborator, and for his bookbinding and 3D construction skills and his encouragement, challenge and support throughout the candidature. Dr Malcolm Ryley and Dr Gary Kong – Principal Plant Pathologists; Sue Ryley – Sunflower Pathology Researcher; and Dr John Alcorn – Former Curator, BRIP Plant Pathology Herbarium Department of Agriculture, Fisheries and Forestry (DAFF), Queensland. As mentors and collaborators in scientific work, for their contribution to and work on the identification of the aquatic fungi and related microscopic species. Also important to the sucess of my project was the shared space within their work environment supported by their respect for the work that I was creating. I am deeply indebted to their generosity of time and their ability to think creatively in discussing all aspects of my project as this was vital to the progress of my study. -
Bendigo Events Planning Guide 2020-2022
Bendigo Events Planning Guide 2020-2022 Your guide to planning a successful event in Greater Bendigo Contents About Greater Bendigo 3 Introducing Greater Bendigo 4 How we can help 7 Venues and accommodation 8 Attractions 21 Event support 22 Transport 25 Day trips from Bendigo 26 Map of central Bendigo 27 Acknowledgement of country The City of Greater Bendigo is on Dja Dja Wurrung and Taungurung Country. We acknowledge and extend our appreciation to the Dja Dja Wurrung and Taungurung People, the Traditional Owners of the land. We pay our respects to leaders and Elders past, present and emerging for they hold the memories, the traditions, the culture and the hopes of all Dja Dja Wurrung and Taungurung Peoples. We express our gratitude in the sharing of this land, our sorrow for the personal, spiritual and cultural costs of that sharing and our hope that we may walk forward together in harmony and in the spirit of healing. 2 Bendigo Events Planning Guide 2020-2022 About Greater Bendigo Greater Bendigo a thriving regional city, with an established reputation as a hub for arts and culture, various cultural and sporting events and beautiful gold rush heritage. Bendigo is one of Australia’s largest inland cities, supporting a local population of 118,000 and regional population of more than 240,000.1 Bendigo is a service hub for central Victoria, for health services, higher education, business and transport. Located just two hours from Melbourne by road or train, a 90-minute drive from Melbourne Airport, Bendigo’s own airport also offers direct flights to and from Sydney. -
Introduction & Recommendations
Separate Attachment COM 20A Ordinary Meeting of Council 26 April 2016 MOUNT ALEXANDER SHIRE THEMATIC HERITAGE STUDY ARCHITECTS CONSERVATION Introduction & CONSULTANTS Recommendations TABLE OF CONTENTS 1 Introduction 1.1 Background 1 1.2 Brief 2 1.3 Study Area 2 1.4 Earlier Reports 3 1.5 Study Team 3 1.5 Acknowledgements 3 2 Methodology 2.1 General 4 2.2 Survey Work 4 2.3 Research 4 2.4 Consultation 5 3 The Themes 3.1 The Framework 6 3.2 Overview of the Themes 6 4 Recommendations 4.1 Introduction 8 4.2 Existing Schedule to the Heritage Overlay 8 4.3 Further Review Work 9 Mount Alexander Shire Thematic Heritage Study Introduction & Recommendations Volume 1 1 INTRODUCTION 1.1 Background This Thematic Heritage Study has been prepared for the Shire of Mount Alexander by RBA Architects and Conservation Consultants. It consists of two sections: Volume 1 – Introduction & Recommendations. This volume outlines the process by which the thematic history was prepared as well as recommending some areas for further investigation and places of potential significance. Volume 2 – A Thematic History of the Shire according to nine themes and concluding with a Statement of Significance. The need for the preparation of an all-encompassing, Shire-wide thematic history had been identified as a key priority in the local Heritage Strategy 2012-2016.1 A thematic history has previously been prepared for sections of Mount Alexander Shire, within the heritage studies of the former shires of Metcalfe and Newstead. In addition, although many places are protected by heritage overlays further assessment was needed according to the Heritage Strategy as follows: Protecting & Managing There are over 1000 places in the Schedule to the Heritage Overlay however these are unevenly spread across the Shire. -
A Career for Life
A career for life Business and Consumer Events MEET 10 PEOPLE WITH 10 DIFFERENT CAREER PATHS This could be YOU Second edition eeaa.com.au “Imagine being part of a team that organises events for 300, 3,000 or even 30,000 people…or creating something that doesn’t exist yet… or travelling the globe in a job you love…this could be YOU!” It takes all types of people with all kinds of skills to create an event. In this issue we feature 10 young and successful professionals working in the following roles: • Digital Engineer • Motion Graphic Designer • Financial Director • Head of New Business • Event Operations • Marketing Communications • Event Management • General Management They all have excelled in their roles in the exciting world of business and consumer events. This could be YOU. Photo: RTAA Yellow Tie Dinner 2017 It takes all types of people, with all kinds of skills, to create an event. Allow us to introduce you to 10 young people with interesting careers in the events industry. You’ll be surprised at the range of roles. Some are front-of-house. Others are behind the scenes. Each requires different skills. Each requires passion and commitment. It takes a team to create an event. And you could have a Career for Life if you choose to work in our industry. There are many pathways. There are many job types. Business and consumer events play a pivotal role in driving Australia’s economy. EY estimated the industry contributed just over $30b in direct expenditure, $13b in direct value- add and nearly 200,000 jobs to the Australian economy. -
Community Directory Volume I 2003 - 2016
Standards Community Directory Volume I 2003 - 2016 The Standards Review Program has been developed by Museums & Galleries of NSW and Museums & Galleries Queensland and funded by Arts NSW and Arts Queensland. 2 Welcome to the Standards Community 2017 What is the Standards Review How do I use the Standards Program? Community Directory? This program, implemented by Museums & Galleries of NSW The Standards Community Directory features a profile of each (M&G NSW) in 2003, and since 2005 in partnership with museum and gallery that has gone through the Standards Review Museums & Galleries Queensland (M&G QLD), supports Program. The profile includes a description of each organisation, museums and galleries through a process of self-review and contact details and how they benefitted from participating in the external feedback. Standards Review Program. It provides an exciting opportunity for museums and galleries Each organisation listed in this directory: to assess their practices and policies against the National • Is promoting its unique profile to the “Standards Community” Standards for Australian Museums and Galleries. The program and wider audiences aims to establish a long term network for sustainable community • Is available to assist and answer any questions you may museums and galleries as well as acknowledging the hard work have as you undertake each stage of the Standards Review undertaken by volunteers and paid staff to maintain Australian Program heritage. • Is contactable via the details and hours as per their profile page What are the key components? • Will share with all other “Standards Community” members (including new members) their achievements and outcomes • Working with regional service providers to develop ongoing from participating in the Standards Review Program support for museums and galleries • Has provided words of support and encouragement to new • Self-assessment by participants guided by the National participants in the Standards Review Program. -
Petrina Hicks
PETRINA HICKS SELECTED SOLO EXHIBITIONS 2015 THIS IS NO FANTASY, VOLTA NY, New York The Unbearable Lightness of Being, THIS IS NO FANTASY + dianne tanzer gallery, Melbourne The Unbearable Lightness of Being, Michael Reid Gallery, Berlin 2013 Selected Works, Helen Gory Galerie, Melbourne 2012 Helen Gory Galerie at Art Platform Los Angeles, Barker Hanger, Santa Monica, USA Selected Works, Venn Gallery, Perth 2011 Hippy and the Snake, Helen Gory Galerie, Melbourne Beautiful Creatures, Stills Gallery, Sydney 2010 Every Rose Has Its Thorn, Akademie Schloss Solitude, Stuttgart, Germany Every Rose Has Its Thorn, Stills Gallery, Sydney 2008 The Descendants, Stills Gallery, Sydney 2007 Flawless, Museum of Brisbane, Brisbane 2006 Petrina Hicks, Stills Gallery, Sydney Petrina Hicks: Australia-Japan, The Exchange of Viewpoints, Early Gallery, Osaka,Japan 2005 Stills Gallery at Seippel Galerie, Cologne, Germany Petrina Hicks, Stills Gallery, Sydney SELECTED GROUP EXHIBITIONS 2017 Ecstasy, Baroque and Beyond, UQ Art Museum, Queensland 2015 Sydney Contemporary, THIS IS NO FANTASY + Dianne Tanzer Gallery, Sydney Bowness Hall of Fame, Monash Gallery of Art, Melbourne 2014 New Passports, New Photography, Art Gallery of Western Australia In the Flesh, National Portrait Gallery, Canberra New Acquisitions, Dubbo Regional Gallery, NSW, Australia Fictions, Parer Place Urban Screens, QUT Creative Industries Precinct, QLD Cats and Dogs: Olsen Irwin Gallery, NSW, Australia Group Show, THIS IS NO FANTASY, Melbourne Private Assembly; a contemporary collection, Tweed -
Grand Slam Tennis Back at Melbourne Park
Monday, 8 February 2021 GRAND SLAM TENNIS BACK AT MELBOURNE PARK The Australian Open kicks off in Melbourne today, with strict public health directions in place across the Melbourne Park precinct to protect the efforts of Victorians to combat coronavirus. Minister for Tourism, Sport and Major Events Martin Pakula praised the ongoing work of Victorians to contain coronavirus, which has made it possible for the Grand Slam tournament to proceed. Melbourne Park is divided into three zones around Rod Laver Arena, Margaret Court Arena and John Cain Arena as part of rigorous infection prevention and control measures in place to ensure the safety of players, officials, and the broader Victorian community. Dedicated entry points will apply for each zone and no movement will be permitted between the zones. There will be a daily crowd capacity of 30,000 for the first eight days, with 25,000 per day from the quarter-finals and 12,500 in Rod Laver Arena for the final three days of the tournament. Over the two weeks of the event, this will equate to about half of the average attendance in the past three years. The Australian Open is a key pillar of Victoria’s major event program – last year it contributed an estimated $387 million to the state’s visitor economy. The Victorian Government has invested almost $1 billion over the past 10 years in upgrading and expanding Melbourne Park so that it can continue to host the Open until at least 2039. When completed in time for the 2023 Australian Open, the final stage in the Melbourne Park redevelopment will have created 2,300 full-time jobs through the Andrews Labor Government’s Local Jobs First Policy. -
Melbourne City Map BERKELEY ST GARDENS KING WILLIAM ST Via BARRY ST
IAN POTTER MUSEUM OF ART STORY ST Accessible toilet Places of interest Bike path offroad/onroad GRAINGER ELGIN ST MUSEUM To BBQ Places of worship City Circle Tram route Melb. General JOHNSON ST CINEMA BRUNSWICK ST Cemetary NOVA YOUNG ST with stops NAPIER ST MACARTHUR SQUARE GEORGE ST Cinema Playground GORE ST VICTORIA ST SMITH ST Melbourne Visitor UNIVERSITY KATHLEEN ROYAL SYME FARADAY ST WOMEN’S ROYAL OF MELBOURNE CENTRE Community centre Police Shuttle bus stop HOSPITAL MELBOURNE 6 HOSPITAL ROYAL FLEMINGTON RD DENTAL Educational facility Post Office Train station HOSPITAL HARCOURT ST GRATTAN ST MUSEO ITALIANO CULTURAL CENTRE BELL ST GREEVES ST Free wifi Taxi rank Train route 7 LA MAMA THEATRE CARDIGAN ST LYGON ST BARKLY ST VILLIERS ST ROYAL PDE Hospital Theatre ARDEN ST ST DAVID ST Tram route with CARLTON ST platform stops GRATTAN ST Major Bike Share stations Toilet MOOR ST Tram stop zone WRECKYN ST SQUARE MOOR ST BAILLIE ST ARTS HOUSE, To Sydney CARLTON Marina Visitor information MEAT MARKET UNIVERSITY STANLEY ST Melbourne city map BERKELEY ST GARDENS KING WILLIAM ST via BARRY ST centre LEICESTER ST DRYBURGH ST PELHAM ST BLACKWOOD ST Sydney Rd PROVOST ST CONDELL ST Parking COURTNEY ST Accessible toilet Places of interest BikeThis path mapABBOTSFORD ST offroad/onroadis not to scale ELIZABETH ST QUEENSBERRY ST PIAZZA HANOVER ST LINCOLN PELHAM ST ITALIA BEDFORD ST CHARLES ST BBQ Places of worship 0 City Circlemetres Tram route360 BERKELEY ST SQUARE ARGYLE PELHAM ST To Eastern BARRY ST SQUARE Fwy, Yarra with stops IMAX Ranges via ARTS HOUSE,