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Doctoral Research Scientific Report
Invest in people! EUROPEAN SOCIAL FUND Sectorial Operational Programme for Human Resources Development 2007 – 2013 Priority Axis 1 "Education and training in support of growth and development of knowledge based society" Key Area of Intervention 1.5 "Doctoral and post-doctoral programs in support of research" Project Title: "Romanian Culture and European cultural models: Research, timing, sustainability ' Beneficiary: Romanian Academy Contract identification number:: POSDRU/159/1.5/S/136077 Doctoral Research Scientific Report Tutor supervisor: Ph.D. Wilhelm Dancă PhD Student: Marcel Lazăr Cozmuţa Bucharest, 2015 GENERATION ‘27 Tutor supervisor: Ph.D. Wilhelm Dancă Ph.D. Student: Marcel Lazăr Cozmuţa This paper was accomplished within the project “Romanian culture and European cultural models:research, timing, sustainability”, cofinanced by European Union and Romanian Government from European Social Fund through the Sectorial Operational Programme for Human Resources Development 2007‐2013, financing contract no. POSDRU/159/1.5/S/136077. Bucharest, 2015 2 CONTENTS INTRODUCTION .......................................................................................................................................................3 GENERATION ’27......................................................................................................................................................5 ARŞAVIR ACTERIAN’S LIFE....................................................................................................................................15 -
68 De Ani De La Proclamarea Independenţei Statului Israel
F.C.E.R. – Reuniunea Comună a Consiliului de Conducere şi Adunării Generale PAG. 3, 4, 5 PUBLICAŢIE A FEDERAŢIEI COMUNITĂŢILOR EVREIEŞTI DIN ROMÂNIA Eveniment omagial la Camera Deputaţilor ANUL LVI = NR. 472-473 (1272-1273) = 1 – 31 MAI 2016 =23 NISAN – 23 IYAR 5776 = 28 PAGINI – 3 LEI PAG. 18 Comemorări PAG. 7 68 de ani de la proclamarea de Iom HaŞoah Independenţei Statului Israel şi Iom HaZikaron Istoria limbii ebraice Pe 15 mai, Sinagoga Mare din Bu- cureşti a găzduit o pasionantă expunere susţinută de prof. Mireille Hadass Lebel despre cartea sa „Ebraica: 3000 de ani de istorie”. Autoarea a venit la Bucureşti la sugestia prof. Carol Iancu, prezent de asemenea la manifestare, alături de un numeros public şi de conducerea F.C.E.R. şi a C.E.B. Vom reveni în numărul viitor. Podurile Toleranţei ediţia a III-a PAG. 15, 16, 17 Comemorarea Reginei-Mamă Elena la Templul Coral din Bucureşti PAG. 13 Dr. Aurel Vainer la emisiunea „Jocuri de putere” (Realitatea TV) PAG. 9,10 Legislaţie reparatorie pentru cei care au suferit în Holocaust După cum am menţionat şi în numă- cadrul Grupului Parlamentar al Minorită- Un alt element de noutate şi cu un tuirea Proprietăţilor va putea analiza rul precedent al „Realităţii Evreieşti”, ţilor Naţionale. Propunerile au fost votate caracter reparatoriu este faptul că cere- soluţionarea unui număr important de deputatul F.C.E.R., dr. Aurel Vainer, a în plen cu o mare susţinere din partea rile pentru restituirea proprietăţilor for- cereri, formulate de Fundaţia Caritatea, promovat la Parlament, împreună cu întregului arc politic. -
Proquest Dissertations
c A BIOGRAPHY OF MIRCEA ELIADE'S SPIRITUAL AND INTELLECTUAL DEVELOPMENT FROM 1917 TO 1940 by Dennis A. Doeing Thesis presented to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Ph.D. in Religious Studies 0O*BIBf/ v [Ml UNIVERSITY OF OTTAWA OTTAWA, CANADA, 1975 0 L.BRAKttS A CjD.A. Doeing, Ottawa, Canada, 1975 UMI Number: DC53829 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53829 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ACKNOWLEDGMENTS I am very grateful to Dr. Reinhard Pummer, of the Department of Religious Studies of the University of Ottawa, who provided direc tion for this research. His insistence on exactness and coherency led to many revisions in the text, and his valuable comments helped me to realize the purpose and extent of this work. I am further indebted to Mr- Georges Tissot, of the University of Ottawa, and to Dr. Edward Zimmermann, of Ganisius College in Buffalo, for sug gestions concerning the general style and readability of the dis sertation. -
16. EURASIAN ECONOMIC SUMMIT 9 – 10 – 11 APRIL 2013 LIST of the CONFIRMED PARTICIPANTS (March 22, 2013)
16. EURASIAN ECONOMIC SUMMIT 9 – 10 – 11 APRIL 2013 LIST OF THE CONFIRMED PARTICIPANTS (March 22, 2013) PRESIDENTS ALBANIA Bujar NISHANI BOSNIA – HERZEGOVINA Bakir IZETBEGOVIC KOSOVO Atifete JAHJAGA MACEDONIA Gjorge IVANOV MOLDOVA - BASHKAN OF AUTONOMOUS UNIT OF GAGAUZIA Mihail FORMUZAL SPEAKER of the SENATE and PARLIAMENTS JORDAN Taher MASRI – President of the Senate – Former Prime Minister ALBANIA Jozefina TOPALLI – Speaker of the Parliament ETHIOPIA Abadula GEMEDA – Speaker of the House of Representatives TURKEY Cemil ÇİÇEK – Speaker of the Turkish Grand National Assembly VICE PRESIDENTS GHANA Kwesi Amissah-ARTHUR – Vice President of Ghana PRIME MINISTER PRIME MINISTER OF MADAGASCAR Omer BERIZY FORMER PRESIDENTS BULGARIA Petar STOYANOV Zhelyu ZHELEV ESTONIA Arnold RÜÜTEL KYRGYZSTAN Roza OTUNBAYEVA MOLDOVA Petru LUCINSCHI MONGOLIA Punsalmaa OCHIRBAT ROMANIA Ion ILIESCU SLOVENIA Danilo TURK VICE PRIME MINISTER KOSOVO Mimoza KUSARI LILA – Deputy Prime Minister MONTENEGRO Vujica LAZOVIC – Deputy Prime Minister Rafet HUSOVIC – Deputy Prime Minister MINISTERS AZERBAIJAN Prof. Dr. Ali M. ABBASOV – Minister of Communications and Information Technologies Natıg ALIYEV – Minister of Industry of Energy 1 BOSNIA – HERZEGOVINA Erdal TRHULJ – Federal Minister of Energy, Mining and Industry of the Federation of Bosnia- Herzegovina Mirko SAROVIC – Federal Minister of Foreign Trade and Economic Relation of Bosnia – Herzegovina Enver BIJEDIC – Minister of Transport and Communications CHINA Li ZHAOXING - President of China Association for International Friendly Contact – Former Minister of Foreign Affairs AUTONOMOUS UNIT OF GAGAUZIA – MOLDOVA Vitaliy KÜRKÇÜ – Vice-Bashkan of Gagauzia, Minister of Economic Development, Commerce, Services and Foreign Relations IRAQ Kheer-allah Hassan Babaker MOHAMMAD – Minister of Trade KOSOVO Mahir YAGCILAR – Minister of Public Administration Besim BEQAJ – Minister of Economic Development Dr. -
Haig Acterian - Vision Et Des Idées Novatrices Dans L'esthétique Du Théâtre Roumain
Studii de ştiinţă şi cultură Anul VII, Nr. 1, martie 2011 Haig Acterian - Vision et des idées novatrices dans l'esthétique du théâtre roumain Haig Acterian - Innovative Vision and Ideas in the Aesthetics of Romanian Theatre Haig Acterian - Viziune şi idei inovatoare în estetica teatrului românesc Mihaela Andreea MURARIU Université „Paul Valéry”, Montpellier 3, UFR II: Langues et cultures étrangères et régionales, Département d'Etudes Italiennes et Roumaines Université „Lucian Blaga” de Sibiu E-mail: [email protected] Abstract During the inter- war period, the theatrical movement in Romania knows a period of basical changes. In this “background „ , Haig Acterian has an unexpected view about the theatrical performance. In his view, the dramatist and the stage director are two different instances and the supramarionette concept, invented by Gordin Craig is, in fact, the performer, who owns the calling of stage playing. The art of playing has represented another stage director’s concern. In the same time, Haig Acterian has a reformary view towards the academic theatrical school: he reorganized the advanced theatrical studies, reorganised the theatre as a regional institution and the organisational principle has in its centre the players’ company. Haig Acterian has written two monographical studies, which have had great impact in that period: Shakespeare and Moliere. These two works represent a summary of his studies publicated in magazines and papers for which he has written as stage director. Rezumat. În perioada interbelică, mişcarea teatrală din România cunoaşte o perioadă a schimbărilor de bază. Pe acest „fundal”, Haig Acterian are o viziune neaşteptată asupra reprezentaţiei teatrale.În accepţia sa, dramaturgul şi regizorul scenic sunt două instanţe diferite, iar conceptul de supramarionetă, inventat de Gordin Craig este, de fapt, actorul, căruia îi revine chemarea jocului scenic. -
Arşavir Acterian
transilvania 6/2016 transilvania Arşavir Acterian – membru al generației ‘27 Marcel COZMUȚĂ Universitatea „Babeş-Bolyai”, Cluj-Napoca, Şcoala Doctorală de Filosofie ”Babeș-Bolyai” University of Cluj-Napoca, Doctoral School in Philosophy Personal e-mail: [email protected] Arșavir Acterian – a member of the Generation ‘27 Generation ’27 was a nucleus composed of bright effervescent youngsters, each of them active with excellent results in various fields such as economics, philosophy, literature etc. Arșavir Acterian was, in the beginnings of this movement (designed as „generation 27” by Dan C. Mihăilescu), one of its foremost representatives. Quite surprisingly, he did not come to build the major work he seemed to be destined for; both the political and social straits of his life and the fact that he devoted most of his time to helping his mother and sister led him to limit his intellectual activity to sharply commenting the everyday life in his diary – which thus became his masterpiece. Keywords: generation‘ 27, Arșavir Acterian, Haig Acterian, Jeny Acterian, Romanian interwar cultural life, Romanian interwar diaries. Generația ‘27, așa cum a denumit-o Dan C. este lungă, noi menționând aici doar câțiva, pe cei care Mihăilescu, a reprezentat, pentru cultura română, un s-au afirmat în ţară și în străinătate. Alții, au trecut prin moment de cotitură. Era generația care nu avea de temnițele comuniste - cei care n-au ales varianta exilului. îndeplinit o misiune istorică. Celelalte generații au Fără doar și poate, putem vorbi de fascinația pe luptat pentru idealul acesta, al Unirii, care, după lungi care „Profesorul” a exercitat-o asupra acestor tineri. -
Modernity, Memory and Identity in South-East Europe
Modernity, Memory and Identity in South-East Europe Series Editor Catharina Raudvere Department of Cross-Cultural and Regional Studies University of Copenhagen Copenhagen, Denmark This series explores the relationship between the modern history and pres- ent of South-East Europe and the long imperial past of the region. This approach aspires to offer a more nuanced understanding of the concepts of modernity and change in this region, from the nineteenth century to the present day. Titles focus on changes in identity, self-representation and cultural expressions in light of the huge pressures triggered by the interac- tion between external influences and local and regional practices. The books cover three significant chronological units: the decline of empires and their immediate aftermath, authoritarian governance during the twen- tieth century, and recent uses of history in changing societies in South- East Europe today. More information about this series at http://www.palgrave.com/gp/series/15829 Cristina A. Bejan Intellectuals and Fascism in Interwar Romania The Criterion Association Cristina A. Bejan Duke University Durham, NC, USA ISSN 2523-7985 ISSN 2523-7993 (electronic) Modernity, Memory and Identity in South-East Europe ISBN 978-3-030-20164-7 ISBN 978-3-030-20165-4 (eBook) https://doi.org/10.1007/978-3-030-20165-4 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2019 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. -
Radio Free Europe in Paris
Radio Free Europe in Paris: the Paradoxes of an Ethereal Opposition by Ioana Macrea-Toma Submitted to Central European University Department of History In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Constantin Iordachi Second Reader: Professor Istvan Rev CEU eTD Collection Budapest, Hungary 2008 Statement of copyright: “Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any copies such made. Further copies made in accordance with such instructions may not be made without the written permission of the Author”. CEU eTD Collection i Abstract This paper explores, interprets and contributes to the studies regarding Radio Free Europe in a cold War context. By focusing on the Romanian Department of RFE and further on to Monica Lovinescu’s cultural broadcasts we intend to provide new insights about a type of cultural liberal advocacy framed by an international context and a local intellectual tradition. By resorting to communication theory, intellectual history and socio-history of intellectuals we will place Monica Lovinescu’s message within an intellectual historical interaction which is responsible for the establishment of a literary canon and for the present discourse about the past. A concentric contextualization will gradually introduce our case study, repositioning it into history after a classicized solemn locating it on a transcendental pedestal. The elements of novelty of our undertaking are multifold: it provides factual information about a phenomenon only personally evoked, it applies a complex set of theoretical methodologies and last, but not least, it uses a comparative comprehensive historical approach in order to discard ethical, Manichean or self-centered visions about the Communist period. -
Shakespeare in the Romanian Cultural Memory
Shakespeare in the Romanian Cultural Memory Project for the Romanian National Council of Research in Higher Education 2005-2008 Project director: Monica Matei-Chesnoiu, PhD Members: Marian Popescu, PhD Marina Cap-Bun, PhD Aida Todi, PhD Remus Zagan, PhD The project focuses on the reception of Shakespeare in Romanian culture by offering a systematic approach to the appropriation of the Shakespeare canon in Romania diachronically, from its inception in early nineteenth century up to the present. Theatrical productions, reviews, critical receptions, translations, and literary adaptations are brought into focus with a view to offering a comprehensive perspective. Such a global approach is the first of its kind in Romanian culture. The Romanian contribution to Shakespeare studies is very rich and comprises important names of Romanian and English scholarship, such as Leon Levitchi, Alexandru Dutu, Dan Dutescu, Dan Grigorescu, Mihai Bogdan. However, there is no systematic approach to deal with this important amount of information, in accordance with current requirements of modern bibliographies and databases. The aim of this project is to record and publicize Romanian contributions in the field of Shakespeare studies and integrate them in the European and world circuit. In this way, an important part of Romanian culture will be known abroad through the circulation of Romanian translations, theatre, criticism, and literary adaptations. Moreover, Romanian culture itself will be able to define its identity in this particular aspect of the reception -
Bibliografia Cărţilor În Curs De Apariţie
2 BIBLIOGRAFIA CĂRŢILOR ÎN CURS DE APARIŢIE BIBLIOTECA NAŢIONALĂ A ROMÂNIEI CUPRINS CENTRUL NAŢIONAL CIP 0 GENERALITĂŢI............................................................................................... 6 Calculatoare. Prelucrarea datelor....................................................................... 6 Civilizaţie. Cultură........................................................................................... 13 Bibliografii. Cataloage..................................................................................... 15 Biblioteconomie. Biblioteci............................................................................. 15 Organizaţii. Asociaţii. Congrese. Expoziţii ..................................................... 16 Ziaristică.......................................................................................................... 17 Publicaţii pentru copii...................................................................................... 18 BIBLIOGRAFIA CĂRŢILOR ÎN CURS DE 1 FILOZOFIE...................................................................................................... 24 APARIŢIE Metafizică........................................................................................................ 25 CIP Filozofia spiritului. Filozofia culturii. Ocultism.............................................. 25 Sisteme filozofice ............................................................................................ 26 Psihologie ....................................................................................................... -
Report of the 31St International Conference of the Red Cross And
32nd International Conference of the Red Cross and Red Crescent Geneva 2015 B Table of contents Report of the 32nd International Conference of the Red Cross and Red Crescent Including the summary report of the 2015 Council of Delegates Prepared by the International Committee of the Red Cross and the International Federation of Red Cross and Red Crescent Societies Geneva International Conference Centre Geneva (CICG) 1 32nd International Conference of the Red Cross and Red Crescent 2 TABLE OF CONTENTS RESULTS OF THE MEETINGS OF THE INTERNATIONAL 1 RED CROSS AND RED CRESCENT MOVEMENT 1.1 AGENDA AND RESOLUTIONS OF THE 2015 COUNCIL OF DELEGATES. .11 1.1.1 Agenda . 11 1.1.2 Resolution 1: Strengthening Movement Coordination and Cooperation: optimizing the Movement’s humanitarian response . 13 1.1.3 Resolution 2: Adoption of the International Red Cross and Red Crescent Movement logo . 20 1.1.4 Resolution 3: International Red Cross and Red Crescent Movement message to the World Humanitarian Summit . 29 1.1.5 Resolution 4: Adoption of the Disability Inclusion Strategic Framework by the International Red Cross and Red Crescent Movement . 31 1.1.6 Resolution 5: Preserving the historical and cultural heritage of the International Red Cross and Red Crescent Movement . 50 1.1.7 Resolution 6: Revision of the Regulations for the Empress Shôken Fund. 50 1.1.8 Resolution 7: Movement statement on migration: Ensuring Collective Action to Protect and Respond to the Needs and Vulnerabilities of Migrants . 52 1.1.9 Resolution 8: Agenda and programme of the 32nd International Conference of the Red Cross and Red Crescent . -
Mircea Eliade's Vision-Generating Text on Drama and Performance
Învăţământ, Cercetare, Creaţie Vol. 7 No. 1 - 2021 309 Mircea Eliade’s vision-generating text on drama and performance Anca-Daniela MIHUȚ1 Abstract: In the short fantasy stories, which are part of the cycle of performance and cryptography, as well as in Mircea Eliade's novels, the systematic presence of artists can be noticed, but especially that of the actors, as well as the numerous references to theater. The novel The Forbidden Forest contains, already crystallized, the Romanian writer's conception of theater. Eliade's interest is mainly directed towards a new type of playwriting and towards spectacular performance, because he makes a very clear difference between writing and acting. The writer considers dramatic art a place of debating artistic, philosophical, religious ideas, but is convinced that the theatrical play can offer the possibility of a different approach to them and a different understanding of the world - one that can trigger enlightenment and human spiritual liberation. Key-words: Eliade; fantastic prose; theater; drama; performance; director; time 1. Introduction The In 2007, I set out to celebrate the Centenary of Mircea Eliade's birth, with a marathon consisting of (re)reading his work, because I always kept in mind his statement that: "only all my writings can reveal the meaning of my work”2. Among the books read this year 2007 was The Trial of the Labyrinth, in which the question asked by Claude-Henri Rocquet, in the afterword, was, for me, the decisive impetus to write a study dedicated to Mircea Eliade3. In that afterword, Claude-Henri Rocquet, struck by the systematic presence of actors and theater in Mircea Eliade's short stories and novels, wonders if anyone has devoted a doctoral thesis or a study to this topic.