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Maine Alumnus, Volume 55, Number 4, Spring 1974

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Maine Alumnus, Volume 55, Number 4, Spring 1974 The University of Maine DigitalCommons@UMaine University of Maine Alumni Magazines University of Maine Publications Spring 1974 Maine Alumnus, Volume 55, Number 4, Spring 1974 General Alumni Association, University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/alumni_magazines Part of the Higher Education Commons, and the History Commons Recommended Citation General Alumni Association, University of Maine, "Maine Alumnus, Volume 55, Number 4, Spring 1974" (1974). University of Maine Alumni Magazines. 290. https://digitalcommons.library.umaine.edu/alumni_magazines/290 This publication is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in University of Maine Alumni Magazines by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. z ♦ * < Rhett Wieland '77 of York, Maine was recently informed that he won the New England Regional First Prize in a collegiate photo contest sponsored by Sigma Delta Chi, the national journalism fraternity. Wieland’s winning photo montage of the Maharishi Mahesh Yogi, the world leader in the Transcendental Meditation movement, will be ad­ vanced to national competition against winners from seven other reg­ ions. Wieland is a member of the Campus photography staff. Other student photography appears on pages 6 and 7. The Maine Alumnus vol. 55 no. 4 spring 1974 Page 2 Traveling art—One hundred exhibits from the UMO Art Department travel throughout the state. Page 4 The veterans move out of their closet and into a basement—The student/veteran at UMO has a bright future with new direction and leadership. Page 6 A look at student photography—A recent Maine Campus photography contest produced a fine showing of student works. Page 8 The Second Century Fund—UMO’s capital fund drive shows progress in its early stages. Page 9 Campus columnist publishes novel—Stephen King ’70 sold his novel of the supernatural to Doubleday and Co. Prof. Vincent A. Hart gen packs an exhibit to be sent out to a Maine school as part of his 100 traveling art exhibits. See story on page 2. Page 10 GAA Constitution revisions—Revisions of the GAA constitution will be up for an alumni vote on June 8 at Reunion. Page 12 Research and teaching awards presented—Dr. Geddes W. Simpson and Dr. William G. Valleau are each editor Mrs. Clara (Peabody ’27) Hersum awarded $1500 for their scholarly excellence. Margaret Rode Zubik ’71 George P. Hitchings '37 Timothy J. Keating '74 13 Campus Capsules Dr Waldo M. Libbey '44 • * publisher 14 Book Review Mrs. Sarah (Weeks ’50) Paine Lester J. Nadeau '59 Albert M. Parker '28 14 Campus and Alumni News Mrs. Alice Ann (Donovan ’40) photo credits Poeppelmeier 17 Sports Jack Walas David E Svendsen '65 Al Pelletier Carl R. Toothaker '39 18 In Memoriam & Class Notes Dave Rowson Mrs. Pauline (Jellison ’40) Weatherbee Whitney L. Wheeler '29 alumni association officers John F. Wilson ’33 Kenneth F. Woodbury '24 President Mrs. Eleanor (West ’33) Yerxa Cover: “Double Locked” is the title of the photograph by Dave Ralph L. Hodgkins. Jr. '59 First Vice President annual alumni fund committee Theoharides that won the first prize in The Maine Campus Photo Gordon 1. Erikson '43 Contest. See more student photography on pages 6 and 7. Second Vice President National Chairman Mrs. Fern (Allen ’34) Turbyne John F. Wilson '33 Treasurer Vice Chairmen Herbert A. Leonard '39 Thomas J. Desmond '33 Clerk George P. Hitchings '37 Mis. Priscilla (Thomas ’49) Rines Mrs. Helen (Wormwood ’41) Pierce Leonard N. Plavin '48 Eugene F. Sturgeon '65 alumni council David E. Svendsen '65 John W. Ballou '49 Fund Coordinator William E. Bodwell '50 Donald M. Stewart '35 The Maine Alumnus, published five times a year in September-October, Howard L. Bowen '24 November-December, January-February, April-May and June-July by the General Alumni Association, Alumni Center. University of Maine, Orono/Orono, Maine Stephen A. Briggs '65 alumni representatives to 04473 The General Alumni Association, Ralph L. Hodgkins, president, is an Leland F Carter '42 the intercollegiate athletic unincorporated association, classified as an educational and charitable organiza­ Raymond R. Couture '51 advisory council tion as described in section 509(a) (I) of the Internal Revenue Code. Total number J. Edward DeCourcy '34 of copies printed per year, 110,000. Ayerage per issue, 22,200. Send changes of Roger C. Castle '21 address to the business office six weeks prior to the next issue. The MaineA////n/»/v Dr James F Donovan '45 is sent to those who contribute to the Annual Alumni Fund. Second class postage Terry A Dorr '74 Willard C. Farnham '60 paid at Orono, Maine 04473. John R. Dyer '41 Vernon W. Tozer '51 / by Sherry Bowden ’75 What comes packed in battered plywood boxes, is hung on just is not the manpower available to set-up and follow through the walls of schools and brings beauty into the lives of children with any more exhibits. The need is there, but the additional art throughout the entire state of Maine? The answer is the UMO exhibits cannot be handled. traveling art exhibition. The whole program is coordinated by one woman, Margaret Vincent A. Hartgen, professor and chairman of the UMO art Russell, secretary to the art department. Usually, one work department began the program in October of 1963. He launched study student is trained to send out reminders and help with the the first five exhibits on the road partly to fill a need he saw for paper work involved in keeping 100 art exhibits moving. No one Maine students to be exposed to art and partly in response to in the art department is employed specifically for running the suggestions made by former students who taught within the traveling art shows. state. Prof. Hartgen has designed the program to keep it at the “Long ago, I kept meeting students who, until they came to lowest possible cost and to make it as easy as possible for the the university, had never seen an art exhibit. I saw a need in schools to pack up the exhibits and send them to the next school. Maine for art exhibits in the schools. In answer to this need I Hartgen started the project when he went out to measure the decided to launch five exhibits on the road, without any money, inside of a car trunk. His objective was to design a sturdy con­ without any funds or sponsorship.” tainer for the exhibits which would not be too cumbersome. The program within the first few years leaped from the original five exhibits to its present 100 exhibits. About 70 Maine Out of his measuring came a plywood box, the most popular artists and photographers, who live and work in the state, con­ size being around 22 inches by 26 inches and about five inches tribute their work to the program. Some of the art is borrowed thick. This size of box easily accommodates padding and packing from the UMO collection, but the bulk of the art exhibited belongs to the artists. Only original works of art are displayed and the art is almost exclusively done by Maine artists and photographers. The artists are constantly freshening their ex­ hibits with new works. Exhibits are scheduled eight times throughout the school year. They are on display at schools throughout the state from October to June. Each month 100 boxes filled with art exhibits are moving within the state. In one school year 800 exhibits have taken place in Maine schools. The exhibits stay on display for about three weeks out of the month. It is the school’s responsibil­ ity to see that their exhibit moves on to the next school on the list. During the first year of the traveling art exhibits, requests began coming in to Prof. Hartgen for specialized art exhibits. Teachers were requesting shows geared to certain age groups and “how to do it” types of shows. Approximately ten “how to do it” shows were formed by Prof. Hartgen in response to the teachers’ requests. “Teachers in remote areas of the state were hard pressed to explain to the children how a woodcut is made, how an etching is made, how a lithograph is made, how do you make a sculpture and so on,” he says. “Now there is a whole list of ‘how to do it’ exhibits.” These exhibits are designed by the artists. They explain the media step by step, illustrating the steps that led to its comple­ tion, and show a finished copy of the work. There were also special requests coming in for shows on sculpture. Due to the shipping problems involved with sculpture, two photo shows were made up featuring the sculptures of Chenoweth Hall, a Prospect Harbor sculptor. The art exhibits now include three photography shows done by UMO photographers, Jack Walas and Albert Pelletier, on Orono campus life. These shows are usually shown in high schools across the state. They depict life on campus from special weekends to studying for finals. The art exhibitions also include a number of shows on the Maine School Art Contest put on by the Bangor Daily News Art Department chairman, Vincent A. Hartgen, packs a traveling exhibit into one of the '' plywood suitcases" that he specially designedfor every year. Each year the oldest shows are retired and shows his traveling art program. Boxes such as these carry 100 art and photo­ containing the new winners are inserted in their place. graphic exhibits around the state to schools and public buildings at The program has been held at 100 exhibits, because there virtually no cost to the schools.
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