Choir Catalog 2011

Total Page:16

File Type:pdf, Size:1020Kb

Choir Catalog 2011 TheThe DigitalDigital Records 20112011 ChoirChoir CatalogCatalog Mark Custom Table of Contents Custom Recording Recording Service Service, Inc. Professional Quality Releases New Releases . 2 College/Advanced . 3-5 Mark Records Records Commercial Quality All-State Performances: Texas . 6-7 Mark Masters New York . 7 Highest Quality Available Illinois . 7-8 Kentucky . 8-9 Mark Vintage Florida . 9 Historic Re-issues Featured TMEA Ensembles . 11-12 MENC Eastern Division . 12 SupportingSupporting Advanced ACDA Ensembles . 12-16 MusicMusic High School TMEA Ensembles . 16-19 sincesince 19621962 High School ACDA Ensembles . 19-21 High School MENC Ensembles . 21 Find Mark Releases: Junior High/Children’s Ensembles . 21-23 MarkCustom.com Texas Choral Directors Association . 23-24 BUY DIRECT! Click the orange Music Store icon. KMEA Children’s Choirs . 24-25 iTunes TMEA Children’s Choirs . 25-27 Amazon.com FMEA Children’s Choirs . 28 MENC Children’s Choirs . 28 CDBaby.com ACDA Junior High School/Children . 28-30 ArkivMusic.com Solo/Christmas Music . 30 Naxos.com ACDA 2010 Order Form . 32 Brainmusic.asia Past ACDA Quick Reference Guide . 33 Mark Music Search . 34 Are you looking for a specific piece? TMEA 2011 Order Form . 35 Search our website or contact us: [email protected] General Order Form & Price List . 36 www.MarkCustom.com New & Future Releases RECORDS 8861-MCD SHOW ME THY WAYS: also available on DVD THE CHORAL MUSIC OF DANIEL E. GAWTHROP 9239-MCD 2011 TMEA ALL-STATE MIXED CHOIR Video AND THE TEXAS CHRISTIAN UNIVERSITY SYMPHONY ORCHESTRA UTAH STATE UNIVERSITY CHAMBER SINGERS CORY EVANS, DIRECTOR BRADY ALLRED, CONDUCTOR For He Is Salavation - The Hand of the Lord - Watch With Me - Show Me Thy Ways - JANET WHITCOMB PUMMILL, ACCOMPANIST How Excellent Is Thy Name - I Will Lift My Eyes - Break Forth Into Singing - Prayer Star Spangled Banner/arr. L. Pfautsch - The Singing Heart/B. Chilcott - Dances to Life: For Grace - It Is Good to Sing Praises - O Come Emmanuel - Return Unto Thy Rest Wonder/M. Wilberg - Cloudburst/m: E. Whitacre/w: O. Paz - Sure On This Shining Night/m: M. Lauridsen/w: J. Agee - All-Night Vigil, Op. 37/S. Rachmaninoff - Dae- mon Irrepit Callidus/G. Orbán - Os justi meditabitur sapientiam/A. Bruckner - Glo- ria(I. Allegro vivace, II. Andante, III. Vivace e ritmico)/J. Rutter - He’s Got the Whole World/Spiritual/arr. R. Liebau - Thou Gracious God, Whose Mercy Lends/m: English Folk Tune/arr. M. 8810-MCD ALL BABIES CHERISHED: Wilberg/w: O. W. Holmes, Sr. CHILDREN SINGING LULLABIES FOR CHILDREN ABC BEL CANTO SUE FAY ALLEN, DIRECTOR BUFFALO NIAGARA YOUTH CHOIR JOHN FLEISCHMAN, DIRECTOR 9127-MCD RESONET Hush Little Baby/American Folksong/arr. S. F. Allen - Sweet & Low/w: Lord Alfred OHIO STATE UNIVERSITY MEN’S GLEE Tennyson/m: L. Beery - Now I Walk in Beauty/Navajo Prayer/arr. G. Smith - The Rid- DR. ROBERT J. WARD dle/Kentucky Folk Song/arr. H. Owen - Suo Gân/Traditional Welsh/A. Werin/arr. R. E. How can I keep from singing?/arr. B. Ellingboe - Missa Salve Regina (Kyrie, Gloria, Sanctus)/J/ Schram - Our Favorite Lullabies/Traditional/arr. J.Furlong - Irish Lullaby/Traditional Langlais - Not while I’m around/Sondheim/arr. R. Page - Veni Sancte Spiritus/L. Janacek - Kolm Irish/arr. M. Sirett - Manx Lullaby/Manx Folksong/arr. L. Dolloff - An Irish Blessing/E. mul oli kaunist sõna/V. Tormis - And draw her home with music/N. Hill Cobb - Solstice (Friendship Daley - The Castle of Dromore/Traditional Irish/arr. L. Dolloff - Sim Shalom/Hebrew Liturgy/arr. L. Hirsh- Dance, Medicine Wheel, Songs from the Ancient Lodge)/T. Sarsany - Blackbird/arr. M. Ebright horn - When I Lay Me Down to Sleep/J. Mulholland - Wordless Lullaby/G. Caccini/arr. S. F. Allen - Cape - Sicut cervus/G. Palestrina - Dulaman/M. McGlynn - Your Wildest Dreams/arr. T. Sarsany - Breton Lullaby/K. Leslie/arr. S. Calvert - Duérmete Mi Niño/Dominican Folksong/arr. F. Nuñez - Alleluia When I Fall in Love/arr. Shaw/Sarsany - Zombie Jamboree/arr. T. Sarsany - Farther Sail/E. Amen/W. A. Mozart/arr. A. G. Lewis - Little Lamb from Mass of the Children/w: W. Blake/m: J. Rutter - Jenny Helmuth - Buckeye Medley (The Buckeye Battle Cry/F. Crumit - Campus Echoes/arr. Heine/Staiger - Carmen Ohio/F. Rebecca/C. Hall/arr. C. T. McElfresh Cornell - Hang on Sloopy/arr. T. Sarsany) 8617-MCD ANTICIPATION MESSIAH COLLEGE CONCERT CHOIR LINDA L. TEDFORD, CONDUCTOR 9111-MCD 2010 TCDA ELEMENTARY HONOR CHOIR Lay Aside Every Weight/G. Burleigh - I Heard the Voice of Jesus Say/H. Bonar/arr. DR. ROLLO DILWORTH, CONDUCTOR D. E. Wagner - The Glory of the Father/E. Hovland - I. Saints Bound for Heaven Alleluia from Exultate jubilate/W. A. Mozart - All Things Bright and Beautiful/J. Rutter from Four American Folk Hymns/arr. M. Wilberg - If Music Be The Food Of Love/w: - Stars No. 1 from Faywood School Songs/L. Kuzmenko - Follow the Drinking H. Heveningham/m: D. C. Dickau - Ah. Holy Jesus/J. Ferguson - Hamba Lulu (Five Gourd/arr. R. Dilworth - The Hills of Arirang/arr. M. Braz - Born in a Symphony/J. African Songs)/arr. M. Brewer - Water Night/E. Whitacre - Anticipation/V. M. McKay - Herrington - Rejoice and Sing/R. Dilworth Worthy to Be Praised/B. J. Smith - Salvation is Created/P. Tschesnokokk/ed./arr. W. Ehret - Jabberwocky/L. Carroll/S. Pottle - Santo/M. D. Mendoza - My Master from a Garden Rose/G. Young - MLK/U2/arr. B. Chilcott - You Are The New Day/J. David/arr. P. Knight 7639-MCD TO SING! CONCERT CHORALE Those Who Wish to Sing Always Find a Song/E. Alexander - 7275-MCD AMERICAN TREASURES Herbstlied/R. Schumann - Ave Maria/G. Caccini/arr. P. M. Liebergen - Cabbage Tree SUSQUEHANNA CHORALE Hat/arr. D. Patriquin - I Went to the Market (French Canadian Folk Song)/arr. D. LINDA L. TEDFORD, CONDUCTOR Patriquin INTERMEDIATE CHORALE Dodi Li/N. Chen/arr. D. Rao - Medieval The Last Words Of David/R.Thompson - Two Songs from Continental Harmony Gloria/V. Singh - Danny Boy (Old Irish Air)/arr. J. Knowles - Sakura/arr. L. Spevacek - (Cobham, Hopkinton)/W. Billings - Psalm 131/J. Van - How Can I Keep From Hashivenu/arr. D. Rao - Playground Tunes/arr. E. Rentz PREPARATORY CHOIR Singing/arr. D. H. Graves - Steal Away/arr. N. Luboff - Amazing Grace/arr. A. Parker/R. Mairi’s Wedding/arr. J. Broeker - Velvet Shoes/R. Thompson - I Had a Little Nut Shaw - When The Saints Go Marching In/arr. J. Rutter - Reincarnations (Mary Hynes, Tree/arr. B. Bertaux CONCERT Psalm 150/J. Butler - El Jarabe Tapatio/arr. R. Noble Anthony O Daly, The Coolin)/S. Barber - Fair Warning/S. McRae - Aura Lee/arr. - Day Break from The Earth Sings/S. Paulus - To Sing/L. Larsen - Wexford Carol/arr. M. Goetze - Noël Shaw/Parker - Some Folks/S. Foster - Black Is The Color Of My True Love’s Hair/arr. Nouvelet/C. L. Alwes COMBINED ALUMNI CHORUS AND CONCERT CHORALE I Am His Child/Ich will S. Churchill - Home On The Range/arr. M. Hayes - Cindy/arr. M. Wilberg - Shenandoah/arr. J. Erb den Herrn loben alle Zeit/G. P. Telemann/arr. W. Depue - Praise His Holy Name/K. Hampton ALL COMBINED CHOIRS An Irish Blessing/E. Daley - The Lord Bless You and Keep You/J. Rutter 8704-MCD THE SUSQUEHANNA CHORALE LINDA L. TEDFORD, ARTISTIC DIRECTOR, FOUNDER & CONDUCTOR Make We Joy Now in this Fest/M. Archer - Five Hebrew Love Songs (I. Temuná (A 9144-MCD SING TO THE LORD! Picture), II. Kalá kallá (Light Bride), III. Lárov (Mostly), IV. Éyze shéleg! (What Snow!), MANSFIELD UNIVERSITY CONCERT CHOIR PEGGY DETTWILER, DIRECTOR V. Rakút (Tenderness))/E. Whitacre - Bear Me Gently/K. Lange - Ain’t No Grave Can CONCERT CHOIR Singet dem Herrn ein neues Lied (Part 1)/J. S. Bach - Virga Jesse Hold My Body Down/arr. P. Caldwell/S. Ivory floruit/A. Bruckner - A Spotless Rose/H. Howells - hope, faith, life, love/E. Whitacre - HARMONIUM CHORAL SOCIETY DR. ANNE MATLACK, ARTISTIC DIRECTOR Past Life Melodies/S. Hopkins - Flower of Beauty/J. Clements - I Can Tell the World/M. Dide Ta Deo/Nigerian Folk Song/arr. U. Brown, Jr. - Cantate Domino/C. Monteverdi - Hogan CONCERT CHOIR VINCENT LAWRENCE, CONDUCTOR Cantate There is No Age/E. Hill - Musicians Wrestle Everywhere/E. Carter - Before Too Long/M. Domino/M. Jothen - When David Heard That His Son Was Slain/J. Chorbajian - In A. Miller - My God is a Rock/arr. K. Berg Windsor Forest (The Conspiracy, Drinking Song, Wedding Chorus)/R. V. Williams - Shenandoah/arr. J. Erb - Rainsong/H. Bright - Over The Rainbow/H. Arlen - Missa Brevis (Kyrie, Credo (The Nicene Creed))/Z. Kodály 8801-MCD COLLEGIATE HONOR CHOIR WESTON NOBLE, CONDUCTOR I Sing as I Arise/J. Fritschel - Te Deum for Empress Maria Theresa/F. J. Haydn/ed. H. C. R. Landon - Naiman Sharag (Eight Chestnut Horses)/S. Enkhbayar - 9328-MCD AN AMERICAN CHORAL PORTRAIT Shenandoah/arr. M. Wilberg - He'll Make a Way/B. J. Smith HIGH SCHOOL MIXED MANSFIELD UNIVERSITY CONCERT CHOIR PEGGY DETTWILER, DIRECTOR HONOR CHOIR DR. JEFFERY L. AMES, CONDUCTOR Noel/T. Smith/arr. B. Holmes CONCERT CHOIR With a Lily in Your Hand/E. Whitacre - Star in the East/Kentucky - Mille Regretz/J. des Prez - O Crux/M. Jennings - Dixit Dominus from Vesperae Harmony/arr. M. Price - Autumn Moon/S. Hinds - The Road Home/Southern solennes de confessore K.339/W. A. Mozart - In Remembrance/J. L. Ames - Twa Harmony/arr. S. Paulus - Joshua/Spiritual/arr. N. Luboff - A Celtic Blessing/D. Riley Tanbou/S. Guillaume ALUMNI CHOIR Zion’s Walls/Revivalist song/arr. A. Copland - Alleluia/R. Thompson - Abide With Me/W. Monk/arr. M. Hogan - Ol’ Dan Tucker/D. Emmett/arr. W. Cutter - Somewhere/L. Bernstein/arr. R. Edgerton - Dan-u-el/Spiritual/arr.
Recommended publications
  • Download Companion
    THE COMPANION TO THE EDINGTON MUSIC FESTIVAL & beauty came like the setting sun A FESTIVAL OF MUSIC WITHIN THE LITURGY 19–26 AUGUST 2018 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 1 The Priory Church of Saint Mary, Saint Katharine and All Saints Edington, Westbury, Wiltshire THE COMPANION TO THE EDI NGTON MUSIC FESTIVAL Sunday 19 to Sunday 26 August 2018 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 2 Contents Introduction page 3 Festival and general information page 8 Festival participants page 12 Orders of service, texts and translations page 14 Cover Photo credit: British Cemetery at Courcelette at Sunset © Paul Reed Designed and typeset by Nick Flower Researched and edited by Peter Roberts & Tom Bennett Proofread by Ian Aitkenhead Printed in England by Caligraving Ltd 2 Ed18Comp_ED18comp.qxd 22/07/2018 19:25 Page 3 Introduction Richard Pinel Welcome to the 63rd Edington Festival of Music within the Liturgy. After several momentous years that have, amongst other things, seen the commissioning and installation of a fine new organ in the Priory Church, the 60th Festival, and two changes of Director, we look forward to a ‘business as usual’ festival this year. Entitled ‘Beauty came like the setting sun’, this year’s festival commemorates the centenary of the end of World War One, referring to the works of several prominent war poets. Some festival-goers will be aware that Siegfried Sassoon has a connection to this area—his family lived in the nearby village of Heytesbury. Each day during the festival is marked by reference to a particular poem that will be the focus of the sermon for that day.
    [Show full text]
  • Parry US 8/5/09 16:32 Page 12
    572104bk Parry US 8/5/09 16:32 Page 12 Here God made holy Zion’s name, And did the countenance divine And here he gave them rest. Shine forth upon our clouded hills? Oh, may we ne’er forget what he hath done, And was Jerusalem builded here PARRY Nor prove unmindful of his love, Among these dark satanic mills? That, like the constant sun, On Israel hath shone, Bring me my bow of burning gold! Choral Masterpieces And sent down blessings from above. Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Songs of Farewell C.H. Parry (from Judith) Bring me my chariot of fire! I will not cease from mental fight, @ Jerusalem Nor shall my sword sleep in my hand, Manchester Cathedral Choir And did those feet in ancient time Till we have built Jerusalem Walk upon England’s mountains green? In England’s green and pleasant land. Christopher Stokes And was the Holy Lamb of God On England’s pleasant pastures seen? William Blake (1757-1827) 8.572104 12 572104bk Parry US 8/5/09 16:32 Page 2 Sir Charles Hubert Hastings Parry (1848–1918) for He is our help and our shield. His grace from above. Songs of Farewell Praise Him who hath taught you He delivered the poor in his affliction, To sing of His love. Sir Hubert Parry came from a family of some which remained dominant. Above all, in London he the fatherless and him that hath none to help him. O praise ye the Lord! distinction.
    [Show full text]
  • Bulletin November, 17 (English)
    VAID’S ICS LUCKNOW B-36, Sector-C, Aliganj, Lucknow Cont.9415011892/93 NOVEMBER-2017 Vaid’s ICS Lucknow B-36, Sector –C, Aliganj, Lucknow Mob: 9415011892/93, 8765163028 website: www.vaidicslucknow.com 1 VAID’S ICS LUCKNOW B-36, Sector-C, Aliganj, Lucknow Cont.9415011892/93 Content Pages 1. National Events 3 2. International Events 7 3. Economy 11 4. Science & Technology 14 5. Treaty & Agreements 16 6. Planning & Project 19 7. Conference 20 8. Sports 23 9. Awards & Honours 26 10. Persons in news 28 11. Places in news 29 12. Commissions & Committee 31 13. Operations & Campaign 32 14. Associations & Organizations 33 15. Law & Justice 34 16. Year, Day & Week 35 16. Miscellaneous 38 2 VAID’S ICS LUCKNOW B-36, Sector-C, Aliganj, Lucknow Cont.9415011892/93 • In the year 2014, 14.5 percent of the total NATIONAL EVENTS cases of crimes against women (49,262 cases) were held in Uttar Pradesh. After this, West Crime in India 2016- Statistics Bengal is at second with 9.6 percent (32,513) th • On November 30 , 2017, Union Home cases. Minister, Shri Rajnath Singh released the • Rape incidents rose 12.4 percent in the year ‘Crime in India – 2016’ published by the 2016 compared to year 2015. National Crime Records Bureau (NCRB), • According to the Reports, the highest rape Ministry of Home Affairs. cases took place in Madhya Pradesh and Uttar • It is for the first time, for 19 Metropolitan Pradesh. cities (having population above 2 million) also, • Out of total incidents, 12.5 percent were in chapters on “Violent Crimes”,” Crime Against Madhya Pradesh, 12.4 percent in UP and 10.7 Women”,” Crime Against Children”, “Juveniles percent in Maharashtra.
    [Show full text]
  • Jewish Liturgical Music for Treble Choirs Prepared by Miriam Altman, July, 2014
    Jewish Liturgical Music for Treble Choirs Prepared by Miriam Altman, July, 2014 A couple notes on current Jewish liturgical music • Like the Christian liturgy, Jewish liturgical music often contains many, many settings of identical texts, varying in style over the years. Just like one can hear dozens of settings of “Gloria,” or “Kyrie eleison,” you will find a comparable amount of “Ose Shalom”s and “Mi Chamochah”s. In the past couple decades, the school music publishers have become aware of this and will sometimes have a prolific composer (e.g. John Leavitt) write a song using Jewish liturgical texts. These pieces are not performed in synagogues, nor would most Jews be familiar with them. (The same goes for almost anything published for Chanukah.) Songs in the list below are ones that would be recognizable to most American Jews, particularly in Reform and, to a lesser extent, Conservative congregations. Orthodox Jews probably would not be, keeping to much older or internally-known melodies. • Cantors and song leaders will improvise and arrange harmonies from melodic lead sheets, both for themselves (during congregational singing) and for small group or choral performances. You should feel absolutely welcome to do the same. “Traditional” arrangements, published in octavo form, are sometimes available, but they are utilized far less commonly than the practice of learning harmonies/arrangements by ear. This is not unlike the Black gospel choral tradition (and other folk traditions, of course). Use YouTube, iTunes, or connect with a cantor at a local synagogue for ideas. Professional Jewish cantors, by the way, are ordained clergy and complete years of schooling to receive their certification.
    [Show full text]
  • View/Download Liner Notes
    HUBERT PARRY SONGS OF FAREWELL British Choral Music remarkable for its harmonic warmth and melodic simplicity. Gustav Holst (1874-1934) composed The Evening- 1 The Evening-Watch Op.43 No.1 Gustav Holst [4.59] Watch, subtitled ‘Dialogue between the Body Herbert Howells (1892-1983) composed his Soloists: Matthew Long, Clare Wilkinson and the Soul’ in 1924, and conducted its first memorial anthem Take him, earth, for cherishing 2 A Good-Night Richard Rodney Bennett [2.58] performance at the 1925 Three Choirs Festival in late 1963 as a tribute to the assassinated 3 Take him, earth, for cherishing Herbert Howells [9.02] in Gloucester Cathedral. A setting of Henry President John F Kennedy, an event that had moved Vaughan, it was planned as the first of a series him deeply. The text, translated by Helen Waddell, 4 Funeral Ikos John Tavener [7.41] of motets for unaccompanied double chorus, is from a 4th-century poem by Aurelius Clemens Songs of Farewell Hubert Parry but only one other was composed. ‘The Body’ Prudentius. There is a continual suggestion in 5 My soul, there is a country [3.52] is represented by two solo voices, a tenor and the poem of a move or transition from Earth to 6 I know my soul hath power to know all things [2.04] an alto – singing in a metrically free, senza Paradise, and Howells enacts this by the way 7 Never weather-beaten sail [3.22] misura manner – and ‘The Soul’ by the full his music moves from unison melody to very rich 8 There is an old belief [4.52] choir.
    [Show full text]
  • Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 Email: [email protected]
    Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 email: [email protected] CD-No. Title Composer/Track Artists GMCD 7101 Canticum Novum My soul, there is a country - Charles H.H.Parry; All Wisdom cometh from the Lord - Philip The Girl Choristers, The Boy Choristers and The Lay Vicars of Moore; Tomorrow shall be my dancing day - John Gardner; Psalm Prelude (2nd Set, No.1) - Salisbury Cathedral directed by Richard Seal / David Halls Organ / Herbert Howells; Quem vidistis pastores dicite - Francis Poulenc; Videntes stellam - Francis Martin Ings Trumpet Poulenc; The old order changeth - Richard Shepard; Even such is time - Robert Chilcott; Paean - Kenneth Leighton; When I survey the wondrous Cross - Malcolm Archer; Magnificat (Salisbury Service) - Richard Lloyd; A Hymn to the Virgin - Benjamin Britten; Pastorale - Percy Whitlock; Psalm 23 (Chant) - Henry Walford Davies; Love's endeavour, love's expense - Barry Rose; Ye Choirs of new Jerusalem - Richard Shepard GMCD 7102 Coronation Anthems & Hymns “Jubilant” Fanfare - Arthur Bliss; I was glad when they said unto me - Charles H.H. Parry; O The Choir of St Paul’s Cathedral directed by Barry Rose / Christopher taste and see - Ralph Vaughan Williams; Credo from the “Mass in G minor” - Ralph Vaughan Dearnley Organ Williams; Praise, my soul, the King of heaven - John Goss; Trumpet Tune f GMCD 7103 In Dulci Jubilo Ad Libitum/O Come, all ye faithful - Hark! the Herald-Angels Sing - Once in Royal David's city - - Festive & Christmas Music - Paul Plunkett Trumpets & Rudolf Lutz The First Nowell - Ding Dong! Merrily on High - Away in a Manger - Angels from the Realms Organ of Glory - Noël Op.
    [Show full text]
  • 1 Lahiton [email protected]
    Lahiton [email protected] 1 Lahiton magazine was founded in 1969 by two partners, Uri Aloni and David Paz, and was funded by an investment from Avraham Alon, a Ramlah nightclub owner and promoter. Uri Aloni was a pop culture writer and rabid music fan while David Paz, another popular music enthusiast, was an editor who knew his way around the technical side of print production. The name “Lahiton,” reportedly invented by entertainers Rivka Michaeli and Ehud Manor, combines the Hebrew words for hit, “lahit” and newspaper, “iton.” Lahiton [email protected] 2 Uri Aloni cites the British fan magazines Melody Maker and New Music Express as influences; (Eshed 2008) while living in London and writing for the pop music columns of Yediot Ahronot and La-Isha, he would lift editorial content and photos from the latest British pop magazines, write articles, then find an Israel-bound traveler at the London airport to transport the articles into the hands of his editors. In Lahiton’s early days, Aloni and Paz continued this practice (Edut 2014). Eventually, however Lahiton’s flavor became uniquely secular Israeli. Although in 1965 the Beatles were famously denied permission to perform in Israel (Singer 2015), by the time Lahiton got started in 1969 there was no stemming the tide; the international pop music scene had permeated Israel’s insular and conservative culture. At the time there were no other Hebrew publications that covered what was going on both at home and in America and Europe. Lahiton began as a bimonthly publication, but within the first year, when press runs of 5000 copies sold out on a regular basis, Paz and Aloni turned it into a weekly.
    [Show full text]
  • The Choral Cycle
    THE CHORAL CYCLE: A CONDUCTOR‟S GUIDE TO FOUR REPRESENTATIVE WORKS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY RUSSELL THORNGATE DISSERTATION ADVISORS: DR. LINDA POHLY AND DR. ANDREW CROW BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2011 Contents Permissions ……………………………………………………………………… v Introduction What Is a Choral Cycle? .............................................................................1 Statement of Purpose and Need for the Study ............................................4 Definition of Terms and Methodology .......................................................6 Chapter 1: Choral Cycles in Historical Context The Emergence of the Choral Cycle .......................................................... 8 Early Predecessors of the Choral Cycle ....................................................11 Romantic-Era Song Cycles ..................................................................... 15 Choral-like Genres: Vocal Chamber Music ..............................................17 Sacred Cyclical Choral Works of the Romantic Era ................................20 Secular Cyclical Choral Works of the Romantic Era .............................. 22 The Choral Cycle in the Twentieth Century ............................................ 25 Early Twentieth-Century American Cycles ............................................. 25 Twentieth-Century European Cycles ....................................................... 27 Later Twentieth-Century American
    [Show full text]
  • June July 2018 Bulletin
    A Congregation Affiliated with the Congregation B’nai Israel United Synagogue of Conservative Judaism 6525 Sylvania Avenue Sylvania OH 43560 151 Years of (419) 517-8400 Consecrated Service to www.cbitoledo.org God, Torah and Israel 5778 1 Notes from the Cantor ………………………………………. POWER OF MUSIC V The past month in Jewish history and in our calendar has been momentous. We experienced Israel’s 70th anniversary, celebrated in several excellent events in our community, the 51st anniversary of the reunification of Jerusalem, and the relocation of the US Embassy in Israel from Tel Aviv to Jerusalem. In the midst of all this euphoria, what might have escaped your attention is Israel’s winning the prestigious Eurovision song contest on May 12th 2018 in Lisbon, Portugal. That night in our Jewish calendar - the 28th of Iyar, commemorates the reunification of Jerusalem during the Six Day War of 1967. This is the fourth time Israel has won Eurovision, one of the world’s most famous international song contests. The winning song “Toy”, a pop anthem about female independence, was performed by 25 year old Netta Barzilai, accompanied by her signature “chicken dance.” Netta had placed third by the official judges, but won thanks to tele-voters from around the world catapulting her to victory. Hours before the victory, Israeli superstar film actress Gal Gadot had urged her twenty million Instagram followers to vote for Israel’s entry. Including words like “I’m not your toy you stupid boy...,” it was influenced by the #MeToo movement. The Eurovision contest has often been embroiled in political and religious controversies, although politically tinged songs are unofficially disallowed.
    [Show full text]
  • Changing Kenya's Literary Landscape
    CHANGING KENYA’S LITERARY LANDSCAPE CHANGING KENYA’S LITERARY LANDSCAPE Part 2: Past, Present & Future A research paper by Alex Nderitu (www.AlexanderNderitu.com) 09/07/2014 Nairobi, Kenya 1 CHANGING KENYA’S LITERARY LANDSCAPE Contents: 1. Introduction ................................................................................................................... 4 2. Writers in Politics ........................................................................................................ 6 3. A Brief Look at Swahili Literature ....................................................................... 70 - A Taste of Culture - Origins of Kiswahili Lit - Modern Times - The Case for Kiswahili as Africa’s Lingua Franca - Africa the Beautiful 4. JEREMIAH’S WATERS: Why Are So Many Writers Drunkards? ................ 89 5. On Writing ................................................................................................................... 97 - The Greats - The Plot Thickens - Crime & Punishment - Kenyan Scribes 6. Scribbling Rivalry: Writing Families ............................................................... 122 7. Crazy Like a Fox: Humour Writing ................................................................... 128 8. HIGHER LEARNING: Do Universities Kill by Degrees? .............................. 154 - The River Between - Killing Creativity/Entreprenuership - The Importance of Education - Knife to a Gunfight - The Storytelling Gift - The Colour Purple - The Importance of Editors - The Kids are Alright - Kidneys for the King
    [Show full text]
  • The Rita Williams Popular Song Collection a Handlist
    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
    [Show full text]
  • Download CD Booklet
    John Rutter writes . impressed by the ease with which we came together musically, and by coincidence I was shortly afterwards asked by a US-based record company to make an album of my church music with hen I formed the Cambridge Singers in the early 1980s as a professional mixed the Gloria as the centrepiece, so the group was assembled once again to make the recording. chamber choir with recording rather than public performance as its principal focus, The Gloria album, released in 1984, marked the recording début of the Cambridge Singers. Wthe idea was a new one, and I never dreamed that we would still be recording – albeit Its unexpected success encouraged us to continue, and the Fauré Requiem, in its hitherto with changing though still Cambridge-leaning membership – thirty years later. little-known chamber version which I had edited from the composer’s manuscript, soon The seeds of the idea were sown during my days in the late 1970s as Director of Music at followed; it won a Gramophone magazine award. Through no one’s fault, there were constraints Clare College, Cambridge. It was an exciting period of change in the choral life of Cambridge and obstacles with both the labels to which these two recordings were contracted, and it seemed University: in 1972 three of our 25 or so men’s colleges, including Clare, began to admit women like the right moment to start a new record label as a permanent home for me and the students for the first time in the university’s 750-year history.
    [Show full text]