Repo Man Von Alex Cox
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Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Wavelength Midlo Center for New Orleans Studies
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1986 Wavelength (February 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1986) 64 https://scholarworks.uno.edu/wavelength/56 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UNIVERSI COS50 12/31199 BULK RATE EARL KLON6 LIBRARY tnL U. S. POSTAGE UNIV OF N.O. PAID ACQUISITIONS DEPT I N.O., LA 70148 ·VV39 Lt} COL. VIITDANS AT DAVID MON. -THUR. 1o-1 0 FRI. & SAT. 10-11 SUN. NOON-9 885-4200 Movies, Music & More! METAIRIE NEWORLEANS ¢1NEW LOCATIONJ VETmiANS ..,.~ sT. AT ocTAVIA formerly Leisure Landing 1 BL EAST OF CAUSEMY MON.-SAT. 1o-10 • MON.-SAT. 1o-10 SUN. NOON-8 SUN. NOON-9 88t-4028 834-8550 f) I ISSUE NO. 64 • FEBRUARY 1986 w/m not sure. but I'm almost positive. thai all music came from New Orleans.·· Ernie K-Doe. 1979 Features Flambeaux! ...................... 18 Slidell Blues . ......... ............ 20 James Booker . .................... 23 Departments February News . 4 Caribbean . 6 New Bands ....................... 8 U.S. Indies . ...................... 10 Rock ............................ 12 16-track Master Recorder: Movies .......................... 15 Reviews ........ ................ 17 Fostex B-16 February Listings ................. 25 Classifieds ....................... 29 Last Page . ....................... 30 COVER ART BY SKIP BOLEN Two #l hits in October. Member of NetWOfk Next? Puhlhhu. 'aun1an S S.ullt f..ditc•r . -
Poets on Punk Libertines in Libertines in the Ante-Room of Love: Poets on Punk ©2019 Jet-Tone Press the Ante-Room All Rights Reserved
Libertines in the Ante-Room of Love: Poets on Punk Libertines in Libertines in the Ante-Room of Love: Poets on Punk ©2019 Jet-Tone Press the Ante-Room All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means, electronic, of Love: mechanical, photocopying, recording, or otherwise, without prior permission of the publisher. Poets on Punk Published by Jet-Tone Press 3839 Piedmont Ave, Oakland, CA 94611 www.Jet-Tone.press Cover design by Joel Gregory Design by Grant Kerber Edited by ISBN: 978-1-7330542-0-1 Jamie Townsend and Grant Kerber Special thanks to Sara Larsen for the title Libertines in the Ante-Room of Love (taken from Sara’s book The Riot Grrrl Thing, Roof Books, 2019), Joel Gregory for the cover, Michael Cross for the extra set of eyes, and Wolfman Books for the love and support. Jet - Tone ©2019 Jet-Tone Press, all rights reserved. Bruce Conner at Mabuhay Gardens 63 Table of Contents: Jim Fisher The Dollar Stop Making Sense: After David Byrne 68 Curtis Emery Introduction 4 Jamie Townsend & Grant Kerber Iggy 70 Grant Kerber Punk Map Scream 6 Sara Larsen Landscape: Los Plugz and Life in the Park with Debris 79 Roberto Tejada Part Time Punks: The Television Personalities 8 Rodney Koeneke On The Tendency of Humans to Form Groups 88 Kate Robinson For Kathleen Hanna 21 Hannah Kezema Oh Bondage Up Yours! 92 Jamie Townsend Hues and Flares 24 Joel Gregory If Punk is a Verb: A Conversation 99 Ariel Resnikoff & Danny Shimoda The End of the Avenida 28 Shane Anderson Just Drifting -
Introduction
Notes Introduction 1. Likewise, borders and self-marginalization have long informed the imagined shape of American subjectivity and the art that tries to represent it. Giles Gunn and Leslie Fielder offer two well-known approaches to the topic. Gunn’s goal is to elucidate the ethical dimensions of otherness and how it can “make us a little more human” by pushing the self “to transcend its own perimeters” (207). Since the contact in the texts I examine occurs in the name of self-interested individuality, I find his overarching claim of expanded humanity tenuous. Fiedler’s thesis is that the major American texts used to uphold the individual- ism discourse are meditations on “the mutual love of a white man and a colored ” (with all its implications of latent homosexuality) (“Raft” 146). The racial Other holds out a masculine freedom for the white character, while the autho- rial impetus is one of guilt—the desire to be loved by those the nation has offended. By labeling the characters’ motivations as self-interest, not remorse, I see the authors exploring the possibilities and fallacies of self-marginalization, so the “mood” of appropriation is quite different from Fiedler’s warmer aura. 2. The clearest absences in my choice of Othered categories are sexuality and gender. I do not examine males who choose homosexuality or femininity for a transgressive persona. Feminism (along with the civil rights movement) helped lay the groundwork for critiquing the center’s invisibility, but the misogyny tying women to the domestic sphere makes the feminine a rare choice for self- marginalization. -
M a R Y T Yler W H O R
I s s u e 1 J u l y 2 0 0 2 FREE! THE __ M a r y T y ler W h o r e s PLUS BAD RELIGION, RECORD REVIEWS, STUPID RANTS AND MORE! Why this is the most use the word mainstream, im portant thing you own: since punk is supposed to be an "underground" subculture, 1) I t 's fre e . but in essence, bands on Fat, 2) I wrote it. Epitaph, Lookout, Hopeless, 3) It'll be a collectible in BYO, Alternative Tentacles, 50 years. etc. are easily accessible and 4) Alright, it's really not people know who they are. So that great. as far as punk is concerned, they're in the mainstream. Anyway, here's something for Now, there are just not you wastoids to read when you enough bands playing and not have lost all hope for anything enough people coming out to exciting to ever happen in see those who do. It starts your life. It's also good to with you. That’s right. Get read while you're taking a off your lazy ass and start a shit, and it comes extra band - right now! And I don't handy when you've run out of mean any of that Blink or TP. Here's the deal. The New Found Glory pop/emo crippling south Florida Punk trash. What we need are Rock scene is in dire need of aggressive, powerful bands support. It needs a little that have something to say. boost. There are plenty of Tavern is cool enough to allow punks down here, but the you mongrels a chance to play scene is fucking deader than and hang out every Sunday dead. -
May 2021 New Releases
May 2021 New Releases SEE PAGE 58 what’s featured exclusives inside PAGE 3 RUSH Releases Vinyl Available Immediately 73 Music [MUSIC] Vinyl 3 CD 16 FEATURED RELEASES Video THE RESIDENTS - ARISTOCRATS - ORIGINAL LONDON 46 GINGERBREAD MAN FREEZE! LIVE IN CAST RECORDING - Film EUROPE 2020 MEL BROOKS’ YOUNG FRANKENSTEIN Films & Docs 48 MVD Distribution Independent Releases 72 Order Form 77 Deletions & Price Changes 80 800.888.0486 12 MONKEYS STEELBOOK KINKY BOOTS THE FINAL COUNTDOWN 203 Windsor Rd., Pottstown, PA 19464 (3-DISC LIMITED EDITION/ www.MVDb2b.com 4K UHD+BLU-RAY+CD) SLY & ROBBIE - REGGAE: 999 - RED HILLS ROAD LIVE IN JAMAICA BEST OF LIVE KINKO DE MAYO! We kick off May with KINKY BOOTS on! KINKY BOOTS, the Tony Award winner for Best Musical opens in your home this month, with a DVD and Blu-ray release of the stage play! Written by Harvey Fierstein with music by Cyndi Lauper, the play finds an unlikely pair teaming up to create a line of sturdy stilettos that will put spring in your step! More musicals to our ears this month come in the twisted form of Mel Brooks’ Original London Cast Recording CD of YOUNG FRANKENSTEIN. Its Alive again as Dr. Fronkenstein, Inga, Frau Blucher and Eyegor sing and hump their way through the scariest comedy of all time! Hump? What hump? The legendary Christopher Lee may have never played a hunchback, but he has all other creepy bases covered in the nine- disc collection THE EUROCRYPT OF CHRISTOPHER LEE COLLECTION Blu-ray! Features five classic Lee European films, a TV anthology, rare interviews, a book and soundtrack CD. -
Razorcake Issue #31 As A
was on my back at the bottom of an abandoned swimming pool after Some of them die. Then ants eat them. My leg felt a tingle; I pulled it out an hour of skating, hoping the pain would subside. I heard a wet from under the desk, and saw that there were about one hundred ants on snap and didn’t want to look. I hadn’t been getting rad. I was just and inside the cast. I got a flashlight to see where they were concentrat- I returning to the shallow end, something I’ve done thousands of ed and smacked my forehead on the edge of my desk when I leaned times. When I looked, my foot was pointing in the wrong direction and down. For the first time in a long while, I felt crushed. I felt like quitting. was slowly trying to correct itself. My back foot had slipped off my skate- All of this: the zine, the books, the non-profit. Kaput. Done. Get a job, board and I’d run over my ankle. This was mid September. We’d literally work for someone else. I’d given it my shot and it felt like I’d been beat- dropped off the last Razorcakes for our bi-monthly big mailout hours en by hammers. before. As a treat to myself for working so hard, I’d planned a week-long My friends and family wouldn’t let me go. Chris Devlin drove me “vacation at home,” where I didn’t have anything solid planned except to physical therapy and to get my pain medication, while learning new skating new places, reading, listening to music, and hanging out. -
Catalog-14.Pdf
Mare Booksellers Catalog 14 [email protected] (603)742-1229 marebooksellers.com . Intro filler here (you probably wouldn’t able to tell from this catalog) And, we don’t usually sell show fliers, especially those from the 1980s* *we’ve got nothing against the 1980s, really [email protected] (603)742-1229 marebooksellers.com [1] New York Dolls Morrissey, Steven. Babylon Books. London: no date (1981). Illustrated wraps. 48 pp., including covers. Black and white photos throughout. GOOD condition. Small area of scuffing to the upper front cover, with a tiny hole worn through. Minor toning, staining, foxing and soiling. Small dampstain on the center fore edge. $350.00 [email protected] (603)742-1229 marebooksellers.com [2] 48 Thrills No. 6. Thrills, Adrian et al (authors). Adrian Thrills, Publisher. Essex, UK: no date, 1977. 11 ¾ by 8 ¼ inches. Single stapled format. 8 leaves, printed on single sides only. Poorly reproduced black and white photos throughout. A fanzine created to offer an alternative to mainstream music magazines, relying on spontaneity, often reflected in production quality. Adrian Thrills would later become a professional music journalist (see Triggs, p. 59 for previous information). With very short pieces on The Boys, The Rezillos, The Wailers and a lengthy interview with former Sex Pistols producer Dave Goodman. Last page a pin up photo of the Buzzcocks. Extra page of a Boys album review included, not original to the piece, and most likely a copy of a copy. Damn! GOOD condition. Minor toning along the extremities. Diagonal center crease present. Light rusting to the staple. -
When Did You Start Playing Music? When I Was 11 Years Old I Started Playing Harmonica
When did you start playing music? When I was 11 years old I started playing Harmonica. My parents split up when I was 12. I lived part time downtown with my mom and in the suburbs with my Dad. When I was living with my Mom i worked at a candy factory called Bissinger’s and I saved up money for my first guitar. Then I got myself a harmonica holder, and a top hat, and Bob Dylan’s Nashville Skyline Rag. I drew a very life like picture of myself as Bob Dylan on the cover of Nashville Skyline tipping my top hat with my harmonica holder and my new guitar and learned every song on that album by ear and then I was transformed. And so it begins. What other influences did you have early on? I had an amazing amount of influences in my family because I had two older sisters…. Old enough to be slightly more hip to better music? Yeah, really fucking hip. My dad was a total conservative square listening to like Englebert Humperdinck and Herb Alpert, Frank Sinatra, Dean Martin. My sister Melanie was a hippy, so she had a lot of the San Francisco stuff like the Grateful Dead, Country Joe And The Fish, Jefferson Airplane Etc Etc. but because of us living in St. Louis she was heavily into R&B, Like The O’Jays, The Four Tops, The Supremes, Marvin Gaye. Little Stevie Wonder.So all that stuff was flowing around there and my brother being like 14 was into the popular music of that time. -
Translocal Hardcore Punk in Los Angeles and Ljubljana
Georgia State University ScholarWorks @ Georgia State University History Theses Department of History Spring 5-13-2011 "Through the Roof and Underground": Translocal Hardcore Punk in Los Angeles and Ljubljana Mindy L. Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Recommended Citation Clegg, Mindy L., ""Through the Roof and Underground": Translocal Hardcore Punk in Los Angeles and Ljubljana." Thesis, Georgia State University, 2011. https://scholarworks.gsu.edu/history_theses/44 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. "THROUGH THE ROOF AND UNDERGROUND": TRANSLOCAL HARDCORE PUNK IN LOS ANGELES AND LJUBLJANA by MINDY L. CLEGG Under the direction of Michelle Brattain ABSTRACT Punk moved from a marginal subculture to an underground counter-culture -- hardcore punk -- which shared musical culture and sense of a communal identity. Local punk scenes grew, in part due to attention from mass media. New kids in the scene brought new tensions and attracted the attention of authorities. Two police incidents signaled a shift in the punks© view of themselves. I examine two punk scenes from 1975 to 1985 in Los Angeles, USA and Ljubljana, Yugoslavia by looking at newspapers, television programs, fanzines, music, and clothing. I show that a loosely connected group of individuals, self-identified as punk, became increasingly similar as the parent cultures put increasing pressure on punks. Index Words: History, 20th century, Punk, Rock, Los Angeles, Ljubljana, Yugoslavia, Slovenia, Cold War, Popular culture, Counter-culture "THROUGH THE ROOF AND UNDERGROUND": TRANSLOCAL HARDCORE PUNK IN LOS ANGELES AND LJUBLJANA by MINDY L. -
POSPÍŠIL FILM JOURNAL 2 (2013) Otto, Eliot and Aliens
POSPÍŠIL FILM JOURNAL 2 (2013) Otto, Eliot and Aliens: Interpreting Youth in Spielberg’s E.T. the Extra-Terrestrial and Alex Cox’s Repo Man* Tomáš POSPÍŠIL Masaryk University Brno, Czech Republic American cinema of the 1980s has an overall reputation of being politically retrograde, projecting a sense of newly found national pride, infused with heavy doses of rediscovered masculine power. This reputation rests most notably on the iconic figure of Sylvester Stalone, whose characters of Rambo or Rocky personified the prevailing conservative attitudes of the decade: muscular men capable of extraordinary deeds, superbly violent in the service of the “right” cause. Likewise, feature films set at home reminded viewers that the true values were to be found within the sphere of the traditional nuclear family. The erotic thriller Fatal Attraction (Adrian Lyne, 1987), for instance, graphically visualized the dangers lurking behind seemingly innocent affairs with self-confident and independent career women. In the realm of the science fiction genre Robert Zemeckis offered cinemagoers Back to the Future (1985). Capitalizing on the reliable power of nostalgia, this family fantasy was another popular feature that the decade’s ‘conservative’ film production came to be remembered by. However, the body of films made in America in the eighties (or at any decade in any society) was never as monolithic as it might seem from a distance that allows one to notice only the most spectacular blockbusters. Not only was the mainstream production more varied, the eighties also saw a striking proliferation of independent films that would focus on characters who were brainier, more complex, and much more marginal, whose worlds would be created by means of a much more idiosyncratic film language. -
Composer, Conductor & Cast Index
COMPOSER/CONDUCTOR/CAST INDEX AABERG, DENNY ACKERMAN, LONI It's a Bird, It's a Plane, It's Great Motion Picture Themes Innermost Limits of Pure Fun George M! Superman Guns at Batasi AABERG, PHILIP So Long 174th Street Night They Raided Minsky's Hamlet Shape of the Land Starting Here, Starting Now Shoestring Revue '57 Honey Pot AANAMI CHOIR ACKERMAN, WILLIAM ADAMS, MASON Joseph Andrews Seven Percent Solution Prison Shape of the Land Thousand Miles of Mountains ACKERMAN, ZOE Today We Bought a Home Sleuth AARON, HANK Smashing Time No No Nanette ADAMS, NEILE Hank Aaron Swashbuckler AARONSON, IRVING ACKLAND, JOSS This Could Be the Night ADAMS, RICHIE (RITCHIE) Tom Jones Pennies from Heaven Apple Torn Curtain Banana Splits ABADES, MARTINEZ Evita ADDY, WESLEY Little Night Music Tomorrow La Violetera Evening with William Little Prince ADAMS, SKIP ABADY, TEMPLE Shakespeare Night of the Comet George K. Arthur's Prize Package ACTMAN, IRVING ADE, KING SUNNY Guys and Dolls ADAMS, TRUDE ABATO, VINCENT Africans She Loves Me Music of Kay Swift ADAIR, JOHN ADELSON, LEONARD Cradle Will Rock ADAMS, WALTER ABBAN, EKOW Zenda Tarzan's Greatest Jungle Absolute Beginners ADAIR, TOM ADIARTE, PATRICK California Adventure! ABBEY ROAD SINGERS ADAMS, WILL Flower Drum Song American Dreamer ADAIR, YVONNE ADIR, MICHA Gentlemen Prefer Blondes Little Black Sambo ABBOTT, BUD ADAMSON, BARRY From Israel with Love In the Navy ADAM, NOELLE ADLAM, BETH No Strings Lost Highway ABBOTT, DIANNE ADAMSON, HAROLD Wildcat New York, New York ADAMS, BRYAN ADLER, BRUCE Night In Heaven Affair to Remember ABEL, WILL B. Around the World In 80 Days Golden Land Coco ADAMS, CATLIN ADLER, F.