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Looking for Podcast Suggestions? We’Ve Got You Covered
Looking for podcast suggestions? We’ve got you covered. We asked Loomis faculty members to share their podcast playlists with us, and they offered a variety of suggestions as wide-ranging as their areas of personal interest and professional expertise. Here’s a collection of 85 of these free, downloadable audio shows for you to try, listed alphabetically with their “recommenders” listed below each entry: 30 for 30 You may be familiar with ESPN’s 30 for 30 series of award-winning sports documentaries on television. The podcasts of the same name are audio documentaries on similarly compelling subjects. Recent podcasts have looked at the man behind the Bikram Yoga fitness craze, racial activism by professional athletes, the origins of the hugely profitable Ultimate Fighting Championship, and the lasting legacy of the John Madden Football video game. Recommended by Elliott: “I love how it involves the culture of sports. You get an inner look on a sports story or event that you never really knew about. Brings real life and sports together in a fantastic way.” 99% Invisible From the podcast website: “Ever wonder how inflatable men came to be regular fixtures at used car lots? Curious about the origin of the fortune cookie? Want to know why Sigmund Freud opted for a couch over an armchair? 99% Invisible is about all the thought that goes into the things we don’t think about — the unnoticed architecture and design that shape our world.” Recommended by Scott ABCA Calls from the Clubhouse Interviews with coaches in the American Baseball Coaches Association Recommended by Donnie, who is head coach of varsity baseball and says the podcast covers “all aspects of baseball, culture, techniques, practices, strategy, etc. -
Our Love Affair with Movies
OUR LOVE AFFAIR WITH MOVIES A movie producer and Class of ’68 alumnus recalls the cinematic passions of his senior year—and offers some advice on rekindling the romance for today’s audiences. By Robert Cort crush on movies began on a Around the World was a grand spectacle Louis Jourdan as Gaston realizing how damp November night in 1956. that ultimately claimed the Academy much he loved Gigi and pursuing her Dressed in my first suit—itchy Award for Best Picture. Beyond its exotic through Paris singing, “Gigi, what mir- MY and gray—I sat in the backseat locales, it was my first experience of char- acle has made you the way you are?” of our Oldsmobile as my parents crossed acters attempting the impossible. When Before that scene, what I’d observed the Brooklyn Bridge into Manhattan. At David Niven as Phineas Fogg realized about men and women in love was my Mama Leone’s I tasted Parmesan cheese that crossing the International Date Line parents’ marriage, and that didn’t seem for the first time. Then we walked a few had returned him to London on Day 80, something to pine for. blocks to the only theater in the world the communal exuberance was thrilling. Three Best Pictures, three years in a playing the widescreen epic comedy- A year later my brother took me to an- row: the thrill of daring men in the wide, adventure, Around the World in 80 Days. other palace, the Capitol Theater, for The wide, Todd-AO world; the horrors that I was already a regular at Saturday Bridge on the River Kwai. -
Lovers and Friends; Or Modern Attachments
Author: Anne Julia Kemble Hatton Title: Lovers and Friends; or, Modern Attachments Place of publication: London Publisher: Printed at the Minerva Press for A. K. Newman and Co. Date of publication: 1821 Edition: 1st ed. Number of volumes: 5 LOVERS AND FRIENDS. A NOVEL. Printed by J. Darling, Leadenhall-street London. LOVERS AND FRIENDS; OR, MODERN ATTACHMENTS. A NOVEL. IN FIVE VOLUMES. BY ANNE OF SWANSEA, AUTHOR OF CONVICTION, GONZALO DE BALDIVIA, CHRONICLES OF AN ILLUSTRIOUS HOUSE, SECRET AVENGERS, SECRETS IN EVERY MANSION, CAMBRIAN PICTURES, CESARIO ROSALBA, &c.&c. “I hold a mirror up for men to see How bad they are, how good they ought to be.” VOL. 1. LONDON: Printed at the Minerva Press for A.K. NEWMAN AND CO. LEADENHALLSTREET. 1821. INSCRIPTION. WITH SINCERE ADMIRATION OF HIS MUSICAL GENIUS, AND THE MOST PERFECT RESPECT FOR HIS HONOURABLE CHARACTER, THESE VOLUMES ARE INSCRIBED TO JOHN EMDIN, ESQ. BY HIS OBLIGED FRIEND AND DEVOTED SERVANT, ANN OF SWANSEA. College-street, Swansea, July 10, 1820. PREFACE. KING Solomon, the very wisest of all wise sages, past, present, and to come, declared, in his day, there was nothing new under the sun: how then can the weak brain of a modern author (ye sons and daughters of fire-eyed Genius, be not, I beseech you, offended; I only mean weak, when compared with the brain of king Solomon) pretend to lead the fastidious critic through paths untrodden before, or present to his lynx-like sight sentiments and incidents unheard of either in prose or verse? The difficulty of twisting, twining, and winding together, three or four volumes, of sufficient interest to attract public attention, is labour that requires an ingenuity few have genius enough to accomplish, and affords a weighty reason why prefaces are growing out of fashion; for an author finds his inventive faculties spun as thin as a cobweb in supplying the requisite number of pages for his story, without wasting his metaphors, sublimity, and brilliance, on a preface. -
Hill's Butch Cassidy and the Sundance
1 Butch Cassidy and the Sundance Kid Poster by Tom Beauvais Courtesy Wikipedia Reviewed by Garry Victor Hill Directed by George Roy Hill. Produced by John Foreman. Screenplay by William Goldman. Cinematography by Conrad Hall. Art Direction by Jack Martin Smith & Philip M. Jefferies. Music by Burt Bacharach. Edited by John C. Howard & Richard C. Meyer. Sound George R. Edmondson. Costume designs: Edith Head. Cinematic length: 110 minutes. Distributed by 20TH Century Fox. Companies: Campanile Productions and the Newman–Foreman Company. Cinematic release: October 1969. DVD release 2006 2 disc edition. Check for ratings. Rating 90%. 2 All images are taken from the Public Domain, The Red List, Wikimedia Commons and Wiki derivatives with permission. Written Without Prejudice Cast Paul Newman as Butch Cassidy Robert Redford as the Sundance Kid Katharine Ross as Etta Place Strother Martin as Percy Garris Henry Jones as Bike Salesman Jeff Corey as Sheriff Ray Bledsoe George Furth as Woodcock Cloris Leachman as Agnes Ted Cassidy as Harvey Logan Kenneth Mars as the town marshal Donnelly Rhodes as Macon Timothy Scott as News Carver Jody Gilbert as the Large Woman on the train Don Keefer as a Fireman Charles Dierkop as Flat Nose Curry Pancho Córdova as a Bank Manager Paul Bryar as Card Player No. 1 Sam Elliott as Card Player No. 2 Charles Akins as a Bank Teller Percy Helton as Sweetface Review In the second half of the 1960s westerns about the twilight of the Wild West suddenly became popular, as if both filmmakers and audiences wanted to keep the West within living memory. -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
Literary, Subsidiary, and Foreign Rights Agents
Literary, Subsidiary, and Foreign Rights Agents A Mini-Guide by John Kremer Copyright © 2011 by John Kremer All rights reserved. Open Horizons P. O. Box 2887 Taos NM 87571 575-751-3398 Fax: 575-751-3100 Email: [email protected] Web: http://www.bookmarket.com Introduction Below are the names and contact information for more than 1,450+ literary agents who sell rights for books. For additional lists, see the end of this report. The agents highlighted with a bigger indent are known to work with self-publishers or publishers in helping them to sell subsidiary, film, foreign, and reprint rights for books. All 325+ foreign literary agents (highlighted in bold green) listed here are known to work with one or more independent publishers or authors in selling foreign rights. Some of the major literary agencies are highlighted in bold red. To locate the 260 agents that deal with first-time novelists, look for the agents highlighted with bigger type. You can also locate them by searching for: “first novel” by using the search function in your web browser or word processing program. Unknown author Jennifer Weiner was turned down by 23 agents before finding one who thought a novel about a plus-size heroine would sell. Her book, Good in Bed, became a bestseller. The lesson? Don't take 23 agents word for it. Find the 24th that believes in you and your book. When querying agents, be selective. Don't send to everyone. Send to those that really look like they might be interested in what you have to offer. -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
Music in GUNSMOKE Half-Hour Series PART II
Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score. -
January 2021
TV & RADIO LISTINGS GUIDE JANUARY 2021 PRIMETIME For more information go to witf.org/tv Last month we presented an encore of Sanditon. There is not a new season to • share with you this month, which reminds me of a call I • took from a viewer recently. The viewer was disappointed by the news that recent series on Masterpiece would not be returning for a second season, with Beecham House being another example of this scenario. PBS and Masterpiece sign on to series in development early on. This mostly out of necessity because of the highly competi- tive market to acquire quality dramas and mysteries. In most cases, these series premiere across the pond ahead of the planned broadcast here. This month on Masterpiece we welcome a remake. All Creatures Great and Small begins January 10. The series is based on the books of James Alfred Wight, published under the pen name James Herriot. This is not the first JAN. 10 • 9pm adaptation that has broadcast on WITF. All Creatures Great and Small was adapted for television in the 1970s series on January 25 at 9:00pm with a at 1:00pm beginning January 10. You will and quickly became a favorite. The adven- repeat on January 30 at 5:00pm. also be able to find this program available tures as a veterinarian in 1930’s Yorkshire Finding Your Roots with Henry on-demand through the PBS Video app pbs.org/thechoice #TheChoicePBS just wrapped up its run in the United Louis Gates Jr. continues with a collec- for WITF Passport subscribers. -
Johnson Production Group Press Kit
Johnson Production Group Press Kit One-Liner When a struggling housewife poses as a potential buyer to help her boss close real estate transactions, she discovers her boss will do anything to close a deal - even murder. Synopsis Shelby Adams and her husband, Grant, struggled to get by. They had a hard time paying the rent on their house and keeping up with the bills in today’s economy. Something had to be done and Shelby was the one that took the initiative. Getting her real estate license, Shelby wanted to make money while Grant’s indecisions and insecurities caused friction between them. He had a low paying job and was resigned that it would be his lot in life. They were feeling the strain on their relationship. However, everything changed when Paulette entered their lives. Paulette was a successful realtor that claimed she saw something in Shelby that she admired. She offered Shelby a job to assist Paulette with her real estate ventures. It would be the opportunity Shelby had been waiting for. Yet Paulette’s business practices seemed unconventional. She had Shelby pretend to be potential buyer to pressure sales. She also had Shelby pretend to be expert on mold in order to claim there were no problems with a property. Shelby was wary but Paulette always had an answer. There was always an excuse. Paulette was good at manipulating people - including Shelby. After all, Paulette had a dream project she wanted to do and wanted Shelby to be part of it. Paulette had a financial backer and all she needed was time to put the deal together. -
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg Shiny little platters. Not even five inches across. How could they possibly contain the soundtrack of four decades? How could the phone calls, the encounters, the danger, the desperation, the exhilaration and big, big laughs from two score years be compressed onto a handful of CDs? If you’ve lived with NPR, as so many of us have for so many years, you’ll be astonished at how many of these reports and conversations and reveries you remember—or how many come back to you (like familiar songs) after hearing just a few seconds of sound. And you’ll be amazed by how much you’ve missed—loyal as you are, you were too busy that day, or too distracted, or out of town, or giving birth (guess that falls under the “too distracted” category). Many of you have integrated NPR into your daily lives; you feel personally connected with it. NPR has gotten you through some fairly dramatic moments. Not just important historical events, but personal moments as well. I’ve been told that a woman’s terror during a CAT scan was tamed by the voice of Ira Flatow on Science Friday being piped into the dreaded scanner tube. So much of life is here. War, from the horrors of Vietnam to the brutalities that evanescent medium—they came to life, then disappeared. Now, of Iraq. Politics, from the intrigue of Watergate to the drama of the Anita on these CDs, all the extraordinary people and places and sounds Hill-Clarence Thomas controversy. -
December 6, 2019 | Volume XVII, Issue 14
December 6, 2019 | Volume XVII, Issue 14 oped an eclectic collection of music that understanding. Joining the chorus in his promotes justice, peace, and the cele- new position as accompanist is Christo- Holiday Choral Extravaganzas bration of life,” says Gillham, who helms pher Schroeder. Sweep aside the crass consumerism, in song during the holidays. If you hav- the ensemble celebrating 35 years in The Baltimore Men’s Chorus (Bal- mindless bustle, canned Christmas “mu- en’t heard them, now’s the perfect time! 2020. “We sing music in a wide variety timoremenschorus.org), also celebrating zak,” and family tensions often rising Baltimore’s New Wave Singers of styles, languages, and traditions each 35 years, will present two winter concerts to a pitch, and there’s one authentical- (Newwavesingers.org) – which bills it- year. Through songs of hope, diversity, featuring – dig the gallantry! – music by ly good thing about self as “Maryland’s gay, les- inclusion, and humor, we celebrate all women composers and arrangers. the holidays – how it New Wave Singers bian, bisexual, transgender, of humanity in its infinite variations and The first performance of “Women’s brings together peo- and straight mixed chorus, challenge our communities to embrace Works” is Saturday, December 14th at ple in song. Even if and Baltimore Men’s welcoming members of all equality, harmony, and —continued on page 4 spontaneous neigh- genders, identities, and sex- borhood wassailing is Chorus whip up ualities” – will present its hard to come by now seasonal song winter concerts Saturday De- (who wants to get cember 7th at 7 pm at Epiph- busted for public drinking?), hundreds of any Episcopal Church (2216 Pot Spring millions around the world look to choral Road, Timonium) and Sunday, Decem- forces this time of year to embody ide- ber 8th, 4 pm, at Grace United Methodist als of camaraderie in pursuit of beauty, Church (5407 North Charles Street, Bal- concord, and maybe even a spark of the timore).