Dissociative Identity Disorder in Film Madison Verhulst with Dr
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Toxic Masculinity and the Revolutionary Anti-Hero
FIGHTING HACKING AND STALKING: TOXIC MASCULINITY AND THE REVOLUTIONARY ANTI-HERO A thesis submitted to the faculty of San Francisco State University A In partial fulfillment of 3^ the requirements for the Degree kJQ Masters of Arts *0 4S In Women and Gender Studies by Robyn Michelle Ollodort San Francisco, California May 2017 Copyright by Robyn Michelle Ollodort 2017 CERTIFICATION OF APPROVAL I certify that I have read Fighting, Hacking, and Stalking: Toxic Masculinity and the Revolutionary Anti-Hero by Robyn Michelle Ollodort, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Women and Gender Studies at San Francisco State University. Martha Kenney; Ph.D. Assistant Professor, Women and Gender Studies Professor, History FIGHTING, HACKING, AND STALKING: TOXIC MASCULINITY AND THE REVOLUTIONARY ANTI-HERO Robyn Michelle Ollodort San Francisco, California 2017 Through my analyses of the films Taxi Driver (1976) and Fight Club (1999), and the television series Mr. Robot (2105), I will unpack the ways each text represents masculinity and mental illness through the trope of revolutionary psychosis, the ways these representations reflect contemporaneous political and social anxieties, and how critical analyses of each text can account for the ways that this trope fails to accurately represent the lived experiences of men and those with mental illnesses. In recognizing the harmful nature of each of these representations’ depictions of both masculinity and mental illness, we can understand why such bad tropes circulate, and how to recognize and refuse them, or make them better. -
Reading for Fictional Worlds in Literature and Film
Reading for Fictional Worlds in Literature and Film Danielle Simard Doctor of Philosophy University of York English and Related Literature March, 2020 2 Abstract The aim of this thesis is to establish a critical methodology which reads for fictional worlds in literature and film. Close readings of literary and cinematic texts are presented in support of the proposition that the fictional world is, and arguably should be, central to the critical process. These readings demonstrate how fictional world-centric readings challenge the conclusions generated by approaches which prioritise the author, the reader and the viewer. I establish a definition of independent fictional worlds, and show how characters rather than narrative are the means by which readers access the fictional world in order to analyse it. This interdisciplinary project engages predominantly with theoretical and critical work on literature and film to consider four distinct groups of contemporary novels and films. These texts demand readings that pose potential problems for my approach, and therefore test the scope and viability of my thesis. I evaluate character and narrative through Fight Club (novel, Chuck Palahniuk [1996] film, David Fincher [1999]); genre, context, and intertextuality in Solaris (novel, Stanisław Lem [1961] film, Andrei Tarkovsky [1974] film, Steven Soderbergh [2002]); mythic thinking and character’s authority with American Gods (novel, Neil Gaiman [2001]) and Anansi Boys (novel, Neil Gaiman [2005]); and temporality and nationality in Cronos (film, Guillermo -
David Fincher's Harsh Mercy: Guns in Hollywood Compositions
Digital Collections @ Dordt Faculty Work Comprehensive List 5-2015 David Fincher's Harsh Mercy: Guns in Hollywood Compositions Joshua Matthews Dordt College, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/faculty_work Part of the Christianity Commons, and the Film and Media Studies Commons Recommended Citation Matthews, J. (2015). David Fincher's Harsh Mercy: Guns in Hollywood Compositions. Retrieved from https://digitalcollections.dordt.edu/faculty_work/264 This Conference Proceeding is brought to you for free and open access by Digital Collections @ Dordt. It has been accepted for inclusion in Faculty Work Comprehensive List by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. David Fincher's Harsh Mercy: Guns in Hollywood Compositions Keywords David Fincher, movies, gun violence, existentialism Disciplines Christianity | Film and Media Studies Comments Paper presented at the May 2015 Christianity and Literature West Conference in Seattle, WA. This conference proceeding is available at Digital Collections @ Dordt: https://digitalcollections.dordt.edu/ faculty_work/264 READ SLOW “David Fincher’s Harsh Mercy: Guns in Hollywood Compositions” Disclaimer about violent images. (SLIDE 1) Many of us have read and taught Flannery O’Connor’s “A Good Man is Hard to Find,” which ends with a punchy final line. The murderous Misfit, who has just shot and killed the grandmother, says of her that: “She would of been a good woman if it had been somebody there to shoot her every minute of her life.” This line conflates morality, the threat of death, and behavior, implicating the Grandmother’s hypocrisy and renewed religiosity at the end of the story. -
Book Review of Fight Club Written by Chuck Palahniuk
Book Review of Fight Club Written By Chuck Palahniuk Adityo Widhi Nugroho – 13020112130050 Fakultas Ilmu Budaya Diponegoro University 1. INTRODUCTION The writer intends to review Fight Club written by Chuck Palahniuk. The novel is one of the examples of literary nonfiction. Published in 1996 by W.W Norton, this novel became top selling novel according to Baltimore Sun. Fight Club, written by Chuck Palahniuk has been adapted into a movie, a prequel novel and a comic book sequel. According to The Baltimore Sun this novel is very controversial because of the anarchism and anti-consumerism behaviour done by the characters of the novel. The Baltimore Sun also writes “bravo to Norton for having the courage to publish it” (Hoffert 4). Furthermore violence also appeared in this novel as there are a lot of fight and other form of physical violence. The main purpose of this writing is to review Fight Club by Chuck Palahniuk. The writer will discuss the strengths and weaknesses of this novel . The writer decided to choose Fight Club as final project because it is his favorite novel. Fight Club is a very interesting novel although it is hard to understand and disturbing because by showing the consumerism behaviour in this novel, Chuck Palahniuk tries to convey the message that the consumerism behaviour of society nowadays has become worse than ever. 2. SUMMARY OF FIGHT CLUB The center story of Fight Club revolves around the life of an anonymous narrator, a typical American hard working man. Because of the stress caused by his job and tiresome business trips, he suffers insomnia. -
The Mind-Game Film Thomas Elsaesser
9781405168625_4_001.qxd 8/10/08 11:58 AM Page 13 1 The Mind-Game Film Thomas Elsaesser Playing Games In December 2006, Lars von Trier’s The Boss of It All was released. The film is a comedy about the head of an IT company hiring a failed actor to play the “boss of it all,” in order to cover up a sell-out. Von Trier announced that there were a number of (“five to seven”) out-of-place objects scattered throughout, called Lookeys: “For the casual observer, [they are] just a glitch or a mistake. For the initiated, [they are] a riddle to be solved. All Lookeys can be decoded by a system that is unique. [. .] It’s a basic mind game, played with movies” (in Brown 2006). Von Trier went on to offer a prize to the first spectator to spot all the Lookeys and uncover the rules by which they were generated. “Mind-game, played with movies” fits quite well a group of films I found myself increasingly intrigued by, not only because of their often weird details and the fact that they are brain-teasers as well as fun to watch, but also because they seemed to cross the usual boundaries of mainstream Hollywood, independent, auteur film and international art cinema. I also realized I was not alone: while the films I have in mind generally attract minority audiences, their appeal manifests itself as a “cult” following. Spectators can get passionately involved in the worlds that the films cre- ate – they study the characters’ inner lives and back-stories and become experts in the minutiae of a scene, or adept at explaining the improbabil- ity of an event. -
The Narrator (Edward Norton), Addicted to Self-Help Groups
Fight Club (1999) Directed by David Fincher, written by Jim Uhis How can you not like a movie where half a dozen corporate skyscrapers are blown up and the explicit message the film delivers is: ―Things you own end up owning you‖? Easy, when the movie is Fight Club. Anti-consumerism may appear progressive, but what do you replace it with? Under David Fincher‘s direction, Fight Club endorses a peculiar kind of sado-masochistic hedonism for the masculine elite, and a cult-like subservience for the masses. The cure is worse than the disease. No wonder some critics have declared the movie fascist. The movie opens near its eventual climax. The Narrator (Edward Norton – he‘s not named in the movie so I‘ll call him N) is in an office overlooking a big city skyline and Tyler Durden (Brad Pitt) is shoving a gun in his mouth, apparently ready to detonate both the pistol and the home-made explosives under the towering corporate icons. The movie then backtracks and the story is told mostly through flashback. N is a modern-day seeker. That means that, in the beginning, he isn‘t sure what he‘s seeking. He‘s a 30-year old businessman who‘s playing the consumption game self- consciously and looking for meaning in the possession of goods. He reads magazines on the toilet about contemporary furniture. Compulsive consumption substitutes for sex. In his own words, he ―had it all‖, including a ―wardrobe that was getting very respectable, close to being complete.‖ Of course, this is a blind alley. -
Osher at JHU Course Catalog Baltimore/Columbia Fall 2021
Osher at JHU COURSE SCHEDULE Baltimore/Columbia Fall 2021 Dedicated to lifelong learning, the Osher at JHU program was created in 1986 with a mission of enhancing the leisure time of semi-retired and retired individuals by providing stimulating learning experiences and the opportunity for new friendships. The Osher at JHU program builds on the rich resources of an internationally renowned university to offer members an array of educational and social opportunities, including the following: • Courses and discussion groups • Access to the university library system • Field trips to cultural events • Preferred participation in university-sponsored events Fall 2021 courses will be offered online via Zoom. When in-person programs resume, they will be offered at two convenient locations. On Tuesdays and Thursdays, courses are conducted at the Grace United Methodist Church, 5407 North Charles Street, Baltimore, Maryland 21210. On Mondays and Wednesdays, courses are conducted at the First Presbyterian Church of Howard County, 9325 Presbyterian Circle, Columbia, MD 21045. For additional information on membership, please call the program’s administrative office at 607-208-8693. Osher at JHU Home Page COLUMBIA Monday MORNING SESSION From Tribes to Monarchy: The Book of Judges The Book of Judges, the seventh (out of 24) book of the Hebrew Bible, describes the transition time between the conquest of Canaan (the Book of Joshua) and the beginning of monarchy (in the early Book of I Samuel). In the interim, warriors who were called Judges emerged as the leaders when needed. In the book of Judges, one finds the first attempt to explain history through Deuteronomist glasses, and therefore this and the rest of the history books are assumed to be written by “the Deuteronomic Historians.” Some stories are very short while others are long with many details. -
The Three Rules of Fight Clubs in Winnipeg
FREE.WEEKLY. VOLUME VOLUME 74 // ISSUE 15 // JAN. 23 THE THREE RULES OF FIGHT CLUBS IN WINNIPEG HighligHting common aspEcts in WinnipEg's divERsE combat spoRt scEnEs Public arT exPlores lockouTs highlighT hosTile TargeTed ads and new MéTis hisTorY P5 labour environMenTs P11 Year's resoluTions P14 The official newspaper of The UniversiTy of winnipeg 2 The uniTer // january 23, 2020 LET'S TALK on the cover Martial artist candace daher is one of many winnipeggers using combat ABOUT FIGHT sports as part of their cultural life and fitness routine. CLUB! read more on page 7. Chuck Pahlaniuk’s 1996 novel Fight Club and the 1999 film adaptation by David Fincher offered pointed critiques of toxic masculinity, back before the term “toxic masculinity” had entered the zeitgeist. The characters used violence to exorcise their own frustrated sense of manhood and lash out at a society that they feel has “emasculated” them. That’s grim and gruesome. No wonder no one wanted to talk about fight club. Who would’ve wanted to hang out with those machismo- obsessed goons in the first place? In this week’s issue of The Uniter, our arts and culture reporter Naaman Sturrup offers a look at communities in Winnipeg offering a decidedly cooler idea of a “fight club.” By speaking to folks from the city’s various combat sports scenes, including Brazilian Jiu Jitsu, Isshin-Ryu karate and professional wrestling, Naaman showcases how Winnipeggers are using these sports to stay active and have fun in productive, non-violent ways. Unlike the reactionary vision of a “fight club” presented in Fincher’s film, we explore the ways in which these scenes are striving to become more inclusive, more diverse and more welcoming. -
Romance and Identity in Fight Club
ROMANCE AND IDENTITY IN FIGHT CLUB JACOB WIKER Bachelor of Arts in English, Writing Bachelor of Arts in English, British and American Literature Franciscan University of Steubenville May 2010 submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN ENGLISH at the CLEVELAND STATE UNIVERSITY August 2013 This thesis has been approved for the Department of ENGLISH and the College of Graduate Studies by ____________________________________________________________ Thesis Chairperson, Dr. Jennifer Jeffers ______________________________ Department & Date ____________________________________________________________ Dr. Adam Sonstegard ______________________________ Department & Date ___________________________________________________________ Dr. James Marino ______________________________ Department & Date ROMANCE AND IDENTITY IN FIGHT CLUB JACOB WIKER ABSTRACT Chuck Palahniuk’s novel Fight Club has been the subject of much critical contention over the years. Typical analyses of the novel revolve around its existential or nihilist comedy, homoerotic elements, or commentary on consumer culture. However, no critics to date have studied Fight Club’s romantic elements, despite indications by the author that the novel is, in fact, intended to be a romance. This study reimagines and interprets Fight Club, the novel, as a work with romantic elements essential to the structure of the narrative itself. Additionally, it studies the complex interplay of Palahniuk’s romantic elements with questions of gender identity and masculinity. -
Fight Club by Chuck Palahniuk ISBN 0-393-03976-5 T
Fight Club by Chuck Palahniuk ISBN 0‐393‐03976‐5 T: Hit me. E: People were always asking me, did I know Tyler Dirth? You have no idea T: I want you to hit me as hard as you can. E: This is crazy. I mean where do u want it? The face? T: Surprise me. E: Shit, sorry that didn’t count. T: Like hell. That counted. How do u feel? We crossed the threshold…do u wanna call this off? E: Call what off? T: The fight. E: What fight? T: This fight. E: You punch in, you punch out. T: You wake up at O'Hair, JFK , Logan… E: Pacific, mountain, central….T: Gananoway , Lucinoway…. B: Your life… E: And in one minute at a time. T: But if you wake up at a different time… E: And in a different place… T: Could you wake up as a different person? E: If you died right now, how would you feel about your life? T: What would you wish you had done before you died? E: Open your eyes… B: “Fight Club” T: by Jim Ewels E: It was right in every ones face, Tyler and I just made it visible. It was on the tip of everyone’s tongue, Tyler and I just gave it a name. T: Welcome to fight club. E: Every week, Tyler and I would go over the rules that he and I decided. B: The first rule of fight club is you don’t talk about fight club. The second rule of fight club is‐ T: You don’t talk about fight club. -
Mank Mit Amanda Seyfried Mank Buch: Jack Fincher Mank Regie
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2020 Filmkritik: Mank (David Fincher) Spiegel, Simon Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-199581 Journal Article Published Version Originally published at: Spiegel, Simon (2020). Filmkritik: Mank (David Fincher). Filmbulletin: Zeitschrift für Film und Kino, (8):37-38. Mank mit Amanda Seyfried Mank Buch: Jack Fincher Mank Regie: David Fincher Mank mit Gary Oldman und multiperspektivische Erzählweise verantwortlich 37 war. Der Film übernimmt dabei weitgehend die Position Mank der einflussreichen Filmkritikerin Pauline Kael, die in ihrem Essay «Raising Kane» die Ansicht vertrat, dass diese Ehre allein Mankiewicz gebühre und Welles’ Bei- Filmbulletin trag minimal gewesen sei. Kaels #$%# im «New Yorker» erschienener Artikel schlug hohe Wellen, nicht zuletzt, weil sie sich damit gegen die aus Frankreich impor- tierte Vorstellung richtete, dass der Regisseur die zen- trale kreative Instanz bei der Produktion eines Films sei. Dass Kael ausgerechnet Welles, der gerade wegen Citizen Kane den Status eines Auteur-Schutzheiligen innehatte, angriff, grenzte an ein Sakrileg. Entsprechend heftig fielen die Reaktionen aus. Wer schrieb den scheinbar besten Film der Kael kam zusätzlich unter Beschuss, weil sie sich weit- Geschichte? David Fincher macht gehend auf fremde Recherchen stützte, die sich bald sich mit dem Drehbuch seines Vaters Jack als fehlerhaft erwiesen. Heute gilt der Vorwurf, Welles auf Spurensuche. habe nichts Wesentliches zum Drehbuch beigetragen, denn auch als widerlegt. Dem Vernehmen nach hat Fincher die gegen Welles gerichteten Passagen im Script seines Vaters spürbar abgeschwächt. -
Bachelor Thesis English Language and Culture
Bachelor Thesis English Language and Culture Breaking Boundaries and Creating Chaos: The Role of Tricksterism in David Fincher’s Films Miranda Wijgers Bachelor Thesis English Language and Culture Adapting to the Novel Breaking Boundaries and Creating Chaos: The Role of Tricksterism in David Fincher’s Films Utrecht University supervisor Prof. Dr. David Pascoe submitted by Miranda Wijgers 3593185 Broerensteeg 25 4201 KJ Gorinchem Gorinchem, 31. Jan. 2014 Declaration of Authorship: Last name: Wijgers First name: Miranda I declare that the work presented here is, to the best of my knowledge and belief, original and the result of my own investigations, except as acknowledged, and has not been submitted, either in part or whole, for a degree at this or any other University. Formulations and ideas taken from other sources are cited as such. This work has not been published. Location, date: Signature: Gorinchem, 31 Jan. 2014 Contents: Part 1: Exploring the World of Tricksterism Introduction: 1 Defining the Trickster: 4 A General Explanation on Tricksters and Tricksterism The Trickster That Did Get Noticed: 12 Bassil-Morozow’s Discussion on Fincher’s: The Social Network Part 2: Hiding in Plain Sight, Tricksters in David Fincher’s Films Murderer With a Message: 14 The Trickster Messenger in Se7en Trickster Games: 21 How Tricksterism Breaks the Daily Grind in The Game Glorifying Masculinity and Chaos: 26 Trickster Tyler in Fight Club Murders Without Meaning? 31 Zodiac’s Murderer as a Trickster Figure The Ultimate Trickster: 34 David Fincher as Trickster Director Conclusion: 40 Works Consulted: 42 Part 1: Exploring the World of Tricksterism “Fincher is playing with fictional borders, not just within the narrative but in its relation to the audience.” (Browning, 138) Introduction Some characters in film, literature or other forms of storytelling are very similar to each other, and can be traced back to pre-Christian times when people worshipped a variety of gods.