Jerry's Class Struggle in Edward Albee's the Zoo
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Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports Tim Harte Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Russian Faculty Research and Scholarship Russian 2009 Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports Tim Harte Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/russian_pubs Custom Citation Harte, Tim. "Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports," Nabokov Studies 12.1 (2009): 147-166. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/russian_pubs/1 For more information, please contact [email protected]. Tim Harte Bryn Mawr College Dec. 2012 Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports “People have played for as long as they have existed,” Vladimir Nabokov remarked in 1925. “During certain eras—holidays for humanity—people have taken a particular fancy to games. As it was in ancient Greece and ancient Rome, so it is in our present-day Europe” (“Braitenshtreter – Paolino,” 749). 1 For Nabokov, foremost among these popular games were sports competitions. An ardent athlete and avid sports fan, Nabokov delighted in the competitive spirit of athletics and creatively explored their aesthetic as well as philosophical ramifications through his poetry and prose. As an essential, yet underappreciated component of the Russian-American writer’s art, sports appeared first in early verse by Nabokov before subsequently providing a recurring theme in his fiction. The literary and the athletic, although seemingly incongruous modes of human activity, frequently intersected for Nabokov, who celebrated the thrills, vigor, and beauty of sports in his present-day “holiday for humanity” with a joyous energy befitting such physical activity. -
The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated. -
Chronology of Lolita
Chronology of Lolita CHRONOLOGY OF LOLITA This chronology is based on information gathered from the text of Nabokov’s Lolita as well as from the chronological reconstructions prepared by Carl Proffer in his Keys to Lolita and Dieter Zimmer’s online chronology at <http://www.d-e-zimmer.de/LolitaUSA/LoChrono.htm> (last accessed on No- vember 13, 2008). For a discussion of the problems of chronology in the novel, see Zimmer’s site. The page numbers in parenthesis refer to passages in the text where the information on chronology can be found. 1910 Humbert Humbert born in Paris, France (9) 1911 Clare Quilty born in Ocean City, Maryland (31) 1913 Humbert’s mother dies from a lightning strike (10) 1923 Summer: Humbert and Annabel Leigh have romance (11) Autumn: Humbert attends lycée in Lyon (11) December (?): Annabel dies in Corfu (13) 1934 Charlotte Becker and Harold E. Haze honeymoon in Veracruz, Mexico; Dolores Haze conceived on this trip (57, 100) 1935 January 1: Dolores Haze born in Pisky, a town in the Midwest (65, 46) April: Humbert has brief relationship with Monique, a Parisian prostitute (23) Humbert marries Valeria Zborovski (25, 30) 1937 Dolly’s brother born (68) 1939 Dolly’s brother dies (68) Humbert receives inheritance from relative in America (27) Valeria discloses to Humbert that she is having an affair; divorce proceedings ensue (27, 32) xv Chronology of Lolita 1940 Winter: Humbert spends winter in Portugal (32) Spring: Humbert arrives in United States and takes up job devising and editing perfume ads (32) Over next two years -
Pedophilia, Poe, and Postmodernism in Lolita
Nabokov’s Dark American Dream: Pedophilia, Poe, and Postmodernism in Lolita by Heather Menzies Jones A Thesis Submitted to the Department of English of the State University of New York, College at Brockport, in partial fulfillment of the requirements for the degree of MASTER OF ARTS 1995 ii Nabokov’s Dark American Dream: Pedophilia, Poe, and Postmodernism in Lolita by Heather Menzies Jones APPROVED: ________________________________________ _________ Advisor Date ________________________________________ _________ Reader ________________________________________ __________ Reader ________________________________________ __________ Chair, Graduate Committee _______________________________________ ___________ Chair, Department of English iii Table of Contents Chapter Page Introduction 1 Pedophilia and Lolita 10 Poe and Lolita 38 Postmodernism and Lolita 58 Works Cited 83 1 INTRODUCTION The following thesis about Vladimir Nabokov's Lolita first began as a paper written as an assignment for a course about postmodern American literature. In the initial paper's title there was an allusion made to the implicated reader, and the paper itself was about giving Lolita a newer and postmodern reading. To read Lolita again, years after doing so initially, was a distinctly disturbing thing to do. The cultural climate has certainly changed since the mid-1950's when the book was first published in this country, and this alone makes the rereading of this novel an engaging opportunity. Lionel Trilling wrote that Nabokov sought to shock us and that he had to stage-manage something uniquely different in order to do so. Trilling believed that the effect of breaking the taboo "about the sexual unavailability of very young girls" had the same force as a "wife's infidelity had for Shakespeare" (5). -
A Delicate Balance
PEEK BEHIND THE SCENES OF A DELICATE BALANCE Compiled By Lotta Löfgren To Our Patrons Most of us who attend a theatrical performance know little about how a play is actually born to the stage. We only sit in our seats and admire the magic of theater. But the birthing process involves a long period of gestation. Certainly magic does happen on the stage, minute to minute, and night after night. But the magic that theatergoers experience when they see a play is made possible only because of many weeks of work and the remarkable dedication of many, many volunteers in order to transform the text into performance, to move from page to stage. In this study guide, we want to give you some idea of what goes into creating a show. You will see the actors work their magic in the performance tonight. But they could not do their job without the work of others. Inside you will find comments from the director, the assistant director, the producer, the stage manager, the set -
6 X 10.5 Long Title.P65
Cambridge University Press 0521542332 - The Cambridge Companion to Edward Albee Edited by Stephen Bottoms Table of Contents More information CONTENTS List of illustrations page ix Notes on contributors xi Acknowledgments xv Notes on the text xvi Chronology xvii 1 Introduction: The man who had three lives 1 stephen bottoms 2 Albee’s early one-act plays: “A new American playwright from whom much is to be expected” 16 philip c. kolin 3 Who’s Afraid of Virginia Woolf?: Toward the marrow 39 matthew roudane´ 4 “Withered age and stale custom”: Marriage, diminution, and sex in Tiny Alice, A Delicate Balance, and Finding the Sun 59 john m. clum 1 5 Albee’s 3 /2: The Pulitzer plays 75 thomas p. adler 6 Albee’s threnodies: Box-Mao-Box, All Over, The Lady from Dubuque, and Three Tall Women 91 brenda murphy 7 Minding the play: Thought and feeling in Albee’s “hermetic” works 108 gerry mccarthy vii © Cambridge University Press www.cambridge.org Cambridge University Press 0521542332 - The Cambridge Companion to Edward Albee Edited by Stephen Bottoms Table of Contents More information contents 8 Albee’s monster children: Adaptations and confrontations 127 stephen bottoms 9 “Better alert than numb”: Albee since the eighties 148 christopher bigsby 10 Albee stages Marriage Play: Cascading action, audience taste, and dramatic paradox 164 rakesh h. solomon 11 “Playing the cloud circuit”: Albee’s vaudeville show 178 linda ben-zvi 12 Albee’s The Goat: Rethinking tragedy for the 21st century 199 j. ellen gainor 13 “Words; words...They’re such a pleasure.” (An Afterword) 217 ruby cohn 14 Borrowed time: An interview with Edward Albee 231 stephen bottoms Notes on further reading 251 Select bibliography 253 Index 259 viii © Cambridge University Press www.cambridge.org. -
Edward Albee's at Home at The
CAST OF CHARACTERS TROY KOTSUR*............................................................................................................................PETER Paul Crewes Rachel Fine Artistic Director Managing Director RUSSELL HARVARD*, TYRONE GIORDANO..........................................................................................JERRY AND AMBER ZION*.................................................................................................................................ANN JAKE EBERLE*...............................................................................................................VOICE OF PETER JEFF ALAN-LEE*..............................................................................................................VOICE OF JERRY PAIGE LINDSEY WHITE*........................................................................................................VOICE OF ANN *Indicates a member of Actors’ Equity Association, the Union of David J. Kurs Professional Actors and Stage Managers in the United States. Artistic Director Production of ACT ONE: HOMELIFE ACT TWO: THE ZOO STORY Peter and Ann’s living room; Central Park, New York City. EDWARD ALBEE’S New York City, East Side, Seventies. Sunday. Later that same day. AT HOME AT THE ZOO ADDITIONAL PRODUCTION STAFF STARRING COSTUME AND PROPERTIES REHEARSAL STAGE Jeff Alan-Lee, Jack Eberle, Tyrone Giordano, Russell Harvard, Troy Kotsur, WARDROBE SUPERVISOR SUPERVISOR INTERPRETER COMBAT Paige Lindsey White, Amber Zion Deborah Hartwell Courtney Dusenberry Alek Lev -
Pulitzer Prizes
PULITZER PRIZES The University of Illinois The Pulitzer Prize honors those in journalism, letters, and HUGH F. HOUGH at Urbana-Champaign music for their outstanding contributions to American (1924- ) shared the 1974 Pulitzer Prize for Local General Spot News Reporting with fellow U of I alumnus Arthur M. Petacque has earned a reputation culture. The University of Illinois is well-represented for uncovering new evidence that led to the reopening of efforts of international stature. among the recipients of this prestigious award. to solve the 1966 murder case of Illinois Sen. Charles Percy’s Its distinguished faculty, daughter. Hough received a U of I Bachelor of Science in 1951. ALUMNI outstanding resources, The campus PAUL INGRASSIA breadth of academic BARRY BEARAK boasts two (1950- ) shared the 1993 Pulitzer Prize for Beat Reporting for (1949- ) received the 2002 Pulitzer Prize in International Reporting programs and research coverage of management turmoil at General Motors Corp. He Nationalfor his Historic coverage of daily life in war-ravaged Afghanistan. Bearak disciplines, and earned a Bachelor of Science degree from the University in 1972. pursued graduate studies in journalism at the U of I and earned large, diverse student Landmarks:his Master the of Science in 1974. MONROE KARMIN body constitute an Astronomical (1929- ) shared the 1967 Pulitzer Prize for National Reporting educational community MICHAEL COLGRASS for his part in exposing the connection between U.S. crime and (1932- ) won the 1978 Pulitzer Prize in Music for his piece, Deja Vu ideally suited for Observatory gambling in the Bahamas. Karmin received a U of I Bachelor of for Percussion Quartet and Orchestra, which was commissioned scholarship and Science in 1950. -
Interface Semiotics in the Dramaturgy of Tennessee Williams and Edward Albee
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SZTE Doktori Értekezések Repozitórium... Ph.D. Dissertation Theses Interface Semiotics in the Dramaturgy of Tennessee Williams and Edward Albee Réka Mónika Cristian Szeged 2001 A. Objectives and Structure The topic of the present dissertation is the dramaturgy of two modem American playwrights, Tennessee Williams and Edward Albee. The aim is to map the common features of their works in the context of semiotic textual exchange between the two oeuvres and of the biographical background of the playwrights in the context of a dramatic interface of the two authors. The scope of the Albee-Williams dramatic interface is to explain both oeuvres through an internal patterning of events and characters by deriving concepts of the one (Williams) into the other (Albee). The study of both oeuvres provides the visualization of the enigmas, of the invisible patterns that work to build the intertextual Williams-Albee bind. The invisible in one play is a trope of representation in another play within the same oeuvre. One play is or might well be the other discourse of the other play both in the case of the same author and in case of two different authors. This trans-substantiation is present in the form of the dramatic intertext or, to be more precise - due to the biographical implication - of the dramatic interface. The influence of Williams on Albee’s works had been expressed by many literary critics, as well as by Albee himself The dramatic interface of the two authors is mapped with the theoretical help of semiotics, psychoanalysis, theories of myth, symbols and gender approaches. -
Harrison Salisbury, the Vietnamese Enemy, and Wartime
From Behind Enemy Lines: Harrison Salisbury, the Vietnamese Enemy, and Wartime Reporting During the Vietnam War A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Annessa C. Stagner June 2008 2 © 2008 Annessa C. Stagner All Rights Reserved 3 This thesis titled From Behind Enemy Lines: Harrison Salisbury, the Vietnamese Enemy, and Wartime Reporting During the Vietnam War by ANNESSA C. STAGNER has been approved for the Department of History and the College of Arts and Sciences by Chester J. Pach, Jr. Associate Professor of History Benjamin M. Ogles Dean, College of Arts and Sciences 4 ABSTRACT STAGNER, ANNESSA C., M.A., June 2008, History From Behind Enemy Lines: Harrison Salisbury, the Vietnamese Enemy, and Wartime Reporting During the Vietnam War (165 pp.) Director of Thesis: Chester J. Pach, Jr. On December 24, 1966, Harrison Salisbury became the first mainstream American journalist to report from North Vietnam during the Vietnam War. From his position behind enemy lines, the New York Times reporter revealed that America’s bombing campaign was causing many more civilian casualties than the Johnson administration had acknowledged. Additionally, he challenged how Americans perceived their enemy by portraying North Vietnam’s culture and political ideology as legitimate. Evaluation of governmental and public responses to his stories reveals the significance of these reports. They sparked controversy that undermined American and international confidence in the Johnson administration’s credibility, decreased support for U.S. policies towards North Vietnam, and put increased pressure on the Johnson administration to increase efforts towards peace. -
Newton Grisham Library Play Script List -By Author
Newton Grisham Library Play Script List -by Author BIN # PLAY # TITLE AUTHOR # MEN # WOMEN # CHILDREN OTHER 73 1570 Manhattan Class Company Class 1 Acts 1991-1992 161 2869 The Boys from Siam Connolly, John Austin 2 161 2876 Fugue Thuna, Lee 3 5 74 1591 Acrobatics Aaron, Joyce; Tarlo, Luna 96 1957 June Groom Abbot, Rick 3 6 99 2016 Play On! Abbot, Rick 3 7 103 2080 Turn For The Nurse, A Abbot, Rick 5 5 30 699 Three Men On A Horse Abbott, G. And J.C. Holm 11 4 34 802 Green Julia Ableman, Paul 2 133 2457 Tabletop Ackerman, Rob 5 1 86 1793 Batting Cage, The Ackermann, Joan 1 3 86 1798 Marcus Is Walking Ackermann, Joan 3 2 88 1825 Off The Map Ackermann, Joan 3 2 101 2051 Stanton's Garage Ackermann, Joan 4 4 10 227 Farewell, Farewell Eugene Ackland, Rodney; Vari, John 3 6 84 1776 Lighting Up The Two-Year Old Aerenson, Benjie 3 167 2970 Dark Matters Aguirre-Sacasa, Roberto 3 1 168 2982 King of Shadows Aguirre-Sacasa, Roberto 2 2 169 2998 The Muckle Man Aguirre-Sacasa, Roberto 5 2 169 3007 Rough Magic Aguirre-Sacasa, Roberto 7 5 doubling 101 2054 Edgar Lee Masters' Spoon River Anthology Aidman, Charles 3 2 101 2054 Spoon River Anthology Aidman, Charles [Adapt. By] 3 2 149 2686 Green Card Akalaitis, JoAnne 6 5 10 221 Fragments Albee, Edward 4 4 19 436 Marriage Play Albee, Edward 1 1 26 604 Seascape Albee, Edward 2 2 30 705 Tiny Alice Albee, Edward 4 1 34 800 The Zoo Story and The Sandbox: Two Short Plays Albee, Edward 34 800 Sandbox, The Albee, Edward 3 2 44 1066 Counting the Ways and Listening: Two Plays Albee, Edward 44 1066 Counting The Ways -
Pam Mackinnon Announces Inaugural Season As Artistic Director of American Conservatory Theater
FOR IMMEDIATE RELEASE Media Contact: Kevin Kopjak, Charles Zukow Associates |415.296.0677 | [email protected] Press photos and kits: act-sf.org/press PAM MACKINNON ANNOUNCES INAUGURAL SEASON AS ARTISTIC DIRECTOR OF AMERICAN CONSERVATORY THEATER The 2018–19 season includes Lynn Nottage’s 2017 Pulitzer Prize–winning drama, SWEAT; Jaclyn Backhaus’s ingenious and provocative telling of 19th-century American explorers, MEN ON BOATS; Edward Albee’s wildly imaginative and satirical Pulitzer Prize–winning comedy, SEASCAPE; Mfoniso Udofia’s achingly poignant drama, HER PORTMANTEAU; Lauren Yee’s exploration of cultural identity, global politics, and basketball, THE GREAT LEAP; and Kate Hamill’s rollicking new stage adaptation of William Thackeray’s classic novel, VANITY FAIR The final production of the 2018–19 season to be announced at a later date A Christmas Carol returns after another successful run in 2017 SAN FRANCISCO (April 3, 2018)—Tony, Obie, and Drama Desk Award winner Pam MacKinnon, the incominG artistic director of American Conservatory Theater (A.C.T.), has unveiled her inaugural season at the helm of San Francisco’s premier nonprofit theater company. The 2018–19 season includes Lynn NottaGe’s 2017 Pulitzer Prize–winninG drama, SWEAT; Jaclyn Backhaus’s inGenious and provocative tellinG of 19th-century American explorers, MEN ON BOATS; Edward Albee’s wildly imaGinative and satirical Pulitzer Prize–winninG comedy, SEASCAPE; Mfoniso Udofia’s achinGly poiGnant drama HER PORTMANTEAU; Lauren Yee’s exploration of cultural identity, global politics, and basketball, THE GREAT LEAP; and Kate Hamill’s rollickinG new staGe adaptation of William Thackeray’s classic novel, VANITY FAIR.