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VT Module6 Lineage Text Major Schools of Tibetan Buddhism
THE MAJOR SCHOOLS OF TIBETAN BUDDHISM By Pema Khandro A BIRD’S EYE VIEW 1. NYINGMA LINEAGE a. Pema Khandro’s lineage. Literally means: ancient school or old school. Nyingmapas rely on the old tantras or the original interpretation of Tantra as it was given from Padmasambhava. b. Founded in 8th century by Padmasambhava, an Indian Yogi who synthesized the teachings of the Indian MahaSiddhas, the Buddhist Tantras, and Dzogchen. He gave this teaching (known as Vajrayana) in Tibet. c. Systemizes Buddhist philosophy and practice into 9 Yanas. The Inner Tantras (what Pema Khandro Rinpoche teaches primarily) are the last three. d. It is not a centralized hierarchy like the Sarma (new translation schools), which have a figure head similar to the Pope. Instead, the Nyingma tradition is de-centralized, with every Lama is the head of their own sangha. There are many different lineages within the Nyingma. e. A major characteristic of the Nyingma tradition is the emphasis in the Tibetan Yogi tradition – the Ngakpa tradition. However, once the Sarma translations set the tone for monasticism in Tibet, the Nyingmas also developed a monastic and institutionalized segment of the tradition. But many Nyingmas are Ngakpas or non-monastic practitioners. f. A major characteristic of the Nyingma tradition is that it is characterized by treasure revelations (gterma). These are visionary revelations of updated communications of the Vajrayana teachings. Ultimately treasure revelations are the same dharma principles but spoken in new ways, at new times and new places to new people. Because of these each treasure tradition is unique, this is the major reason behind the diversity within the Nyingma. -
Kalachakra Pujaавбдгжеиз © Вбдгжев ¤ Kalachakra Puja Авбдгжеиз
KalacharkrḲa fₕor WͩoĆrld Peace By His Emżżżż inȾȾȾȾ en ceՈՈՈՈ Bᯡᯡᯡᯡ eееееru⍪⍪⍪⍪ K˶˶˶˶hy enͶͶͶͶ ts e Rinpoche 17 to 19 October 2008 17 October 2008 Friday ¤ ¢¡¤£¦¥¨§© 9.00 am to 6.00 pm Kalachakra Puja 8.00 pm to 10.00 pm Lama Dance 18 October 2008 Saturday ¢¡¤£¦¥¨§© 9.00 am to 6.00 pm Kalachakra Puja 8.00 pm to 10.00 pm Kalachakra Preparation Initiation ¢¡¤£¦¥¢ ¤ ¤ 19 October 2008 Sunday ¢¡¤£¦¥¨§ © 9.00 am to 6.00 pm Kalachakra Puja 8.00 pm to 10.00 pm Kalachakra Actual Initiation ¢¡¤£¦¥¢ ¤ Venue Sponsor: Organised By: Khyenkong Tharjay Buddhist Charitable Society Ngee Ann Cultural Centre 26A Lorong 23 Geylang Singapore 388364 Ngee Ann Auditorium Tel: 67473982 Teochew Bldg. 97 Tank Road www.khyenkong-tharjay.org For enquiries, please call 97972662 or 81610020 1 Buses: 64, 123, 139, 143 (Nearest MRT : Dhoby Ghaut Or email [email protected] Station/Dhoby Ghaut) Kalachakra Tantra The word Kalachakra means “Wheel of Time” and refers to the unique representation of the cycles of time contained within the Kalachakra Tantra. The meaning of the word tantra is “eternal stream of continuity”. According to tradition, the Kalachakra Tantra was taught by Buddha Shayamuni to King Suchandra of the mythical kingdom of Shambhala around 2,500 years ago, and its practice cultivated there ever since. Shambhala – also known as Shangrila – is a paradisiacal realm, a land of joy and purity, in which both worries and suffering are unknown. Some sources view Shambhala as a land existing purely in the dimension of energy. The Kalachakra Tantra reached India from Shambhala around 1,000 years ago, before being transmitted to Tibet, where it continues to be practiced today. -
Dear International Dzogchen Community, Gersdorfberg, 28Th June 2016
Dear International Dzogchen Community, Gersdorfberg, 28th June 2016 THANK YOU so much for all your support and for all your donations that we are receiving from all parts of the world. This is a wonderful example of collaboration and of recognizing the value of the work that is being done. As the first half of the year 2016 is nearly passed and the second half is to come, I give you an update on the most precious work of the Ka-Ter translators, primarily done by Adriano Clemente and Elio Guarisco. Adriano Clemente, besides collaborating as consultant and reviewer of on various books published by Shang Shung Publication and Shang Shung Edition, is at present involved in the following four main projects: Ø THE BOOK OF KHAITA SONGS This is a project that includes three volumes named after the three Metrengs of 60 year cycles. Translations of the songs have been made by various translators of the Dzogchen Community, and Adriano has revised their translation. Additional corrections need to be implemented with the precious help of Rinpoche, after which the first volume will be printed. Ø ROOT TEXT AND COMMENTARY OF LONGSAL THODGAL This book contains the teaching that Chögyal Namkhai Norbu transmitted in its complete form in Tenerife, 2011. The text has been translated and Adriano has also worked with Rinpoche a few weeks ago in May 2016 in Tenerife. Now Adriano needs to recheck it and edit in its final form, before being edited and published, hopefully by the end of this year. Ø ROOT TEXT AND COMMENTARY OF ATI LAMNED NGONDRO This book deals with the preliminary practices of Longsal including the pactice of Vajrasattva and the purification of the six lokas, as Rinpoche has already transmitted many times. -
The Depth Psychology of the Yogacara
Aspects of Buddhist Psychology Lecture 42: The Depth Psychology of the Yogacara Reverend Sir, and Friends Our course of lectures week by week is proceeding. We have dealt already with the analytical psychology of the Abhidharma; we have dealt also with the psychology of spiritual development. The first lecture, we may say, was concerned mainly with some of the more important themes and technicalities of early Buddhist psychology. We shall, incidentally, be referring back to some of that material more than once in the course of the coming lectures. The second lecture in the course, on the psychology of spiritual development, was concerned much more directly than the first lecture was with the spiritual life. You may remember that we traced the ascent of humanity up the stages of the spiral from the round of existence, from Samsara, even to Nirvana. Today we come to our third lecture, our third subject, which is the Depth Psychology of the Yogacara. This evening we are concerned to some extent with psychological themes and technicalities, as we were in the first lecture, but we're also concerned, as we were in the second lecture, with the spiritual life itself. We are concerned with the first as subordinate to the second, as we shall see in due course. So we may say, broadly speaking, that this evening's lecture follows a sort of middle way, or middle course, between the type of subject matter we had in the first lecture and the type of subject matter we had in the second. Now a question which immediately arises, and which must have occurred to most of you when the title of the lecture was announced, "What is the Yogacara?" I'm sorry that in the course of the lectures we keep on having to have all these Sanskrit and Pali names and titles and so on, but until they become as it were naturalised in English, there's no other way. -
The Mirror No
No. 137 THE MIRROR September 2017 The Total Space of Vajrasattva The Shang Shung Foundation The Vajra Dance of Space The Community Retreats Contents Editorial. 3 The Total Space of Vajrasattva – Dorje Sempa Namkhai Che . 4 Offering Your Service to The Dzogchen Community . 9 All Hands Meeting of the Worldwide Shang Shung Foundation . 10 Five Years of the Shang Shung Institute in Russia. 18 ASIA . 22 Khaita on the Hill of the Muses. 24 Dzamling Gar . 25 Merigar West . 25 The Vajra Dance of Space . 26 Third Jewel Sangha Retreat at Merigar West. 30 Kumar Kumari All Year in School . 31 Sangha Retreats in Germany and Austria . 32 Merigar East. 33 Samtengar . 35 Japanese Sangha Retreat . 36 Tsegyalgar East . 36 Tashigar North .. 38 Journey Into Eastern Tibet . 39 Artists in the Dzogchen Community . 42 The Four Applications Above: East Tibet. Mantras on the hillside written using white cloth. of Presence . 44 Front cover: Om mani padme hum mantra carved in rock at Yihun Lhatso lake, East Tibet. Back cover: Woodblock printing press in Derge Parkhang. How I Met . 46 2 THE MIRROR · No. 137 · September 2017 of Chögyal Namkhai Norbu to reunite for Editorial five days and also introduce the Teachings to many newcomers to the Dzogchen Com- munity in the beautiful setting of Kyoto . The Resilience of the What can we learn from this? We can Dzogchen Community learn about our own capacity and resil- ience as an enormous international, often rcidosso, Paris, Munich, Vienna and unwieldy, Sangha . The Community rose Kyoto, what is the common thread to the occasion and allowed Rinpoche the Afound in all these places for the senior students and instructors, and the space to relax in the knowledge that the International Dzogchen Community? The generosity of the Sangha Rimay of Denys Dzogchen Community can take care of it- common thread is that each of these plac- Rinpoche in Paris who kindly offered their self when the need arises . -
Guru Padmasambhava and His Five Main Consorts Distinct Identity of Christianity and Islam
Journal of Acharaya Narendra Dev Research Institute l ISSN : 0976-3287 l Vol-27 (Jan 2019-Jun 2019) Guru Padmasambhava and his five main Consorts distinct identity of Christianity and Islam. According to them salvation is possible only if you accept the Guru Padmasambhava and his five main Consorts authority of their prophet and holy book. Conversely, Hinduism does not have a prophet or a holy book and does not claim that one can achieve self-realisation through only the Hindu way. Open-mindedness and simultaneous existence of various schools Heena Thakur*, Dr. Konchok Tashi** have been the hall mark of Indian thought. -------------Hindi----cultural ties with these countries. We are so influenced by western thought that we created religions where none existed. Today Abstract Hinduism, Buddhism and Jaininism are treated as Separate religions when they are actually different ways to achieve self-realisation. We need to disengage ourselves with the western world. We shall not let our culture to This work is based on the selected biographies of Guru Padmasambhava, a well known Indian Tantric stand like an accused in an alien court to be tried under alien law. We shall not compare ourselves point by point master who played a very important role in spreading Buddhism in Tibet and the Himalayan regions. He is with some western ideal, in order to feel either shame or pride ---we do not wish to have to prove to any one regarded as a Second Buddha in the Himalayan region, especially in Tibet. He was the one who revealed whether we are good or bad, civilised or savage (world ----- that we are ourselves is all we wish to feel it for all Vajrayana teachings to the world. -
Vasubandhu's) Commentary on His "Twenty Stanzas" with Appended Glossary of Technical Terms
AN INTRODUCTION AND TRANSLATION OF VINITADEVA'S EXPLANATION OF THE FIRST TEN VERSES OF (VASUBANDHU'S) COMMENTARY ON HIS "TWENTY STANZAS" WITH APPENDED GLOSSARY OF TECHNICAL TERMS Gregory Alexander Hillis Palo Alto, California B.A., University of California, Santa Cruz, 1979 A Thesis Presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of Religious Studies University of Virginia May, 1993 ABSTRACT In this thesis I argue that Vasubandhu categorically rejects the position that objects exist external to the mind. To support this interpretation, I engage in a close reading of Vasubandhu's Twenty Stanzas (Vif!lsatika, nyi shu pa), his autocommentary (vif!lsatika- vrtti, nyi shu pa'i 'grel pa), and Vinrtadeva's sub-commentary (prakaraiJa-vif!liaka-f'ika, rab tu byed pa nyi shu pa' i 'grel bshad). I endeavor to show how unambiguous statements in Vasubandhu's root text and autocommentary refuting the existence of external objects are further supported by Vinitadeva's explanantion. I examine two major streams of recent non-traditional scholarship on this topic, one that interprets Vasubandhu to be a realist, and one that interprets him to be an idealist. I argue strenuously against the former position, citing what I consider to be the questionable methodology of reading the thought of later thinkers such as Dignaga and Dharmak:Irti into the works of Vasubandhu, and argue in favor of the latter position with the stipulation that Vasubandhu does accept a plurality of separate minds, and he does not assert the existence of an Absolute Mind. -
Trickster-Like Teachings in Tibetan Buddhism: Shortcuts Towards Destroying Illusions
Asian Research Journal of Arts & Social Sciences 5(1): 1-9, 2018; Article no.ARJASS.38108 ISSN: 2456-4761 Trickster-Like Teachings in Tibetan Buddhism: Shortcuts towards Destroying Illusions Z. G. Ma1* 1California Institute of Integral Studies (CIIS), California, USA. Author’s contribution The sole author designed, analyzed and interpreted and prepared the manuscript. Article Information DOI: 10.9734/ARJASS/2018/38108 Editor(s): (1) Shiro Horiuchi, Faculty of International Tourism, Hannan University, Japan. (2) David Perez Jorge, Department of Teaching and –Educational research, University of La Laguna, Spain. Reviewers: (1) Dare Ojo Omonijo, Olabisi Onabanjo University, Nigeria. (2) Valentine Banfegha Ngalim, The University of Bamenda, Cameroon. (3) Lufanna Ching-Han Lai, Gratia Christian College, China. (4) Abraham K. Kisang, Kenyatta University, Kenya. (5) Uche A. Dike, Niger Delta University, Nigeria. Complete Peer review History: http://www.sciencedomain.org/review-history/22795 Received 6th November 2017 Accepted 11th January 2018 Opinion Article th Published 20 January 2018 ABSTRACT Trickster-like Dharma teachings in Tibetan Buddhism behave as a kind of shortcuts in the approach to leading people along the path of enlightenment. This essay collects three such teachings of different levels towards destroying illusions, i.e., Buddha’s silence, Guru’s paradox, and Ego’s kleshas. They are necessary as “an ace up the sleeve” for Buddha to destruct disciples’ metaphysical quagmire, for Guru to lead community toward perfect transcendence, -
Some Reflections on the Place of Philosophy in the Study of Buddhism 145
Journal of the International Association of Buddhist Studies ^-*/^z ' '.. ' ' ->"•""'",g^ x Volume 18 • Number 2 • Winter 1995 ^ %\ \l '»!#;&' $ ?j On Method \>. :''i.m^--l'-' - -'/ ' x:N'' ••• '; •/ D. SEYFORT RUEGG £>~C~ ~«0 . c/g Some Reflections on the Place of Philosophy in the Study of Buddhism 145 LUIS O. G6MEZ Unspoken Paradigms: Meanderings through the Metaphors of a Field 183 JOSE IGNACIO CABEZ6N Buddhist Studies as a Discipline and the Role of Theory 231 TOM TILLEMANS Remarks on Philology 269 C. W. HUNTINGTON, JR. A Way of Reading 279 JAMIE HUBBARD Upping the Ante: [email protected] 309 D. SEYFORT RUEGG Some Reflections on the Place of Philosophy in the Study of Buddhism I It is surely no exaggeration to say that philosophical thinking constitutes a major component in Buddhism. To say this is of course not to claim that Buddhism is reducible to any single philosophy in some more or less restrictive sense but, rather, to say that what can be meaningfully described as philosophical thinking comprises a major part of its proce dures and intentionality, and also that due attention to this dimension is heuristically necessary in the study of Buddhism. If this proposition were to be regarded as problematic, the difficulty would seem to be due to certain assumptions and prejudgements which it may be worthwhile to consider here. In the first place, even though the philosophical component in Bud dhism has been recognized by many investigators since the inception of Buddhist studies as a modern scholarly discipline more than a century and a half ago, it has to be acknowledged that the main stream of these studies has, nevertheless, quite often paid little attention to the philosoph ical. -
A Structural Outline of Jonang Kalachakra Practice
Kalachakra Practice Outline, Jonang Foundation Outline of Jonang Kalachakra Practice What follows is a structural presentation of the Jonang Kalachakra practice curriculum from the preliminary practices up through and including the profound path of Vajrayoga. This outline is based upon the program of a typical three-year meditation retreat within the Jonang tradition, and includes the various approaches to Jonang Kalachakra trantric practice. Approaches to the practice of the Kalachakra vary according to individuals and circumstances, and each approach is fully elaborated within the contemplative instruction texts of the living Jonang tradition. This structural outline is not intended as a guidance manual for Kalachakra practice. In order to proceed with these practices, it is necessary to receive the Kalachakra empowerment as well as the transmissions and instructions from a qualified master. Ngondro: Preliminary Practices (sngon ‘gro) In accord with Buddhist tantric practice, the common preliminaries are accomplished before advancing onto the uncommon preliminaries. In the Jonang Kalachakra system, the generation phase is performed as part of the uncommon preliminaries. These practices prepare the yogi for the completion phase practices of Vajrayoga by reversing the practitioner's involvement in delusory experiences and adversarial circumstances, as well as purifying the practitioner’s perceptions. A) Common Preliminaries (thun mong gi sngon ‘gro) 1) Refuge and Prostrations 2) Awakening Bodhicitta Mind 3) Vajrasattva Meditation & Recitation 4) Mandala Offerings 5) Guruyoga Each Common Preliminary is accomplished 100,000 times. B) Uncommon Preliminaries (thun mong ma yin pa’i sngon ‘gro) Preliminary Practices to Vajrayoga I. Generation Phase (bskyed rim) Deity yoga generation phase practice is performed as a support for the completion phase yogas. -
A System of Meditation - Revisited 47
46 know, done so well in such a small space and with As the last gong-stroke dies away, such very limited facilities and so few people. Shiver after shiver, But we did have some really good meditations Into the deep silence, there. I remember that too. There was sometimes Opening my eyes I find myself, a really good feeling, a really good, as it were, In a green-mossed underground cave, vibration or even absence of vibration, in the air. Overarching still waters. And sometimes when I opened my eyes after a session and just sort of glanced around and saw the people sitting there – in those days, they Whereon nearly all sat on stools. Only the odd person who White lotuses, half-open, perhaps had gone to a Zen class at some time or Are peacefully smiling. other actually sat cross-legged on the floor; but be that as it may, whether they were on chairs or stools or whether they were on the floor So that's the poem; and that was the experience sometimes, as I looked around, it seemed as which we had there ten, eleven, years ago, at though as they were sitting there with their half- least sometimes. And since then, since those closed eyes and the little smiles on their faces, it early days, meditation in various forms, has was as though there was a little bed of lotus always been an integral part of our activities; an blossoms growing in that underground basement, integral part of the activities of the FWBO and the growing, as it were, in some wonderful WBO, even as it is and always has been an subterranean pool. -
Color Symbolism in Buddhist Art There Exists in Buddhism the Concept of a Rainbow Body
Color Symbolism in Buddhist Art There exists in Buddhism the concept of a rainbow body. The “rainbow body” is the penultimate transitional state of meditation in which matter begins to be transformed into pure light. The rainbow body signifies the awakening of the inner self to the complete reservoir of terrestrial knowledge that it is possible to access before stepping over the threshold to the state of Nirvana. The enumeration of the colors may change but the number remains five. Thus the five transcendental Buddhas, personification of the abstract aspects of Buddhahood, are each endowed with a different color in their sadhanas: 1. Vairochana - White bodied 2. Ratnasambhava - Yellow bodied 3. Akshobhya - Blue bodied 4. Amitabha - Red bodied 5. Amoghasiddhi - Green bodied It is relevant to note that each of these five Buddhas and their associated colors are said to further the transformative process whereby specific human delusions are changed to positive qualities. Specifically it is believed that by meditating on the individual colors, which contain their respective essences, the following metamorphosis can be achieved: - White transforms the delusion of ignorance into the wisdom of reality - Yellow transforms pride into wisdom of sameness - Blue transforms anger into mirror like wisdom - Red transforms the delusion of attachment into the wisdom of discernment - Green transforms jealousy into the wisdom of accomplishment Further investigation into the five colors takes us to the Mahavairochana-Sutra, which states that a mandala, the quintessential symbol of Tibetan Buddhism should be painted in five colors. It further prescribes that one should start at the interior of the mandala with white and to be followed by red, yellow, blue and black.