Cross Reflections: Architecture, Photography and Text
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Le Corbusier Charles-Édouard Jeanneret-Gris
Le Corbusier Charles-Édouard Jeanneret-Gris Portrait on Swiss ten francs banknote Personal information Name: Charles-Édouard Jeanneret-Gris Nationality: Swiss / French Birth date: October 6, 1887 Birth place: La Chaux-de-Fonds, Switzerland Date of death: August 27, 1965 (aged 77) Place of death: Roquebrune-Cap-Martin, France 1 Created with novaPDF Printer (www.novaPDF.com). Please register to remove this message. Major buildings and projects The Open Hand Monument is one of numerous projects in Chandigarh, India designed by Le Corbusier 1905 - Villa Fallet, La Chaux-de-Fonds, Switzerland 1912 - Villa Jeanneret-Perret, La Chaux-de-Fonds [1] 1916 - Villa Schwob, La Chaux-de-Fonds 1923 - Villa LaRoche/Villa Jeanneret, Paris 1924 - Pavillon de L'Esprit Nouveau, Paris (destroyed) 1924 - Quartiers Modernes Frugès, Pessac, France 1925 - Villa Jeanneret, Paris 1926 - Villa Cook, Boulogne-sur-Seine, France 1927 - Villas at Weissenhof Estate, Stuttgart, Germany 1928 - Villa Savoye, Poissy-sur-Seine, France 1929 - Armée du Salut, Cité de Refuge, Paris 1930 - Pavillon Suisse, Cité Universitaire, Paris 1930 - Maison Errazuriz, Chile 1931 - Palace of the Soviets, Moscow, USSR (project) 1931 - Immeuble Clarté, Geneva, Switzerland 1933 - Tsentrosoyuz, Moscow, USSR 1936 - Palace of Ministry of National Education and Public Health, Rio de Janeiro 1938 - The "Cartesian" sky-scraper (project) 1945 - Usine Claude et Duval, Saint-Dié-des-Vosges, France 1947-1952 - Unité d'Habitation, Marseille, France 1948 - Curutchet House, La Plata, Argentina 1949-1952 - United Nations headquarters, New York City (project) 1950-1954 - Chapelle Notre Dame du Haut, Ronchamp, France 1951 - Cabanon Le Corbusier, Roquebrune-Cap-Martin 2 Created with novaPDF Printer (www.novaPDF.com). -
Finding Faces Inhabiting the Doodle
ENGLISH ABSTRACTS 127 INHABITING THE DOODLE FINDING FACES Juan Coll-Barreu Daniel Naegele A kid, faster than the camera’s shutter, looks at the photographer while waling home Picasso’s 1924 “Mandoline and Guitar” [fig. 1] depicts a wall-papered room with an with his mother, followed by his pet. The photographer was Julius Shulman, the pic- open window. In front of the window is a table. On the table is a bowl of fruit and two ture was always dated in 1950 and the house was Model 301 of L.A.’s Mutual Housing musical instruments. The painting is the last in a series of paintings that Picasso Association built by A. Quincy Jones, Whitney R. Smith and Edgardo Contini between began in 1919 with the gouache “Still-Life in Front of a Window at St. Raphaël”. [fig. 1948 and 1950. 2] Each painting in the series depicts the same room, and each is a modification of the painting done before it. That is to say, in this series, Picasso does not paint from The photograph has been widely published thanks to the popularity of the photogra- ‘real life’; he paints a painting of a painting. He re-presents representation. pher and the beauty of the scene. He filled with permanence an architectural shot as he had done with Richard J. Neutra’s Kaufmann house and would later do with Pierre The painting’s title, “Mandoline and Guitar”, identifies the two instruments as its sub- Koenig’s Case Study House #22. ject. The title tells us what to see. -
Charles-Édouard Jeanneret
L E COR- BUS- CHARLES-ÉDOUARDIER JEANNERET Charles-Édouard Jeanneret, known as Le Corbusier (October 6, 1887 – August 27, 1965), was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pio- neers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades; he constructed buildings in Eu- rope, Japan, India, and North and South America. Dedicated to providing better living conditions for the residents of crowded cities, Le Corbusier was influential in urban planning, and was a founding member of the Congrès International d’Architecture Moderne (CIAM). Le Corbusier prepared the master plan for the city of Chandigarh in India, and contributed specific designs for several buildings there. On July 17, 2016, seventeen projects by Le Corbusier in seven countries were inscribed in the list of UNESCO World Heritage sites as “an Outstanding Contribution to the Modern Movement”. Charles-Édouard Jeanneret was born on October 6, 1887 in La Chaux-de-Fonds, a small city in the French-speaking Neuchâtel canton in north-western Switzerland, in the Jura mountains, just 5 kilometres (3.1 mi) across the border from France. It was an industrial town, devoted to the manufacture of watches. (He adopted the pseudonym Le Corbusier in 1933 of Le Corbusier in 1920). His father was an artisan who Charles-Édouard Jeanneret-Gris[1] October 6, 1887 enameled boxes and watches, while his mother gave piano La Chaux-de-Fonds, Switzerland lessons. His elder brother Albert was an amateur violinist. Died :August 27, 1965 (aged 77) Roquebrune :Cap-Martin, France [3] He attended a kindergarten that used Fröbelian Nationality :Swiss, French methods. -
Le Corbusier Y El Salon D' Automne De París. Arquitectura Y
Le Corbusier y el Salon d’ Automne de París. Arquitectura y representación, 1908-1929 José Ramón Alonso Pereira “Arquitectura y representación” es un tema plural que abarca tanto la figuración como la manifestación, Salón d’ Automne imagen y escenografía de la arquitectura. Dentro de él, se analiza aquí cómo Le Corbusier plantea una interdependencia entre la arquitectura y su imagen que conlleva no sólo un nuevo sentido del espacio, sino Le Corbusier también nuevos medios de representarlo, sirviéndose de los más variados vehículos expresivos: de la acuarela Équipement de l’habitation al diorama, del plano a la maqueta, de los croquis a los esquemas científicos y, en general, de todos los medios posibles de expresión y representación para dar a conocer sus inquietudes y sus propuestas en un certamen Escala singular: el Salón de Otoño de París; cuna de las vanguardias. Espacio interior Le Corbusier concurrió al Salón d’ Automne con su arquitectura en múltiples ocasiones. A él llevó sus dibujos de Oriente y a él volvió en los años veinte a exhibir sus obras, recorriendo el camino del arte-paisaje a la arquitectura y, dentro de ella -en un orden inverso, anti-clásico-, de la gran escala o escala urbana a la escala edificatoria y a la pequeña escala de los espacios interiores y el amueblamiento. “Architecture and Representation” is a plural theme that includes both figuration as manifestation, image and Salon d’ Automne scenography of architecture. Within it, here it is analyzed how Le Corbusier proposes an interdependence between architecture and image that entails not only a new sense of space, but also new means of representing it, using Le Corbusier the most varied expressive vehicles: from watercolor to diorama, from plans to models, from sketches to scientific Équipement de l’habitation schemes and, in general, using all possible expression and representation means to make known their concerns and their proposals, all of them within a singular contest: the Paris’s Salon d’ Automne; cradle of art avant-gardes. -
Le Corbusier and His Contemporaries
1 April 2002 Art History W36456 Important announcements: Monday April 8th I cannot prepare class ahead of time, we will instead view a series of films by and about Le Corbusier and his contemporaries. To make up for the missed lecture there will be an extra concluding class of the course on Weds. May 8th at the usual time and in this room. Please mark your calendars. As we are now behind the course will conclude with 1965 and the examination will include all material through topic 25. A new course on Post War Architecture, the third part of the survey then, will be introduced in 2003-4. Le Corbusier: Architecture or Revolution (architecture and urbanism to 1930) Charles-Edouard Jeanneret (takes name Le Corbusier in the 1920s) b. 1887 La Chaux-de-Fonds, Switzerland, died Roquebrunne (Riveria) 1965; architect in Paris from 1917 on. Arts School in La Chaux de Fonds and influence of Charles L’Eplattenier 1905-06 Villa Fallet, La Chaux de Fonds 1908-9 in Paris with Perret and meets Tony Garnier 1910 with Theodore Fischer in Munich and with Behrens in Berlin/Potsdam 1908 Villa Jacquemet, La Chaux de Fonds 1914-16 Villa Schwob (Maison Turque), La Chaux-de-Fonds (first concrete frame) 1914 Domino (Dom-Ino) project with Max Dubois 1918 publishes Après le Cubisme with Amedée Ozenfant 1920 first issue of the magazine L’Esprit Nouveau 1923 Vers une Architecture (translated into English in 1927 as Towards a new Architecture) 1922 Salone d’Automne Paris, he exhibits the Citrohan House and the Ville de 3 Millions d’Habitants 1922 Ozenfant Studio, Paris -
2049 4013.Pdf
o z z i R y l l i W © – s i r a P , e n r e d o m t r a ’ d l a n o i t a n e é s u M EXPOSITION ans le cadre des manifestations organisées à La Chaux-de-Fonds sur le thème des rela - Dtions entre Le Corbusier et la photographie, la Fondation présente, dans la galerie et le hall de Le Corbusier la Maison La Roche, une sélection de tirages originaux, portraits en couleur et en noir et blanc de Le Corbusier réalisés au cours de l’année 1953 by Willy Rizzo par Willy Rizzo. Ces photographies n’ont été que peu ou pas du tout publiées depuis cette date. Fondation Le Corbusier Les images issues de cette rencontre qui réappa - raissent aujourd’hui constituent un témoignage Maison La Roche exceptionnel sur Le Corbusier, sa manière de vivre 10, square du Docteur Blanche, et son activité professionnelle et artistique. Il est 75016 Paris manifeste que celui-ci a tenu à ce que son œuvre plastique soit très présente sur chacune des 19 septembre / prises de vues réalisées dans l’appartement du 15 décembre 2012 24 rue Nungesser et Coli à Boulogne. Il contribue à la composition en y installant – dans un faux-vrai Molitor destiné à camoufler les poussettes et qui désordre apparent – les peintures et dessins qu’il a aujourd’hui malheureusement disparu. Willy a très soigneusement sélectionnés. De la même Rizzo se souvient des longues séances de pose façon, il transporte le photographe au musée nécessaires à la réussite de ce cliché pour lequel national d’art moderne pour bénéficier du très le maître aurait fait preuve d’une grande patience. -
Section 124- Unpaid and Unclaimed Dividend
Sr No First Name Middle Name Last Name Address Pincode Folio Amount 1 ASHOK KUMAR GOLCHHA 305 ASHOKA CHAMBERS ADARSHNAGAR HYDERABAD 500063 0000000000B9A0011390 36.00 2 ADAMALI ABDULLABHOY 20, SUKEAS LANE, 3RD FLOOR, KOLKATA 700001 0000000000B9A0050954 150.00 3 AMAR MANOHAR MOTIWALA DR MOTIWALA'S CLINIC, SUNDARAM BUILDING VIKRAM SARABHAI MARG, OPP POLYTECHNIC AHMEDABAD 380015 0000000000B9A0102113 12.00 4 AMRATLAL BHAGWANDAS GANDHI 14 GULABPARK NEAR BASANT CINEMA CHEMBUR 400074 0000000000B9A0102806 30.00 5 ARVIND KUMAR DESAI H NO 2-1-563/2 NALLAKUNTA HYDERABAD 500044 0000000000B9A0106500 30.00 6 BIBISHAB S PATHAN 1005 DENA TOWER OPP ADUJAN PATIYA SURAT 395009 0000000000B9B0007570 144.00 7 BEENA DAVE 703 KRISHNA APT NEXT TO POISAR DEPOT OPP OUR LADY REMEDY SCHOOL S V ROAD, KANDIVILI (W) MUMBAI 400067 0000000000B9B0009430 30.00 8 BABULAL S LADHANI 9 ABDUL REHMAN STREET 3RD FLOOR ROOM NO 62 YUSUF BUILDING MUMBAI 400003 0000000000B9B0100587 30.00 9 BHAGWANDAS Z BAPHNA MAIN ROAD DAHANU DIST THANA W RLY MAHARASHTRA 401601 0000000000B9B0102431 48.00 10 BHARAT MOHANLAL VADALIA MAHADEVIA ROAD MANAVADAR GUJARAT 362630 0000000000B9B0103101 60.00 11 BHARATBHAI R PATEL 45 KRISHNA PARK SOC JASODA NAGAR RD NR GAUR NO KUVO PO GIDC VATVA AHMEDABAD 382445 0000000000B9B0103233 48.00 12 BHARATI PRAKASH HINDUJA 505 A NEEL KANTH 98 MARINE DRIVE P O BOX NO 2397 MUMBAI 400002 0000000000B9B0103411 60.00 13 BHASKAR SUBRAMANY FLAT NO 7 3RD FLOOR 41 SEA LAND CO OP HSG SOCIETY OPP HOTEL PRESIDENT CUFFE PARADE MUMBAI 400005 0000000000B9B0103985 96.00 14 BHASKER CHAMPAKLAL -
JP Iscon Riverside
https://www.propertywala.com/jp-iscon-riverside-ahmedabad JP Iscon Riverside - Shahibag, Ahmedabad 3 & 4 BHK apartments for sale in JP Iscon Riverside JP Iscon Riverside presented by JP Iscon Group with 3 & 4 BHK apartments for sale in Shahibaug, Ahmedabad Project ID : J811899297 Builder: JP Iscon Group Location: JP River Side, Shahibag, Ahmedabad - 440034 (Gujarat) Completion Date: May, 2016 Status: Started Description JP River Side Woods is a new launch by JP Iscon Group. The project is located in Shahibaug, Ahmedabad. The project offers spacious 3 & 4 BHK apartments in best price. The project is well equipped with all the amenities to facilitate the needs of the residents. Project Details Number of Floors: 1 Number of Units: 7 Amenities Garden 24Hr Backup Security Club House Library Community Hall Swimming Pool Gymnasium Indoor Games JP Iscon Group is today among Gujarat’s pre-eminent real estate developers, with a widespread corporate reputation founded on benchmark performance. The group is famous today for its diverse repertoire of architectural expertise, its inherent streak of innovation, time-conscious planning & execution of projects, and highly evolved skill in property management. Features Luxury Features Security Features Power Back-up Centrally Air Conditioned Lifts Electronic Security Intercom Facility RO System High Speed Internet Wi-Fi Interior Features Recreation Woodwork Modular Kitchen Swimming Pool Fitness Centre / GYM Feng Shui / Vaastu Compliant Club / Community Center Maintenance Land Features Maintenance Staff -
Le Corbusier's Cité De Refuge
DOI: http://dx.doi.org/10.4995/LC2015.2015.796 Le Corbusier’s Cité de Refuge: historical & technological performance of the air exacte L.M. Diaz, R. Southall School of Arts, Design and Media, University of Brighton Abstract: Despite a number of attempts by Le Corbusier to implement the combination of ‘respiration exacte’ with the ‘mur neutralisant’ he was never able to test the viability of his environmental concepts in a realised building. The Cité de Refuge, which was built with a more conventional heating system and single glazed facade, is however unique in that unlike the other potential candidates for the implementation of these systems, the building, as built, retained a key design feature, i.e. the hermetically sealed skin, which ultimately contributed to the building’s now infamous failure. It is commonly argued that Le Corbusier, however, abandoned these comprehensive technical solutions in favour of a more passive approach, but it is less well understood to what extent technical failures influenced this shift. If these failures were one of the drivers for this change, how the building may have performed with the ‘respiration exacte’ and ‘mur neutralisant’ systems becomes of interest. Indeed, how their performance may have been improved with Le Corbusier's later modification of a brise-soleil offers an alternative hypothetical narrative for his relationship to technical and passive design methodologies. Keywords: environment, technology, performance, history, Cité de Refuge. 1. Introduction There are two technical building concepts that represent, perhaps more than any others Le Corbusier’s early drive to find comprehensive and exclusively mechanical approaches to the heating and ventilation of modern buildings: a) the mur neutralisant, a double-skin glazed wall with conditioned air circulated within the cavity to moderate heat exchange between the interior and exterior, and b) the respiration exacte, a mechanical ventilation system for providing conditioned air to interior spaces at a constant temperature of 18˚C. -
Impressionist & Modern
IMPRESSIONIST & MODERN ART Thursday 1 March 2018 IMPRESSIONIST & MODERN ART Thursday 1 March 2018 at 5pm New Bond Street, London VIEWING ENQUIRIES Brussels Rome Thursday 22 February, 9am to 5pm London Christine de Schaetzen Emma Dalla Libera Friday 23 February, 9am to 5pm India Phillips +32 2736 5076 +39 06 485 900 Saturday 24 February, 11am to 4pm Head of Department [email protected] [email protected] Sunday 25 February, 11am to 4pm +44 (0) 20 7468 8328 Monday 26 February, 9am to 5pm [email protected] Cologne Tokyo Tuesday 27 February, 9am to 3pm Katharina Schmid Ryo Wakabayashi Wednesday 28 February 9am to 5pm Hannah Foster +49 221 2779 9650 +81 3 5532 8636 Thursday 1 March, 9am to 2pm Department Director [email protected] [email protected] +44 (0) 20 7468 5814 SALE NUMBER [email protected] Geneva Zurich 24743 Victoria Rey-de-Rudder Andrea Bodmer Ruth Woodbridge +41 22 300 3160 +41 (0) 44 281 95 35 CATALOGUE Specialist [email protected] [email protected] £22.00 +44 (0) 20 7468 5816 [email protected] Livie Gallone Moeller PHYSICAL CONDITION OF LOTS ILLUSTRATIONS +41 22 300 3160 IN THIS AUCTION Front cover: Lot 16 Aimée Honig [email protected] Inside front covers: Lots 20, Junior Cataloguer PLEASE NOTE THAT THERE IS NO 21, 15, 70, 68, 9 +44 (0) 20 7468 8276 Hong Kong REFERENCE IN THIS CATALOGUE Back cover: Lot 33 [email protected] Dorothy Lin TO THE PHYSICAL CONDITION OF +1 323 436 5430 ANY LOT. -
Le Corbusier, La Préfecture Des Hauts-De-Seine Reste Aujourd’Hui Un Témoin Historique De La Naissance Des Départements D’Île-De-France
Édito « Extra-ordinaire métropole » Placée sous le thème « Extra-ordinaire métropole », la deuxième édition du Mois de l’Architecture en Île-de-France se déroulera du 1er au 30 juin 2016 et proposera plus d’une centaine d’événements accessibles à tous les publics pour se retrouver dans un désir commun d’architecture. En 2016, la mise en place de la Métropole du Grand Paris, les enjeux soulevés par la COP21, et les besoins accrus de logements posent à l’architecture le grand défi partagé de la qualité de vie et d’un bien-être métropolitain. En rassemblant tous les acteurs de l’architecture – les élus, les aménageurs, les maîtres d’ouvrages publics et privés – autour d’ambitions renouvelées pour la ville, le Mois de l’Architecture a pour objectif de sensibiliser le grand public et notamment les jeunes aux enjeux et apports de l’architecture contemporaine et de mettre en lumière ce savoir-faire, cette culture d’architecture. « Extra » parce qu’à travers le travail sur la forme et l’espace, et les grands projets urbanistiques et immobiliers, la création architecturale a également le pouvoir de refaçonner le réel, de réinventer des façons de vivre et de travailler des Franciliens. « Ordinaire », parce qu’en construisant la ville, en offrant un habitat, un paysage, un cadre de vie quotidien et commun aux citadins, l’architecture contemporaine s’inscrit dans son temps, s’adapte et participe aux évolutions profondes de nos territoires et de nos mentalités. « Métropole » parce qu’une identité et une conscience métropolitaine qui transcendent le territoire ordinaire de l’aire urbaine sont en train d’émerger, parce qu’elle réinvente l’espace et le territoire, de l’ordinaire à l’extra-ordinaire. -
City of Chandigarh the City Beautiful ABOUT CHANDIGARH
City of Chandigarh The city beautiful ABOUT CHANDIGARH AREA: 114 sq. km POPULATION 1.05mn YEAR OF DEVELOPMENT : 1952 REASON FOR SELECTION OF SITE: The present site was selected in 1948 taking into account 1.its Central location in the state, 2.proximity to the national capital 3.availability of sufficient water supply, 4.fertile soil, 5.gradient of land for natural drainage, 6.beautiful site with the panorama of blue hills as backdrop 7.moderate climate. LE CORBUSIER TEAM OF ARCHITECTS: Le Corbusier and his team which consisted of 1.Maxwell Fry 2.Jane B Drew(wife of Maxwell Fry) 3.Pierre Jeanneret (cousin of Le Corbusier) These senior architects were supported by Indian architects and planners consisting of: 1.M.N. Sharma, 2.A. R. Prabhawalkar, 3.U.E. Chowdhary, 4.J.S. Dethe, 5.B.P. Mathur, 6.Aditya Prakash, and others DIVISION OF WORK: Le Corbusier : Master plan of the city The Capital Complex Established the architectural control & design of the main buildings of the city. Senior architects: Housing for Govt. employees, schools, shopping centers, hospitals LE CORBUSIER’S MASTER PLAN: The master plan of the city has a rectangular shape with a grid iron pattern for the fast traffic roads. Vertical and high rise buildings were ruled out, keeping in view the socio economic-conditions and living habits of the people. The master plan was to be realized in two phases, catering to a total population of half a million. Phase-I 30 low density sector s area of 9000 acres (Sector 1 to 30) 1,50,000 population Phase-II 17 considerably high density Sectors ( Sectors 31 to 47) area of 6000 acres 3,50,000 population.