Addendum / Corrigendum with Reference to the Bid Submission Last Date Is Extended Till 24/11/2018
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Wildberries Resorts (P) Ltd
Near Forest Rest House, Kolar Dam. www.ratapani.com / 9165761000 / 9584551234 Wildberries Resorts (P) Ltd Near Forest Rest House, Kolar Dam. www.ratapani.com / 9165761000 / 9584551234 Kathotiya Rock Shelters Therefore at some places one finds different paintings of enchanting Vndhyachal Ranges. The drive to Kehri Ka different era, quite literally overlapping each other. The Mahadev, winds its way through the table top mountains, paintings are primarily in the regular Red Coloured Natural Dye offering a spectacular view of the valleys below, almost but also use the White and what we saw for the first time in the throughout the drive. Deep in the valley below, the Kolar River area, Green Dye, to create a myriad of Rock Art, depicting the winds its way ahead and as you stand atop any of the numerous life and times of the era. Kathotiya, till date remains quite viewpoints all along the way, you can hear the gentle murmur of unexplored and a noted architect from Bhopal, still continues the river meandering its way forward. The drive, a total of about the research and documentation in the area. One can only 30 kms (to-n-fro), winds its way through the lower Vindhyachal imagine the surprises which lie in store, waiting to still be ranges, slowly ascending on to a plateau, whereafter the drive is discovered. The trek begins from Kathotiya Village and after mostly along the edge of the hill, on one side and the beautiful about half a Km of flat land, starts ascending on to the Hills, Ratapani jungles on the other. -
Peste-Des-Petits-Ruminants: an Indian Perspective
Advances in Animal and Veterinary Sciences Review Article Peste-Des-Petits-Ruminants: An Indian Perspective 1* 1 1 DHANAVELU MUTHUCHELVAN , KAUSHAL KISHOR RAJAK , MUTHANNAN ANDAVAR RAMAKRISHNAN , 1 1 2 1 DHEERAJ CHOUDHARY , SAKSHI BHADOURIYA ,PARAMASIVAM SARAVANAN , AWADH BIHARI PANDEY , 3 RAJ KUMAR SINGH 1Division of Virology, Indian Veterinary Research Institute, Mukteswar Campus, Nainital, Uttarakhand 263 138, India; 2Indian Veterinary Research Institute, Hebbal Bengaluru, 560024, Karnataka, India; 3Indian Veterinary Research Institute, Izatnagar, 243122, India. Abstract | Peste-des-petits-ruminants (PPR) is an acute or subacute, highly contagious viral disease of small rumi- nants, characterized by fever, oculonasal discharges, stomatitis, diarrhoea and pneumonia with high morbidity and mortality. Peste-des-petits-ruminants virus (PPRV), the etiological agent of PPR, is antigenically related to another rinderpest virus (RP) which was globally eradicated. PPR is gaining worldwide attention through the concerted effort of scientists working together under the aegis of global PPR research alliance (GPRA). The first homologous live at- tenuated vaccine was developed using Nigeria 75/1, which has been used worldwide. In India, live attenuated vaccines have been developed using Sungri 96, Arasur 87 and Coimbatore 97 viruses. In this review, the status of PPR and control strategy with special reference to the Indian context is comprehensively discussed. Keywords | PPR, PPRV, Vaccine, DIVA, Eradication, Symptoms, Epidemiology, Diagnosis, Vaccines, Immunity, Control programme, Replication Editor | Muhammad Munir (DVM, PhD), Avian Viral Diseases Program, Compton Laboratory, Newbury, Berkshire, RG20 7NN, UK. Received | April 27, 2015; Revised | June 16, 2015; Accepted | June 18, 2015; Published | June 24, 2015 *Correspondence | Dhanavelu Muthuchelvan, Indian Veterinary Research Institute, Nainital, Uttarakhand, India; Email: [email protected] Citation | Muthuchelvan D, Rajak KK, Ramakrishnan MA, Choudhary D, Bhadouriya S, Saravanan P, Pandey AB, Singh RK (2015). -
Jhansi - Gwalior - Agra - Jaipur - Pushkar - Udaipur - Aurangabad - Mumbai
Duration: 16 Nights / 17 Days Places Covered: Delhi - Varanasi - Khajuraho - Jhansi - Gwalior - Agra - Jaipur - Pushkar - Udaipur - Aurangabad - Mumbai Day 01: Arrive Delhi Arrive at Delhi international airport. After warm receiving and greeting by our representative transfer to hotel for check-in. Delhi a bustling metropolis, and the capital city of India, successfully combines in its folds the ancient times with modern times. In fact, more mythological cities are believed to be here, like the city of Indraprastha from the Hindu epic Mahabharata, founded around 5000 BC. Numerous monuments were built over several centuries by different rulers like Qutub-ud- din Aibek, Alauddin Khilji, Tughlaks, Humayun & Shah Jahan, who built the Walled City Shah Jahanabad. Later in first half of 20th century much of New Delhi was planned by Sir Edwin Lutyens, who laid out a grandiose central administrative area as a testament to British rule in India. The division in walled city & New Delhi also marks the division in life styles. Rest of the day at leisure or walk around the city by your own. Over Night stay at hotel. Day 02: Delhi After Breakfast, we will visit the city. Visit “Old Delhi” with its narrow dirt roads, its myriad people and inexpensive and colorful bazaars that keep alive the traditional workmanship for which Delhi has always been famous. The first stop is Raj Ghat, the cremation ground of Mahatma Gandhi), The “Father of the nation”. Drive past the Red Fort, the red sandstone walled fort made in Mughal era by Emperor Shah Jahan. We end up at the Jama Masjid, the largest Muslim mosque in India. -
Bank Wise-District Wise Bank Branches (Excluding Cooperative
Bank wise-District wise Bank Branches (Excluding Cooperative Bank/District No. of Branches Allahabad Bank 205 Agar-Malwa 2 Anuppur 2 Balaghat 4 Bhopal 25 Burhanpur 1 Chhatarpur 3 Chhindwara 8 Damoh 3 Datia 1 Dewas 1 Dhar 1 Dindori 1 East Nimar 1 Gwalior 3 Harda 1 Hoshangabad 3 Indore 12 Jabalpur 24 Katni 6 Mandla 4 Mandsaur 2 Morena 1 Narsinghpur 7 Neemuch 2 Panna 3 Raisen 1 Rajgarh 2 Ratlam 2 Rewa 16 Sagar 6 Satna 28 Sehore 2 Seoni 2 Shahdol 3 Shajapur 1 Shivpuri 2 Sidhi 5 Singrauli 6 Tikamgarh 1 Ujjain 2 Vidisha 4 West Nimar 1 Andhra Bank 45 Betul 1 Bhind 1 Bhopal 8 Burhanpur 1 Chhindwara 1 Dewas 1 Dhar 1 East Nimar 1 Gwalior 2 Harda 1 Hoshangabad 2 Indore 11 Jabalpur 3 Katni 1 Narsinghpur 2 Rewa 1 Sagar 1 Satna 1 Sehore 2 Ujjain 1 Vidisha 2 Au Small Finance Bank Ltd. 37 Agar-Malwa 1 Barwani 1 Betul 1 Bhopal 2 Chhatarpur 1 Chhindwara 2 Dewas 2 Dhar 2 East Nimar 1 Hoshangabad 1 Indore 2 Jabalpur 1 Katni 1 Mandla 1 Mandsaur 2 Neemuch 1 Raisen 2 Rajgarh 1 Ratlam 2 Rewa 1 Satna 1 Sehore 2 Shajapur 1 Tikamgarh 1 Ujjain 1 Vidisha 2 West Nimar 1 Axis Bank Ltd. 136 Agar-Malwa 1 Alirajpur 1 Anuppur 1 Ashoknagar 1 Balaghat 1 Barwani 3 Betul 2 Bhind 1 Bhopal 20 Burhanpur 1 Chhatarpur 1 Chhindwara 2 Damoh 1 Datia 1 Dewas 1 Dhar 4 Dindori 1 East Nimar 1 Guna 2 Gwalior 10 Harda 1 Hoshangabad 3 Indore 26 Jabalpur 5 Jhabua 2 Katni 1 Mandla 1 Mandsaur 1 Morena 1 Narsinghpur 1 Neemuch 1 Panna 1 Raisen 2 Rajgarh 2 Ratlam 2 Rewa 1 Sagar 3 Satna 2 Sehore 1 Seoni 1 Shahdol 1 Shajapur 2 Sheopur 1 Shivpuri 2 Sidhi 2 Singrauli 2 Tikamgarh 1 Ujjain 5 Vidisha 2 West Nimar 4 Bandhan Bank Ltd. -
The Place of Performance in a Landscape of Conquest: Raja Mansingh's Akhārā in Gwalior
South Asian History and Culture ISSN: 1947-2498 (Print) 1947-2501 (Online) Journal homepage: https://www.tandfonline.com/loi/rsac20 The place of performance in a landscape of conquest: Raja Mansingh’s akhārā in Gwalior Saarthak Singh To cite this article: Saarthak Singh (2020): The place of performance in a landscape of conquest: Raja Mansingh’s akhārā in Gwalior, South Asian History and Culture, DOI: 10.1080/19472498.2020.1719756 To link to this article: https://doi.org/10.1080/19472498.2020.1719756 Published online: 30 Jan 2020. Submit your article to this journal Article views: 21 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rsac20 SOUTH ASIAN HISTORY AND CULTURE https://doi.org/10.1080/19472498.2020.1719756 The place of performance in a landscape of conquest: Raja Mansingh’s akhārā in Gwalior Saarthak Singh Institute of Fine Arts, New York University, New York, NY, USA ABSTRACT KEYWORDS In the forested countryside of Gwalior lie the vestiges of a little-known akhārā; landscape; amphitheatre (akhārā) attributed to Raja Mansingh Tomar (r. 1488–1518). performance; performativity; A bastioned rampart encloses the once-vibrant dance arena: a circular stage dhrupad; rāsalīlā in the centre, surrounded by orchestral platforms and an elevated viewing gallery. This purpose-built performance space is a unique monumentalized instance of widely-prevalent courtly gatherings, featuring interpretive dance accompanied by music. What makes it most intriguing is the archi- tectural play between inside|outside, between the performance stage and the wilderness landscape. -
Colours, Flavours & Forts with Chris and Carolyn Caldicott 18Th February
Gwalior Fort © Chris Caldicott Central India: Colours, Flavours & Forts With Chris and Carolyn Caldicott 18th February – 6th March 2017 The Ultimate Travel Company Escorted Tours © Chris Caldicott Contact Sophie Lonsdale Direct Line 020 7386 4679 Telephone 020 7386 4620 Fax 020 7386 8652 Email [email protected] Chris Caldicott Since travelling to some of the most remote parts of the world as Photographer-in-Residence to the Royal Geographical Society, Chris Caldicott has continued his globetrotting lifestyle as a freelance photographer, writer and lecturer specialising in food and travel. He has had several books published about food, travel and the spice trade and visited 108 countries in search of the perfect meal, finding most of the top contenders on his many trips to Asia. As a journalist he is a regular contributor to publications such as Vanity Fair, Conde Nast Traveller, The Sunday Times, Harpers Bazaar, Tatler, House and Garden and the Telegraph. Chris will offer an initial workshop at the beginning of the trip on how to take better travel photographs and get the best out of your camera covering exposure, focus and composition illustrated with examples of his own work. He will also be offering one to one tutorials during the journey. Carolyn Caldicott Carolyn owed and ran the World Food Cafe in London’s Covent Garden for 20 years. She now works as an author and food writer and together with husband Chris has written several World Food Cafe recipe books about global cuisine. Her recent books including Vintage Tea Party, re-creating the nostalgic world of traditional English teatime treats; Rosehips On a Kitchen Table, a manual for foragers, farmers market shoppers and allotment gardeners; Comfort, recipes to warm the heart and feed the soul; Bombay Lunch Box, about Anglo-Indian Tiffin with a contemporary twist; and Great British Cooking, covering everything from roast beef to making marmalade. -
A Review on Historical Earth Pigments Used in India's Wall Paintings
heritage Review A Review on Historical Earth Pigments Used in India’s Wall Paintings Anjali Sharma 1 and Manager Rajdeo Singh 2,* 1 Department of Conservation, National Museum Institute, Janpath, New Delhi 110011, India; [email protected] 2 National Research Laboratory for the Conservation of Cultural Property, Aliganj, Lucknow 226024, India * Correspondence: [email protected] Abstract: Iron-containing earth minerals of various hues were the earliest pigments of the prehistoric artists who dwelled in caves. Being a prominent part of human expression through art, nature- derived pigments have been used in continuum through ages until now. Studies reveal that the primitive artist stored or used his pigments as color cakes made out of skin or reeds. Although records to help understand the technical details of Indian painting in the early periodare scanty, there is a certain amount of material from which some idea may be gained regarding the methods used by the artists to obtain their results. Considering Indian wall paintings, the most widely used earth pigments include red, yellow, and green ochres, making it fairly easy for the modern era scientific conservators and researchers to study them. The present knowledge on material sources given in the literature is limited and deficient as of now, hence the present work attempts to elucidate the range of earth pigments encountered in Indian wall paintings and the scientific studies and characterization by analytical techniques that form the knowledge background on the topic. Studies leadingto well-founded knowledge on pigments can contribute towards the safeguarding of Indian cultural heritage as well as spread awareness among conservators, restorers, and scholars. -
Mandsaur PDF\2316
CENSUS OF INDIA 2011 MADHYA PRADESH SERIES -24 PART XII-A DISTRICT CENSUS HANDBOOK MANDSAUR VILLAGE AND TOWN DIRECTORY DIRECTORATE OF CENSUS OPERATIONS MADHYA PRADESH 2011 INDIA MADHYA PRADESH DISTRICT MANDSAUR To Kota To Chittorgarh N KILOMETRES To Kota !GANDHI SAGAR 4 2 0 4 8 12 16 HYDEL COLONY A C.D. B L O C K From Rampura B H A N P U R A H G To Kota A ! Sandhara BHANPURA To C Jhalrapatan ! J H U RS . R l J a b M !! Bhensoda ! ! ! ! m ! ! ! a ! h ! C ! ! E ! ! ! ! ! ! ! ! ! ! ! From Neemuch ! ! ! R ! ! ! ! ! I ! ! E ! ! T T C ! T N From Ajmer S C To Mandsaur I GAROTH RS ! ! ! J ( D ! ! !! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! MALHARGARH ! ! ! ! ! ! ! ! ! ! ! ! From Jiran ! ! ! ! ! ! ! ! ! ! ! ! C.D. B L O C K G ! A R O T H ! ! ( NARAYANGARH ! G ! ! R ! ! ! ! ! ! ! ! ! ! ! ! ! Boliya ! B ! To Kotri ! ! G !! ! ! ! Budha ! S ! ! ! RS ! ! ! ! ! D ! ! ! ! ! ! ! Chandwasa C.D. B L O C K M A L H A R G A R H ! ! ! . ! ! ! ! SHAMGARH Sh a R ! ! i vn ! N PIPLYA MANDI ! ! ! ! ! ! ! ! ! R RS G ! ! ! ! ! ! ! ! ! ! J ! ! RS ! ! ! Nahargarh ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! . ! ! ! ! ! ! ! RS ! G ! ! ! ! R A ! ! ! ! ! ! ! ! ! ! ! ! ! ! l ! ! ! ! ! ! ! ! ! ! ! ! ! !! ! ! ! a ! NH79 ! ! ! ! ! ! ! ! ! ! ! b ! ! ! ! ! ! ! m ! G ! ! ! a ! ! ! ! )M ! Kayampur h ! Multanpura ! H C A ! ! G)E ! SUWASRA H ! ! ! ! ! ! ! MANDSAUR ! G R ! RS P ! ! ! ( ! ! ! ! ! ! SH 14 ! C.D. B L O C K S I T A M A U ! ! E ! T ! ! SITAMAU ! Kilchipura !! ! ! ( R From ! ! ! ! G ! ! ! ! ! ! ! ! Pratappur ! ! !! ! ! ! ! ! Ladoona ! ! ! ! ! J ! ! ! S ! ! -
In the Heart of India
Au coeur de l'Inde Jours: 16 Prix: 1480 EUR Vol international non inclus Confort: Difficulté: Culture Ce voyage de seize jours au cœur de deux grands états de l’Inde centrale, le Madhya Pradesh et le Maharashtra, offre différents aspects. Dédié principalement au patrimoine architectural, il nous conduit sur les traces des anciens empires et offre, en cours de route, de magnifiques paysages. Notre voyage démarre dans la capitale indienne. Agra est la première étape du chemin du patrimoine. Le fort rouge et le Taj Mahal, véritable incarnation de l’amour, constituent les principaux monuments. Etape suivante, Gwalior, où le fort et ses dépendances en parfait état, abritent de très nombreux édifices historiques : temples, palais et réservoirs. La route, entre Gwalior et Khajuraho, donne l’occasion de visiter de petites bourgades, importantes sur le plan historique, telles Orcha ou Datia. Les sculptures, érotiques ou autres, ornant les murs des trois groupes de temples de Khajurao (tous inscrits au patrimoine mondial de l’humanité), sont certainement parmi les plus belles au monde. Près de Bhopal, halte au remarquable stupa de Sanchi, bel exemple d’architecture bouddhiste. D’autres étapes méritent une halte : Indore, Ujjain, Dhar, Mandu avant d’arriver à Aurangabad. La cité, qui doit son nom à l’illustre empereur moghol Aurangzeb, constitue le point de départ idéal pour explorer les célèbres grottes bouddhistes d’Ajanta et d’Ellora. Creusées dans le basalte entre les VI° et VIII° siècles, les artistes bouddhistes les ont remarquablement décorées. Après cette immersion historique, envol pour Mumbai. Le cœur de la cité a vu s’ériger quelques-uns des plus majestueux bâtiments coloniaux, mais il faut prendre le temps d’explorer les bazars, les temples hindous, les enclaves hipsters… Ici notre voyage se termine. -
Indian Archaeology 1994-95 a Review
INDIAN ARCHAEOLOGY 1994-95 — A REVIEW EDITED BY HARI MANJHI C. DORJE ARUNDHATI BANERJI PUBLISHED BY THE DIRECTOR GENERAL ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA JANPATH, NEW DELHI 2000 front cover : Gudnapura, general view of remains of a brick temple-complex back cover : Kanaganahalli, drum-slab depicting empty throne and Buddhdpada flanked by chanri bearers and devotees © 2000 ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA Price : Rs. 330.00 PRINTED AT M/S BENGAL OFFSET WORKS, 335, KHAJOOR ROAD, NEW DELHI - 110005 PREFACE In bringing out this annual Review after a brief gap of one month, I warmly acknowledge the contributions of all my colleagues in the Survey as also those in the State Departments, Universities and various other Institutions engaged in archaeological researches for supplying material with illustrations for inclusion in this issue. I am sure, that, with the co-operation of all the heads of respective departments, we will soon be able to further reduce the gap in the printing of the Review. If contributions are received in time in the required format and style, our task of expediting its publication will be much easier. The material incorporated herein covers a wide range of subjects comprising exploration and excavation, epigraphical discoveries, development of museums, radio-carbon dates, architectural survey of secular and religious buildings, structural/chemical conservation etc. During the period under review many new discoveries have been reported throughout the country. Among these the survey of buildings in and around Vrindavan associated with mythological tradition is particularly interesting. I would like to place on record my sincere thanks to my colleagues Shri Hari Manjhi, Shri C. -
List of Cooperative Societies / Banks Registered Under MSCS Act W.E.F. 1986 Onwards Principal Date of Registration No
List of Cooperative Societies / Banks registered under MSCS Act w.e.f. 1986 onwards Principal Date of Registration No. S No Name of the Cooperative and its address Area of operation Type Remarks place Registration and file No. 1 All India Scheduled Castes Development Coop. Society All India Delhi 5.9.1986 MSCS Act/CR-1/86 Welfare Ltd.11, Race Course Road, New Delhi 110003 L.11015/3/86-L&M 2 Tribal Cooperative Marketing Development federation All India Delhi 6.8.1987 MSCS Act/CR-2/87 Marketing of India(TRIFED), Savitri Sadan, 15, Preet Vihar L.11015/10/87-L&M Community Center, Delhi 110092 3 All India Cooperative Cotton Federation Ltd., C/o All India Delhi 3.3.1988 MSCS Act/CR-3/88 Federation National Agricultural Cooperative Marketing L11015/11/84-L&M Federation of India Ltd. Sapna Building, 54, East of Kailash, New Delhi 110065 4 The British Council Division Calcutta L/E Staff Co- West Bengal, Tamil Kolkata 11.4.1988 MSCS Act/CR-4/88 Credit Converted into operative Credit Society Ltd , 5, Shakespeare Sarani, Nadu, Maharashtra & L.11016/8/88-L&M MSCS Kolkata, West Bengal 700017 Delhi 5 National Tree Growers Cooperative Federation Ltd., A.P., Gujarat, Odisha, Gujarat 13.5.1988 MSCS Act/CR-5/88 Credit C/o N.D.D.B, Anand-388001, District Kheda, Gujarat. Rajasthan & Karnataka L 11015/7/87-L&M 6 New Name : Ideal Commercial Credit Multistate Co- Maharashtra, Gujarat, Pune 22.6.1988 MSCS Act/CR-6/88 Amendment on Operative Society Ltd Karnataka, Goa, Tamil L 11016/49/87-L&M 23-02-2008 New Address: 1143, Khodayar Society, Model Nadu, Seemandhra, & 18-11-2014, Colony, Near Shivaji Nagar Police ground, Shivaji Telangana and New Amend on Nagar, Pune, 411016, Maharashtra 12-01-2017 Delhi. -
Download Gwalior Fort
Gwalior Fort Gwalior Fort, Gwalior Gwalior Fort was built in 8th century and it consists of many palaces, temples, and other structures. The fort was built on a steep sandstone. Many rulers of different periods captured the fort and has seen many battles including the battles related to independence from the British. This tutorial will let you know about the history of the fort along with the structures present inside. You will also get the information about the best time to visit it along with how to reach the fort. Audience This tutorial is designed for the people who would like to know about the history of Gwalior Fort along with the interiors and design of the fort. This fort is visited by many people from India and abroad. Prerequisites This is a brief tutorial designed only for informational purpose. There are no prerequisites as such. All that you should have is a keen interest to explore new places and experience their charm. Copyright & Disclaimer Copyright 2017 by Tutorials Point (I) Pvt. Ltd. All the content and graphics published in this e-book are the property of Tutorials Point (I) Pvt. Ltd. The user of this e-book is prohibited to reuse, retain, copy, distribute, or republish any contents or a part of contents of this e-book in any manner without written consent of the publisher. We strive to update the contents of our website and tutorials as timely and as precisely as possible, however, the contents may contain inaccuracies or errors. Tutorials Point (I) Pvt. Ltd. provides no guarantee regarding the accuracy, timeliness, or completeness of our website or its contents including this tutorial.