Graphic Novels and Multimodal Literacy: a Reader Response Study
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Variations 2014
VARIATIONS 2014 VARIATIONS Literary and Creative Arts Magazine Volume 40 Spring 2014 North Allegheny Senior High School 10375 Perry Hwy. Wexford, PA 15090 Acknowledgements The staff of VARIATIONS would like to extend a sincere thank you to those who offered assistance and support in the publication of this magazine. Mr. Walt Sieminski Mr. Bill Young Mr. Matt Buchak Ms. Latoyia Reynolds Ms. Jeanne Giampetro Ms. Jayne Beatty Ms. Fran Hawbaker Mr. Jonathan Clemmer Ms. Sue Testa Ms. Deb Fawcett The NASH English Department Thank you to all who participated in our fundraiser. Thank you to the students who shared their creative talents. 1 VARIATIONS Staff Editor in Chief Editorial Department Erin McMahon Charlie Brickner David Matvey Artistic Editor Erin McMahon Meghan Straub Naria Quazi Bret Serbin PR/Business Editor Angela Zhang Literary Department Rebecca Beacham Artistic Department Alina Gross Gabby Glorioso Sarah Jie Abby Magee Lauren Kachinko Jack Stobba Shannon Piranian Shelby Stoddart Kayden Rodger Meghan Straub Jillian Schmidt Nicole Walton Business/Public Relations Emma-Jewel Hinston Layout Department Lizzie Kollah Sarah Heastings Angela Zhang Casey Quinn Faculty Advisors Mrs. Janellen Lombardi Mrs. Kathy Esposito 2 Staff Photo Staff members present in this picture: (front row) Meghan Straub, Erin McMahon, Angela Zhang (back row) Lauren Kachinko, Shelby Stoddart, Charlie Brickner, Bret Serbin, David Matvey, Jack Stobba, Sarah Jie, Jillian Schmidt, Sarah Heastings 3 Selection Process VARIATIONS Literary and Creative Arts Magazine is published annually by the North Allegheny Senior High School located at 10375 Perry Highway, Wexford, Pennsylvania 15090. The content of this magazine consists of text, artwork, and photographs submitted by juniors or seniors currently enrolled at North Allegheny Senior High School. -
UNWINNABLE MONTHLY Volume 5, Issue 11 - November 2018
ISSN 2572-5572 UNWINNABLE MONTHLY Volume 5, Issue 11 - November 2018 NON-BINARY CYBERPUNK • A HISTORY OF FLASH GAMES U N W I N N A B L E Monthly 109 Editor in Chief | Stu Horvath Managing Editor | Amanda Hudgins Senior Editor | James Fudge Design | Stu Horvath Asst. Editor | Jason McMaster Social Editor | Melissa King Copyright © 2018 by Unwinnable LLC Unwinnable All rights reserved. This book or any 820 Chestnut Street portion thereof may not be reproduced Kearny, NJ 07032 or used in any manner whatsoever without the express written permission www.unwinnable.com of the publisher except for the use of brief quotations in a book review. For more information, email: [email protected] Unwinnable LLC does not claim copyright of the screenshots and promotional Subscribe | Store | Submissions imagery herein. Copyright of all screenshots within this publication are owned by their respective companies This machine kills fascists. Shortform a brief introduction to the issueLetter from the editor | Stu horvath revisiting stories, new and oldBackLog | gavin Craig must-watch streaming documentariesdocumentary Sunday | megan CondiS selections of noteworthy metalthe uSurper| aStrid Budgor examining trends in fanfictionSeLf inSert | amanda hudginS searching for the reason behind the collective lolmemeScape | aLySe StanLey fictional companions and goth concernsthiS mortaL coyLe | deirdre CoyLe where videogames meet real lifecoLLiSion detection | Ben SaiLer ridiculing and revering everythingrookie of the year | matt marrone finding deeper meaninganother -
Bulletin of the Center for Children's Books
I LLINOI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. THE LAST TWO MONTHS OF THE / I B SHOW AFTER PEDRO HADPNEUMONIA, I HADTROUBLE SLEEPING. I WOULD WAKE UP AND I WAS AFRAID LISTEN TO HIM BREATHE. HE WOULD STOP. University of Illinois Graduate School of Library and Information Science University of Illinois Press j*- "In this intense, intelligent sequel to The Thief... Eugenides, the Queen of Eddis's official Thief, is captured by the ruthless young Queen of Attolia [who] has his right hand struck off. Reprisals escalate [as Turner focuses] on the Queen of Attolia, driven to hold power in her country, and on Eugenides, whose love for her struggles with stark terror after what she has done to him. Readers will be spellbound by the powerful webs of humor and sorrow, love and loyalty that bind this memorable cast together." -Starred review / Kirkus Reviews •^ "Thoroughly involving and wholly satisfying on all fronts." -Starred review / Horn Book •- "This spellbinder is devilishly well-plotted and grandly conceived." -Starred review / Publishers Weekly Ages 10 up. $15.95 Tr (0-688-17423-X) 1997 Newbery Honor Book THE THIEF $15.00 Tr (0-688-14627-9) B Greenwillow Books An imprint of HarperCollinsPublishers 1 ••0 AvpniP nof thp Amprirae Naw Yorlk NY 1 nl1 qf ,-cnm hemrhlrr I __ THE BULLETIN OF THE CENTER FOR CHILDREN'S BOOKS September 2000 Vol. 54 No. 1 A LOOK INSIDE 3 THE BIG PICTURE Pedro and Me: Friendship,Loss, and What I Learned written and illus. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Kirby: the Wonderthe Wonderyears Years Lee & Kirby: the Wonder Years (A.K.A
Kirby: The WonderThe WonderYears Years Lee & Kirby: The Wonder Years (a.k.a. Jack Kirby Collector #58) Written by Mark Alexander (1955-2011) Edited, designed, and proofread by John Morrow, publisher Softcover ISBN: 978-1-60549-038-0 First Printing • December 2011 • Printed in the USA The Jack Kirby Collector, Vol. 18, No. 58, Winter 2011 (hey, it’s Dec. 3 as I type this!). Published quarterly by and ©2011 TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. 919-449-0344. John Morrow, Editor/Publisher. Four-issue subscriptions: $50 US, $65 Canada, $72 elsewhere. Editorial package ©2011 TwoMorrows Publishing, a division of TwoMorrows Inc. All characters are trademarks of their respective companies. All artwork is ©2011 Jack Kirby Estate unless otherwise noted. Editorial matter ©2011 the respective authors. ISSN 1932-6912 Visit us on the web at: www.twomorrows.com • e-mail: [email protected] All rights reserved. No portion of this publication may be reproduced in any manner without permission from the publisher. (above and title page) Kirby pencils from What If? #11 (Oct. 1978). (opposite) Original Kirby collage for Fantastic Four #51, page 14. Acknowledgements First and foremost, thanks to my Aunt June for buying my first Marvel comic, and for everything else. Next, big thanks to my son Nicholas for endless research. From the age of three, the kid had the good taste to request the Marvel Masterworks for bedtime stories over Mother Goose. He still holds the record as the youngest contributor to The Jack Kirby Collector (see issue #21). Shout-out to my partners in rock ’n’ roll, the incomparable Hitmen—the best band and best pals I’ve ever had. -
Comic Books: Superheroes/Heroines, Domestic Scenes, and Animal Images
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1980 Volume II: Art, Artifacts, and Material Culture Comic Books: Superheroes/heroines, Domestic Scenes, and Animal Images Curriculum Unit 80.02.03 by Patricia Flynn The idea of developing a unit on the American Comic Book grew from the interests and suggestions of middle school students in their art classes. There is a need on the middle school level for an Art History Curriculum that will appeal to young people, and at the same time introduce them to an enduring art form. The history of the American Comic Book seems appropriately qualified to satisfy that need. Art History involves the pursuit of an understanding of man in his time through the study of visual materials. It would seem reasonable to assume that the popular comic book must contain many sources that reflect the values and concerns of the culture that has supported its development and continued growth in America since its introduction in 1934 with the publication of Famous Funnies , a group of reprinted newspaper comic strips. From my informal discussions with middle school students, three distinctive styles of comic books emerged as possible themes; the superhero and the superheroine, domestic scenes, and animal images. These themes historically repeat themselves in endless variations. The superhero/heroine in the comic book can trace its ancestry back to Greek, Roman and Nordic mythology. Ancient mythologies may be considered as a way of explaining the forces of nature to man. Examples of myths may be found world-wide that describe how the universe began, how men, animals and all living things originated, along with the world’s inanimate natural forces. -
Making the Case for LGBT Graphic Novels Jacqueline Vega Grand Valley State University
Language Arts Journal of Michigan Volume 30 | Issue 2 Article 8 4-2015 Making the Case for LGBT Graphic Novels Jacqueline Vega Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lajm Recommended Citation Vega, Jacqueline (2015) "Making the Case for LGBT Graphic Novels," Language Arts Journal of Michigan: Vol. 30: Iss. 2, Article 8. Available at: https://doi.org/10.9707/2168-149X.2070 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Language Arts Journal of Michigan by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. PRACTICE Making the Case for LGBT Graphic Novels JACQUELINE VEGA still remember the exact way my heart was pounding nothing in response. In addition, LGBT students who ex- as I stood in the front of a classroom for the very perienced higher levels of victimization were three times as first time. My senior year of high school, I was of- likely to miss school, have lower GPAs and lower levels of fered the opportunity to lead class lessons for a week self-esteem, and higher levels of depression (NSCS). Per- in a World Literatures class on the graphic novel haps even more disturbing is that less than twenty percent of IAmerican Born Chinese by Gene Luen Yang. American Born LGBT students were taught positive representations about Chinese (2006), a text that has become increasingly popular the LGBT community, and that nearly fifteen percent of stu- in English classrooms, tells a story of two teenage boys, one dents had been taught negative content (NSCS, my emphasis). -
Friday, October 29Th
fridayprogramming fridayprogramming FRIDAY, OCTOBER 29TH 2 p.m.-2:45 p.m. Jackendoff as he talks with comic kingpin Marv WEBCOMICS: LIGHTING ROUND! Wolfman (Teen Titans), veteran comic writer WRITERS WORKSHOP PRESENTED by Seaside Lobby and editor Barbara Randall Kesel (Watchman, ASPEN Comics Thinking of starting a webcomic, or just curious Hellboy), comic writer Jimmy Palmiotti (Jonah Room 301 as to how the world of webcomics differs Hex), Tom Pinchuk (Hybrid Bastards) and Mickey Join comic book writers J.T. Krul, Scott Lobdell, from print counter-parts? Join these three Neilson (World of Warcraft). David Schwartz, David Wohl, Frank Mastromauro, webcomics pros [Harvey-nominated Dave Kellett and Vince Hernandez as they discuss the ins and (SheldonComics.com /DriveComic.com), Eisner- HOW TO SURVIVE AS AN ARTIST outs of writing stories for comics. Also, learn tips nominated David Malki (Wondermark.com) and WITH Scott Koblish of the trade firsthand from these experienced Bill Barnes (Unshelved.com / NotInventedHere. Room 301 writers as they detail the pitfalls and challenges of com)] as they take you through a 25-minute A panel focusing on the lifelong practical questions breaking into the industry. Also, they will answer guided tour of how to make webcomics work an artist faces. Scott Koblish gives you tips on questions directly in this special intimate workshop as a hobby, part-time job, or full-time career. how to navigate a career that can be fraught with that aspiring writers will not want to miss. Then the action really heats up: 20 minutes of unusual stress. With particular attention paid to fast-paced Q&A, designed to transmit as much thinking about finances in a realistic way, stressing 5 p.m.-7 p.m. -
The Lawyer As Superhero: How Marvel Comics' Daredevil Depicts
Barry University School of Law Digital Commons @ Barry Law Faculty Scholarship Spring 5-2019 The Lawyer as Superhero: How Marvel Comics' Daredevil Depicts the American Court System and Legal Practice Louis Michael Rosen Barry University School of Law, [email protected] Follow this and additional works at: https://lawpublications.barry.edu/facultyscholarship Part of the Entertainment, Arts, and Sports Law Commons, Law and Society Commons, and the Legal Ethics and Professional Responsibility Commons Recommended Citation 47 Capital U. L. Rev. 379 (2019) This Article is brought to you for free and open access by Digital Commons @ Barry Law. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Digital Commons @ Barry Law. THE LAWYER AS SUPERHERO: HOW MARVEL COMICS’ DAREDEVIL DEPICTS THE AMERICAN COURT SYSTEM AND LEGAL PRACTICE LOUIS MICHAEL ROSEN* TABLE OF CONTENTS I. INTRODUCTION ................................................................................. 380 II. BACKGROUND: POPULAR CULTURE AND THE LAW THEORIES ....... 387 III. DAREDEVIL––THE STORY SO FAR ............................................... 391 A. Daredevil in the Sights of Frank Miller ....................................... 391 B. Daredevil Through the Eyes of Brian Michael Bendis ................ 395 C. Daredevil’s Journey to Redemption by David Hine .................... 402 D. Daredevil Goes Public, by Mark Waid ........................................ 406 IV. DAREDEVIL’S FRESH START AND BIGGEST CASE EVER, BY CHARLES SOULE ...................................................................................... 417 V. CONCLUSION .................................................................................... 430 Copyright © 2019, Louis Michael Rosen. * Louis Michael Rosen is a Reference Librarian and Associate Professor of Law Library at Barry University School of Law in Orlando, Florida. He would like to thank Professor Taylor Simpson-Wood, his mentor, ally, advocate, cheerleader, and ever-patient editor as he wrote this article. -
The Meecheegander Missives
The Meecheegander Missives: Information on Michigan and Detroit to Prepare Information and Referral Professionals for the 2011 AIRS Conference in the ‘D’ June 5 – 8, 2011 The Meecheegander Missives.doc i The original posts to the AIRS Networker listserve were made daily from April 10, 2011 to June 5, 2011. During June, July, and August, the posts were collected into a single document, corrected when necessary, reformatted, garnished with illustrations pirated from the Internet, and indexed. Final edits were made August 10, 2011. The Meecheegander Missives.doc ii Introduction When it was announced that the 2011 Annual Training and Education Conference of the Alliance of Information and Referral Systems (AIRS) was coming to Michigan, those of us on the board of the local affiliate, MI-AIRS, knew we had our work cut out for us. With the help of Sharon Galler (who has coordinated AIRS Conferences from coast to coast), we divvied up assignments and set to work. I volunteered to write an FAQ for the Conference (a copy of which can be found at the back of this document) to be posted on the MI-AIRS Web site. And I also impetuously volunteered to contribute daily postings promoting the conference to the AIRS Networker , the listserv that’s followed by most people in the profession of community information and referral. It seemed like a good idea at the time. I enjoy writing, and how much work could it take—15 or 20 minutes a day or so? WRONG. It wound up taking a lot more time and effort than I had anticipated. -
Author Title Shelving Location Price Kingsbury, Karen a Baxter Family
Author Title Shelving Location Price kingsbury, karen a baxter family christmas Adult Fiction $10.91 2016/10/25 perry, anne a christmas message Adult Fiction $10.92 2016/11/01 chambers, becky a closed and common orbit Adult Fiction $10.19 Release 03/14/2017 child, maureen a crazy kind of love Adult fiction $8.49 ON ORDER65164 lethem, jonathan a gamblers anatomy Adult Fiction $15.26 Release 10/18/2016 blackwell, juliet a ghostly light Adult Fiction $5.99 Release 07/04/2017 chizmar, richard a long december Adult Fiction $36.00 Release 10/31/2016 monroe, mary alice a lowcountry christmas Adult Fiction $10.91 Release 10/25/2016 weaver, ashley a most novel revenge Adult fiction $13.64 Release 10/11/2016 reay, katherine a portrait of emily price Adult Fiction $9.59 Release 11/01/2016 leman, kevin a primary decision Adult Fiction $8.99 Release 10/18/2016 hauck, rachel a royal christmas wedding Adult Fiction $5.99 Release 10/18/2016 harbison, elizabeth m a shoe addicts christmas Adult Fiction $9.82 Release 10/18/2016 terrell, jaden a taste of blood and ashes Adult Fiction $15.83 Release 09/30/2016 alexander, tasha a terrible beauty Adult fiction $14.19 Release 10/11/2016 wood, tom a time to die Adult Fiction $7.49 ON ORDER65489 camilleri, andrea a voice in the night Adult Fiction $9.60 2016/11/15 newman, emma after atlas Adult Fiction $9.00 Release 11/08/2016 morris, kevin all joe knight Adult Fiction $13.65 Release 12/06/2016 szalay, david all that man is Adult Fiction $14.20 Release 10/04/2016 harris, charlaine all the little liars Adult Fiction -
American Comics Group
Ro yThomas’ Amer ican Comics Fanzine $6.95 In the USA No. 61 . s r e d August l o SPECIAL ISSUE! H 2006 t h g i r FABULOUS y MICHAEL VANCE’S p o C FULL-LENGTH HISTORY OF THE e v i t c e p s e R 6 0 AMERICAN 0 2 © & M T COMICS GROUP– s r e t c a r a h C STANDARD NEDO R STANDARD //NEDO R ; o n a d r o i G COOMMIICCSS – k c i D 6 & THE SANGOR ART SHOP! 0 0 2 © t -FEATURING YOUR FAVORITES- r A MESKIN • ROBINSON • SCHAFFENBERGER WILLIAMSON • FRAZETTA • MOLDOFF BUSCEMA • BRADBURY • STONE • BALD HARTLEY • COSTANZA • WHITNEY RICHARD HUGHES • & MORE!! 08 1 82658 27763 5 Vol. 3, No. 61 / August 2006 ™ Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Production Assistant Eric Nolen-Weathington Cover Artist Dick Giordano Cover Colorist Contents Tom Ziuko And Special Thanks to: Writer /Editorial: Truth, Justice, &The American (Comics Group) Way . 2 Heidi Amash Heritage Comics Dick Ayers Henry R. Kujawa Forbidden Adventures: The History Of The American Comics Group . 3 Dave Bennett Bill Leach Michael Vance’s acclaimed tome about ACG, Standard/Nedor, and the Sangor Shop! Jon Berk Don Mangus Daniel Best Scotty Moore “The Lord Gave Me The Opportunity To Do What I Wanted” . 75 Bill Black Matt Moring ACG/Timely/Archie artist talks to Jim Amash about his star-studded career.