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The Epic Imagination in Contemporary Indian Literature
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School May 2017 Modern Mythologies: The picE Imagination in Contemporary Indian Literature Sucheta Kanjilal University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the South and Southeast Asian Languages and Societies Commons Scholar Commons Citation Kanjilal, Sucheta, "Modern Mythologies: The pE ic Imagination in Contemporary Indian Literature" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6875 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Modern Mythologies: The Epic Imagination in Contemporary Indian Literature by Sucheta Kanjilal A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a concentration in Literature Department of English College of Arts and Sciences University of South Florida Major Professor: Gurleen Grewal, Ph.D. Gil Ben-Herut, Ph.D. Hunt Hawkins, Ph.D. Quynh Nhu Le, Ph.D. Date of Approval: May 4, 2017 Keywords: South Asian Literature, Epic, Gender, Hinduism Copyright © 2017, Sucheta Kanjilal DEDICATION To my mother: for pencils, erasers, and courage. ACKNOWLEDGEMENTS When I was growing up in New Delhi, India in the late 1980s and the early 1990s, my father was writing an English language rock-opera based on the Mahabharata called Jaya, which would be staged in 1997. An upper-middle-class Bengali Brahmin with an English-language based education, my father was as influenced by the mythological tales narrated to him by his grandmother as he was by the musicals of Broadway impressario Andrew Lloyd Webber.
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Uttrakhand Seems to Cut Off the Students Instead Including Them
U T T A R A K H A N D: NEED FOR A COMPREHENSIVE ECO-STRATEGY EDITOR R.P. DHASMANA CO-EDITOR VIJAY LAXMI DHOUNDIYAL V.K. PUBLISHERS, DA-9A D.D.A. FLATS, MUNIRKA, NEW DELHI-110 067 Simen puu ————————————————————————————————————— First edition: January 2008. © RPD-VLD Published by the Convener, SADED, Mr. Vijay Pratap DA- 9A. D.D.A. Flats, Munirka, New Delhi-110 067 and Simen puu, Finland, Director. —————— Helsinki. Also Available at: 1- 2- 3- 4- Printed at:———————————————————————————————————————— ——————————————————————————————————————————— ii UTTARAKHAND : Need for a Comprehensive Eco-Strategy ■ Introductory Preface The present venture is an humble attempt by the editors of the work to make the entire region of Uttarakhand known to those interested in respect of all that one wants to know about it. Then only one can think in terms of its eco- development or establishing eco-development in the newly formed State. To evolve a strategy for achieving these objectives, one has to understand the geographical profile and historical perspective of the region, understand its milieu and ethos of its people as well, its cultural background, fairs and festivals, language, folk songs and dances, its resources, simple technologies for capacity building of women there, vocational education, entrepreneurship, problems and needs of the local population, health status of the people, movements launched by the people from time to time and scores of things to determine the right mode of development. Part ‘A’ of the book deals with Uttarakhand–ID, Part ‘B’ talks of various challenges before the emerging State of Uttarakhand, economic scenariao and viability and Part ‘C’ deals with searching a role model of intelligent industrialisation of the State, finding out the main resources and their utilisation for the development of the State and Administrative and Management problems as also the strategy and approach to realize the objectives for the State.
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LIST of CANDIDATES for WHOM CALL LETTER ISSUED Note
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To Download the PDF File
Representing the Unrepresentable: The Bollywood Partition Film Natasha Master Honours Degree Carleton University A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment Of the requirements for the degree of Master of Arts In Film Studies. Carleton University OTTAWA, Ontario December 4th, 2009 © 2009, Natasha Master Library and Archives Bibliothgque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'6dition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre r6f6rence ISBN: 978-0-494-64453-9 Our file Notre reference ISBN: 978-0-494-64453-9 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
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Revisions Best Student Essays of the University of North Carolina at Pembroke Vol
ReVisions Best Student Essays of The University of North Carolina at Pembroke Vol. 5, No. 1 Spring 2005 EACHUM B OEL J ReVisions: Best Student Essays is a publication designed to celebrate the finest nonfiction work composed by undergraduate students at The University of North Carolina at Pembroke. This issue was copyedited, designed, and produced by the students in PRE 345: Computer-Assisted Editing and Publication De- sign. Jeshannah Ayala Allen Barfield Davina Gilbert Barbara Gushrowski Michelle McLean Cindy Saylor Mark Schulman Sara Oswald, Instructor This publication is designed to provide students with an opportunity to publish nonfiction work Selection Committee composed at UNCP, and the essays published by ReVisions: Best Student Essays will demonstrate the finest Jeff Frederick writing produced by UNCP students. Dept. of History All submissions must be nominated by a UNCP faculty member. Faculty members are encouraged Kim Gunter Dept. of English, Theatre, and Languages to nominate their students’ best nonfiction work. Students who feel that they have a strong essay for Jamie Litty submission are encouraged to ask a faculty member to sponsor that essay. A nomination form is included Dept. of Mass Communications on page 40 of this issue; forms are also available in the English, Theatre, and Languages Department in Dial Humanities Building. Forms may be photocopied. Editor Papers may cover any topic within any field of study at UNCP. We do not publish fiction or poetry. Susan Cannata We encourage submissions from all fields and majors. Dept. of English, Theatre, and Languages All submissions must be accompanied by a nomination form. Students should fill out the nomina- Managing Editor tion form completely and sign it, granting permission to the editors to edit and publish the essay if ac- Sara Oswald cepted.
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Feature Selection Towards Soil Classification in the Context of Fertility Classes Using Machine Learning
International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-8 Issue-12, October 2019 Feature Selection towards Soil Classification in the context of Fertility classes using Machine Learning Janmejay pant, Pushpa Pant, Ashutosh Bhatt, Himanshu Pant, Nirmal Pandey to utilize the different type of land such as saline, alkaline Abstract: Soil is recognized as one of the most valuable entity wastelands by analyzing different soil fertility parameters which is responsible for sustaining life on the earth. It is clear such as fertility index and soil depletion index [4]. that Indian economy is largely dependent on agriculture. In India, for a large section of the population the sole or major source of earnings is agriculture. There are many factors which are II. DATA SET DESCRIPTION responsible in yield production and also affect agriculture. Soil is In order to classify soil data based on fertility level, the one of them and plays a crucial role in yield production. Soil nutrients are important aspects that contribute to soil fertility. In used data set was collected from one of the soil testing this paper we classify soil in the form of fertility index level using laboratories in Almora district (Uttarakhand).We have used machine learning. We induced rule model on training data and Rosetta tool for generating the rules through which we can apply this model on test data for making predictions for fertility further classify our data set and we make prediction for the level classes. In this paper we have used Rough Set method to test data. Based on the soil properties the fertility of soil is classify the data based on fertility level class and calculate the defined in three different levels.
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UNIT 4 QUEER(ING) CINEMA and Critical Analysis
Spectatorship, Censorship UNIT 4 QUEER(ING) CINEMA and Critical Analysis Himadri Roy Structure 4.1 Introduction 4.2 Objectives 4.3 Elements of Queer Cinema 4.4 Chronological Portrayal of Queer People 4.4.1 Portrayals from Independence till the Golden Era of 1970s 4.4.2 Portrayals from the Golden Era of 1970s till the 1990s 4.4.3 Recent Portrayals 4.5 Vernacular Queer Films of India 4.6 Queer Films Beyond Mainstream Cinema 4.7 Films Depicting Specific Queer Cultures 4.8 Let Us Sum Up 4.9 Unit End Questions 4.10 References 4.11 Suggested Readings 4.1 INTRODUCTION In the other units of this block, you have studied about gender, film making and cinema. Each unit focuses on different ways of reading a film. The first unit talks about how the camera becomes a mode of looking various ways of interpreting gender in a film. The second unit deals with the way the categories of gender are represented in cinema and the third unit attempts to define how the censor board of a country plays a pivotal role in determining what you as a spectator may expect from a film and the final product that reaches you. In this unit, you will learn more about how the ‘other’ gender or the queer category is represented in a film within a historical context. We will also examine how to trace the representation of groups known as LGBT or Lesbian-Gay-Bisexual-Transgender groups. 4.2 OBJECTIVES After going through this unit, you should be able to: • Describe the major elements of queer cinema; • Explain the different depictions of the queer people in different eras chronologically; • Talk about the other categories of films made in India; 129 Gender, Film and Cinema • Describe the vernacular queer cinema made in different regions of the country; and • Analyse how queer culture is portrayed in cinema.
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Poster Presentation Presenting Author Wise
Selected Abstract List Poster Presentation Presenting Author wise Presenting Roll Affiliation/Organization Discipline Cat. Title of Abstract Author* No Physics Department TEMPERATURE DEPENDENCE OF SOUND A. Kumar Gurukula Kangri Vishwavidyalya Physics 2 620 VELOCITY IN WATER Haridwar Department of Vegetable Sciences G.B. Pant University of Agriculture and Agricultural RATOONING IN CABBAGE HYBRIDS IN HIGH A.K. Sharma Technology 3 99 Sciences HILLS Pantnagar US Nagar Himalayan Institute of Pharmacy & Medical Science EVALUATION OF TINOSPORA INDICA Research including Aarti Bhatt 1 MUCILAGE AS A PHARMACEUTICAL 520 Atakfarm - Rajawala Pharmaceutical EXCIPIENT Dehradun Science Department of Zoology & Biotechnology ISOLATION AND SCREENING OF CELLULASE Biotechnology, Abhaya Shikhar H.N.B. Garhwal University PRODUCING THERMOPHILIC STRAINS AND Biochemistry & 1 162 Panwar (A Central University) ITS FERMENTATION ABILITY IN CELLULOSIC Microbiology Srinagar Garhwal BIOMASS (B.Tech ME-IV Sem.) PROMOTION OF GREEN TECHNOLOGY FOR Graphic Era Hill University Abhinav Madan Rural Technology 1 BEAUTIFICATION OF LAKES AND PONDS AS 632 Bhimtal A SOURCE OF ECOTOURISM PRODUCTS Nainital (UK) STRUCTURAL ANALYSIS AND PROTECTIVE Indian Veterinary Research Institute Veterinary Sciences EFFICACY OF RECOMBINANT 87 KDA OUTER Abhinendra Kumar Mukteswar & Animal 1 661 MEMBRANE PROTEIN (OMP87) OF Nainital Husbandry PASTEURELLA MULTOCIDA SEROGROUP B:2 Department of Pharmaceutical Chemistry Medical Science SYNTHESIS OF NEW PYRAZOLIDINE 3,5 Devsthali Vidyapeeth College of including
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UNIVERSIDAD DE MURCIA Departamento De Filología Inglesa
UNIVERSIDAD DE MURCIA Departamento de Filología Inglesa Shakespeare, Bollywood and Beyond Shakespeare Transnacional: Su presencia en Bollywood y en la Diáspora Dª. Rosa María García Periago OMNP= To Manolo ACKNOWLEDGEMENTS My primary thanks are for my supervisor Dra. Dña. Clara Calvo López for her support, encouragement, constructive comments and useful feedback for this dissertation. I also have to thank her for always believing in me and in my potential, since she first met me when I was a 2 nd year undergraduate student. She has always been very open-minded to all my ideas and suggestions, and it has been very rewarding to work under her supervision. I also have to thank my tutors during my research stays at Queen’s University Belfast, SOAS (School of Oriental and African Studies) and at King’s College (London), since this project would not have been the same without them. Prof. Mark Thornton Burnett (Queen’s University Belfast) provided me with the necessary background and style to write the dissertation. His careful reading along the way, constructive comments and illuminating conversations were crucial in the early stages of this dissertation. Prof. Rachel Dwyer (SOAS) taught me a considerable part of what I know of Bollywood cinema. I thank her for her enthusiasm, brilliance, interesting comments, but, above all, for letting me attend her Bollywood cinema classes and for encouraging me to learn Hindi language. Last, but not least, I owe thanks to Dr. Sonia Massai for her availability, her kindness and her help. This dissertation would not have been possible without the generous support on FPU scholarship granted by the Ministerio de Educación y Ciencia.
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Literature to Films: a Study of Select Women Protagonists in Hindi Cinema
LITERATURE TO FILMS: A STUDY OF SELECT WOMEN PROTAGONISTS IN HINDI CINEMA THESIS Submitted to GOA UNIVERSITY For the Award of the degree of Doctor of Philosophy in English by Mrs. Bharati P. Falari Under the Guidance of Dr. (Mrs.) K. J. Budkuley Professor & Head, Department of English, Goa University, Taleigao Plateau, Goa - 403206. October 2013 CERTIFICATE As required under the University Ordinance, OB-9.9(viii), I hereby certify that the thesis entitled, Literature to Films: A Study of Select Women Protagonists in Hindi Cinema, submitted by Mrs.Bharati P.Falari for the Award of the Degree of Doctor of Philosophy in English has been completed under my guidance. The thesis is the record of the research work conducted by the candidate during the period of her study and has not previously formed the basis for the award of any Degree, Diploma, Associateship, Fellowship or other similar titles to her by this or any other University. Dr. (Mrs.) K.J.Budkuley Research Guide Professor & Head Department of English, Goa University. Date: i DECLARATION As required under the University Ordinance OB-9.9(v), I hereby declare that the thesis entitled, Literature to Films: A Study of Select Women Protagonists in Hindi Cinema, is the outcome of my own research undertaken under the guidance of Dr. (Mrs.) K.J.Budkuley, Professor & Head, Department of English, Goa University. All the sources used in the course of this work have been duly acknowledged in the thesis. This work has not previously formed the basis of any award of Degree, Diploma, Associateship, Fellowship or other similar titles to me, by this or any other University.
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