Synthesizing Religions: Vasily Rozanov's “Phallic Christianity”
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The Other Face of Augustus's Aggressive Inclination to Egypt
Journal of Association of Arab Universities for Tourism and Hospitality Volume 12 - June 2015 - No 1 - Pages: (35 : 56) The Other Face of Augustus’s Aggressive Inclination to Egypt Wahid Omran Lecturer in Tourist Guidance Dep., Faculty of Tourism and Hotels, Fayoum University Introduction The initial attitude of Octavian against Egypt is proved by his speech to his troops on the evening before the battle of Actium. Pride in his Roman birth is compared to the despicability of an Egyptian woman as an opponent, who is supported by Dio Cassius reference.1 "Alexandrians and Egyptians- what worse or what truer name could one apply to them?- who worship reptiles and beasts as gods, who embalm their own bodies to give them semblance of immortality, who are most reckless in effrontery but most feeble in courage, and worst of all are slaves to a woman and not to a man". Since The Roman poet Virgile (70- 19 B.C), 2 the Romans opposed the animal – cult of the Egyptians, and considered these gods as monsters.3 The Egyptian character of the Augustus's opponents is related to the Augustan propaganda, represented the Augustus's war against Antony and Cleopatra not only a civil war between Rome and Egypt, but like a struggle between the West and the East. Whose Mark Antony was a traitor joined the powers of the East, whereas Octavian's victory in Actium was not only for himself, but basically for Rome and the Romans. This struggle was described in literature's documents as a civil strife or a foreign war.4 Augustus also knew he had a compensated war against Antony and Cleopatra as a republican magistrate crushing Oriental despotism.5 He is supported by the Roman society ethics and the star of the sacred Caesar, on the other hand, Antony, once a great Roman commander-in-chief, but now supported by a foreign army and followed by unnamed Egyptian spouse.6 The Romans considered the battle not only a military, but either a religious one between the Roman and the Egyptian Pantheons. -
Egyptian Religion a Handbook
A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries. -
Idols and Fetiches
IDOLS AND FETICHES. r.V JAMES n. S.MILF.Y. [conclusion.] The worship of stones has existed in various parts of the world. It was common in ancient America. Thus it is stated that among the Indians "stones are sometimes reverenced on account of their similarity to the human figure, or the figure of some animal. Such stones are called shiiigabazi'assiiis b}- the Ojibways. They have all the essential character of idols, and are supposed to be the local- ity [habitation] of some god \t the mouth of the Walla Walla two stones, human shaped, were thought to be two Kiuse girls metamorphosed by a jealous husband, and were worshiped. .Manv stones of the shape of men and women, found in Peru, are ac- cording to tradition [human] beings metamorphosed. Arriago men- tions the metamorphosis of men to stones, and the worship of those stones .... The Laches worshiped every stone as a god, and said they had all been men, and all men were converted into stones after death, and the day was coming wdien all stones would be raised as men [resurrection]. The shadows of stones were the manifestations of the gods in them.^o. .The Dacotahs claimed descent from a stone, and offered sacrifices to it, calling it grand- father. Thcv thought the spirit of their ancestor was present in this stone, which is their altar for national sacrifice. The Ojibways had such stones, which they called grandfather. ... Spirits [they believed] transmigrated into st(~)nes. and this made them objects of worship. .. .In Central America when a lord died a stone was put into his mouth to receive his soul. -
Rituals Related to Animal Cults
UCLA UCLA Encyclopedia of Egyptology Title Rituals Related to Animal Cults Permalink https://escholarship.org/uc/item/6wk541n0 Journal UCLA Encyclopedia of Egyptology, 1(1) Author Dodson, Aidan Publication Date 2009-07-16 Peer reviewed eScholarship.org Powered by the California Digital Library University of California RITUALS RELATED TO ANIMAL CULTS الطقوس المتعلقة بطوائف الحيوانات Aidan Dodson EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Dodson, 2009, Rituals Related to Animal Cults. UEE. Full Citation: Dodson, Aidan, 2009, Rituals Related to Animal Cults. In Jacco Dieleman, Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. ttp://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf7d0 1027 Version 1, July 2009 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf7d0 RITUALS RELATED TO ANIMAL CULTS الطقوس المتعلقة بطوائف الحيوانات Aidan Dodson Tierkulte Cultes des animaux Two kinds of cult animal existed in ancient Egypt: specific faunal representatives of a given deity that lived in a temple and were ceremonially interred, and creatures killed and mummified to act as votive offerings. The former are attested from the earliest times, while the latter date from the Late Period and later. عرف نوعان من طوائف الحيوانات بمصر القديمة: فكانت تمثل الحيوانات اﻵلھة وتسكن بالمعبد وتدفن بشكل مراسمي. وعرف ھذا من أول العصور المصرية، والنوع الثاني ھو قتل الحيوانات وتحنيطھا لتكون قرابين نذرية وھي عادة ظھرت بالعصر المتأخر وما بعده. hile there continues to be debate which reflected the deities’ iconic over precise definitions (cf. -
The Apis Cult from the New Kingdom to the Ptolemaic Period
Institutionen för arkeologi och antik historia The Apis cult from the New Kingdom to the Ptolemaic Period Ida Kingo Fig. 1. Apis bull statuette. BA thesis 15 credits in Egyptology Spring term 2020 Supervisor: Andreas Dorn Abstract Kingo, I. 2020. The Apis cult from the New Kingdom to the Ptolemaic Period. Kingo, I. 2020. Apiskulten från det Nya Riket till den Ptolemaiska perioden. In this thesis the main goal is to present a general overview of the development of the cult of Apis in a chronological perspective from the New Kingdom until the end of the Ptolemaic Period, as this has not been done in a condensed form with the different aspects of the cult and the venerated animal present. Classical theories, such as those used in archaeology, is not very applicable for this thesis, instead it will address and connect several aspects such as time, geographical space, religion and ideology of kingship to the Apis cult. The Apis cult is interesting because it was one of the more important animal cults in ancient Egypt. The time period chosen is the c. 1500 years between the New Kingdom and the Ptolemaic Period, because it was during this time that the cult experienced the most developments and had its golden era. The Apis cult ties together several important aspects of the ancient Egyptian society; the political, religious, ideology of kingship and the cultural sphere. The cult of Apis was one strongly connected to the ruling power, one such example is during the Persian conquer by king Cambyses II in c. 526 B.C.E., when his role as the regent in Egypt was not seen as entirely legitimate by the Egyptians until he had participated in the burial ceremonies of the Apis bull. -
First Peter 1:6-9 3-28-04 P
1 Exodus 9:1-7 October 9, 2016 AM God Is A Warrior Exodus EX1612 “Slaughtering Sacred Cows” INTRODUCTION: We’ve all heard the American idiom: “slaughtering sacred cows.” 1. If you go to a dictionary for a definition of a “sacred cow” you’ll find this: a) Collins English Dictionary: (informal) a person, institution, custom, etc., unreasonably held to be above criticism. b) an idea, custom, or institution held, especially unreasonably, to be above criticism (with reference to the Hindu’s respect for the cow as a sacred animal) c) Merriam-Webster: someone or something that has been accepted or respected for a long time, and that people are afraid or unwilling to criticize or question; one that is often unreasonably immune from criticism or opposition. d) notice the repeated use of the word unreasonably 2. www.phrases.org (the Phrase Finder) This term is an allusion to the Hindu reverence for cows. The first use in English that I have found of the term ‘sacred cow’ as a description of the recipient of that long-standing Hindu veneration is in an American newspaper from the 1850’s. The figurative use of the term ‘sacred cow’, to refer to a project or process that is immune from tampering, is American in origin and also dates from the late 19th century. A piece in the New York Herald in March 1890, uses a simile that comes close to that metaphorical use: “While the great ditch may be regarded as one of the commercial diversities of the commonwealth, to worship it as a sort of sacred cow is not necessarily a work of true statesmanship.” 3. -
Theriomorphic Forms: Analyzing Terrestrial Animal- Human Hybrids in Ancient Greek Culture and Religion
Theriomorphic Forms: Analyzing Terrestrial Animal- Human Hybrids in Ancient Greek Culture and Religion Item Type text; Electronic Thesis Authors Carter, Caroline LynnLee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 21:29:46 Link to Item http://hdl.handle.net/10150/633185 THERIOMORPHIC FORMS: ANALYZING TERRESTRIAL ANIMAL-HUMAN HYBRIDS IN ANCIENT GREEK CULTURE AND RELIGION by Caroline Carter ____________________________ Copyright © Caroline Carter 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF RELIGIOUS STUDIES AND CLASSICS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 THE UNIYERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master's Committee, we certi$ that we have read the thesis prepared by Caroline Carter titled Theriomorphic Forms: Analyzing Terrestrial Animal-Humøn Hybrids in Ancíent Greek Culture and Religion and reç¡¡ü¡sr6 that it be accepted as firlfilling the disse¡tation requirement for the Master's Degree. G Date: + 26 Z¿f T MaryV o 1.011 ,AtÌ.r.ln Date: \l 41 , Dr. David Gilman Romano - 4*--l -r Date; { zé l2 Dr. David Soren r) øate:4'2 6 - l\ Dr. Kyle Mahoney Final approval and acceptance of this thesis is contingent upon the candidate's submission of the final copies of the thesis to the Graduate College. -
The Temple of Solomon
THE TEMPLE OF SOLOMON. A DEDUCTIVE STUDY OF SEMITIC CULTURE. BY PHILLIPS ENDECOTT OSGOOD. [conclusion.] DECORATIVE AND SYMBOLIC DETAILS. If it is natural to approach the work of reconstructing" the Tem- ple in a tentative spirit, it is many times more natural so to approach the more widely and diversely evidenced and much discussed symbol- ism of the Temple's details, especially the twin pillars that stood in the porch of the Temple, Jachin and Boaz ; for the question of their form is bound up firmly with that of their significance and is largely dependent rpon it. The interest of the Temple, too, must be more in such live evidences of ancient thought and culture than in the reshaping of hard stones, whose cold outlines, even when blended into the organic unity of the building, must be more or less the end-in-itself, rather than the interpretive means to an under- standing of the humanity which made it. Details are more illumi- native than architectural entireties, for the very reason that they best can express concrete thoughts and moods. I. In the beginning of this thesis I found it convenient to pre- suppose the necessity of two axioms, claiming them to be construc- tive data for my argument. The former of them was this, that Judaism embodies a religious genius as yet not unique. I must claim its aid once more at the crux of this present puzzle, repeating that 'in spite of the superiority over neighboring faiths which comes to the worship of Yahveh from its dawning henotheistic monotheism, there are common elements still retained, proclaiming blood relation- ship zvith the rest of the Semitic zuorld, hozaerer polytheistic it may be." It is hard not to believe that in the Temple we find the symbols THE TEMPLE OF SOLOMON. -
Distribution Agreement in Presenting This Thesis As a Partial Fulfillment Of
Distribution Agreement In presenting this thesis as a partial fulfillment of the requirements for a degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis in whole or in part in all forms of media, now or hereafter known, including display on the World Wide Web. I understand that I may select some access restrictions as part of the online submission of this thesis. I retain all ownership rights to the copyright of the thesis. I also retain the right to use in future works (such as articles or books) all or part of this thesis. Melissa Mair April 14, 2012 The Transformation of a Goddess: Depictions of Isis throughout the Ancient Mediterranean World By Melissa Mair Dr. Gay Robins Adviser Department of Art History Dr. Gay Robins Adviser Dr. Bonna Wescoat Committee Member Dr. Sandra Blakely Committee Member 2012 The Transformation of a Goddess: Depictions of Isis throughout the Ancient Mediterranean World By Melissa Mair Dr. Gay Robins Adviser Department of Art History An Abstract of a thesis submitted to the Faculty of Emory College of Arts and Sciences of Emory University in partial fulfillment of the requirements of the degree of Bachelor of Arts with Honors Department of Art History 2012 Abstract The Transformation of a Goddess: Depictions of Isis throughout the Ancient Mediterranean World By Melissa Mair The cult of the goddess Isis spread from Egypt out to Greece and Rome, where Isis became one of the most celebrated goddesses in the Ancient Mediterranean world. -
Danaus Βουγενής: Greco-Egyptian Mythology and Ptolemaic Kingship Alexandros Kampakoglou
Danaus βουγενής: Greco-Egyptian Mythology and Ptolemaic Kingship Alexandros Kampakoglou HE THIRD BOOK of Callimachus’s Aetia opens with an elegy that celebrates the chariot victory of Queen Berenice II in the Nemean games (frr.54–60j).1 Accord- T 2 ing to the introductory couplet, the Victoria Berenices is offered by Callimachus to Zeus and Nemea as a gift on behalf of his patron, Berenice II: Ζηνί τε κα⸤ὶ Νεµέηι τι χαρίσιον ἕδνον ὀφείλω⸥, νύµφα, κα[σιγνή]τ̣ων ἱερὸν αἷµα θεῶν, ἡµ[ε]τ̣ερο.[......].εων ἐπινίκιον ἵππω̣[ν]. To Zeus and Nemea I owe a gift of gratitude, nymph, sacred blood of the sibling gods, our victory song […] of horses. Zeus and Nemea appear as the receivers of Callimachus’ gift because of their connection with the Nemean games: the myth of the Victoria Berenices narrates the killing of the Nemean lion but memorializes the creation by Heracles of the wreath that Nemean victors received as a prize. The mythic part of the poem concludes with a sacrifice to Zeus performed jointly by Heracles and Molorcus (fr.60c.8–10). The frame mirrors, in this regard, the actions of the myth: Heracles offers a sacrifice to his divine father with the assistance of his host, Molorcus; Berenice consecrates the elegy to Zeus, the divine progenitor of 1 I cite the edition of A. Harder, Callimachus. Aetia I–II (Oxford 2012); translations are my own. 2 This is the title given to the first elegy of Book 3 by P. J. Parsons, “Cal- limachus: Victoria Berenices,” ZPE 25 (1977) 1–51. -
From Roman to Romanesque : Some Possible Sources of Various Elements of Romanesque Iconography
From Roman to Romanesque : Some possible sources of various elements of Romanesque Iconography. Introduction The Romanesque Renaissance flourished simultaneously all over Christendom, wherever the Roman Empire had left monuments extant or capable of being unearthed. Elements of classical iconography as well as of architecture and decorative details were re-used, hence the term “Romanesque”. In some cases there may have been a deliberate intention to supplant earlier religions by subsuming them within Christian images. The scope of this paper is not to explore the significance of the images except where there is an obvious divergence in their meanings over the centuries, but rather to indicate earlier use of some Romanesque images in Pagan times. I have not touched on decoration without human or animal content as this has already been covered by the late René Crozet in “Survivances Antiques dans le décor Roman”. Summary Paleo-Christian representations using Pagan iconography The cult of Sabazios as a possible source for some elements found in Romanesque art including the “femme au serpent” image Sabazios becomes identified with Mithras, the importance of bulls and rams in sculpture, associated worship of Cybele, taurobolic altars Mithraic religion associated with the signs of the Zodiac, Zodiac images used in Romanesque sculpture Mythological creatures such as centaurs and mermaids, hybrid monsters and grotesque people, blowers of horns and trumpets, hunting scenes Foliate masks, masks spewing vegetation, heads surrounded by foliage Paleo-Christian representations using Pagan iconography A typical example is this mosaic of Jesus as Sol or Helios, the Sun God, from the tomb of the Julii family in the Vatican grottos, under St Peter’s, Rome : Fig 1 : Jesus as Sun God, Rome Note the liberal use of vine leaves : Jesus is also the True Vine, and Christians may have wished to establish His supremacy over the cult of Dionysos as well as of Apollo. -
Perceptions of the Serpent in the Ancient Near East: Its Bronze Age Role in Apotropaic Magic, Healing and Protection
PERCEPTIONS OF THE SERPENT IN THE ANCIENT NEAR EAST: ITS BRONZE AGE ROLE IN APOTROPAIC MAGIC, HEALING AND PROTECTION by WENDY REBECCA JENNIFER GOLDING submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject ANCIENT NEAR EASTERN STUDIES at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR M LE ROUX November 2013 Snake I am The Beginning and the End, The Protector and the Healer, The Primordial Creator, Wisdom, all-knowing, Duality, Life, yet the terror in the darkness. I am Creation and Chaos, The water and the fire. I am all of this, I am Snake. I rise with the lotus From muddy concepts of Nun. I am the protector of kings And the fiery eye of Ra. I am the fiery one, The dark one, Leviathan Above and below, The all-encompassing ouroboros, I am Snake. (Wendy Golding 2012) ii SUMMARY In this dissertation I examine the role played by the ancient Near Eastern serpent in apotropaic and prophylactic magic. Within this realm the serpent appears in roles in healing and protection where magic is often employed. The possibility of positive and negative roles is investigated. The study is confined to the Bronze Age in ancient Egypt, Mesopotamia and Syria-Palestine. The serpents, serpent deities and deities with ophidian aspects and associations are described. By examining these serpents and deities and their roles it is possible to incorporate a comparative element into his study on an intra- and inter- regional basis. In order to accumulate information for this study I have utilised textual and pictorial evidence, as well as artefacts (such as jewellery, pottery and other amulets) bearing serpent motifs.