The Catacombs of Anubis at North Saqqara
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Sarapis, Isis, and the Ptolemies in Private Dedications the Hyper-Style and the Double Dedications
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 28 | 2015 Varia Sarapis, Isis, and the Ptolemies in Private Dedications The Hyper-style and the Double Dedications Eleni Fassa Electronic version URL: http://journals.openedition.org/kernos/2333 DOI: 10.4000/kernos.2333 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 October 2015 Number of pages: 133-153 ISBN: 978-2-87562-055-2 ISSN: 0776-3824 Electronic reference Eleni Fassa, « Sarapis, Isis, and the Ptolemies in Private Dedications », Kernos [Online], 28 | 2015, Online since 01 October 2017, connection on 21 December 2020. URL : http://journals.openedition.org/ kernos/2333 ; DOI : https://doi.org/10.4000/kernos.2333 This text was automatically generated on 21 December 2020. Kernos Sarapis, Isis, and the Ptolemies in Private Dedications 1 Sarapis, Isis, and the Ptolemies in Private Dedications The Hyper-style and the Double Dedications Eleni Fassa An extended version of this paper forms part of my PhD dissertation, cited here as FASSA (2011). My warmest thanks to Sophia Aneziri for her always insightful comments. This paper has benefited much from the constructive criticism of the anonymous referees of Kernos. 1 In Ptolemaic Egypt, two types of private dedications evolved, relating rulers, subjects and gods, most frequently, Sarapis and Isis.1 They were formed in two ways: the offering was made either to Sarapis and Isis (dative) for the Ptolemaic kings (ὑπέρ +genitive) — hereafter, these will be called the hyper-formula dedications2 — or to Sarapis, Isis (dative) and the Ptolemaic kings (dative), the so-called ‘double dedications’. -
ROSETTA/OSIRIS Observations of the 67P Nucleus During the April 2016 flyby: High-Resolution Spectrophotometry
ROSETTA/OSIRIS observations of the 67P nucleus during the April 2016 flyby: high-resolution spectrophotometry accepted in A&A, DOI:10.1051/0004-6361/201833807 C. Feller1 [Corresponding author: clement.feller-at-obspm.fr], S. Fornasier1, S. Ferrari2, P.H. Hasselmann1 , A. Barucci1, M. Massironi2, J.D.P Deshapriya1 , H. Sierks3, G. Naletto4,5,6, P. L. Lamy7, R. Rodrigo8,9, D. Koschny10, B.J.R. Davidsson11 , J.-L. Bertaux7, I. Bertini4, D. Bodewits12, G. Cremonese13, V. Da Deppo6, S. Debei14, M. De Cecco15, M. Fulle16, P. J. Gutiérrez17, C. Güttler3, W.-H. Ip18,19, H. U. Keller20,21, L. M. Lara17, M. Lazzarin12, J. J. López- Moreno17, F. Marzari4, X. Shi3, C. Tubiana3 , B. Gaskell22, F. La Forgia4 , A. Lucchetti13,S. Mottola21, M. Pajola13, F. Preusker21, and F. Scholten21 1LESIA, Observatoire de Paris, PSL Research University, CNRS, Univ. Paris Diderot, Sorbonne Paris Cité, Sorbonne Université, 5 Place J. Janssen, Meudon Cedex 92195, France 2Center of Studies and Activities for Space (CISAS) G. Colombo, University of Padova, Via Venezia 15, 35131 Padova, Italy 3Max-Planck-Institut für Sonnensystemforschung, Justus-von-Liebig-Weg, 3, 37077, Goettingen, Germany 4University of Padova, Department of Physics and Astronomy “Galileo Galilei”, Via Marzolo 8, 35131 Padova, Italy 5University of Padova, Center of Studies and Activities for Space (CISAS) “G. Colombo”, Via Venezia 15, 35131 Padova, Italy 6CNR-IFN UOS Padova LUXOR, Via Trasea, 7, 35131 Padova, Italy 7LATMOS, CNRS/UVSQ/IPSL, 11 boulevard d’Alembert,78280, Guyancourt, France 8Centro de -
The Other Face of Augustus's Aggressive Inclination to Egypt
Journal of Association of Arab Universities for Tourism and Hospitality Volume 12 - June 2015 - No 1 - Pages: (35 : 56) The Other Face of Augustus’s Aggressive Inclination to Egypt Wahid Omran Lecturer in Tourist Guidance Dep., Faculty of Tourism and Hotels, Fayoum University Introduction The initial attitude of Octavian against Egypt is proved by his speech to his troops on the evening before the battle of Actium. Pride in his Roman birth is compared to the despicability of an Egyptian woman as an opponent, who is supported by Dio Cassius reference.1 "Alexandrians and Egyptians- what worse or what truer name could one apply to them?- who worship reptiles and beasts as gods, who embalm their own bodies to give them semblance of immortality, who are most reckless in effrontery but most feeble in courage, and worst of all are slaves to a woman and not to a man". Since The Roman poet Virgile (70- 19 B.C), 2 the Romans opposed the animal – cult of the Egyptians, and considered these gods as monsters.3 The Egyptian character of the Augustus's opponents is related to the Augustan propaganda, represented the Augustus's war against Antony and Cleopatra not only a civil war between Rome and Egypt, but like a struggle between the West and the East. Whose Mark Antony was a traitor joined the powers of the East, whereas Octavian's victory in Actium was not only for himself, but basically for Rome and the Romans. This struggle was described in literature's documents as a civil strife or a foreign war.4 Augustus also knew he had a compensated war against Antony and Cleopatra as a republican magistrate crushing Oriental despotism.5 He is supported by the Roman society ethics and the star of the sacred Caesar, on the other hand, Antony, once a great Roman commander-in-chief, but now supported by a foreign army and followed by unnamed Egyptian spouse.6 The Romans considered the battle not only a military, but either a religious one between the Roman and the Egyptian Pantheons. -
Egyptian Religion a Handbook
A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries. -
Ancient Egyptian Religion on the Silver Screen: Modern Anxieties About Race, Ethnicity, and Religion Caroline T
University of the Pacific Scholarly Commons College of the Pacific aF culty Articles All Faculty Scholarship 10-1-2003 Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion Caroline T. Schroeder Cornell University, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/cop-facarticles Part of the History of Religion Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Schroeder, Caroline T. (2016) "Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 1. Available at: http://digitalcommons.unomaha.edu/jrf/vol7/iss2/1 This Article is brought to you for free and open access by the All Faculty Scholarship at Scholarly Commons. It has been accepted for inclusion in College of the Pacific aF culty Articles by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. Journal of Religion & Film Volume 7 Article 1 Issue 2 October 2003 12-14-2016 Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion Caroline T. Schroeder Ithaca College, [email protected] Recommended Citation Schroeder, Caroline T. (2016) "Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 1. Available at: http://digitalcommons.unomaha.edu/jrf/vol7/iss2/1 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. -
Practicing Medicine in Ancient Egypt
Practicing Medicine in Ancient Egypt Michael R. Zimmerman March 28, 2017 Michael Zimmerman is Adjunct Professor of Biology at Villanova University, Lecturer in Anthropology at the University of Pennsylvania, and Visiting Professor at the University of Manchester (UK) KNH Centre for Biomedical Egyptology. et us start by imagining what Albert Einstein called a “thought experiment.” It is the year 5015 CE L and an excavation of an ancient hospital, ca. 2016 CE, uncovers an ancient book, written on paper rather than on the current electronic device. Although the book is in poor condition there is a partial hieroglyphic title, transcribed by an Egyptologist and a paleopathologist as Merck Manual. The book seems to be a compilation of disease descriptions and treatments by a long forgotten Dr. Merck. The diseases are difficult to decipher in an era when humans live to the age of 150 and die only when aged organs fail. It appears that the body could be attacked by minute parasitic organisms, visible only with an ancient tool called a “microscope.” Some cells appear to have taken on a life of their own, destroying the body by causing diseases known by a variety of poorly preserved terms such as “cancer” or “neoplasm.” The task of our future paleopathologist is analogous to that of the difficult undertaking of deciphering ancient Egyptian medical papyri. There are a number of surviving papyri, in various degrees of completeness, which have been studied by physicians and Egyptologists. They have done remarkably well, particularly in that the writing is mostly in the difficult hieratic rather than hieroglyphic text. -
Newsletter 30
TheRundle Foundation fortrgWtianfuchaeology NEWSLETTER No. 30 October 1989 \.--JJ \ 2...= ZTrq ),,f\f' { \'-'" - \ti \\lil11lrN'. {. - 4," '-' /Lt:l''' r{7 The recording of the second of the two RamessideTombs at EL-Mashayikh was completed during the 1988/9 season and work on the pubrication of the naterial is progressing wel1. The chapel of the lomb is very unprepossessing in size, but by contrast, the subterranean burial charnberis surprisingry large, severaL tines the size of the upper chapel. rn fact it i.s a whole complex of chambers - one large centrar one with 5 others J-eadingoff fron it. This suggests that the tomb was a farnily comprex, a conclusion borne out by the inscriptional evidence. The main owner was the Royal scribe and Archivist rmiseba, but two of his sons have a prominent place in the inscriptions, one calIed Nebnetjeru, a chief steward of Khonsu, Archivist and Army scribe, the other, peilnehit, an army scribe. Other sons nentioned are a scribe of pharaoh, Amenemope,and a Kaemwenu. As wel-l as the usual funerary scenes and inscriptions, the chapel arso has an interesting, and for the Ramessideperiod unusual, series of reliefs depi-cting activities of daily life - ploughing and sowing, catching and drying fish, a fowl-yard scene, and a scene of rmiseba seated on a chair in his office with other scribes sitting on the froor in front of hin with their chests of papyrus rol,ls. TMHOTEP lParF II of ,Jin walker's article on the Vizier & Architect of Djoser who became Imouthes /AsklePios ) Manetho, a Graeco-Egryptianhistorian who lived in early Ptolemaic tines, encapsulated those attributes of Imhotep for which he was then most renowned; "he (Imhotep) was styled Aesculapius by the Egyptians because of his medical skill. -
Ancient Egyptian Dieties
Ancient Egyptian Dieties Amun: When Amun’s city, Thebes, rose to power in the New Kingdom (1539-1070 B.C.), Amun became known as the “King of the Gods.” He was worshipped as the high god throughout Egypt. Able to take many shapes, Amun was sometimes shown as a ram or goose, but was usually shown in human form. He is fundamentally a Creator God and his name, Amun, means “The Hidden One.” Amun-Re: Originating in the Middle Kingdom, (2055 - 1650 B.C.), Amun-Re is a fusion of the Gods Amun and Re. He combined the invisible power of creation and the power visible in heat and light. Anubis: Usually represented as a black jackal, or as a human with a canine head, Anubis was a guardian of mummies, tombs, and cemeteries, as well as an escort of the deceased to the afterlife. Atum: According to the most ancient Egyptian creation myths, Atum is the creator of the world. He also brought the first gods Shu (air), Tefnut (water), Geb (earth), and Nut (sky) to Egypt. He is also god of the setting sun. Atum was represented in many forms such as a human, a human with the head of a ram, and a combination of an eel and a cobra. Bastet: Originating as early as Dynasty II (2820-2670 B.C.), Bastet was represented as a cat or a woman with a lioness’s head. She eventually became Egypt’s most important “cat goddess.” If Bastet took the form of a cat she was considered content, but if Bastet was a lioness she was considered an angry goddess. -
LO to Be Able to Discuss the Ancient Egyptian Gods and Goddesses
L.O. to be able to discuss the Ancient Egyptian gods and goddesses NAME: Ra GOD OF: the sun Ra was the most important god to all the Egyptians. It was believed that he was swallowed by Nut the sky goddess every night and born again in the morning. The Egyptians also believed that Ra travelled through the underworld at night, where he appeared as a man with the head of a ram! NAME: Anubis GOD OF: the dead and the process of embalming It was thought that jackals watched over the dead as they were seen in cemeteries a lot. Anubis helped to embalm Osiris when he was killed by Seth. Egyptian priests would wear a mask of Anubis during mummification ceremonies. NAME: Osiris GOD OF: the dead and the underworld. Osiris was also a god of resurrection and fertility. The Egyptians believed that he gave them the gift of their most important crop, barley. Osiris was the husband of Isis and the father of Horus. NAME: Nut and Geb GOD/GODDESS OF: Nut – the sky, Geb – the earth Nut’s body is stretched across the sky and covered in stars. She and Geb are the parents of Isis and Osiris. Nut is the sister/wife of Geb and it is believed that Nut swallowed Ra, the sun god at the end of every day and gave birth to him again in the morning. It was believed that earthquakes are caused by Geb’s laughing. NAME: Sekhmet GODDESS OF: war Sekhmet means ‘the powerful one’! She is sometimes called the daughter of the sun god Ra. -
Idols and Fetiches
IDOLS AND FETICHES. r.V JAMES n. S.MILF.Y. [conclusion.] The worship of stones has existed in various parts of the world. It was common in ancient America. Thus it is stated that among the Indians "stones are sometimes reverenced on account of their similarity to the human figure, or the figure of some animal. Such stones are called shiiigabazi'assiiis b}- the Ojibways. They have all the essential character of idols, and are supposed to be the local- ity [habitation] of some god \t the mouth of the Walla Walla two stones, human shaped, were thought to be two Kiuse girls metamorphosed by a jealous husband, and were worshiped. .Manv stones of the shape of men and women, found in Peru, are ac- cording to tradition [human] beings metamorphosed. Arriago men- tions the metamorphosis of men to stones, and the worship of those stones .... The Laches worshiped every stone as a god, and said they had all been men, and all men were converted into stones after death, and the day was coming wdien all stones would be raised as men [resurrection]. The shadows of stones were the manifestations of the gods in them.^o. .The Dacotahs claimed descent from a stone, and offered sacrifices to it, calling it grand- father. Thcv thought the spirit of their ancestor was present in this stone, which is their altar for national sacrifice. The Ojibways had such stones, which they called grandfather. ... Spirits [they believed] transmigrated into st(~)nes. and this made them objects of worship. .. .In Central America when a lord died a stone was put into his mouth to receive his soul. -
The Masterpiece of a Demigod Modern Architecture Carried Back Fifty Centuries by This Amazing Discovery by Dr
April THE 11 Independent 1925 The Masterpiece of a Demigod Modern Architecture Carried Back Fifty Centuries by this Amazing Discovery By Dr. George A.Reisner Head of the Boston-Harvard Expedition Inventing Crime by Statute By Prof. Fred E. Haynes Spring Book Number Reviews of the Season’s "Books VOLUME114 NUMBER3906 Five Dollars a Year Fifteen Cents a Copy 400 THE INDEPENDENT Vol. 114,No. 3906 The Masterpiece of a Demigod The Story of the Recent Amazing Discovery of the First Stone Building in the World By Dr. George A. Reisner a result of the IV, Philopater, and at discovery of the Dr. Reisner, the foremost Egyptologist in Medinet Habu with Ptolemy funerary temple America today, and chief of the Harvard Univer- emy IX, Euergetes 11. ofAs King Zoser of Dynasty sity-Boston Museum Expedition which recently Priests of the god Imhotep ‘reported the important discovery of an intact hotep are known, and a III who reigned as king tomb of the Fourth Dynasty, has received the in Upper and Lower cabled permission of the Egyptian Government to number of bronze figures Egypt about 3100 B.c., tell the amazing tale unfolded here-the story which were probably votive every book on Egyptian of the,first stone building in the world, the Temple tive offerings to him. architecture and art is of Zoser, and of that mysterious Imhotep, now Every scribe when preparing identified for the first time as the temple’s creative rendered obsolete and genius. The story coming from the excavations paring to write poured will have to be rewritfen. -
Statuette of a Snake-Legged Anubis in the National Museum, Warsaw 214 ALEKSANDRA MAJEWSKA
INSTITUT DES CULTURES MÉDITERRANÉENNES ET ORIENTALES DE L’ACADÉMIE POLONAISE DES SCIENCES ÉTUDES et TRAVAUX XXV 2012 ALEKSANDRA MAJEWSKA Statuette of a Snake-legged Anubis in the National Museum, Warsaw 214 ALEKSANDRA MAJEWSKA Among the images of Egyptian gods on display in the gallery of Ancient Egyptian Art at the National Museum in Warsaw there is an exceptional fi gurine of bronze with a jackal’s head, torso of a man and serpentine coils instead of legs. It is undoubtedly a representa- tion of Anubis, but suffi ciently unique to merit a broader commentary than the brief notes published on its subject so far.1 The iconographic and stylistic distinctness with regard to canonical representations of Anubis in Egyptian art indicate a background in the artistic production of an age in which a native tradition coexisted with Graeco-Roman culture. The Anubis statuette from the Warsaw National Museum is of composite form.2 It is made up of three independent elements: jackal’s head, male upper body and serpentine coils (Figs 1–4). The relatively small head features a long narrow snout. Set in deep sockets, the large slanting eyes with marked pupils look attentively to the front. Curly wisps of fur encircle the snout and neck, joining the tripartite wig to form a hairdo that skillfully softens the animality of the head. Preserved between the fl eshy ears of natural shape is the base of the broken crown. The harmoniously built male torso is characterized by ample pectoral muscles passing into a narrowed waist and softly modeled, slightly rounded abdominal muscles with a distinctly sunk navel.