Imhotep-The-Vizier-And-Physici
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Activity Worksheets LEVEL 2 Teacher Support Programme
PENGUIN READERS Activity worksheets LEVEL 2 Teacher Support Programme The Mummy Photocopiable Chapters 1–2 Chapter 3 1 Match a–j with 1–10. 3 Who or what did these things? Choose from a Thebes ….. the names in the box. b Imhotep ….. Ardeth Bay and the Med-Jai c Anck-su-namun ….. Beni Imhotep scarabs d Seti the First ….. Jonathan, Evelyn and O’Connell e The Med-Jai ….. the diggers the Egyptian diggers f Hamunaptra ….. the priests the three Americans g Anubis ….. h scarabs ….. Who or what … i The Book of Amun Ra ….. a did Evelyn and Jonathan see when they j The Book of the Dead ….. arrived at Hamunaptra? ……………… 1) an Egyptian god b arrived with three Americans and a lot of 2) insects like beetles Egyptian diggers? ……………… 3) Pharaoh of Egypt c found a dark room and got in through a 4) the book that could bring people back wall? ……………… from the dead d made mummies in the room? ……………… 5) the book that sent people to the e did O’Connell see with guns in their hands? underworld ……………… 6) the city of Imhotep f put her hand over O’Connell’s gun? 7) The City of the Dead ……………… 8) the High Priest of the Dead g came on horses? ……………… 9) Pharaoh’s lover h found a big box with Egyptian writing on it? 10) Pharaoh’s soldiers ……………… 2 The story happens in three places. Write 1, 2 i understood the old language? ……………… or 3. j opened the box? ……………… 1 at Hamunaptra 2 in the Cairo Museum k ran out of the box? ……………… 3 in a Cairo bar l kissed O’Connell? ……………… a Ardeth Bay told the curator to stop Evelyn or m found a coffin? ……………… kill her. -
Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods
Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods Shawn C. Knight Spring 2009 (This document last revised March 18, 2009) 1 The nature of Egyptian religion (intro) The Egyptian idea of \deity" is a difficult one to pin down. The most frequently used word for deity, ' 4 ntr (or nTr), resembles the English word god in that it can be used as either a common noun, referring to one of numerous divine beings, or as a proper noun, referring to the Supreme Being. Much more problematic than the word used, however, are the details of what the gods do and even who they are. Gods become conflated with one another; most notably, there are (at least) two gods named Horus, designated \Elder" and \Younger", and they share a number of traits, often being confused (deliberately or mistakenly). The gods usurp one another's roles, or delegate their roles to others, with astounding frequency. It is Set's role to protect the sun god from the serpent of chaos|except when Horus has that function. The Supreme Being is Re-Atum, except when he is Amun-Re, except when he is simply Re or simply Atum or . Adding still further to the complication is the local character of Egyptian religion. Every nome had a patron god, and while some of the gods patronized more than one nome, there was plenty of variety. We have already considered this to some degree: we have noted Thebes, for example, as having Amun for a patron, and observed that the military rise of the Thebans in the Middle and New Kingdoms were responsible for the enrichment and empowerment of Amun's cult. -
The Stela of Khu-Sobek (Manchester Museum)
The Stela of Khu-Sobek1 (Manchester Museum) This limestone stela of the Manchester Museum (measured 16.5 cm wide and 28 cm high) was found in Abydos in 1901 by J. Garstang.2 It is of poor quality but important since it records an early of war of Egypt with its northern enemies. Htp-di-(n)swt wsir nb AbDw (di.f ) prt-xrw t Hnkt xpS Apdw Ssr3 mnxt snTr mrHt xt nb(t) nfr(t) wab(t) A royal offering of Osiris, lord of Abydos, (giving) an invocation offering of bread and beer, foreleg (of an ox) and fowl, linen and clothing, incense and oil, every good and pure thing n kA n (i)r(i)-pa(t) HAt(i)-a Dd nfrt, wHm mrrt4 m Xr(t)-Hrw5 nt ra nb, wartw6 aA n nwt, xw-(wi)- sbkw7 rn.f nfr DAA8 for the ka of the member of the elite, high official, who has said good things, repeated /proclaimed9 what was desired during the course of every day, great district official of the town, Khu-Sobek whose good name is Djaa, ir.n itA10 wartw tfnwt,11 nbt imAx, 1 The principal references for these notes are T. Eric Peet, The Stela of Sebek-khu, Manchester Museum Handbooks 75 (1914), and J. Baines, The Stela of Khusobek: Private and Royal Military Narrative and Values, in Form und Mass, Beiträge zur Literartur, Sprache und Kunst des alten Ägypten, Otto Harrassowitz, Wiesbaden, pp. 43-61. 2 See J. Garstang, El Arábah, Quaritch, London, 1901, Pls. IV, V; P. -
Ma'at As a Theme in Ancient Egyptian Tomb
Oglethorpe Journal of Undergraduate Research Volume 5 | Issue 1 Article 1 April 2015 Ma’at as a Theme in Ancient Egyptian Tomb Art Tali M. Schroeder Oglethorpe University, [email protected] Follow this and additional works at: https://digitalcommons.kennesaw.edu/ojur Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Schroeder, Tali M. (2015) "Ma’at as a Theme in Ancient Egyptian Tomb Art," Oglethorpe Journal of Undergraduate Research: Vol. 5 : Iss. 1 , Article 1. Available at: https://digitalcommons.kennesaw.edu/ojur/vol5/iss1/1 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Oglethorpe Journal of Undergraduate Research by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Schroeder: Ma'at in Egyptian Art Ma’at as a Theme in Ancient Egyptian Tomb Art In ancient Egypt, a variety of gods and symbols were used to explain the complex religious rites of the culture. Ma’at, the idea of truth, justice and order, is an example of a symbol that was so influential that it was also recognized as a deity.1 The concept of ma’at infiltrated numerous aspects of art during all dynasties and periods. Ma’at is particularly ubiquitous in tomb art of individuals in the upper class: officials, pharaohs, and other royals. Tomb art served numerous purposes within the funerary practice of ancient Egyptian society, and ma’at is a motif that helps fulfill many of these purposes. Ma’at is an important concept that helped create a pleasant living space for the deceased, evoke everyday life, and convey importance of the deceased to the gods. -
1The Emergence of Law in Ancient Egypt: the Role of Maat
1THE EMERGENCE OF LAW IN ANCIENT EGYPT: THE ROLE OF MAAT NJ van Blerk* ** ABSTRACT In this article, the emergence of ancient Egyptian law out of religion and specifi cally arising from the concept of maat is discussed, as well as the important role played by religion, and specifi cally maat, in the ancient Egyptians’ understanding and development of the law. An attempt is made to indicate that the ancient Egyptians indeed had law and to explain what the ancient Egyptians understood by law, followed by a discussion of the development of ancient Egyptian law and key jurisprudence elements of ancient Egyptian law. KEYWORDS: Ancient Egypt; emergence of Egyptian law; importance of religion; hp; hpw; maat; jurisprudence; justice; balance; impartiality; tradition; precedent; custom 1 Introduction Law has existed as long as organised human society, but its origins are lost in the mists of prehistory.1 The advent of writing left a record from which the living 1 See Westbrook 2003a: 1. * This article is based on ch 4 of my PhD thesis titled “Aspects of succession law in ancient Egypt with specifi c reference to the testamentary disposition”. ** Lecturer, LLB, MA, D Litt & Phil; Department of Biblical and Ancient Studies, University of South Africa. Fundamina DOI: 10.17159/2411-7870/2018/v24n1a4 Volume 24 | Number 1 | 2018 Print ISSN 1021-545X/ Online ISSN 2411-7870 pp 69-88 69 NJ VAN BLERK institutions of the past may be reconstructed. In many instances the emergence of truly legal concepts was derived from religion, although over time law emerged -
In Ancient Egypt
THE ROLE OF THE CHANTRESS ($MW IN ANCIENT EGYPT SUZANNE LYNN ONSTINE A thesis submined in confonnity with the requirements for the degm of Ph.D. Graduate Department of Near and Middle Eastern Civiliations University of Toronto %) Copyright by Suzanne Lynn Onstine (200 1) . ~bsPdhorbasgmadr~ exclusive liceacc aiiowhg the ' Nationai hiof hada to reproduce, loan, distnia sdl copies of this thesis in miaof#m, pspa or elccmnic f-. L'atm criucrve la propri&C du droit d'autear qui protcge cette thtse. Ni la thèse Y des extraits substrrntiets deceMne&iveatetreimprimCs ouraitnmcrtrepoduitssanssoai aut&ntiom The Role of the Chmaes (fm~in Ancient Emt A doctorai dissertacion by Suzanne Lynn On*, submitted to the Department of Near and Middle Eastern Civilizations, University of Toronto, 200 1. The specitic nanire of the tiUe Wytor "cimûes", which occurrPd fcom the Middle Kingdom onwatd is imsiigated thrwgh the use of a dalabase cataloging 861 woinen whheld the title. Sorting the &ta based on a variety of delails has yielded pattern regatding their cbnological and demographical distribution. The changes in rhe social status and numbers of wbmen wbo bore the Weindicale that the Egyptians perceivecl the role and ams of the titk âiffefcntiy thugh tirne. Infomiation an the tities of ihe chantressw' family memkrs bas ailowed the author to make iderences cawming llse social status of the mmen who heu the title "chanms". MiMid Kingdom tifle-holders wverc of modest backgrounds and were quite rare. Eighteenth DMasty women were of the highest ranking families. The number of wamen who held the titk was also comparatively smaii, Nimeenth Dynasty women came [rom more modesi backgrounds and were more nwnennis. -
Ankh: Gods of Egypt Rulebook
RULEBOOK TABLE OF CONTENTS OVERVIEW .................................................................................2 INTRODUCTION ..................................................................... 3 COMPONENTS .........................................................................4 BASIC CONCEPTS ................................................................... 7 Adjacency ...............................................................................8 Figures .....................................................................................8 Monuments ............................................................................8 Central Dashboard .............................................................9 God Dashboard .................................................................. 10 Devotion ..................................................................................11 Battle Cards ...........................................................................11 SETUP ..........................................................................................12 WINNING THE GAME ..........................................................13 GAMEPLAY ...............................................................................13 ACTIONS ....................................................................................14 OVERVIEW Move Figures ........................................................................15 Summon Figure ...................................................................16 Gain Followers .....................................................................17 -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
ROSETTA/OSIRIS Observations of the 67P Nucleus During the April 2016 flyby: High-Resolution Spectrophotometry
ROSETTA/OSIRIS observations of the 67P nucleus during the April 2016 flyby: high-resolution spectrophotometry accepted in A&A, DOI:10.1051/0004-6361/201833807 C. Feller1 [Corresponding author: clement.feller-at-obspm.fr], S. Fornasier1, S. Ferrari2, P.H. Hasselmann1 , A. Barucci1, M. Massironi2, J.D.P Deshapriya1 , H. Sierks3, G. Naletto4,5,6, P. L. Lamy7, R. Rodrigo8,9, D. Koschny10, B.J.R. Davidsson11 , J.-L. Bertaux7, I. Bertini4, D. Bodewits12, G. Cremonese13, V. Da Deppo6, S. Debei14, M. De Cecco15, M. Fulle16, P. J. Gutiérrez17, C. Güttler3, W.-H. Ip18,19, H. U. Keller20,21, L. M. Lara17, M. Lazzarin12, J. J. López- Moreno17, F. Marzari4, X. Shi3, C. Tubiana3 , B. Gaskell22, F. La Forgia4 , A. Lucchetti13,S. Mottola21, M. Pajola13, F. Preusker21, and F. Scholten21 1LESIA, Observatoire de Paris, PSL Research University, CNRS, Univ. Paris Diderot, Sorbonne Paris Cité, Sorbonne Université, 5 Place J. Janssen, Meudon Cedex 92195, France 2Center of Studies and Activities for Space (CISAS) G. Colombo, University of Padova, Via Venezia 15, 35131 Padova, Italy 3Max-Planck-Institut für Sonnensystemforschung, Justus-von-Liebig-Weg, 3, 37077, Goettingen, Germany 4University of Padova, Department of Physics and Astronomy “Galileo Galilei”, Via Marzolo 8, 35131 Padova, Italy 5University of Padova, Center of Studies and Activities for Space (CISAS) “G. Colombo”, Via Venezia 15, 35131 Padova, Italy 6CNR-IFN UOS Padova LUXOR, Via Trasea, 7, 35131 Padova, Italy 7LATMOS, CNRS/UVSQ/IPSL, 11 boulevard d’Alembert,78280, Guyancourt, France 8Centro de -
The Mummy Returns Egypt
The mummy returns Egypt. Activity about the film “The mummy returns” THE MUMMY RETURNS AN ACTIVITY FOR BOTH HISTORY AND ENGLISH LESSONS (1º ESO, BILINGUAL GROUP) OBJETIVES / OBJETIVOS -Using Past Simple -Using Irregular verbs in the past -Using short answers -Using WHAT, WHO, WHY, HOW, WHERE -Using Time expressions 1. Identificar los límites cronológicos de Egipto. 2. Conocer la importancia de la civilización egipcia. 3. Conocer la forma de gobierno del Antiguo Egipto. 4. Entender la relevancia de la arqueología como medio para el conocimiento de culturas del pasado. 5. Apreciar la identificación existente entre las creencias religiosas y la producción material por medio del estudio de los monumentos funerarios: pirámides, mastabas e hipogeos. 6. Reconocer y apreciar las manifestaciones artísticas y culturales de la cultura egipcia. ASSESMENT / CRITERIOS DE EVALUACIÓN -To be able to use the Past Simple -To be able to use the Present Simple -To be able to make questions with What, How, Why, When and Where -To be able to use short answers -To be able to use Time expressions 1. Establecer las principales etapas de la civilización egipcia. 2. Poner de relieve la singularidad de la civilización egipcia frente a otras culturas de la Antigüedad. 3. Explicar el papel jugado por la figura del faraón en el Estado egipcio. 4. Relacionar el proceso de momificación y enterramiento con la proliferación de los grandes monumentos funerarios. 5. Identificar las distintas manifestaciones del arte egipcio. BEFORE THE FILM READING COMPREHENSION: Ancient Egypt. Culture and religion. o (Reading comprehension, matching exercise and Finding out more Activities) READING AND LISTENING COMPREHENSION: Princess of Death. -
Egyptian Religion a Handbook
A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries. -
Ancient Egyptian Religion on the Silver Screen: Modern Anxieties About Race, Ethnicity, and Religion Caroline T
University of the Pacific Scholarly Commons College of the Pacific aF culty Articles All Faculty Scholarship 10-1-2003 Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion Caroline T. Schroeder Cornell University, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/cop-facarticles Part of the History of Religion Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Schroeder, Caroline T. (2016) "Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 1. Available at: http://digitalcommons.unomaha.edu/jrf/vol7/iss2/1 This Article is brought to you for free and open access by the All Faculty Scholarship at Scholarly Commons. It has been accepted for inclusion in College of the Pacific aF culty Articles by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. Journal of Religion & Film Volume 7 Article 1 Issue 2 October 2003 12-14-2016 Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion Caroline T. Schroeder Ithaca College, [email protected] Recommended Citation Schroeder, Caroline T. (2016) "Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 1. Available at: http://digitalcommons.unomaha.edu/jrf/vol7/iss2/1 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO.