Tv/Film Cv Portfolio

Total Page:16

File Type:pdf, Size:1020Kb

Tv/Film Cv Portfolio Resume Lisa Duhaime-Gibson 705-477-5442 • [email protected] • www.LittleLisaBigDesigns.com • Vimeo.com/littlelisabigdesigns OBJECTIVE Professional and highly skilled Assistant Art Director, Graphic Designer and Multi-Media Artist from North Bay, Ontario with experience in the TV/Film industry seeking an Art Department Position. Member of DGC Ontario #10590. SUMMARY Over 15 years of experience as a graphics/web designer and visual/media artist, offering a wide variety of relevant and comprehensive skill-sets for film productions and television series. Talented and resourceful creative professional adept at assessing needs with expertise in all aspects of successful concept development, project planning and management. Excel in managing multiple projects concurrently with strong detail, problem-solving and follow-through. Collaborates effectively with internal teams to support organizational goals with accuracy and thoroughness. Accomplished communicator who is known for a dedicated passion for excellence, a talent for resourceful solutions, and a creative intuition far beyond conventional expectations. SKILLS & EXPERTISE • Adobe Creative Suite • Art Dept Coordinating • Microsoft Office Suite • Web Design • Logo Design & Branding Identity • Digital Multi-Media • Motion Graphics / Animation • Illustration ( raditionalT & Digital ) • Sketch Up Floor Plans • Visual Arts • Clearance & Rights Procedures • Photography & Photo Editing • Lookbook & Technical Packages • Printing Methods & Logistics EDUCATION • Graphic Design Program (3 years) Honors Graduate, 2007, Canadore College, North Bay, ON • Motion Graphics Fundamentals Course - Directors Guild of Canada - Ontario, Aug. 2020 • Legal Clearances and Creative Rights Course - Directors Guild of Canada - Ontario, Aug. 2020 • Art Department Fundamentals Course - Directors Guild of Canada - Ontario, Feb. 2019 • Assistant Director Fundamentals Course - Directors Guild of Canada - Ontario, Nov. 2018 • Emergency First Aid CPRA & WHMIS Certified - Feb. 2019 Lisa Duhaime-Gibson TV/FILM WORK EXPERIENCE JULY - AUG, 2019 2nd Asst. Art Dir. / Coordinator & Graphics AUG - SEPT, 2018 Trainee Assistant Art Director (DGC Permittee) DELIA’S GONE, Feature Film HALLMARK: CROSSWORD MYSTERIES (Ep. 1) North Bay, ON. North Bay, ON. Director: Robert Budreau Director: Don McCutcheon Production Designer: Zazu Myers Production Designer: Angela Murphy Art Director: Andrea Raymond Art Director: Graham Caswell SEPTEMBER, 2020 1st Assistant Art Director JULY - AUG, 2018 Trainee Assistant Art Director (DGC Permittee) LAKEWOOD, Feature Film HALLMARK: RETURN TO CHRISTMAS CREEK North Bay, ON. North Bay, ON. Director: Phillip Noyce Director: Don McBrearty Production Designer: Zosia MacKenzie Production Designer: Csaba Kertesz Art Director: John O’Regan Art Director: Balint Kertesz JULY - AUG, 2019 2nd Asst. Art Dir. / Coordinator & Graphics MAY - JUNE, 2018 Trainee Assistant Art Director (DGC Permittee) CBC: THE TRICKSTER - SEASON 1 HALLMARK: CHRISTMAS IN LOVE North Bay, ON. North Bay, ON. Director: Michelle Latimer Director: Don McBrearty Production Designer: John Dondertman Production Designer: Csaba Kertesz Art Director: Kcee Clark Art Director: Mark Kowalski JULY, 2019 1st Assistant Art Director (DGC Permittee) HALLMARK: CROSSWORD MYSTERIES - Ep.2 North Bay, ON. Director: Don McCutcheon Production Designer: Marion Pon Art Director: Graham Caswell MAR- JULY, 2019 Trainee Assistant Art Director (DGC Permittee) SONY - AMAZE FILM TV: CARTER - SEASON 2 North Bay, ON. Director: Various Production Designer: Oleg Savytski Art Director: Joel Richardson NOV - DEC, 2018 2nd Assistant Art Director (DGC Permittee) HALLMARK: WINTER LOVE STORY Sudbury, ON. Director: T. W. Peacocke Production Designer: Gavin Mitchell Art Director: Graham Caswell SEPT - OCT, 2018 2nd Assistant Art Director (DGC Permittee) HALLMARK: PRIDE, PREJUDICE & MISTLETOE North Bay, ON. Director: Don McBrearty Production Designer: Nancey Pankiw Art Director: Balint Kertesz Lisa Duhaime-Gibson Graphics for TV/Film Winter Love Story - Book jacket design Delia’s Gone - Book jacket design The Trickster - Various product packaging Lisa Duhaime-Gibson • Assistant Art Director [email protected] • 705-477-5442 Graphics for TV/Film Lakewood - Picture Car logo and decal graphics for various police, emergency vehicles and school bus Lakewood - Police License Plates RUNSHEET SCHOOL BUS DECALS 5”w x 18”h 7”w x 18”h 6”w x 12”h QUANTITY: 1 QUANTITY: 4 QUANTITY: 2 Return to Christmas Creek - Graphic design for plane decal wrap. Lakewood - Residential License Plates Description: removable vinyl stickers for vehicle LAKEWOOD Lakewood Production Inc. Various Sept 22/20 281 Wallace Rd, North Bay, ON P1A 2W8 Various PRICE SIGNS SEPT 23/20 [email protected] O: 705.995.4363 Lisa: 705-477-5442 Lisa Duhaime - 1st Asst. Art Director Lisa Duhaime-Gibson • Assistant Art Director [email protected] • 705-477-5442 Graphics for TV/Film Lakewood - Town Crest, Police, State Patrol, Rescue Services and Sheriff Logos & Wardrobe ARTWORK PROOF Proof V1 Supplied Ref The Trickster - Graphics for teen girl’s suitcase Delia’s Gone - Road Signs ARTWORK PROOF Proof V1 Delia’s Gone - Prescription Bottle Label Proof_Version# 1: Supplied Ref Project Name: Road Signs for Rural Area Delia’s Gone - Feature Film Description: 24 w x 30 h //// 24” square Date: SEPT 28, 2020 Episode: Designer: Lisa Set/Scene: EXT COUNTY ROAD SHOW LOGO HERE Approved By: ________________________________ Date Approved: _______________________________ Lisa Duhaime-Gibson • Assistant Art Director [email protected] • 705-477-5442 Proof_Version# 1: Project Name: Road Signs for Rural Area Delia’s Gone - Feature Film Description: 24 w x 30 h //// 24” square Date: SEPT 28, 2020 Episode: Designer: Lisa Set/Scene: EXT COUNTY ROAD SHOW LOGO HERE Approved By: ________________________________ Date Approved: _______________________________ Graphics for TV/Film Carter Season 2 - Mural concept artworks for golf club lounge, restaurant and community centre sets. The Trickster - Aged illustrations, posters & stickers for Christmas in Love - Exterior and window signage teen boy’s bedroom Lisa Duhaime-Gibson • Assistant Art Director [email protected] • 705-477-5442 Graphics for TV/Film The Trickster - Vintage style bar posters Carter Season 2 - ( After )Vintage style diner posters BELOW ( Before ) ( Stock images digitally manipulated to make above Winter Love Story - Aged photo series & vintage poster designs Lisa Duhaime-Gibson • Assistant Art Director [email protected] • 705-477-5442 Graphics for TV/Film Return to Christmas Creek - Brochure design and illustrated map. The Trickster - First Nations map design Winter Love Story - Logos and signage Crossword Mystery - Cafe logo design. Return to Christmas Creek - Logo and menu designs. Winter Love Story - Logo and menu design Lisa Duhaime-Gibson • Assistant Art Director [email protected] • 705-477-5442 Graphics for TV/Film Crossword Mysteries - Various newspaper masthead logos and layout designs © THE NEW YORK SENTINEL COMPANY • PRINTED IN THE U.S.A. ESTABLISHED 1925 • Vol.293, No. 20101 • $2.50 Technology and Curriculums in Classrooms How technology can Computers make the learning Of the computers located in If the urban population and contribute to student process a lot more simple and classrooms, they found that long-term de-densification efficient, giving students 87 percent had access to the trends continue, the area of curriculum access to tools and methods Internet, turning each the planet covered by urban of communication unavail- computer into a powerful settlements will increase to BY JERRY WALLINGFORD able offline. For example, research station with access more than 3 million sq km by 2050. And since the most SPECIAL TO THE SENTINEL students can check their to global information. grades or lesson plans online, Students can use computers intensively cultivated and also communicate direct- to compile information and farmland is typically located Education has benefited from ly with their teachers via access reference materials, near where the bulk of the the inclusion of technology email or educational enriching the content present- food is consumed, much of and computers by making it platforms such as Black- ed in the classroom and this additional 2 million sq easier for students to keep up board. Students can also send facilitating student access to km is currently our most while helping teachers by work to their teachers from information. Internet connec- productive farmland. improving the way lessons home or anywhere else, tions also provide a quick can be planned and taught. In short, continued urbanisa- letting them finish work communication method Students who use computers tion in its current form could outside the constraints of through email, message learn to use word processors threaten global food supplies school hours and teaching boards and chat programs, for work, and subsequently at a time when food produc- them about procrastination allowing teachers to commu- they learn computer jargon tion is already not keeping up and personal responsibility. nicate with students and and strengthen grammatical with population growth. parents or for students to skills. Students can also look Technology has made communicate with each other Understanding rapid urbani- up lessons on websites or research far easier than in the during group projects. sation through email rather than past.
Recommended publications
  • Indigenous Education North Vancouver School District September 14Th -Oct 2Nd 2020
    Indigenous Education North Vancouver School District September 14th -Oct 2nd 2020 Table of Welcome back! Contents The NVSD Indigenous Education team would like to Page 1 Welcome Back. welcome everyone back for the 2020-2021 school year. Requesting a team member Page 2 Orange Shirt Day Page 3 Terry Fox Page 4 Professional Development Opportunities Page 5 NVSD Indigenous Requesting a Team Member Education Team Request Form Do you want to request a team member to visit your class, collaborate or work with your staff? Check out our request forms! Team members will be available starting October 1, K-5 2020 either virtually or in person, practicing safety protocols. Grade 6-12 Link Fine the request form for K-5 here and the 6-12 form here. We would like to thank the Coast Salish people, specifically the Skwxwú7mesh Nation and Tsleil- Waututh Nation, whose unceded traditional territory the North Vancouver School District resides on. We value the opportunity to learn, share and grow on this traditional territory. 1 Orange Shirt Day September 30, 2020 Orange Shirt Day across Canada is recognized nationally and annually on September 30th. This date is significant as it is the approximate date that children would be taken to residential school. North Vancouver School District will recognize Orange Shirt Day on Wednesday, September 30, 2020. History of Orange Shirt Day Orange Shirt Day was started by Phyllis Webstad, who is Northern Secwpemc (Shuswap) from the Stswecem’c Xgat’tem First Nation, to honour and recognize all those who attended a residential school because she believes that “Every Child Matters.” You can read more about Phyllis' Story here.
    [Show full text]
  • Canadian Canada $7 Spring 2020 Vol.22, No.2 Screenwriter Film | Television | Radio | Digital Media
    CANADIAN CANADA $7 SPRING 2020 VOL.22, NO.2 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Law & Order Issue The Detectives: True Crime Canadian-Style Peter Mitchell on Murdoch’s 200th ep Floyd Kane Delves into class, race & gender in legal PM40011669 drama Diggstown Help Producers Find and Hire You Update your Member Directory profile. It’s easy. Login at www.wgc.ca to get started. Questions? Contact Terry Mark ([email protected]) Member Directory Ad.indd 1 3/6/19 11:25 AM CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 22 No. 2 Spring 2020 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover Publisher Maureen Parker Diggstown Raises Kane To New Heights 6 Editor Tom Villemaire [email protected] Creator and showrunner Floyd Kane tackles the intersection of class, race, gender and the Canadian legal system as the Director of Communications groundbreaking CBC drama heads into its second season Lana Castleman By Li Robbins Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen The Detectives: True Crime Canadian-Style 12 Simon Racioppa Rachel Langer With a solid background investigating and writing about true President Dennis Heaton (Pacific) crime, showrunner Petro Duszara and his team tell us why this Councillors series is resonating with viewers and lawmakers alike. Michael Amo (Atlantic) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Murdoch Mysteries’ Major Milestone 16 Lienne Sawatsky (Central) Andrew Wreggitt (Western) Showrunner Peter Mitchell reflects on the successful marriage Design Studio Ours of writing and crew that has made Murdoch Mysteries an international hit, fuelling 200+ eps.
    [Show full text]
  • Voided Certificate of Employee Information Reports
    Public Contracts Equal Employment Opportunity Compliance Monitoring Program Voided Certificate of Employee Information Report Report run on: June 6, 2017 3:22 PM Name of Company Cert Street City State Zip (PC) 2 HD 37407 245 EAST 30TH NEW YORK CITY NY 10016 1515 BOARDWALK, INC 18317 121 WASHINGTON ST TOMS RIVER NJ 08753 174 NEWARK AVENUE ASSOCIATES, LP 34742 103 EISENHOWER PARKWAY ROSELAND NJ 07068 1993-N2 PROPERTIES, NO. 3 LIMITED PARTNERSHI 19621 12100 WILSHIRE BLVD LOS ANGELES CA 90025 1ST CALL PAINTING CONTRACTORS, LLC 37000 980-B DEHART PLACE ELIZABETH NJ 07202 3-2-1 QUALITY PRINTING 21779 100 JERSEY AVENUE NEW BRUNSWICK NJ 08901 3-D MFG.-DBA- AMERICAN LA-FRANCE 2831 500 S. AIRPORT ROAD SHAWANO WI 54166 4 FRONT VIDEO DESIGN INC. 22299 1500 BROADWAY #509 NEW YORK NY 10036 55 WASHINGTON STREET LLC 28132 P.O. BOX 66 CLOSTER NJ 07624 9-15 SOUTH MAIN STREET CORP. 20587 1125 ATLANTIC AVE., SUITE 617 ATLANTIC CITY NJ 08401 A & A ENGINEERING 9780 300 CORPORATE CENTER DRIVE MANALAPAN NJ 07726 A & B WIPER SUPPLY, INC. 6848 116 FOUNTAIN ST. PHILADELPHIA PA 19127 A & E CARPENTRY, INC. 8048 584 STUDIO RD. RIDGEFIELD NJ 07657 A & L UNIFORMS, L L C 37818 2605 SOUTH BROAD STREET TRENTON NJ 08610 A & P TUTORING, LLC 34701 4201 CHURCH ROAD #242 MT. LAUREL NJ 08054 A & R AUTO SUPPLY, INC. 7169 300 ATLANTIC CITY BLVD. TOMS RIVER NJ 08757 A & S FUEL OIL CO. INC. 25667 95 CALAIS ROAD PO BOX 22 IRONIA NJ 07845 A & W TECHNICAL SALES, INC. 33404 420 COMMERCE LANE, SUITE 3 WEST BERLIN NJ 08091 A AND C LABORATORIES, INC 17387 168 W.
    [Show full text]
  • In-Person Screening
    THE NFB FILM CLUB FALL/WINTER 2020–2021 CONTACT Florence François, Programming Agent 514-914-9253 | [email protected] JOIN THE CLUB! The NFB Film Club gives public libraries the opportunity to offer their patrons free screenings of films from the NFB’s rich collection. In each Film Club program, you’ll find films for both adults and children: new releases exploring hot topics, timely and thought-provoking documentaries, award-winning animation, and a few timeless classics as well. The NFB Film Club offers free memberships to all Canadian public libraries. ORGANIZING A SCREENING STEP 3 Organize your advertising for the event—promote IN YOUR LIBRARY the screening(s) in your networks. (To organize a virtual screening, STEP 4 please refer to our online program.) Prior to your event, test the film format that was delivered to you (digitally or by mail) using your equipment (you have two weeks to download your STEP 1 film(s) from the day you receive the link). Decide which film(s) you’re interested in from the available titles, which can be found by clicking on the NFB Film Club page. STEP 2 Send your selection(s) by e-mail to [email protected] and include your screening date(s), time(s), and location(s), as well as the film format required for your venue. We can supply an electronic file (MP3, MOV) or can ship a physical copy. PROMOTIONAL MATERIALS ATTENDANCE FIGURES To help you promote your screenings, you’ll To assist us in tracking the outreach of the NFB’s also have access to our media space and all films, please make note of the number of people archived promotional materials (photos, posters, who attended each library or virtual screening.
    [Show full text]
  • Indigenous-Film-Programme-2020-21
    1 REEL CANADA Uniting our Nations through Film WHO WE ARE REEL CANADA is a charitable organization whose mission is to introduce new audiences to the power and diversity of Canadian film and engage them in a conversation about identity and culture. Showcasing works by Indigenous filmmakers from Canada is an integral part of that mission. Our travelling film festival has reached over a million students – and it just keeps growing! WHAT WE DO LESSON PLANS AND Now entering our 16th season, we offer several programmes for students. And, through National RESOURCES Canadian Film Day (NCFD), we also bring an annual With a track record of thousands of successful school celebration of film to all Canadians. screenings, we can give you effective tools to get your colleagues and students excited about your Our Educational Programmes serve anywhere from event, and work with you to create a festival that will a single class to a whole school. They all incorporate resonate with your community. incredible work made by Indigenous filmmakers, and all of them are absolutely free of charge. We offer: • Film-specific lesson plans orf all feature-length Our Films in Our Schools: for more than 14 years, films in this programme we have helped teachers and students organize over 3,000 screenings of Canadian films • Lesson plans for Indigenous and Native studies courses Welcome to Canada: introducing new Canadians to Canadian film and culture through festival events • Lesson plans about Canadian film and torytellings designed specifically for English-language
    [Show full text]
  • TIFF INDUSTRY ANNOUNCES 2019 FILMMAKER LAB PARTICIPANTS, INAUGURAL TALENT ACCELERATOR International and Homegrown Talent to Receive Mentorship from Industry Leaders
    July 31, 2019 MEDIA RELEASE​. TIFF INDUSTRY ANNOUNCES 2019 FILMMAKER LAB PARTICIPANTS, INAUGURAL TALENT ACCELERATOR International and homegrown talent to receive mentorship from industry leaders TORONTO​ — The Toronto International Film Festival​® ​ announced today the 20 directors selected for the 16th annual ​TIFF Filmmaker Lab​, an exclusive mentorship opportunity that fosters creative thinking and project development through intimate workshops. New this year is the ​TIFF Talent Accelerator​, a customized, year-long development experience for promising Canadian female creators. Two Filmmaker Lab directors are part of the inaugural class of six, with two producers and two writers benefitting from other Industry support programmes. Led by renowned industry leaders and designed to inspire original voices, ​Filmmaker Lab​ will bring 9 Canadian and 11 International directors together with a variety of artists and film-business professionals. Four Governors — producer Cassian Elwes (​Mudbound​), writer-director Patricia Rozema (​Grey Gardens​), acting coach Miranda Harcourt, and director Lulu Wang (​The Farewell​)— will serve as guides throughout the four days of the programme. Participants will be provided with a space to explore creative concerns with these mentors, while also having access to all Festival offerings to add context to the insights gained. “Championing filmmakers and helping them find their voice and realize their vision continues to be a part of TIFF’s mission,” said Geoff Macnaughton, TIFF Industry Director. “TIFF Filmmaker
    [Show full text]
  • AR Shapingtelevisionfilm 05
    Annual Report Spotlight on WOMEN WHO ARE SHAPING CANADIAN TELEVISION & FILM SHINING A SPOTLIGHT MORE & MORE WOMEN ARE SHAPING THE TELEVISION & FILM WE WATCH TODAY Each year in our Annual Report, we have an opportunity to showcase the work of Canada’s television and film producers. And each year reaffirms just how much creative talent exists in this country. In 2018, the Rogers Group of Funds supported that talent by committing $18.5 million to 116 productions from a diverse group of Canadian producers. A significant number of them are women — women who are creating globally recognized hit series, powerful documentaries, award- winning features and other great content. Whether they’re taking their place in the director’s chair, the visual effects studio or the boardroom table, more and more women are shaping the television and film we watch today. To celebrate their achievements, we’ve chosen to highlight a few of the many Canadian women from coast to coast who are making an impact in our sector today. As you’ll see in the pages that follow, they’re striking international deals, pioneering interactive digital content and finding bold new ways to tell stories. Some of them have been wowing audiences for decades. Others are earlier in their career. But each one of them is making Canadian film and television richer by bringing their voice, experience and perspective to our screens — and shaping Canadian culture as a result. Brava! Robin C. Mirsky, Executive Director, Rogers Group of Funds & Philip B. Lind, Vice Chairman, Rogers Communications Rogers Group of Funds 1 CAPTURING THE ZEITGEIST INA FICHMAN I am always looking for stories that touch the hearts and minds of viewers; stories that are in the zeitgeist.” “ Ina Fichman’s 25-year career boasts a slew of award-winning documentaries, films and interactive digital projects.
    [Show full text]
  • Indigenous Feature Film Production in Canada: a National and International Perspective
    Indigenous Feature Film Production in Canada: A National and International Perspective October 2013 Rhymes for Young Ghouls, Jeff Barnaby, Director Indigenous Feature Film Production in Canada: A National and International Perspective Acknowledgements This report was commissioned by the imagineNATIVE Film + Media Arts Festival (imagineNATIVE) and was researched and written by consultants Danis Goulet and Kerry Swanson. Funding was provided by the Ontario Media Development Corporation’s (OMDC) Research Grant Program and Telefilm Canada (Telefilm). This report would not have been possible without the support or contributions of the writers, directors, producers, programmers, industry professionals and other stakeholders who contributed their valuable time and knowledge to this process. imagineNATIVE would also like to acknowledge the participation of the Canada Media Fund, the Canada Council for the Arts, and the National Screen Institute and internationally, Screen Australia, the New Zealand Film Commission, and the Sundance Institute. Any opinions, findings, conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of Ontario Media Development Corporation, the Government of Ontario, Telefilm Canada, or the Government of Canada. The Government of Ontario, the Government of Canada, and their agencies are in no way bound by the recommendations contained in this document. About the imagineNATIVE Film + Media Arts Festival Helen Haig-Brown, Director Now entering its 14th year, the imagineNATIVE Film + Media Arts Festival is the world’s largest exhibitor of Canadian and international Indigenous film and media. With a mandate to foster and promote the Aboriginal film and media sector, the organization has created the largest industry event for Aboriginal ?E?anx The Cave, filmmakers at its annual festival at the TIFF Bell Lightbox in Toronto and is recognized globally as the leading presenter of Indigenous film and media content.
    [Show full text]
  • Daily Screening & Events Schedule
    TIFF Industry Online Daily Screening & Events Schedule SEPTEMBER 14, 2020 TORONTO’S LARGEST PURPOSE-BUILT STUDIO The leading destination facility for f ilm and TV production New space coming soon Talk to us: t: +1 416 406 1235 e: [email protected] For further information on our studio, please visit: www.pinewoodtorontostudios.com I Industry user access P Press user access Press & Industry B Buyer user access * Availability per country on the schedule at TIFF.NET/INDUSTRY Daily Schedule Access TIFF Digital Cinema Pro September 14, 2020 at DIGITALPRO.TIFF.NET NEW TODAY Films are available for 48 hours from start time. 10 AM BECKMAN NEUBAU PIRATES DOWN THE STREET SWEAT EDT 90 min. | TIFF Digital Cinema Pro 82 min. | TIFF Digital Cinema Pro 90 min. | TIFF Digital Cinema Pro 80 min. | TIFF Digital Cinema Pro Private Screening Private Screening Private Screening TIFF Industry Selects I P B P B I B I P B FAIRY THE NORTH WIND RIVAL TELEFILM CANADA FIRST LOOK 152 min. | TIFF Digital Cinema Pro 122 min. | TIFF Digital Cinema Pro 96 min. | TIFF Digital Cinema Pro 51 min. | TIFF Digital Cinema Pro Private Screening Private Screening Private Screening Private Screening B B B I B LOVERS PEARL OF THE DESSERT SHOULD THE WIND DROP WISDOM TOOTH 102 min. | TIFF Digital Cinema Pro 86 min. | TIFF Digital Cinema Pro 100 min. | TIFF Digital Cinema Pro 104 min. | TIFF Digital Cinema Pro TIFF Industry Selects Private Screening TIFF Industry Selects Private Screening B I P B I P B I B 11 AM BANDAR BAND CITY HALL GOOD JOE BELL TRICKSTER EDT 75 min.
    [Show full text]
  • CBC's Trickster Shows How Indigenous Storytelling Has Developed
    OPINION CBC’s Trickster shows how Indigenous storytelling has developed DREW HAYDEN TAYLOR SPECIAL TO THE GLOBE AND MAIL PUBLISHED 1 DAY AGOUPDATED DECEMBER 16, 2020 Based on Eden Robinson’s bestselling novel, Trickster follows an Indigenous teen struggling to support his dysfunctional family as myth, magic, and monsters slowly infiltrate his life. CBC The recent TV adaptation of Eden Robinson’s clever novel Son of a Trickster was amazing for two reasons. First, it demonstrated how far contemporary Indigenous storytelling has come from its days hanging around the campfire and kitchen table. Secondly, the fact that it mixed the real with the surreal was a great watershed moment. Stories like that take chances. It goes down avenues that a few decades ago would have seemed unlikely. It embraces the fantastic. Co-written and directed by Michelle Latimer, the show (Trickster, on CBC) explores the difficult life of a teenager who discovers his father is Wee’git, the Heiltsuk trickster. And that comes with a lot of personal and supernatural problems. Who knew? Much like Robinson, authors such as Cherie Dimaline are exploring what could have been, not necessarily what was or is. Dimaline’s novel, The Marrow Thieves, is a dystopian novel where the dominant culture has lost the ability to dream, and now seek Indigenous bone marrow to alleviate the problem. Another author, Waubgeshig Rice, wrote the highly popular The Moon of the Crusted Snow, which takes place in an alternate version of now, after the electrical grid goes down, leaving the inhabitants of a fly-in reserve desperate to find a way to survive.
    [Show full text]
  • February 2020 Newsletter
    UWC TORONTO FEBRUARY 2020 NEWSLETTER WWW.UWCTORONTO.CA UPCOMING EVENTS DINNER SPEAKER ABIGAIL RICHARDSON SHULTE February 24th at 5:30 pm The Composer-in-Residence of the Hamilton Philharmonic Orchestra talks about her path to becoming a composer, from being declared clinically deaf as a child to writing one of the most successful orchestral pieces in Canadian history. She wrote the wildly successful music for the classic Canadian story, The Hockey Sweater by Roch Carrier. Abigail shares her story, her musical storytelling and insight into her new composition. Reservation Deadline: February 21, 2020 Cost: $45 for members, $50 for guests Phone: 416-979-2000 or email [email protected] BETTY TUGMAN ART SALE & TEA - SUNDAY, FEB 9 UWC Toronto member and gifted water colour artist Betty Tugman has generously given the Club over 70 paintings she has done over the years. Her request is that they be sold to raise money for the UWC (Toronto) Foundation scholarship fund. We invite all UWC Toronto members, Toronto-area CFUW members and their friends to our vernissage of Betty’s paintings - with all proceeds going to support the scholarship fund. Afternoon Tea - Sunday, Feb. 9 from 2 to 4 pm View the paintings online Come to pick up your paintings or just come for a lovely www.uwctoronto.ca/betty-tugman-paintings afternoon tea with friends! $10 contribution for tea. Guests are most welcome! Please RSVP for the Tea by email to Address: 89 Crescent Rd, near Rosedale Subway. [email protected] or call 416 979 2000. 1 UWC TORONTO FEBRUARY 2020 NEWSLETTER All best wishes for 2020.
    [Show full text]
  • Sundance Institute Names 2020 January Screenwriters Lab Fellows
    FOR IMMEDIATE RELEASE Media Contact: December 17, 2019 Spencer Alcorn 310.360.1981 [email protected] Sundance Institute Names 2020 January Screenwriters Lab Fellows Writer/Directors from China, South Africa, U.S. and U.K. Los Angeles, CA — Fifteen screenwriters will convene to advance their independent projects at Sundance ​ Institute’s January Screenwriters Lab, taking place at the Sundance Mountain Resort in Utah, from January 17-22, 2020. At the Lab, the screenwriters will immerse themselves in a rigorous and holistic creative process, working to further develop their scripts with the mentorship of accomplished Creative Advisors. The January Screenwriters Lab has been created and organized under the leadership of Sundance Institute's Feature Film Program Founding Director Michelle Satter and Deputy Director Ilyse McKimmie. The team of ​ ​ ​ ​ Creative Advisors includes Artistic Director Scott Frank, Michael Arndt, Suha Arraf, Ritesh Batra, Andrea ​ Berloff, D.V. DeVincentis, Gonzalo Maza, Doug McGrath, Walter Mosley, Nicole Perlman, Howard Rodman, Susan Shilliday, Zach Sklar, Dana Stevens, Joan Tewkesbury, Bill Wheeler, and Tyger Williams. ​ ​ ​ “We’re so excited to welcome this singular and bold group of artists to our January Screenwriters Lab,” said Satter. “Our program provides a safe and protected space for writers to be rigorous in their creative process as they develop new work that’s a true reflection of their unique voice and power as storytellers. Our Labs are the beginning of a long-term commitment to these writer/directors, who we will continue to advance with a robust, ongoing suite of customized support.” Current award-winning films supported by the Feature Film Program (FFP) Labs include Lulu Wang’s The ​ Farewell, Laure de Clermont Tonnere’s The Mustang, and Joe Talbot’s The Last Black Man in San Francisco.
    [Show full text]