Task Force on Taxation of the Digital Economy
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Amazon.Com E-Tail Customer Fulfillment Networks Pioneer
Customer Fulfillment in the Digital Economy Amazon.com E-tail Customer Fulfillment Networks Pioneer “The logistics of distribution Scorecard are the iceberg below the 1 waterline of online bookselling.” B-web type • Aggregation (e-tail) /Agora —Jeff Bezos, (auctions, Zshops) hybrid model founder and CEO, Amazon.com KEY PARTICIPANTS “Ten years from now, no one Customers • Consumers and business buyers will remember whether Context providers • Amazon.com and online Amazon.com spent an extra merchants (Amazon.com $100,000 upgrading shipping associates, Zshops, auctions) from the West Coast to the East Content providers • Amazon.com and small online merchants (Amazon.com Coast. All that will matter is associates, Zshops, auctions) whether electronic commerce • Suppliers and b-web partners gave people a good or bad (publishers; producers [OEM]; distributors e.g. Ingram Micro, experience.”2 Baker & Taylor Books, and others) —David Risher, senior vice president for Commerce services • Amazon.com and merchants merchandising, Amazon.com participating in auctions and Zshops “This [the Amazon.com • Third party shippers (UPS & USPS) distribution warehouses and Infrastructure providers • Amazon.com Drop shippers such as Ingram CFN] is the fastest expansion of • • Technology providers such as distribution capacity in Oracle, Net Perceptions, and i2 peacetime history.”3 Technologies Third party shippers (UPS, USPS) —Jeff Bezos, • founder and CEO, Amazon.com Offering • The largest online e-tailer of books, music, videos, toys, and gifts • Recently expanded service offering to include auctions (March 1999) and Zshops (September 1999)—an aggregation of merchants on its Web site • Aspires to become a one-stop shop for merchandise on the Web CFN value proposition • “Earth’s largest selection” of merchandise at competitive prices, 360 Adelaide Street W, 4th Floor a validated product assortment, Toronto, Ontario. -
AS Saint-Etienne
AS Saint-Etienne - Werder Bremen MATCH PRESS KIT Geoffroy-Guichard, Saint-Etienne Wednesday 18 March 2009 - 20.30CET (20.30 local time) Matchday 9 - Round of 16, second leg Contents 1 - Match background 6 - Competition facts 2 - Squad list 7 - Team facts 3 - Match officials 8 - Competition information 4 - Domestic information 9 - Legend 5 - Match-by-match lineups This press kit includes information relating to this UEFA Cup match. For more detailed factual information, and in-depth competition statistics, please refer to the matchweek press kit, which can be downloaded at: http://www.uefa.com/uefa/mediaservices/presskits/index.html Match background Despite dealing AS Saint-Etienne their first UEFA competition defeat since November 1982 in the first leg at the Weserstadion, Werder Bremen know that their UEFA Cup Round of 16 tie is far from over. • Having knocked out AC Milan in the previous round, Bremen made a bright start against St-Etienne, with Naldo putting them into a 20th-minute lead, but they failed to increase their advantage after that and head to France with the outcome still in the balance. • St-Etienne had been unbeaten in their 12 previous European games since losing 4-0 at FC Bohemians Praha in the second leg of their 1982/83 UEFA Cup second-round tie on 3 November 1982. That run comprised seven wins and five draws. • Les Verts' nine-game unbeaten home run in Europe stretches back to the quarter-finals of the 1980/81 UEFA Cup, when a team featuring UEFA President Michel Platini lost 4-1 to Ipswich Town FC at the Stade Geoffroy-Guichard. -
How Should We Measure the Digital Economy? 2
Hutchins Center Working Paper #5 7 January 2020 How Should We Measure the Digital Economy? Erik Brynjolfsson MIT Initiative on the Digital Economy MIT Sloan School of Management Avinash Collis MIT Initiative on the Digital Economy MIT Sloan School of Management A BSTRACT Over the past 40 years, we’ve seen an explosion of digital goods and services: Google, Facebook, LinkedIn, Skype, Wikipedia, online courses, maps, messaging, music, and all the other apps on your smartphone. Because many internet services are free, they largely go uncounted in official measures of economic activity such as GDP and Productivity (which is simply GDP/hours worked). If we want to understand how the internet is contributing to our economy, we need better ways to measure free services like Facebook, Google and Wikipedia. We developed techniques with Felix Eggers of University of Groningen that allow us to estimate the internet’s contribution to the economy. Our research suggests that there has been a substantial increase in well-being that is missed by traditional metrics like GDP, or productivity. The authors did not receive financial support from any firm or person for this article or from any firm or person with a financial or political interest in this article. Neither is currently an officer, director, or board member of any organization with an interest in this article. ________________________________________________________________________ THIS PAPER IS ONLINE AT https://www.brookings.edu/research/how- should-we-measure-the-digital-economy 1. Introduction How much would we have to pay you to give up Google search for one month? $10? $100? $1,000? How about Wikipedia? Perhaps you don’t use Google or Wikipedia at all, and so your reply is $0. -
Bibliography
BIBLIOGRAPHY 2002 DirecTV DSL “End of the Internet” Commercial. Accessed March 5, 2020. https://www.youtube.com/watch? v5_uXtWIg_A7M. Adorno, Theodor W. “The Form of the Phonograph Record.” In Essays on Music/Theodor W. Adorno, edited by Theodor W. Adorno, Richard D. Leppert, and Susan H. Gillespie, 277–80. Berkeley: University of California Press, 2002. Agger, Ben. Fast Capitalism. Urbana: University of Illinois Press, 1988. Agger, Ben. Speeding Up Fast Capitalism: Cultures, Jobs, Families, Schools, Bodies. Boulder: Routledge, 2004. Agger, Ben. Oversharing: Presentations of Self in the Internet Age. New York: Routledge, 2011. Aglietta, Michel. A Theory of Capitalist Regulation: The US Experience. Translated by David Fernbach. New edition. New York: Verso, 2001. Allen, Jennifer. “How Episode Became the World’s Biggest Interactive Fiction Platform.” Accessed August 7, 2020. https://www.gamasutra.com/view/news/293928/How_Episode_ became_the_worlds_biggest_interactive_fiction_platform.php. 151 152 Bibliography Andrejevic, Mark. Infoglut: How Too Much Information Is Changing the Way We Think and Know. 1st ed. New York: Routledge, 2013. Arditi, David. “Billboard Plays Catch-up to YouTube’s Dominance.” The Tennessean. March 9, 2020, Online edition, sec. Opinion. https://www.tennessean.com/story/ opinion/2020/03/09/billboard-catches-up-to-youtube- dominance/5005889002/. Arditi, David. Criminalizing Independent Music: The Recording Industry Association of America’s Advancement of Dominant Ideology. VDM Verlag, 2007. Arditi, David. “Downloading Is Killing Music: The Recording Industry’s Piracy Panic Narrative.” Edited by Victor Sarafian and Rosemary Findley. Civilisations, The State of the Music Industry, 63, no. 1 (July 2014): 13–32. Arditi, David. ITake-Over: The Recording Industry in the Digital Era. -
Editors Ece KARADOĞAN DORUK, Seda MENGÜ, Ebru ULUSOY
DIGITAL SIEGE Editors Ece KARADOĞAN DORUK, Seda MENGÜ, Ebru ULUSOY DIGITAL SEIGE EDITORS Ece KARADOĞAN DORUK Istanbul University, Faculty of Communication, Istanbul, Turkey Seda MENGÜ Istanbul University, Faculty of Political Sciences, Istanbul, Turkey Ebru ULUSOY Farmingdale State College, New York, USA Published by Istanbul University Press Istanbul University Central Campus IUPress Office, 34452 Beyazıt/Fatih Istanbul - Turkey www.iupress.istanbul.edu.tr Digital Seige Editors: Ece Karadoğan Doruk, Seda Mengü, Ebru Ulusoy E-ISBN: 978-605-07-0764-9 DOI: 10.26650/B/SS07.2021.002 Istanbul University Publication No: 5281 Published Online in April, 2021 It is recommended that a reference to the DOI is included when citing this work. This work is published online under the terms of Creative Commons Attribution- NonCommercial 4.0 International License (CC BY-NC 4.0) https://creativecommons.org/licenses/by-nc/4.0/ This work is copyrighted. Except for the Creative Commons version published online, the legal exceptions and the terms of the applicable license agreements shall be taken into account. ii EDITORS Prof. Dr. Ece Karadoğan Doruk Istanbul University, Istanbul, Turkey Prof. Dr. Seda Mengü Istanbul University, Istanbul, Turkey Assoc. Prof. Dr. Ebru Ulusoy Farmingdale State College, New York, USA ADVISORY BOARD Prof. Dr. Celalettin Aktaş Istanbul Commerce University, Istanbul, Turkey Prof. Dr. Füsun Alver Istanbul Commerce University, Istanbul, Turkey Prof. Dr. M. Bilal Arık Aydin Adnan Menderes University, Aydin, Turkey Prof. Dr. Oya Şaki Aydın Istanbul Commerce University, Istanbul, Turkey Prof. Dr. Aysel Aziz Istanbul Yeni Yüzyıl University, Istanbul, Turkey Prof. Dr. Güven N. Büyükbaykal Istanbul University, Istanbul, Turkey Prof. -
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1 TABLE OF CONTENTS 2 I. INTRODUCTION ...................................................................................................... 2 3 II. JURISDICTION AND VENUE ................................................................................. 8 4 III. PARTIES .................................................................................................................... 9 5 A. Plaintiffs .......................................................................................................... 9 6 B. Defendants ....................................................................................................... 9 7 IV. FACTUAL ALLEGATIONS ................................................................................... 17 8 A. Alphabet’s Reputation as a “Good” Company is Key to Recruiting Valuable Employees and Collecting the User Data that Powers Its 9 Products ......................................................................................................... 17 10 B. Defendants Breached their Fiduciary Duties by Protecting and Rewarding Male Harassers ............................................................................ 19 11 1. The Board Has Allowed a Culture Hostile to Women to Fester 12 for Years ............................................................................................. 19 13 a) Sex Discrimination in Pay and Promotions: ........................... 20 14 b) Sex Stereotyping and Sexual Harassment: .............................. 23 15 2. The New York Times Reveals the Board’s Pattern -
Technologyquarterly September 3Rd 2011
Artifi cial muscles Brainwave control: Marc Andreessen’s challenge motors sci-fi no longer second act TechnologyQuarterly September 3rd 2011 Changes in the air The emerging technologies that will defi ne the future of fl ight TQCOV-September4-2011.indd 1 22/08/2011 15:42 2 Monitor The Economist Technology Quarterly September 3rd 2011 Contents On the cover From lightweight components and drag-reducing paint today, to holographic entertainment systems and hypersonic aircraft tomorrow, researchers are devising the emerging technologies that will dene the future of ight. What can tomorrow’s Cameras get cleverer travellers expect? Page 10 Monitor 2 Computational photography, a new approach to desalination, monitoring yacht performance, spotting fakes with lasers, guiding nanoparticles to ght Consumer electronics: New approaches to photography treat it as a branch of cancer, mopping up oil with wool, smaller military drones, computing as well as optics, making possible a range of new tricks keeping barnacles at bay and HOTOGRAPHY can trace its roots to dierent exposures, into one picture of the religious overtones of Pthe camera obscura, the optical princi- superior quality. Where a single snap may computing programming ples of which were understood as early as miss out on detail in the lightest and dar- the 5th century BC. Latin for a darkened kest areas, an HDR image of the same Dierence engine chamber, it was just that: a shrouded box scene looks preternaturally well lit (see 9 Worrying about wireless or room with a pinhole at one end above). HDR used to be a specialised Concerns about the health risks through which light from the outside was technique employed mostly by profes- of mobile phones are misplaced projected onto a screen inside, displaying sionals. -
Jeffrey Scudder Google Inc. March 28, 2007 Google Spreadsheets Automation Using Web Services
Jeffrey Scudder Google Inc. March 28, 2007 Google Spreadsheets Automation using Web Services Jeffrey Scudder Google Inc. March 28, 2007 2 Overview What is Google Spreadsheets? • Short Demo What is the Google Spreadsheets Data API? • Motivations (Why an API?) • Protocol design • Atom Publishing Protocols • GData • List feed deconstructed How do I use the Google Spreadsheets Data API? • Authentication • Longer Demo Questions 3 What is Google Spreadsheets? Let’s take a look 4 What is Google Spreadsheets? Why not ask why • Spreadsheets fits well with our mission… – “Organize My Information… and… – Make it Accessible and Useful… – With whomever I choose (and nobody else, thanks)” • In other words…. – Do-it-yourself Content Creation – Accepted/Familiar Interface of Spreadsheets and Documents – Accessibility from anywhere (…connected) – Easy-to-use Collaboration – Do-it-yourself Community Creation 5 What is the Google Spreadsheets Data API? Motivations • Foster development of specific-use apps • Allow users to create new UIs • To extend features offered • To integrate with 3rd party products • To offer new vertical applications 6 What is the Google Spreadsheets Data API? Protocol design based on existing open standards • Deciding on design principles – Use a RESTful approach – Reuse open standards – Reuse design from other Google APIs • The end result – REST web service based on GData – Data is in Atom XML and protocol based on the Atom Publishing Protocol (APP) – GData is based on Atom and APP and adds authentication, query semantics, and more -
January/February 2019
JANUARY/FEBRUARY 2019 MOBILE + VR ACCESSIBILITY + LITERACY THE DIGITAL FRONTIER SCOTLAND’S FINEST THE MACALLAN DISTILLERY & VISITOR EXPERIENCE DELIVERED BY BECK INTERIORS WORLD CLASS QUALITY EXCEPTIONAL SKILL & CRAFTSMANSHIP OUTSTANDING SERVICE PROUD WINNER OF THE QUEEN’S AWARD FOR ENTERPRISE: INTERNATIONAL TRADE 2018 Carol See: [email protected] - Mark Banham: [email protected] www.beckinteriors.com beckinteriors BECK +44 (0) 20 8974 0500 JANUARY FEBRUARY 2019 ISSUE CONTENTS DEPARTMENTS 5 From the President and CEO 6 By the Numbers 8 First Look 12 Point of View Are We Giving Up Too Much? 40 Alliance in Action FEATURES 44 Tributes and 16 Handheld and Expansive Transitions Mobile platforms help museums foster better visitor experiences. 48 Reflection By Deborah Howes 22 Exploring a Neurospeculative Future Cover: Data consists of valuable information that Ashley Baccus-Clark discusses the enhances people’s lives and it has so many stories storytelling promise of VR. to tell. Media Artist Refik Anadol utilized energy Interview by Elizabeth Merritt usage datasets from various buildings and explored new data universes in the shape of data sculptures. 28 A Winning Approach to Digital ©Refik Anadol Media Accessibility Improving accessibility enhances the visitor experience for everyone. By Susan Chun 34 Building a Framework The museum sector needs to rethink digital skills—from the ground up. By Carolyn Royston and Ross Parry 2 MUSEUM / January−February 2019 / aam-us.org 2019 Goal: Increased Visitor Engagement or Bust! Look to Guru to make it happen. Guru’s award-winning museum apps offer engaging, interactive, and customized visitor experiences that span media while leading the way in educational augmented reality. -
Should Google Be Taken at Its Word?
CAN GOOGLE BE TRUSTED? SHOULD GOOGLE BE TAKEN AT ITS WORD? IF SO, WHICH ONE? GOOGLE RECENTLY POSTED ABOUT “THE PRINCIPLES THAT HAVE GUIDED US FROM THE BEGINNING.” THE FIVE PRINCIPLES ARE: DO WHAT’S BEST FOR THE USER. PROVIDE THE MOST RELEVANT ANSWERS AS QUICKLY AS POSSIBLE. LABEL ADVERTISEMENTS CLEARLY. BE TRANSPARENT. LOYALTY, NOT LOCK-IN. BUT, CAN GOOGLE BE TAKEN AT ITS WORD? AND IF SO, WHICH ONE? HERE’S A LOOK AT WHAT GOOGLE EXECUTIVES HAVE SAID ABOUT THESE PRINCIPLES IN THE PAST. DECIDE FOR YOURSELF WHO TO TRUST. “DO WHAT’S BEST FOR THE USER” “DO WHAT’S BEST FOR THE USER” “I actually think most people don't want Google to answer their questions. They want Google to tell them what they should be doing next.” Eric Schmidt The Wall Street Journal 8/14/10 EXEC. CHAIRMAN ERIC SCHMIDT “DO WHAT’S BEST FOR THE USER” “We expect that advertising funded search engines will be inherently biased towards the advertisers and away from the needs of consumers.” Larry Page & Sergey Brin Stanford Thesis 1998 FOUNDERS BRIN & PAGE “DO WHAT’S BEST FOR THE USER” “The Google policy on a lot of things is to get right up to the creepy line.” Eric Schmidt at the Washington Ideas Forum 10/1/10 EXEC. CHAIRMAN ERIC SCHMIDT “DO WHAT’S BEST FOR THE USER” “We don’t monetize the thing we create…We monetize the people that use it. The more people use our products,0 the more opportunity we have to advertise to them.” Andy Rubin In the Plex SVP OF MOBILE ANDY RUBIN “PROVIDE THE MOST RELEVANT ANSWERS AS QUICKLY AS POSSIBLE” “PROVIDE THE MOST RELEVANT ANSWERS AS QUICKLY -
A Football Journal by Football Radar Analysts
FFoooottbbaallll RRAADDAARR RROOLLIIGGAANN JJOOUURRNNAALL IISSSSUUEE FFOOUURR a football journal BY football radar analysts X Contents GENERATION 2019: YOUNG PLAYERS 07 Football Radar Analysts profile rising stars from around the globe they tip to make it big in 2019. the visionary of nice 64 New ownership at OGC Nice has resulted in the loss of visionary President Jean-Pierre Rivere. Huddersfield: a new direction 68 Huddersfield Town made the bold decision to close their academy, could it be a good idea? koncept, Kompetenz & kapital 34 Stepping in as Leipzig coach once more, Ralf Rangnick's modern approach again gets results. stabaek's golden generation 20 Struggling Stabaek's heavy focus on youth reaps rewards in Norway's Eliteserien. bruno and gedson 60 FR's Portuguese analysts look at two players named Fernandes making waves in Liga Nos. j.league team of the season 24 The 2018 season proved as unpredictable as ever but which players stood out? Skov: THE DANISH SNIPER 38 A meticulous appraisal of Danish winger Robert Skov's dismantling of the Superligaen. europe's finishing school 43 Belgium's Pro League has a reputation for producing world class talent, who's next? AARON WAN-BISSAKA 50 The Crystal Palace full back is a talented young footballer with an old fashioned attitude. 21 under 21 in ligue 1 74 21 young players to keep an eye on in a league ideally set up for developing youth. milan's next great striker? 54 Milan have a history of legendary forwards, can Patrick Cutrone become one of them? NICOLO BARELLA: ONE TO WATCH 56 Cagliari's midfielder has become crucial for both club and country. -
Collaborative Creativity, Dark Energy, and Anime's Global Success
Collaborative Creativity, Dark Energy, and Anime’s Global Success ◆特集*招待論文◆ Collaborative Creativity, Dark Energy, and Anime’s Global Success 協調的創造性、ダーク・エナジー、アニメの グローバルな成功 Ian Condry Associate Professor, Comparative Media Studies, Massachusetts Institute of Technology コンドリー・イアン マサチューセッツ工科大学比較メディア研究准教授 In this essay, I give an overview of some of the main ideas of my new book The Soul of Anime: Collaborative Creativity and Japan’s Media Success Story. Drawing on ethnographic research, including fieldwork at Madhouse, as well as a historical consideration of the original Gundam series, I discuss how anime can be best understood in terms of platforms for collaborative creativity. I argue that the global success of Japanese animation has grown out of a collective social energy that operates across industries—including those that produce film, television, manga (comic books), and toys and other licensed merchandise—and connects fans to the creators of anime. For me, this collective social energy is the soul of anime. 本論文において、拙著『アニメのダーク・エナジー:協調的創造性と日本のメディアの成功例』 における中心的なアイデアの紹介を行う。アニメを制作する企業マッドハウスにおけるフィール ドワークを含む、人類学的な研究を行うとともに、オリジナルの『ガンダム』シリーズに関する 歴史的な考察をふまえて、協調的創造性のプラットフォームとしてアニメを位置付けることがで きるかどうか検討する。日本アニメのグローバルな成功は、映画、テレビ、漫画、玩具、そして その他のライセンス事業を含めて、アニメファンと創作者をつなぐ集団的なソーシャル・エナジー に基づいていると主張する。このような集団的なソーシャル・エナジーがアニメの精神であると 著者は考えている。 Keywords: Media, Popular Culture, Globalization, Japan, Ethnography Acknowledgements: Thank you to Motohiro Tsuchiya for including me in this project. I think “Platform Lab” is an excellent rubric because I believe media should be viewed as a platform of participation rather than content for consumption. I view scholarship the same way. My anime research was supported by the Japan Foundation, the US National Science Foundation, and the Japan Society for the Promotion of Science. I have also received generous funding from, MIT, Harvard, Yale, and the Fulbright program.