Summer 2013 Number 13
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Walter Burley Griffin and Marion Mahony Griffin, Architects of Anthroposophy
Walter Burley Griffin and Marion Mahony Griffin, Architects of Anthroposophy Dr John Paull [email protected] A century ago, on the 23rd of May 1912, the winning design of Canberra was announced. Soon after, two talented Chicago architects set sail for Australia. Their plan for Australia’s national capital, already named Canberra but at the time merely an empty paddock, had won first prize in an international competition which attracted 137 entries. The winning prize money for the design was a modest £1750 (McGregor, 2009). Walter Burley Griffin (1876-1937) and Marion Mahony (1871-1961) were married in the year preceding the win. Marion had nagged Walter to enter the competition, “What’s the use of thinking about a thing like this for ten years if when the time comes you don’t get it done in time!” She pointed out the practicalities: “Perhaps you can design a city in two days but the drawings take time and that falls on me” (Griffin, 1949, volume IV p.294). After the win was announced, Walter declared: “I have planned it not in a way that I expected any government in the world would accept. I have planned an ideal city - a city that meets my ideal of a city of the future” (New York Times, 1912). Marion chronicled events of their life together in a typewritten four- volume memoir of over 1600 pages (Griffin, 1949). Her memoir documents their life together and liberally reproduces personal correspondence between them and their associates. Her unpublished manuscript reveals the intensity with which she and Walter embraced the thoughts of Rudolf Steiner (1861-1925) and anthroposophy. -
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Society of Architectural Historians University of California Press "The Century's Triumph in Lighting": The Luxfer Prism Companies and Their Contribution to Early Modern Architecture Author(s): Dietrich Neumann Source: Journal of the Society of Architectural Historians, Vol. 54, No. 1 (Mar., 1995), pp. 24-53 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/991024 Accessed: 25-10-2015 18:45 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society of Architectural Historians and University of California Press are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians. http://www.jstor.org This content downloaded from 128.148.252.35 on Sun, 25 Oct 2015 18:45:40 UTC All use subject to JSTOR Terms and Conditions "The Century'sTriumph in Lighting": The Luxfer Prism Companies and their Contributionto Early Modem Architecture medium to another, as from air to water or, in this case, glass. DIETRICH NEUMANN, BrownUniversity Throughoutthe eighteenth and nineteenth centuriesconically characterize this new prism as one of the most shaped glassesalready had been used to redirectlight into dark .L remarkable improvements of the century in its bearing rooms in basementsor in ships.5Thaddeus Hyatt, one of the on practical architecture, is to speak but mildly. -
Frank Lloyd Wright: Design/Method/Theory
1 SYLLABUS FALL 2016 Frank Lloyd Wright: Design/Method/Theory INSTRUCTOR: Dr. Anthony Alofsin TIME AND PLACE: 3:30-6:300pm. Tuesday, Location: WMB 4.118 Course Unique Numbers: 00390/00485/00840/1350/1860 v1 Prerequisites Open to students throughout the university. Upper division standing for undergraduates and graduate enrollment for others. It is preferable to have a background in the history of modern architecture and completion of survey courses I and II in the School of Architecture, but not required. This course is not intended to fulfill the University’s undergraduate writing component. Course Format There are many ways to look at the history of architecture. This lecture course is intended use the work of Frank Lloyd Wright to explore his designs, methods, and the theories supporting them. While the course includes a broad over of Frank Lloyd Wright’s work, it focuses on analysis of his designs and ideas.. Students will obtain a familiarity with Wright's work, an introduction to concepts of organic design, and a synthetic definition of architectural modernism. The themes of the course will be explored through a series of analytical exercises. Examples of organic architecture by other architects may also be considered as variation interpretations of organic design. Requirements and evaluation may change as a function of the availability of graders or Teaching Assistants. Educational Objectives Using the lens of historical inquiry into architecture, this course also intends to train students in fundamental skills of critical thinking, writing, and speaking. It seeks to present a monographic, analytical approach to the work of a major cultural figure and the phenomenon of modernism; to develop effective skills of analysis through writing, oral, and visual communication; to consider and analyze different viewpoints represented in diverse cultural and historic contexts; and to gain a greater appreciation of the role of architecture in the formation of regional, natural and global identity. -
Collection 1880S–1940S, Floor 5 Checklist
The Museum of Modern Art Fifth Floor, 1880s-1940s 5th Fl: 500, Constantin Brancusi Constantin Brâncuși Bird in Space 1928 Bronze 54 x 8 1/2 x 6 1/2" (137.2 x 21.6 x 16.5 cm) Given anonymously 153.1934 Fall 19 - No restriction Constantin Brâncuși Fish Paris 1930 Blue-gray marble 21 x 71 x 5 1/2" (53.3 x 180.3 x 14 cm), on three-part pedestal of one marble 5 1/8" (13 cm) high, and two limestone cylinders 13" (33 cm) high and 11" (27.9 cm) high x 32 1/8" (81.5 cm) diameter at widest point Acquired through the Lillie P. Bliss Bequest (by exchange) 695.1949.a-d Fall 19 - No restriction Constantin Brâncuși Mlle Pogany version I, 1913 (after a marble of 1912) Bronze with black patina 17 1/4 x 8 1/2 x 12 1/2" (43.8 x 21.5 x 31.7 cm), on limestone base 5 3/4 x 6 1/8 x 7 3/8" (14.6 x 15.6 x 18.7 cm) 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) Other (bronze): 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) 5 3/4 × 6 1/8 × 7 3/8" (14.6 × 15.6 × 18.7 cm) Other (approx. weight): 40 lb. (18.1 kg) Acquired through the Lillie P. Bliss Bequest (by exchange) 2.1953 Fall 19 - No restriction Constantin Brâncuși Maiastra 1910-12 White marble 22" (55.9 cm) high, on three-part limestone pedestal 70" (177.8 cm) high, of which the middle section is Double Caryatid, c. -
Frank Lloyd Wright - Wikipedia, the Free Encyclopedia
Frank Lloyd Wright - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=Frank_... Frank Lloyd Wright From Wikipedia, the free encyclopedia Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 – April 9, Frank Lloyd Wright 1959) was an American architect, interior designer, writer and educator, who designed more than 1000 structures and completed 532 works. Wright believed in designing structures which were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by his design for Fallingwater (1935), which has been called "the best all-time work of American architecture".[1] Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States. His work includes original and innovative examples of many different building types, including offices, churches, schools, Born Frank Lincoln Wright skyscrapers, hotels, and museums. Wright June 8, 1867 also designed many of the interior Richland Center, Wisconsin elements of his buildings, such as the furniture and stained glass. Wright Died April 9, 1959 (aged 91) authored 20 books and many articles and Phoenix, Arizona was a popular lecturer in the United Nationality American States and in Europe. His colorful Alma mater University of Wisconsin- personal life often made headlines, most Madison notably for the 1914 fire and murders at his Taliesin studio. Already well known Buildings Fallingwater during his lifetime, Wright was recognized Solomon R. Guggenheim in 1991 by the American Institute of Museum Architects as "the greatest American Johnson Wax Headquarters [1] architect of all time." Taliesin Taliesin West Robie House Contents Imperial Hotel, Tokyo Darwin D. -
Coastal Arts Discovery Trail
frcc34_artstrail.qxd 16/9/06 5:29 PM Page 30 FRANKSTON COASTAL ARTS TRAIL Kananook Creek meets Port Phillip Bay Coastal Arts Discovery Trail Produced by Frankston City Council 2006 Frankston frcc34_artstrail.qxd 16/9/06 5:44 PM Page ii COASTAL ARTS DISCOVERY TRAIL Arts and cultural growth and diversity have emerged in Frankston as powerful signs of the renewed confidence, prosperity and maturity of the city. The Coastal Arts Discovery Trail is designed to capture the stories, images and ideas that acknowledge and celebrate local culture from the time of the original inhabitants through to the present day. The project has been funded by the Victorian Government’s Community Support Fund and Frankston City Council. Frankston City Council wishes to thank all those who have assisted with the project, including all Foreshore-related groups and organisations. INDEX Artists: Above: Introduction . 02 J A Turner (1850-1908) Julie Squires Oliver’s Hill, Frankston 1888 Davey’s Bay . 03 Jacki Staude oil on canvas Gulls Way . 04 Velislav Georgiev, Zabelski Han Private collection Oliver’s Hill . 06 David Murphy, Down Street Studios Front Cover: The Burley Griffins – Gumnuts . 08 Cameron Robbins, Down Street Studios Robert Taylor-Ghee – Yamala . 10 Richard Goodwin Frankston from Oliver’s Hill c1920 The ‘Round House’ . 11 oil on board Evangelos Sakaris Private collection, Image courtesy Frankston Pier and foreshore . 12 Anne Ross Bridget McDonnell Gallery, Melbourne Kananook Creek . 14 Palm Court – the McClelland family . 17 Long Island – childhood memories . 19 – Rick Amor Indigenous heritage . 22 The Seaford Hermit . 24 Other sites of interest . 26 Map . -
Winter 2013 Letter
The Society of Architectural Historians Missouri Valley Chapter News Volume XIX Number 4 Winter 2013 Letter www.stlouisarchitecture.org THE 1828 ST. LOUIS COURTHOUSE A public, urban place like the public square was the setting by Bob Moore where all sorts of people came together informally, where Historian, Jefferson National Expansion Memorial collective civic rituals such as markets and parades took place, and where the prevalent values and beliefs of the community As St. Louis began to grow as a city in the 1820s, and shook off were made manifest. In the American form of the public its chrysalis of French Colonial city planning and house design, square, an institutional building usually dominated, most often a one building stands out as an impetus to a new direction and the courthouse, in a city design seen particularly in Pennsylvania emergence of an American rather than a French city on the and which spread westward in the early 1800s to the Midwest. banks of the Mississippi. Ironically, that structure stood for less than 25 years and is all but forgotten by St. Louisans today. It In the early 1820s St. Louis was, for the first time, feeling an was supplanted by the spectacular Greek Revival Old acute need for a court building. On December 14, 1822, a Courthouse, famous in U.S. history as the site of the Dred Scott commission was appointed by the county of St. Louis to select a case. But prior to the first stone being laid for the Old site for a permanent, dedicated courthouse. The committee Courthouse, another building once stood on that same square. -
Marion Mahony Griffin
Illinois Women Artists, Part 31 Marion Mahony Griffin Drawing architecture (1867-1959) that probably solidified his reputation as America’s most in a new way celebrated architect, although until recently published histories have By Kristan H. McKinsey largely ignored her. Director, Illinois Women Artists Mahony spent her early years in Project Lakeside, a rural section of Winnetka, Illinois, where her family moved after arion Mahony (1871-1961) the Great Chicago Fire destroyed their did not allow prevailing home when she was just a few months M convention to deter her from old. She lived around the corner from a a career as an architect at a time when beloved cousin, Dwight Perkins (1867- men of that profession, and members 1941), who would influence her path to of the building trades in general, architecture, and with whom she and viewed women wanting to practice her four siblings explored the nearby architecture suspiciously. She was born Lake Michigan beach to the east and into a family of educators and social Skokie Marsh to the west. The family reformers, and grew up surrounded by moved back to Chicago following the strong women in an environment that death of Mahony’s father in 1882 and fostered gender equality and collabora - her mother took a teaching position in tion. As a licensed professional, she Longfellow Public School. The family F.P. Marshall Dwelling, Winnetka, redefined architectural draftsmanship spent several summers in Winnetka Illinois, 1910 (not built). Walter in the early 20th century through her during that decade, where Mahony Burley Griffin, architect; Marion beautifully composed and rendered developed a love of Nature that inspired Mahony Griffin, delineator. -
Ranelagh Estate, Mt Eliza Recognising the Heritage Of
Recognising the Heritage of Conservation Management Plan for the Ranelagh Estate, Mt Eliza July, 2009 Prepared for Mornington Peninsula Shire Council ¤ Context Pty Ltd Project Team: Dr Sandy Blair, Senior Consultant David Helms, Senior Consultant Christina Dyson, Consultant Report Register This report register documents the development and issue of the report entitled Recognising the Heritage of Ranelagh: Draft Conservation Management Plan for the Ranelagh Estate, Mt Eliza undertaken by Context Pty Ltd in accordance with our internal quality management system. Project Issue Notes/description Issue date Issued to No. No. 1175 1 Draft report June 2008 Simon Lloyd 1175 2 Draft for public exhibition November Simon Lloyd 2008 1175 3 Final report July 2009 Simon Lloyd Context Pty Ltd 22 Merri Street, Brunswick 3056 Phone 03 9380 6933 Facsimile 03 9380 4066 Email [email protected] Web www.context-pl.com.au ii CONTENTS EXECUTIVE SUMMARY IX Purpose ix Approach and methodology ix Scope ix Key findings and outcomes x History and significance (Chs 2,3 & 4) x Context for policy formulation (Ch. 5) xi Key outcomes xi Recommendations xi Recognising and conserving heritage values xi Managing vegetation internal reserves and the road reserves xii Enhancing access and use xii Presenting and interpreting the Estate xii Individual heritage items xii Communicating and consulting xii CHAPTER 1 INTRODUCTION 1 1.1 Background 1 1.2 Project objectives 1 1.3 Scope 1 1.4 Study Area 2 1.5 Project Methodology 3 1.5.1 Method 3 1.5.2 Terminology 5 1.5.3 Limitations -
Walter Burley Griffin, Marion Mahony Griffin
Walter Burley Griffin Marion Mahony Griffin The Art Institute of Chicago u fe-n She.Jf- lD~.\ 131 \ Cover: No. 20, detail ©The Art Institute of Chicago 1981 A1 <t4 All rights reserved. 1'1<el ISBN: 0-86559-047-8 v.I Designed by Ann Wassmann. c.. d- Typeset by MobiGraphics, Chicago. Printed by Photopress, Inc., Broadview, Illinois. Distributed by Prairie Avenue Bookshop, 711 S. Dearborn, Chicago, Illinois 60605. Walter Burley Griffin Marion Mahony Griffin Architectural Drawings in the Burnham Library of Architecture The Art Institute of Chicago September 10, 1981, through January 31, 1982 o~ 1oi l\)\l .f\1~4 Introduction \~\ Walter Burley Griffin (1876-1937) and Marion Mahony Griffin \l. I (1871-1962) were a husband and wife architectural team. Born in c 1__ Maywood and raised in Oak Park, Walter studied architecture at the University of Illinois at Urbana-Champaign and graduated in 1899. In 1894 Marion, a native Chicagoan, became the first woman to graduate from the Massachusetts Institute of Technology with a Bachelor of Science in Architecture. They both worked for Frank Lloyd Wright in the early years of the 20th century, married in 1911, and moved to Australia after Walter won the competition to design the Federal Capital of Canberra in 1912. He was the architect, she the delineator of most of the striking, often orientalesque, renderings in this exhibit. Together, they worked on projects in Australia and India until Walter's death. She returned to Chicago and, in 1949, donated over 350 of their drawings to the Burnham Library through Eric Nicholls, Walter's asso ciate in Australia, as well as to other institutions throughout the coun try such as Northwestern University and the Avery Architectural Library at Columbia University. -
Walter Burley Griffin and Marion Mahony Griffin
Walter Burley Griffin and Marion Mahony Griffin Architecture is created out of the needs of the client or the audience and the ideals and ideas of the architect. Many things influence the architect and the client: • the world of the architect • the background knowledge of the architect • the values and beliefs of the architect Architects American born architects, Walter Burley Griffin (1876-1937) and his wife Marion Mahony Griffin (1871-1961) arrived in Australia in 1913. Both as a married couple and an artistic partnership, the Griffins collaborated on many projects including the winning design of Australia’s proposed Federal Capital in Canberra in 1912. In 1914 Marion and Walter Griffin moved to Australia where they lived for over twenty years. The Griffins were two of the first Modernist architects to work in Australia. NOTE: Refer to webpage The collaboration of Marion Mahony Griffin and Walter Burley Griffin by Dr Judy Wells Marion Mahony Griffin was born in Chicago in 1871 and died in 1961. She worked as an architect in United States of America, Australia and India. As the first registered woman architect in Illinois, USA, she was a contributing designer to the development of the Prairie School of architecture which revolutionized American architecture. Her commitments to democratic ideals are evident in her architecture and community planning. Amongst her legacy are her beautiful architectural drawings depicting visions of buildings within the landscape. The Powerhouse, Sydney houses a large collection of Marion Mahony Griffin’s drawings. NOTE: Refer to webpage Marion Mahony Griffin by Associate Professor Anna Rubbo Walter Burley Griffin was born in 1876 near Chicago and died in 1937 in India. -
Exhibit and Related Programs—Fall 2016
Exhibit and Related Programs—Fall 2016 EXHIBIT In Her Own Right: Marion Mahony Griffin October 7, 2016-March 12, 2017 Marion Mahony Griffin (1871-1961) was one of America’s first female architects, a Chicagoan also known as a skilled artist, environmentalist, and community activist. A central contributor to the Prairie School of Architecture, her drawings of the Unity Temple and many other projects introduced Frank Lloyd Wright’s early work to the world. Mahony Griffin was the first registered woman architect in Illinois who became a pioneer in architecture and community planning. A key member of Wright’s Oak Park Studio for 15 years, she and husband Walter Burley Griffin won the international design competition for Canberra, Australia’s national capital. This exhibition traces her early life, her personal and professional partnership with Griffin on three continents, the final years of her life in Chicago—and sheds light on the work and legacy of a Chicagoan of immense but often overlooked importance. Location: Elmhurst History Museum, 120 E. Park Ave., Elmhurst Hours: Sun., Tues.-Fri., 1-5 p.m.; Sat. 10 a.m.-5 p.m. Admission: FREE More info: elmhursthistory.org or 630-833-1457 GROUP TOURS: Book a private tour for your group today by contacting our Museum Educator at 630-833-7090 or via email at [email protected]. The docent-led tour of this exhibition will trace Marion Mahony Griffin’s remarkable life—from her childhood in Chicago, to her studies at MIT Boston, her association with Chicago’s design reformers, and an architectural career spanning three continents—the United States, Australia and India.