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Frank Lloyd Wright in Iowa Daniel J
Architecture Publications Architecture Winter 2008 Frank Lloyd Wright in Iowa Daniel J. Naegele Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/arch_pubs Part of the Architectural History and Criticism Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ arch_pubs/54. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Frank Lloyd Wright in Iowa Abstract Why "Wright in Iowa?" Are there ways that Wright's Iowa works are distinguished from his built works elsewhere? Iowa is a typical Midwest state, exceptional in neither general geography nor landscape. The ts ate's urban areas are minor, and Iowa has never been known for its subscription to avant-garde architecture. Its most renowned artist, Grant Wood, painted Iowa's rolling hills and pie-faced people in cartoon-like images that simultaneously champion and question the coalescence of people and place. Indeed, the state's most convincing buildings are found on its farms with their unpretentious, vernacular, agricultural buildings. Disciplines Architectural History and Criticism Comments This article is from Frank Lloyd Wright Quarterly 19 (2008): 4–9. Posted with permission. This article is available at Iowa State University Digital Repository: http://lib.dr.iastate.edu/arch_pubs/54 a (Photos above and opposite page, top right) The Lowell and Agnes Walter hy "Wright in Iowa?" Are House, "Cedar Rock," Quasqueton, W there ways that Wright's Iowa. -
Walter Burley Griffin and Marion Mahony Griffin, Architects of Anthroposophy
Walter Burley Griffin and Marion Mahony Griffin, Architects of Anthroposophy Dr John Paull [email protected] A century ago, on the 23rd of May 1912, the winning design of Canberra was announced. Soon after, two talented Chicago architects set sail for Australia. Their plan for Australia’s national capital, already named Canberra but at the time merely an empty paddock, had won first prize in an international competition which attracted 137 entries. The winning prize money for the design was a modest £1750 (McGregor, 2009). Walter Burley Griffin (1876-1937) and Marion Mahony (1871-1961) were married in the year preceding the win. Marion had nagged Walter to enter the competition, “What’s the use of thinking about a thing like this for ten years if when the time comes you don’t get it done in time!” She pointed out the practicalities: “Perhaps you can design a city in two days but the drawings take time and that falls on me” (Griffin, 1949, volume IV p.294). After the win was announced, Walter declared: “I have planned it not in a way that I expected any government in the world would accept. I have planned an ideal city - a city that meets my ideal of a city of the future” (New York Times, 1912). Marion chronicled events of their life together in a typewritten four- volume memoir of over 1600 pages (Griffin, 1949). Her memoir documents their life together and liberally reproduces personal correspondence between them and their associates. Her unpublished manuscript reveals the intensity with which she and Walter embraced the thoughts of Rudolf Steiner (1861-1925) and anthroposophy. -
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Society of Architectural Historians University of California Press "The Century's Triumph in Lighting": The Luxfer Prism Companies and Their Contribution to Early Modern Architecture Author(s): Dietrich Neumann Source: Journal of the Society of Architectural Historians, Vol. 54, No. 1 (Mar., 1995), pp. 24-53 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/991024 Accessed: 25-10-2015 18:45 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society of Architectural Historians and University of California Press are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians. http://www.jstor.org This content downloaded from 128.148.252.35 on Sun, 25 Oct 2015 18:45:40 UTC All use subject to JSTOR Terms and Conditions "The Century'sTriumph in Lighting": The Luxfer Prism Companies and their Contributionto Early Modem Architecture medium to another, as from air to water or, in this case, glass. DIETRICH NEUMANN, BrownUniversity Throughoutthe eighteenth and nineteenth centuriesconically characterize this new prism as one of the most shaped glassesalready had been used to redirectlight into dark .L remarkable improvements of the century in its bearing rooms in basementsor in ships.5Thaddeus Hyatt, one of the on practical architecture, is to speak but mildly. -
Suburb 2008 Stateabbr Postcode Aberfeldy Vic 3825
SUBURB 2008 STATEABBR POSTCODE ABERFELDY VIC 3825 ADA VIC 3833 AGNES VIC 3962 AIRLY VIC 3851 ALBERTON VIC 3971 ALBERTON WEST VIC 3971 ALLAMBEE VIC 3823 ALLAMBEE RESERVE VIC 3871 ALLAMBEE SOUTH VIC 3871 AMOR VIC 3825 ARAWATA VIC 3951 ATHLONE VIC 3818 BAIRNSDALE VIC 3875 BALOOK VIC 3971 BAROMI VIC 3871 BAW BAW VIC 3833 BAW BAW VIC 3833 BAW BAW VILLAGE VIC 3833 BELLBIRD CREEK VIC 3889 BELLBIRD CREEK VIC 3889 BEMM RIVER VIC 3889 BENA VIC 3946 BENGWORDEN VIC 3875 BENNISON VIC 3960 BENNISON VIC 3960 BERRYS CREEK VIC 3953 BINGINWARRI VIC 3966 BINGINWARRI VIC 3966 BLACKWARRY VIC 3844 BOISDALE VIC 3860 BOISDALE VIC 3860 BONA VISTA VIC 3820 BOOLA VIC 3825 BOOLARONG VIC 3960 BOOLARRA VIC 3870 BOOLARRA SOUTH VIC 3870 BOOLE POOLE VIC 3880 BOOROOL VIC 3953 BRANDY CREEK VIC 3821 BRAVINGTON VIC 3821 BRIAGOLONG VIC 3860 BRIAGOLONG VIC 3860 BROADLANDS VIC 3875 BRUTHEN VIC 3885 BUCHAN VIC 3885 BUCHAN SOUTH VIC 3885 BUDGEREE VIC 3870 BUDGERUM EAST VIC 3579 BUFFALO VIC 3958 BUFFALO VIC 3958 BUFFALO RIVER VIC 3737 BUFFALO RIVER VIC 3737 BULDAH VIC 3890 BULLUMWAAL VIC 3875 BULN BULN VIC 3821 BULN BULN EAST VIC 3821 BUMBERRAH VIC 3902 BUNDALAGUAH VIC 3851 BUNYIP VIC 3815 BUNYIP NORTH VIC 3815 BUSHY PARK VIC 3860 BUTCHERS RIDGE VIC 3885 CABBAGE TREE CREEK VIC 3889 CABBAGE TREE CREEK VIC 3889 CALLIGNEE VIC 3844 CALLIGNEE NORTH VIC 3844 CALLIGNEE SOUTH VIC 3844 CALROSSIE VIC 3971 CALULU VIC 3875 CANN RIVER VIC 3890 CARINGAL VIC 3825 CARINGAL VIC 3825 CARRAJUNG VIC 3844 CARRAJUNG LOWER VIC 3844 CARRAJUNG SOUTH VIC 3844 CHANDLERS CREEK VIC 3890 CHILDERS VIC 3824 -
Walhalla Visitor Guide 3
WALHALLA Visitor Guide visitwalhalla.com Australia’S valley Of the gods HIDDEN IN A DEEP VALLEy IN THE VICTORIAN ALPS, WALHALLA HISTORIC TOWNSHIP WAS A BOOM TOWN Of THE 1880S THAT WENT BUST IN THE EARLy 1900S AND WAS DESERTED fOR MOST Of THE 20TH CENTURy. Just a short drive east of Melbourne you’ll Exotic trees and cute miner’s cottages line the discover a village that time has passed by. meandering street and twisting creek in the From 1863 until 1914, Walhalla was one of the steep valley. Walhalla’s unique topography in a richest gold areas in Australia with a population narrow mountain gorge meant that the early of over 3,000 people. There were 10 hotels, townsfolk needed to think vertically. 7 churches, several dance halls, a school with Walhalla’s iconic cemetery clings to the side of more than 500 students and over 30 shops. the hill at a 45 degree angle and the slopes are Walhalla’s picturesque location in the Gippsland dotted with cottages built on narrow ledges mountains combines the wild Australian bush cut into the steep hillsides. When gold mining environment with a colonial style reminiscent became unprofitable in 1914 and the mines of the gold era. closed, Walhalla’s decline was rapid. 2 www.visitwalhalla.com WALHALLA VISITOR GUIDE 3 things to see and do Most of the houses and buildings were pulled down and shipped to other towns LONG TUNNEL EXTENDED on the newly opened railway, while GOLD MINE others were simply abandoned. Discover a golden past on an informative 45 minute tour of an original gold mine The structures that remained were with a local guide. -
Vicforests Social Impact Assessment Development: Scoping Studies: Noojee Gerard Fitzgerald October 2017
VicForests Social Impact Assessment Development: Scoping studies: Noojee Gerard Fitzgerald October 2017 1 Background to the study 1.1 Introduction Two Social Impact Assessment (SIA) scoping studies were conducted as part of the development of a social impact assessment methodology and capability within VicForests. Noojee was selected as one of these ‘learning by doing’ studies. Each study included both desk-based research and fieldwork, and, as well as providing a training experience, aimed to identify the range of potential social impacts arising from forest operations each community. This type of study is referred to as a social impacts scoping study because it is typically carried out as a preliminary exercise to determine what the key social impacts might be. In this case, the field studies were preceded by workshop-based training for VicForests staff in SIA theory, practice, and methods, and was tailored to the certification requirements of the Forest Stewardship Council (FSC). This report outlines the outcomes of the scoping/training study in the town of Noojee carried out over the week of 21-25 August 2017. 1.2 Social Impact Assessment SIA is the process and practice of analysing and managing social changes and impacts on people and communities that are likely to occur as a result of a development, plan, programme, or policy. SIA can also be applied to regular or ongoing operations such as those undertaken as part of forest management. SIA typically includes stakeholder and community involvement in identifying, evaluating and managing the impacts. The aim is to avoid, minimize or manage the negative impacts on local people while maximizing the benefits. -
Frank Lloyd Wright: Design/Method/Theory
1 SYLLABUS FALL 2016 Frank Lloyd Wright: Design/Method/Theory INSTRUCTOR: Dr. Anthony Alofsin TIME AND PLACE: 3:30-6:300pm. Tuesday, Location: WMB 4.118 Course Unique Numbers: 00390/00485/00840/1350/1860 v1 Prerequisites Open to students throughout the university. Upper division standing for undergraduates and graduate enrollment for others. It is preferable to have a background in the history of modern architecture and completion of survey courses I and II in the School of Architecture, but not required. This course is not intended to fulfill the University’s undergraduate writing component. Course Format There are many ways to look at the history of architecture. This lecture course is intended use the work of Frank Lloyd Wright to explore his designs, methods, and the theories supporting them. While the course includes a broad over of Frank Lloyd Wright’s work, it focuses on analysis of his designs and ideas.. Students will obtain a familiarity with Wright's work, an introduction to concepts of organic design, and a synthetic definition of architectural modernism. The themes of the course will be explored through a series of analytical exercises. Examples of organic architecture by other architects may also be considered as variation interpretations of organic design. Requirements and evaluation may change as a function of the availability of graders or Teaching Assistants. Educational Objectives Using the lens of historical inquiry into architecture, this course also intends to train students in fundamental skills of critical thinking, writing, and speaking. It seeks to present a monographic, analytical approach to the work of a major cultural figure and the phenomenon of modernism; to develop effective skills of analysis through writing, oral, and visual communication; to consider and analyze different viewpoints represented in diverse cultural and historic contexts; and to gain a greater appreciation of the role of architecture in the formation of regional, natural and global identity. -
West Gippsland Vehicle Restorers Club Inc
West Gippsland Vehicle Restorers Club Inc. Est. 1985 C l u b Newsletter February 2017 INSIDE THIS ISSUE: February 2017 President’s Report 3 Sun Mon Tue Wed Thu Fri Sat Committee 1 meeting 2 3 4 Calendar of events 4 cake General 5 6 7 8 run 9 10 11 Meeting Ride Drive Day Entry Form 11 Bike Bug 12 Run 13 14 15 splat 16 17 18 Entertainment 12 19 20 21 22 23 24 25 Classifieds 14 Ride Tues 26 drive day 27 28 run 2 Committee Members & Club Representatives President Gerry Marvin 0447 211 747 Vice-President Gary Davey 03 5625 5281 Clubrooms and Library Are Open: Treasurer Clubrooms located in St. John Ambulance Jean Fear 0428 276 309 Building, Anderson Street, Warragul Secretary (Corner of Anderson & Burke Street). Jill Davey 03 5625 5281 Open 10:00 am – 12:00 pm Saturday morning Social Secretary for a ‘cuppa and a chat’. Di Goodbody 03 5623 6965 All visitors welcome! [email protected] Website Editor http://www.shannons.com.au/club/carclubs/ Donna Nieuwenhuys 0409 173 040 west-gippsland-vehicle-restorers-club/ Email: [email protected] PO Box 220 Newborough 3825 https://www.facebook.com/WGVRC LIFE MEMBERS - LORNA MELBOURNE - JUNE TOLLEY Club Meetings COMMITTEE General Meetings are usually held the 2nd Librarian Saturday of every month at 11:00 am. (subject Sandy James to change) Membership Jeff Sewell 03 5623 1859 Internet Places of interest: Public Officer Federation Website: Jill Davey 03 5625 5281 http://www.federation.asn.au Building Caretaker A.O.M.C. Website: Bert West 03 5628 5314 ww.aomc.asn.au AOMC Delegate Gary Davey 03 5625 5281 Club Newsletter is published the 1st week of every month. -
South Gippsland, Victoria
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A Dialogue Restored Rooms Open at Robie House
For Members of the Volume 45 : Issue 2 Summer – Fall 2018 Frank Lloyd Wright Trust Wright Angles: A DIALOGUE RESTORED ROOMS OPEN AT ROBIE HOUSE From the President & CEO In August the Trust completed phase 1 restoration of the Robie House interior, and visitors began touring the restored front entry hall, main stairway, billiard room and living room. Refreshed wall and ceiling plaster and vibrant original coloration have transformed the rooms, and the reinstallation of lighting and leaded glass windows illuminate the space with a balanced mixture of natural and incandescent light. With renewed excitement, we welcome guests from around the world to see Robie House restored to Wright’s 1910 vision. Unanimously recognized by European critics in 1930 as the precursor to international modernism, Robie House today is Photo: James Caulfield Photo: re-evaluated by contemporary audiences. A grant from the Getty The restored Robie House living room open for tours. Foundation has facilitated our preparation of a Robie House Conservation Management Plan that will establish guiding principles and policies for generations to come. A value-based assessment is part of this plan. I hope you will participate in the 2018 Board of Directors survey described on pages 10-11. John M. Rafkin, Chairman Join us on Tuesday, October 2, for the Trust’s 7th annual Robert Miller, Vice-Chair and Chair, Executive Committee Thinking into the Future: Robie House Series on Architecture, David Dunning, Treasurer Design and Ideas. This year’s speaker, Mark Sexton, will discuss Graham J. Rarity, Secretary Architect / Artist Collaborations, a hallmark of his distinguished Peter R. -
Collection 1880S–1940S, Floor 5 Checklist
The Museum of Modern Art Fifth Floor, 1880s-1940s 5th Fl: 500, Constantin Brancusi Constantin Brâncuși Bird in Space 1928 Bronze 54 x 8 1/2 x 6 1/2" (137.2 x 21.6 x 16.5 cm) Given anonymously 153.1934 Fall 19 - No restriction Constantin Brâncuși Fish Paris 1930 Blue-gray marble 21 x 71 x 5 1/2" (53.3 x 180.3 x 14 cm), on three-part pedestal of one marble 5 1/8" (13 cm) high, and two limestone cylinders 13" (33 cm) high and 11" (27.9 cm) high x 32 1/8" (81.5 cm) diameter at widest point Acquired through the Lillie P. Bliss Bequest (by exchange) 695.1949.a-d Fall 19 - No restriction Constantin Brâncuși Mlle Pogany version I, 1913 (after a marble of 1912) Bronze with black patina 17 1/4 x 8 1/2 x 12 1/2" (43.8 x 21.5 x 31.7 cm), on limestone base 5 3/4 x 6 1/8 x 7 3/8" (14.6 x 15.6 x 18.7 cm) 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) Other (bronze): 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) 5 3/4 × 6 1/8 × 7 3/8" (14.6 × 15.6 × 18.7 cm) Other (approx. weight): 40 lb. (18.1 kg) Acquired through the Lillie P. Bliss Bequest (by exchange) 2.1953 Fall 19 - No restriction Constantin Brâncuși Maiastra 1910-12 White marble 22" (55.9 cm) high, on three-part limestone pedestal 70" (177.8 cm) high, of which the middle section is Double Caryatid, c. -
Frank Lloyd Wright - Wikipedia, the Free Encyclopedia
Frank Lloyd Wright - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=Frank_... Frank Lloyd Wright From Wikipedia, the free encyclopedia Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 – April 9, Frank Lloyd Wright 1959) was an American architect, interior designer, writer and educator, who designed more than 1000 structures and completed 532 works. Wright believed in designing structures which were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by his design for Fallingwater (1935), which has been called "the best all-time work of American architecture".[1] Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States. His work includes original and innovative examples of many different building types, including offices, churches, schools, Born Frank Lincoln Wright skyscrapers, hotels, and museums. Wright June 8, 1867 also designed many of the interior Richland Center, Wisconsin elements of his buildings, such as the furniture and stained glass. Wright Died April 9, 1959 (aged 91) authored 20 books and many articles and Phoenix, Arizona was a popular lecturer in the United Nationality American States and in Europe. His colorful Alma mater University of Wisconsin- personal life often made headlines, most Madison notably for the 1914 fire and murders at his Taliesin studio. Already well known Buildings Fallingwater during his lifetime, Wright was recognized Solomon R. Guggenheim in 1991 by the American Institute of Museum Architects as "the greatest American Johnson Wax Headquarters [1] architect of all time." Taliesin Taliesin West Robie House Contents Imperial Hotel, Tokyo Darwin D.