DOCSLIB.ORG

Indian Censors Cut Swear Words from Rap Film

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Indian Censors Cut Swear Words from Rap Film Established 1961 20 T L i f e s t y l e Music & Movies Thursday, February 14, 2019 Bleep! Indian censors cut swear words from rap film inemagoers might expect a few swear words in a website, the CBFC granted “Gully Boy” a UA rating on The pair have loved each other since childhood but have movie about rapping but not in India, where cen- the condition it replaced an English-language expletive to keep their relationship secret from their parents so Csors have cut several profanities from a taboo- and two Hindi slang terms “wherever (they) occurred”. they meet for illicit trysts. breaking blockbuster-while also toning down a screen UA stands for an unrestricted adult rating, which means The movie is inspired in part by Mumbai hip-hop stars kiss. India’s Central Board of Film Certification (CBFC) parental guidance is required for children under 12 years Divine and Naezy and sees Singh doing his own rapping. has ordered filmmakers to remove every mention of three old. Only films with that rating reach a mass audience. In 2015 the CBFC reduced the length of two kissing expletives from “Gully Boy”, a drama about an aspiring The CBFC also told the filmmakers to reduce the length scenes in James Bond movie “Spectre”. That same year it hip-hop star from a Mumbai slum. The body has a long of a “passionate kissing scene” and replace it with a blocked the release of “Fifty Shades of Grey” in India, history of cutting scenes and barring movies, including wider shot. despite being shown a toned-down version of the erotic those deemed too racy or may cause religious offence, “We made some minor changes,” Ritesh Sidhwani, the movie. — AFP with filmmakers accusing censors of intolerance. “Gully film’s producer, told AFP, adding that the songs in the Boy” stars Bollywood icons Ranveer Singh and Alia Bhatt movie were “intact”. Singh, 33, stars as Murad who is and is about a young couple yearning to break out of turning the squalor and tension of his home life into poet- their traditional Muslim families to realize their dreams. ry until a popular local rapper convinces him to try hip- Indian Bolywood actor Ranveer Singh (left) and The female-directed movie premiered to great hop. Bhatt, 25, plays Safeena, who wears a traditional British actress Alia Bhatt pose during a photocell for acclaim at the Berlin film festival at the weekend and hits Muslim headscarf but resists her family’s attempts to the film “Gully boy” presented in the special gala screens across India today. According to a filing on its arrange her marriage and wants to become a surgeon. section at the 69th Berlinale film festival. — AFP Swinton overlooked daughter 21 Savage granted release on at first for starring film role bond from immigration detention ilda Swinton and a childhood friend rammy-nominated rapper 21 Savage was prepared for months to make a film Swinton noted‘Improvising that Hogg life’ liked to work granted release on bond from US immigration Tabout a traumatic experience from with lay actors and even shortly before Gdetention Tuesday, his lawyers said-nine days their youth before realizing that the shooting had not found the right person to after his arrest sparked outrage among fellow music actress’s daughter would be perfect for the play Julie. “I had given her the names of all stars, fans and immigrant rights advocates alike. starring role. Swinton told reporters Honor’s friends, everybody I could think “Today, 21 Savage was granted a release on bond. He Tuesday at the Berlin film festival that “The of,” she said. “Finally it occurred to us both won his freedom,” Charles Kuck, Dina LaPolt and Alex Souvenir” by director Joanna Hogg, featur- that there was somebody at the kitchen Spiro, representing 21 Savage, said in a statement. ing the first lead performance by 21-year- table who might be very well-suited.” Kuck confirmed the rapper will be released Hogg, who has known Honor since she was Wednesday. a baby, said she hadn’t closely directed the 21 Savage, whose real name is She’yaa Bin two actresses on set. “We didn’t really Abraham-Joseph, was arrested February 3 in the have to talk very much,” she said. southern city of Atlanta by Immigration and Customs “Tilda is an individual, Honor is an indi- Enforcement (ICE) agents who said he was British and vidual and they understood the characters had been living in the United States illegally since In this file photo US rapper 21 Savage attends the 2018 they were playing. It was incredibly overstaying his visa from 2006. His legal team did not MTV Video Music Awards at Radio City Music Hall in straightforward and very beautiful and immediately clarify what comes next in the case of the New York City. — AFP very moving actually.” Swinton Byrne, 26-year-old rapper, whose chart-topping latest album whose father is playwright and artist John “I Am > I Was” was released in December. Previously, Byrne, only had one previous screen role, they acknowledged that he was British, brought to the Rapper Post Malone performed hit track as a child in the Italian language “I Am US aged seven, and lost his legal status in the US “Rockstar,” which features 21 Savage, alone at the Love” starring her mother. Swinton said when he was a child “through no fault of his own.” show in Los Angeles. The song won the pair two she managed to hold back from giving her They also said he has a pending application for a U Grammy nominations. daughter guidance on set. visa-for victims of crimes who have faced mental or A petition demanding 21 Savage’s release was “As far as giving Honor any advice at all physical abuse in the US-that was filed “as a result of signed by more than 460,000 people-with Kendrick about being a fully realised human being in being the victim of a deadly shooting in 2013”-and Lamar, Jay-Z and Democratic Congresswoman front of a camera, she needed absolutely that his three US citizen children make him eligible for Alexandria Ocasio-Cortez among those backing the nothing and I wouldn’t dare to presume,” deportation relief. On Tuesday, 21 Savage’s lawyers campaign for his freedom. — AFP she said. Swinton Byrne insisted that apart also passed on a message to the young rapper’s fans, British actress Tilda Swinton old Honor Swinton Byrne, had been her from a planned sequel to “The Souvenir”, saying that while he was not at Sunday’s Grammys (left) and her daughter most “intimate” project to date. “When I reported to include Robert Pattinson in the Awards-”he was there in spirit and is grateful for the actress Honor Swinton Byrne knew that (Hogg) was going to be making cast, she had no plans to continue acting. support from around the world.” pose on the red carpet ahead this particular story, it was of course “But then I don’t how life is going to go. of the screening for the film incredibly moving. I was there with Joanna Yes, I’m improvising life,” she demurred. “The Souvenir” at the 69th during the experiences that formed the “This was really the most spectacular Berlinale film festival. — AFP basis of the story of this film,” said experience and I know it will always be so The prize’s stated goal is to “break down musical Swinton, 58, who has known Hogg since close to my heart for always and nothing Hip hop DJ pioneer boundaries by bringing together people from all the differ- they were 10. will be ever quite as meaningful in quite ent worlds of music”. Past laureates have included Swinton Byrne plays Julie, a young film the same way.” Swinton Byrne said that Metallica, the Afghan National Institute of Music, Sting, student loosely based on Hogg who falls for now, she planned to take a completely Grandmaster Flash wins Bob Dylan, Bjork, Sonny Rollins and Ravi Shankar and for Anthony, a charismatic older man who different tack in life than her creative par- Dizzy Gillespie.—AFP claims to work for the British foreign ents. “I’ve applied for university in service during the Troubles in Northern Edinburgh and I hope to study psychology Polar Music Prize Ireland. While Julie, the child of wealthy and neuroscience,” she said. “So that’s my randmaster Flash, one of the pioneers of hip hop farmers, pursues her student films from a next ambition, my next project-so fingers and DJ music, yesterday shared Sweden’s Polar Italian anti-mafia author posh flat in London’s Knightsbridge dis- crossed.” “The Souvenir” is screening in Music Prize with German violinist Anne-Sophie trict, Anthony (Tom Burke of “The the Panorama sidebar section of the G Mutter and US charity Playing for Change Foundation. The Musketeers”) moves in with her. Even as Berlinale, where Swinton presented her winners will each receive one million Swedish kronor Saviano won’t be Anthony feeds her creative spark, Julie first film, Derek Jarman’s “Caravaggio”, in (95,700 euros, $108,000) at a gala in Stockholm on June 11 soon realises he is hiding an explosive 1986. — AFP in the presence of King Carl XVI Gustaf. Grandmaster ‘intimidated’ by Salvini secret. Swinton and Swinton Byrne, who Flash, whose real name is Joseph Saddler, is best known for play mother and daughter, have received his 1982 hit “The Message” about inner city violence, glowing reviews for the film, which was talian anti-mafia author Roberto Saviano said drugs, and poverty, and for developing DJ techniques such Tuesday he would not allow himself to be “intim- largely improvised based on a story out- as scratching, backspinning and punch phrasing.
Load more

Recommended publications
  • Grandmaster Flash and the Furious Five
    Grandmaster Flash and the Furious Five To download an editable PowerPoint, visit edu.rockhall.com Grandmaster Flash and the Furious Five: Fast Facts • Formed in 1976 in the South Bronx, New York; broke up by 1986 • Members: DJ Grandmaster Flash and rappers Melle Mel, Kidd Creole, Mr. Ness/Scorpio, Cowboy, and Rahiem • Recorded at Sugar Hill Records, the first hip-hop record label • Grandmaster Flash revolutionized the use of turntables in hip-hop by developing techniques such as “scratching” and “punch phrasing.” • First hip-hop group to be inducted into the Rock & Roll Hall of Fame (2007) Grandmaster Flash and the Furious Five: Important Bronx Locations New Jersey ▪ South Bronx (Bronx), New York New York City Recognized birthplace of hip-hop music and culture; Grandmaster Flash and the Furious Five’s home neighborhood Queens ▪ Harlem (Manhattan), New York Recorded with Enjoy Records until 1980 ▪ Englewood, New Jersey Brooklyn Recorded with Sugar Hill Records (the first hip-hop record label) from 1980 to 1984 Staten Island Grandmaster Flash and the Furious Five: Two Essential Songs “Superappin’” “The Message” • Released in 1982 on Sugar Hill • Released in 1979 on Records Enjoy Records • Features Melle Mel and guest • One of the earliest rapper Duke Bootee rap records ever sold • Conveys the difficulties of life in the • Mimics the “hip-hop South Bronx, with lyrics about jam,” a live performance poverty, violence, and with audience interaction drug use • Hip-hop was originally heard • Early example of at lengthy dance parties, so a “conscious rap,” where 12-minute song seemed very lyrics convey a serious, short! often political message Grandmaster Flash’s Turntable Innovations • Grandmaster Flash developed turntable techniques and special effects that gave DJs more musical freedom.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • BO DIDDLEY's UNCONVENTIONAL 1950'S SOUND and ITS
    BO DIDDLEY’S UNCONVENTIONAL 1950’s SOUND AND ITS ANTICIPATION OF HIP HOP OVERVIEW ESSENTIAL QUESTION How were Bo Diddley’s recordings an anomaly in relation to 1950s Pop music, and how is his rhythm-driven sound and self-presentation a precursor to Hip Hop style? OVERVIEW From his first appearance on the Billboard R&B chart in 1955 and continuing over his five- decade career, Bo Diddley has been celebrated for the rhythm-driven, percussive sound of his ensemble, at the center of which was Diddley’s guitar playing. If by the Rock era the guitar solo became a symbolic centerpiece in recordings and performances, Diddley’s emphasis was always on the rhythm guitar. His approach didn’t revolve around the single- and double-note leads that came to dominate the music. Instead, Bo Diddley pioneered a sound that involved every member of his combo playing with a percussive sensibility. Rhythm was emphasized over melody, with a vocal style that often approximated Rap set against that rhythmic backdrop. Earlier even than James Brown, Diddley inadvertently pointed to a Hip Hop future. His best-known rhythm guitar pattern (three strokes/rest/two strokes, or “shave and a haircut, two bits”) influenced many. The “Bo Diddley beat,” as it came to be known, appeared on records by Buddy Holly, the Rolling Stones, Bruce Springsteen, U2, rapper B.o.B., and many others. In Bo Diddley’s own songs, the “Bo Diddley beat” was often combined with remarkably simple chord changes, as can be heard on his self-titled debut single, “Bo Diddley.” Throughout that single-chord song, which went to No.
    [Show full text]
  • LAURA LEVINE Furniture | Kitchen | Bath | Closet | Lighting | Accessories | Art
    LAURA LEVINE Furniture | Kitchen | Bath | Closet | Lighting | Accessories | Art ARTIST Laura Levine TITLE Tina Weymouth and Grandmaster Flash, NYC, 1981 MEDIUM Silver gelatin photographic print. Signed, titled, numbered in ink on the front and stamped on the back. Later printing from Laura Levine’s personal archive. DIMENSIONS 21” x 26” | Framed | Edition 7 of 50 16” x 20” | Unframed BIOGRAPHY Levine’s career as a music photographer enabled her to work with everyone from Björk to James Brown for magazines such as Rolling Stone and the New York Rocker (where she was Chief Photographer/Photo Editor). Levine’s intimate photographic portraits of artists from the punk, early hip-hop, New Wave, No Wave, and early downtown New York City music scene have been previously exhibited at New York’s Museum of Modern Art (MoMA), Steven Kasher Gallery, and are in the permanent collections of the Rock & Roll Hall of Fame and Museum, the Museum of Fine Arts (Houston), and the Smithsonian Institution’s National Portrait Gallery. PRICE $2,800 | Framed $2,500 | Unframed DZINE Gallery | 128 Utah Street, San Francisco, CA 94103 | www.dzineliving.com/gallery | 415.674.9430 Furniture | Kitchen | Bath | Closet | Lighting | Accessories | Art ARTIST Laura Levine TITLE Joey Ramone, NYC, 1982 MEDIUM Silver gelatin photographic print. Signed, titled, numbered in ink on the front and stamped on the back. Later printing from Laura Levine’s personal archive. DIMENSIONS 21” x 26” | Framed | Edition 4 of 50 16” x 20” | Unframed BIOGRAPHY Levine’s career as a music photographer enabled her to work with everyone from Björk to James Brown for magazines such as Rolling Stone and the New York Rocker (where she was Chief Photographer/Photo Editor).
    [Show full text]
  • “Rapper's Delight”
    1 “Rapper’s Delight” From Genre-less to New Genre I was approached in ’77. A gentleman walked up to me and said, “We can put what you’re doing on a record.” I would have to admit that I was blind. I didn’t think that somebody else would want to hear a record re-recorded onto another record with talking on it. I didn’t think it would reach the masses like that. I didn’t see it. I knew of all the crews that had any sort of juice and power, or that was drawing crowds. So here it is two years later and I hear, “To the hip-hop, to the bang to the boogie,” and it’s not Bam, Herc, Breakout, AJ. Who is this?1 DJ Grandmaster Flash I did not think it was conceivable that there would be such thing as a hip-hop record. I could not see it. I’m like, record? Fuck, how you gon’ put hip-hop onto a record? ’Cause it was a whole gig, you know? How you gon’ put three hours on a record? Bam! They made “Rapper’s Delight.” And the ironic twist is not how long that record was, but how short it was. I’m thinking, “Man, they cut that shit down to fifteen minutes?” It was a miracle.2 MC Chuck D [“Rapper’s Delight”] is a disco record with rapping on it. So we could do that. We were trying to make a buck.3 Richard Taninbaum (percussion) As early as May of 1979, Billboard magazine noted the growing popularity of “rapping DJs” performing live for clubgoers at New York City’s black discos.4 But it was not until September of the same year that the trend gar- nered widespread attention, with the release of the Sugarhill Gang’s “Rapper’s Delight,” a fifteen-minute track powered by humorous party rhymes and a relentlessly funky bass line that took the country by storm and introduced a national audience to rap.
    [Show full text]
  • Why Hip Hop Began in the Bronx- Lecture for C-Span
    Fordham University DigitalResearch@Fordham Occasional Essays Bronx African American History Project 10-28-2019 Why Hip Hop Began in the Bronx- Lecture for C-Span Mark Naison Follow this and additional works at: https://fordham.bepress.com/baahp_essays Part of the African American Studies Commons, American Popular Culture Commons, Cultural History Commons, and the Ethnomusicology Commons Why Hip Hop Began in the Bronx- My Lecture for C-Span What I am about to describe to you is one of the most improbable and inspiring stories you will ever hear. It is about how young people in a section of New York widely regarded as a site of unspeakable violence and tragedy created an art form that would sweep the world. It is a story filled with ironies, unexplored connections and lessons for today. And I am proud to share it not only with my wonderful Rock and Roll to Hip Hop class but with C-Span’s global audience through its lectures in American history series. Before going into the substance of my lecture, which explores some features of Bronx history which many people might not be familiar with, I want to explain what definition of Hip Hop that I will be using in this talk. Some people think of Hip Hop exclusively as “rap music,” an art form taken to it’s highest form by people like Tupac Shakur, Missy Elliot, JZ, Nas, Kendrick Lamar, Wu Tang Clan and other masters of that verbal and musical art, but I am thinking of it as a multilayered arts movement of which rapping is only one component.
    [Show full text]
  • Outsiders' Music: Progressive Country, Reggae
    CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s Chapter Outline I. The Outlaws: Progressive Country Music A. During the late 1960s and early 1970s, mainstream country music was dominated by: 1. the slick Nashville sound, 2. hardcore country (Merle Haggard), and 3. blends of country and pop promoted on AM radio. B. A new generation of country artists was embracing music and attitudes that grew out of the 1960s counterculture; this movement was called progressive country. 1. Inspired by honky-tonk and rockabilly mix of Bakersfield country music, singer-songwriters (Bob Dylan), and country rock (Gram Parsons) 2. Progressive country performers wrote songs that were more intellectual and liberal in outlook than their contemporaries’ songs. 3. Artists were more concerned with testing the limits of the country music tradition than with scoring hits. 4. The movement’s key artists included CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s a) Willie Nelson, b) Kris Kristopherson, c) Tom T. Hall, and d) Townes Van Zandt. 5. These artists were not polished singers by conventional standards, but they wrote distinctive, individualist songs and had compelling voices. 6. They developed a cult following, and progressive country began to inch its way into the mainstream (usually in the form of cover versions). a) “Harper Valley PTA” (1) Original by Tom T. Hall (2) Cover version by Jeannie C. Riley; Number One pop and country (1968) b) “Help Me Make It through the Night” (1) Original by Kris Kristofferson (2) Cover version by Sammi Smith (1971) C.
    [Show full text]
  • Rahul Regrets Misquoting SC
    Follow us on: facebook.com/dailypioneer RNI No.2016/1957, REGD NO. SSP/LW/NP-34/2019-21 @TheDailyPioneer instagram.com/dailypioneer/ Established 1864 OPINION 8 WORLD 12 SPORT 15 Published From MONEY RULES US TO SANCTION NATIONS FOR NEYMAR RETURNS AS DELHI LUCKNOW BHOPAL BHUBANESWAR IMPORTING IRANIAN OIL RANCHI RAIPUR CHANDIGARH THE ROOST PSG BEAT MONACO 3-1 DEHRADUN HYDERABAD VIJAYWADA Late City Vol. 155 Issue 109 LUCKNOW, TUESDAY APRIL 23, 2019; PAGES 16 `3 *Air Surcharge Extra if Applicable ARSHAD IS UNDERSTATED: VIDYA} BALAN } 14 VIVACITY www.dailypioneer.com Rahul regrets misquoting SC But Cong president repeats ‘Chowkidar chor’ hai in Amethi PNS n NEW DELHI/AMETHI formation campaign” being led of executive power and a lead- by senior BJP functionaries as ing example of the corruption ongress president Rahul well as the Government that of the BJP Government led by CGandhi on Monday the December 14 last year Prime Minister Modi, which expressed regret in the judgment gave a “clean chit” to deserves to be investigated Supreme Court over his the Modi Government on the thoroughly by a Joint remarks attributing certain Rafale deal. Parliamentary Committee and comments against Prime He also referred to a media proceeded against thereafter”. Minister Narendra Modi on the interview by Prime Minister Away from the SC pro- basis of a recent order of the top Narendra Modi in which he ceedings, Rahul once again court in the Rafale deal case, had said the apex court had raked up his often-repeated but wasted no time in repeat- given a clean chit to the poll theme of alleged corrup- ing his “Chowkidar chor” jibe Government in the Rafale deal.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • The Panorama- 01 1
    THE PANORAMA- 01 1. Kimono and Geisha are two terms that are quite common in 1. Assamese 2. French 3. Russian 4. Japanese 2. The Ninth Five-year Plan aims at overall enhancement of 1. Food security 2. Infrastructure 3. Human resources development 4. Growth with social justice 3. The seawater, on an average, contains _______% salt in it. 1. 35 2. 45 3. 3.5 4. None of these 4. Examine the following statements: 1. The Election Commission of India is a 3-member body and this provision regarding membership is mentioned in the constitution 2. The Chief Election Commissioner can be removed only by initiating an impeachment motion. 3. The CEC does not exercise overriding authority over other members and all its decision are taken on a majority basis. 1. A and C 2. A and B 3. C only 4. A, B and C 5. Amartya Sen, an NRI who has been in news recently, is a famous 1. Scientist 2. Economist 3. Painter 4. Industrialist 6. The Aligarh Muslim University and the Banaras Hindu University were respectively established by 1. Syed Ahmed Khan, Madan Mohan Malviya 2. Maulana Zafar Ali, Lajpat Rai 3. Syed Ahmed Khan, Swami Dayanand 4. Syed Ahmed Khan, Annie Besant 7. The Balwant Rai Mehta committee was concerned with 1. Agricultural finance 2. Panchayati Raj 3. Rural poverty 4. Education 8. The only metal, which exists in a free state, is 1. Silver 2. Sodium 3. Gold 4. Uranium 9. India’s maximum export earnings come from 1. Tea 2. Leather goods 3.
    [Show full text]
  • Raj Kapoor, Dev Anand and Dilip Kumar by Chandrakant Trivedi Trimurti Is Always an Interesting and Inspiring Topic
    Federation of Indian Associations (FIA) Sunday / December 20, 2020 Federation of Indian Associations NY-NJ-CT. 501(C)3 The Largest Non-Profit Grassroot Umbrella Organization in the Tri-state of NY-NJ-CT Sunday / December 20, 2020 Issue: 25 100% VOLUNTEER RUN ORGANIZATION EST. 1970 FIA Hosts India Visa and OCI Deconstructing Christmas, Indian Rapper DIVINE Town Hall to Aid Community to a Supreme Religious and of ‘Gully Boy’ Fame Better Understand Working of Social Mega Celebration Featured on Times New Visa Outsourcing Agency Worldwide Square Billboard FIA Hosts India Visa and OCI Town Hall to Aid Community to Better Understand Working of New Visa Outsourcing Agency Record number of people attend one-of-a-kind event with Consul General of India in New York and his staff The Federation of Indian Associations of New York, Randhir Jaiswal, Deputy Consul General, the tristate area of New York, New Jersey and Shatrughna Sinha, and Consul, consular, passport Connecticut (FIA-Tristate) hosted a virtual Town and visa division, Murugesan Ramaswamy. Hall on India Visa and OCI (Overseas Citizenship In the first segment of the Town Hall, Consul of India) card, on Dec. 7. The first of its kind event General Jaiswal and his staff answered collectively aimed to expand the community’s understanding compiled questions regarding the transition process of the workings of the new agency, VFS Global, as from the previous processing agency to VFS Global; well as the details about the transition from the old and its impact on the Indian American community. agency, CKGS, to the new agency, VFS Global.
    [Show full text]
  • Situating Right-Wing Interventions in the Bombay Film Industry
    Industry Status for Bombay Cinema On 10 May 1998, in an attempt to appease the restive clamour of the film world, industry status was granted to film by the Indian State under the aegis of the Bharatiya Janata Party (BJP) led-government, the political arm of the Hindu Right. This decision marked a watershed in the hitherto fraught relations that had existed between the State and Bombay cinema for over fifty years since Independence. Addressing a large gathering of film personalities at a national conference on ‘Challenges Before Indian Cinema’, organised by the Federation of Indian Chambers of Commerce & Industry and the Film Federation of India, the Information & Broadcasting (I&B) Minister Sushma Swaraj announced that the ministry would place a proposal in Parliament that would include films in the concurrent list, 1 thereby bringing it within the purview of the central government (‘Industry Status Granted To Film Industry’, 1998). Industry status signified a dramatic shift in State policy towards Hindi cinema as an entertainment industry. Past governments had made empty promises to various industry delegations over the decades that exacerbated tensions between an indifferent and often draconian State and an increasingly anxious industry. So what prompted this decision that led to, ‘the changing relations between the Indian state and Bombay cinema in a global context’ (Mehta 2005: 135) and what was at stake for the right – wing government? And more importantly, what could be the possible implications of this new status on the industry? I hope to answer some of these questions by tracing the process of negotiation initiated from the early 1990s between the Hindu Right (primarily the BJP and the Shiv Sena) and Bombay film industry which, to some extent, may have anticipated the momentous decision of May 1998.
    [Show full text]