A New Approach to Using Photographs and Classroom
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												Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. - 
												
												'Boxing Clever
NOVEMBER 05 2018 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 215 ’BOXING CLEVER SANDBOX SUMMIT SPECIAL ISSUE Event photography: Vitalij Sidorovic Music Ally would like to thank all of the Sandbox Summit sponsors in association with Official lanyard sponsor Support sponsor Networking/drinks provided by #MarketMusicBetter ast Wednesday (31st October), Music Ally held our latest Sandbox Summit conference in London. While we were Ltweeting from the event, you may have wondered why we hadn’t published any reports from the sessions on our site and ’BOXING CLEVER in our bulletin. Why not? Because we were trying something different: Music Ally’s Sandbox Summit conference in London, IN preparing our writeups for this special-edition sandbox report. From the YouTube Music keynote to panels about manager/ ASSOCIATION WITH LINKFIRE, explored music marketing label relations, new technology and in-house ad-buying, taking in Fortnite and esports, Ed Sheeran, Snapchat campaigns and topics, as well as some related areas, with a lineup marketing to older fans along the way, we’ve broken down the key views, stats and debates from our one-day event. We hope drawn from the sharp end of these trends. you enjoy the results. :) 6 | sandbox | ISSUE 215 | 05.11.2018 TALES OF THE ’TUBE Community tabs, premieres and curation channels cited as key tools for artists on YouTube in 2018 ensions between YouTube and the music industry remain at raised Tlevels following the recent European Parliament vote to approve Article 13 of the proposed new Copyright Directive, with YouTube’s CEO Susan Wojcicki and (the day after Sandbox Summit) music chief Lyor Cohen both publicly criticising the legislation. - 
												
												Accommodating Climate Change Science: James Hansen and the Rhetorical/Political Emergence of Global Warming
Science in Context 26(1), 137–152 (2013). Copyright ©C Cambridge University Press doi:10.1017/S0269889712000312 Accommodating Climate Change Science: James Hansen and the Rhetorical/Political Emergence of Global War ming Richard D. Besel California Polytechnic State University E-mail: [email protected] Argument Dr. James Hansen’s 1988 testimony before the U.S. Senate was an important turning point in the history of global climate change. However, no studies have explained why Hansen’s scientific communication in this deliberative setting was more successful than his testimonies of 1986 and 1987. This article turns to Hansen as an important case study in the rhetoric of accommodated science, illustrating how Hansen successfully accommodated his rhetoric to his non-scientist audience given his historical conditions and rhetorical constraints. This article (1) provides a richer explanation for the rhetorical/political emergence of global warming as an important public policy issue in the United States during the late 1980s and (2) contributes to scholarly understanding of the rhetoric of accommodated science in deliberative settings, an often overlooked area of science communication research. Standing on the promontory of the rocky rims in Billings, Montana, there is usually a distinct horizontal line between the clear, blue sky and the white, snowcapped Beartooth Mountains. But the summer of 1988 was different. A fuzzy, reddish tint lingered across the once pristine skyline of “Big Sky Country.” The reason: More than one hundred miles to the south, Yellowstone National Park smoldered in one of the most devastating forest fires of the twentieth century (Anon. 1988, A18; Stevens 1999, 129–130). - 
												
												MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division - 
												
												My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 - 
												
												The Dilemma of Reticence: Helmut Landsberg, Stephen Schneider, and Public Communication of Climate Risk, 1971-1976
History of Meteorology 6 (2014) 53 The Dilemma of Reticence: Helmut Landsberg, Stephen Schneider, and public communication of climate risk, 1971-1976 Gabriel Henderson Aarhus University Aarhus, Denmark “Most of the crucial issues of human survival that will confront humanity over the next few decades will call for ethical and political value judgments – decisions on how to act in the face of uncertainties. … Human value judgments are too important to be left exclusively to the experts.” – Stephen Schneider1 “Science is not as objective as some people think. Often human value judgments (or even prejudices) make things move as much as curiosity or the search for answers as to ‘why.’” – Helmut Landsberg2 During the tumultuous mid-1970s, when energy and food shortages, environmental pollution, and political instability induced suspicions that America was increasingly susceptible to increased climatic instability, American climatologists Helmut Landsberg and Stephen Schneider disagreed strongly on whether scientists should engage the public about the future risks and urgency of climate change. On the one hand, Schneider, a young climate modeler with the National Center for Atmospheric Research (NCAR), expressed explicitly an unwillingness to embrace reticence as an appropriate response to the risks of climate change. To illustrate the gravity of the situation, he frequently resorted to vivid and frightening metaphors to convince the public and policy makers that I want to express my gratitude to Ruth Morgan and the anonymous reviewer who contributed thoughtful suggestions to improve and refine the scope of this article. I would also like to thank my colleagues at the Center for Science Studies at Aarhus University for their suggestions to strengthen my narrative and flow of argument: Dania Achermann, Matthias Heymann, and Janet Martin-Nielsen. - 
												
												Lucid Dream-Pop
MUSIC TRACK IT DOWN The only tunes you need this March p.130 HOCUS OPUS The month’s most spellbinding albums p.152 COMPETITIVE COMPILATIONS Key comps and mixes reviewed p.156 LU C I D DREAM-POP Kelly Lee Owens breaks the mould with her stunning, self-titled debut album... p.152 djmag.com 129 HOUSE BEN ARNOLD James Hadfield and Danny Linton. With its tribal howls, Soak skirts the right side of QUICKIES 'world music' without being Phil Weeks wanky — always a perilous Raw Instrumental Vol. 2 [email protected] tightrope act. Instead, it's PW/Robsoul Recordings wonky and wonderful. Man 8.0 Power himself drops in a moody, Phil Weeks is clearly never visited with writer's acidic re-rub, while Axel Boman block. This eight-track EP being rather sturdy wallops yet another remix out evidence of this, a collection of weaponised into the bleachers, dropping house music to damage dancefloors. Bravo. the four-four in favour of a new genre, Balearic garage (which Justin Cudmore has just been coined here, this Forget It EP very moment). The Bunker New York 8.5 Oh yes. This blisteringly acidic four-tracker for MICHAEL ZAHNSCHIRM & THERESA LIPP ZAHNSCHIRM MICHAEL Jamie Lidell/Matthew The Bunker New York had us at hello. 'New Jack Pic: Herbert MONEY Lidell/Herbert The House' is a deeply classy slab, while 'Forget Moony Me SHOT! Accidental Jnr It' is machine music par excellence. Contemplatin' EP 9.0 Klamauk Lidell and Herbert have been 9.5 muckers for donkey's years, MIA LUCCI KINDISCH Thoroughly arresting house but this bootleg of the former's music here from German/ track 'When I Come Back Venezuelan/Austrian, Around' from his majestic 2005 Eduardo A. - 
												
												SONGS from the OTHER SIDE of the WALL Dan Holloway
SONGS FROM THE OTHER SIDE OF THE WALL Dan Holloway Songs From the Other Side of the Wall has appeared in various and incomplete forms on the websites www.youwriteon.com, www.authonomy.com. It is available to download as a pdf from www.danholloway.wordpress.com and www.yearzerowriters.wordpress.com. 2009, first print edition published by Cracked Egg, and proud to be associated with Year Zerø Writers Songs from the Other Side of the Wall © copyright Dan Holloway 2009 The author asserts the moral right to be named as author of the work Cover design and photograph © 2009 Sarah E Melville Dan Holloway studied theology and philosophy at Oxford, and still gives papers based on his doctoral research into identity and relationships, the themes that run through his books. At the height of the budget travel boom, he and his wife visited 23 countries in a single year, the recounting of which began his ventures into writing full-length novels, his fascination with modern Europe, and the love of Tokaji wine which inspired two of his novels, including this one. His short stories have appeared in Emprise Review and a number of anthologies, and he writes a regular column on the UK music scene for the online journal The Indie Handbook. Songs from the Other Side of the Wall was a number one book on the leading writers’ websites Youwriteon and Authonomy, and is his third completed novel. Dan has a morbid addiction to appearing on TV gameshows, and in 2000 was both the World Intelligence Champion, and the fourth member of the Oxford University discus and hammer throwing team. - 
												
												Open Steinle Cory Kanyecriticism.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMMUNICATION ARTS & SCIENCES “I THOUGHT ABOUT KILLING YOU”: CONSIDERING THE UTILITY OF RHETORICAL AND BIOGRAPHICAL CRITICAL APPROACHES TO KANYE WEST’S YE CORY N. STEINLE SPRING 2020 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Communication Arts and Sciences and Labor and Employment Relations with honors in Communication Arts and Sciences Reviewed and approved* by the following: Bradford Vivian Professor of Communication Arts & Sciences Thesis Supervisor Lori Bedell Associate Teaching Professor in Communication Arts & Sciences Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This paper examines the merits of intrinsic and extrinsic critical approaches to hip-hop artifacts. To do so, I provide both a neo-Aristotelian and biographical criticism of three songs from ye (2018) by Kanye West. Chapters 1 & 2 consider Roland Barthes’ The Death of the Author and other landmark papers in rhetorical and literary theory to develop an intrinsic and extrinsic approach to criticizing ye (2018), evident in Tables 1 & 2. Chapter 3 provides the biographical antecedents of West’s life prior to the release of ye (2018). Chapters 4, 5, & 6 supply intrinsic (neo-Aristotelian) and extrinsic (biographical) critiques of the selected artifacts. Each of these chapters aims to address the concerns of one of three guiding questions: which critical approaches prove most useful to the hip-hop consumer listening to this song? How can and should the listener construct meaning? Are there any improper ways to critique and interpret this song? Chapter 7 discusses the variance in each mode of critical analysis from Chapters 4, 5, & 6. - 
												
												Matt Morgan Load-Bearing Walls (Late 6 August 2005) Grace Gilbert Cycle 7 G.C
Kelly Lorraine Andrews Gordon Buchan B. Rose Kelly Chad W. Lutz Alexis Olson Established in 2013, Pretty Owl All artwork for the Fall 2018 Poetry is a literary shoe string issue was provided by Vanessa S. Adams operation based in Pittsburgh, How to Regain Sight: Begin Anew (II) [cover] Pennsylvania where it sometimes and How to Regain Sight: Nourishment (II) hosts live readings through its [p. 31] Spotlight Series. www.facebook.com/ prettyowlpoetry instagram.com/ prettyowlpoetry Pretty Owl Poetry is an affiliate soundcloud.com/ of Sundress Publications prettyowlpoetry If you would like to submit poetry, flash fiction, or visual art please visit prettyowlpoetry.submittable.com. CONTENTS Matt Morgan Load-Bearing Walls (Late 6 August 2005) Grace Gilbert cycle 7 G.C. Waldrep still life with onomatopoeia 9 quatrain 11 Ziggy Edwards Hulett Pines 13 lydia flores Maria [Out] of Grace 14 Adam 17 Jade Hurter Why do not witches 19 become rich? Jose Medina Why I Tie Myself to the Chair 21 Meredith Davies Birdsong, Whale Song 22 Hadaway Brenna M. Casey desirous of change 24 Lauren T. Yates In My Name, Amen 25 The Christening 27 E. Kristin A Map of Everything I Disavow 29 Anderson feathers underneath her nights 30 Trinie Dalton When the Wind Blows You 32 Sound Like a Robot Alex Pickens When “Oops” Is Unwelcome 35 Robyn She always deferred her dreams 36 Schindeldecker 5 Load-bearing Walls (Late August 2005) Matt Morgan Scene: a brother and sister huddled in a narrow hallway. No power. No water. Katrina’s wrath growing outside. It was early morning and no one had slept or remembered to cut the hummingbird feeder down, and all day a hummingbird fed against the wind— when the night before, we watched the TV hum the weather’s off-key flume, as in, blue and green tumors blooming across the blue screen’s southern sky— when we couldn’t yet have known that it’s not like tornado, where we pray for our neighbors to be swallowed and not us, Lord—how no: it’s whirlpool. - 
												
												Ariana Grande, Iggy Azalea Fireball
CURRENT Problem - Ariana Grande, Iggy Azalea Fireball - Pitbull Bang Bang - Jessie J, Ariana Grande, Nicki Minaj Shake It Off - Taylor Swift Blank Space - Taylor Swift All About That Bass - Meghan Trainor Sing - Ed Sheeran Thinking Out Loud- Ed Sheeran Jealous - Nick Jonas Empire State of Mind - Jay Z Boom Clap - Charlie XCX Turn Down For What - DJ Snake and Lil Jon Don’t Wake Me Up - Chris Brown Rude - Magic Fancy- Iggy Azalea Get Lucky- Daft Punk Happy-Pharell Williams Talk Dirty To Me-Jason Derulo Slow Down-Selena Gomez Want You Back-Cher Lloyd Animal- Neon Trees Radioactive-Imagine Dragons What Makes You Beautiful-One Direction Dance Again-Jennifer Lopez Uptown Funk- Bruno Mars Locked Out Of Heaven-Bruno Mars Treasure-Bruno Mars Some Nights-Fun Safe And Sound- Capital Cities Wake Me Up- Avicii Wrecking Ball- Miley Cyrus We Can't Stop- Miley Cyrus Wild Ones- Flo rida Club Can't Handle Me- Flo Rida Lights-Ellie Goulding I Love It- Icona Pop Timber- Pitbull Don't Stop The Party-Pitbull Feel This Moment-Pitbull feat. Christina Aguilera We Found Love-Rihanna Only Girl In The World-Rihanna Rude Boy-Rihanna Diamonds-Rihanna S&M-Rihanna Where Have You Been-Rihanna Mr Saxobeat-Alexandra Stan Tonight, Tonight-Hot Chelle Rae Moves Like Jagger-Maroon 5 One More Night-Maroon 5 Animlas - Maroon 5 I’ve Got A Feeling-Black Eyed Peas Applause-Lady Gaga Bad Romance-Lady Gaga Born This Way-Lady Gaga California Gurls-Katy Perry Firework-Katy Perry Roar-Katy Perry Dark Horse-Katy Perry Shake Ya Tail feather-Nelly Raise your Glass-Pink All Summer Long-Kid - 
												
												Click on This Link
The Australian Songwriter Issue 102, June 2014 First published 1979 The Magazine of The Australian Songwriters Association Inc. In this edition: Chairman’s Message Editor’s Message 2014 Australian Songwriting Contest Update Andy Mac: 2013 Folk/Acoustic Category Co-Winner Troy White: 2013 Folk/Acoustic Category Co-Winner Interview: Daryl Braithwaite Sponsors Profiles The Music of Ernie Davidson (1919-1996) Francesca de Valence: 2013 Winner of the Open Category Luke Vassella: 2013 Winner of the Australia Category ASA Member Profile: Kelly Griffith ASA Member Profile: Sami Tauber Laura Zarb (and The Pink Plastic Spoon!) The Sweet Sounds of Amy Sugars Members News and Information The Load Out Official Sponsors of the Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators 1 Chairman’s Message Time to get excited, gang. June will see the close of the 2014 Australian Songwriting Contest. Then the judging will begin in earnest. This year we have had a massive response. The Contest just seems to grow and grow annually, and the prestige accorded winners by the Music Industry has never been higher. If you haven’t entered this time around, it is still not too late. Just go to the ASA homepage for instructions on how to submit a song/songs. As always Vice Chairman Alan Gilmour has put together an amazing eNewsletter for this month, with something for everyone. There are lots of very interesting interviews with Members and Award Winners, with a fantastic Daryl Braithwaite interview.