Showcase Presents: Batman: Volume 6 Free

Total Page:16

File Type:pdf, Size:1020Kb

Showcase Presents: Batman: Volume 6 Free FREE SHOWCASE PRESENTS: BATMAN: VOLUME 6 PDF Neal Adams,Frank Robbins,Dennis O'Neil | 584 pages | 02 Feb 2016 | DC Comics | 9781401251536 | English | United States Showcase Presents: Batman Vol. 6 (Collected) | DC Database | Fandom Title and company credits page with partial image from cover of Batman DC, series and indicia information. Wraparound cover as two-page spread. Editing credit as per entry for Batman DC, series Showcase Presents: Batman 6. DCSeries. Volume 6 Price All credits as per table of contents unless otherwise noted. View: Large Edit cover. Asylum of the Futurians! The House That Showcase Presents: Batman: Volume 6 Batman! Take-Over of Paradise! Man in the Eternal Mask! A Vow from the Grave! Blind Rage of the Ten-Eyed Man! Into Showcase Presents: Batman: Volume 6 Den of the Death-Dealers! Darrk death ; League of Assassins introduction? Reprints from Batman DC, series June Legacy of Hate! Freak-Out at Phantom Hollow! Editing E. Legend of the Key Hook Lighthouse! Striss does not know the deadly secret of the chemical formula. Reprints from Batman DC, series September Man-Bat Madness! Wail of the Ghost-Bride! Night of the Reaper! And Be a Villain! Secret of the Slaying Statues! Silent Night, Deadly Night! Reprints from Batman DC, series February Forecast for Tonight Vengeance for a Dead Man! Moon; Alfred Pennyworth; Mr. Reprints from Batman DC, series March Blind Justice Blind Fear! Highway to Nowhere! Bruce Wayne -- Rest in Peace! The Stage Is Set The Lazarus Pit! Reprints from Batman DC, series August Killer's Roulette! The Demon Lives Again! View Change Showcase Presents: Batman: Volume 6. Issue at my. This issue was most recently modified by:. If you believe any of this data to be incorrect, please let us know. Cover thumbnails are used for identification purposes only. All rights to cover images reserved by the respective copyright holders. This includes but is not necessarily limited to our database schema and data distribution format. Showcase Presents Batman volume 6 – Now Read This! Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Showcase Presents: Batman, Vol. Neal Adams Illustrations. Frank Robbins. Irv Novick Illustrations. In this new, value- priced collection of tales from Showcase Presents: Batman: Volume 6 early s, Batman returns his roots as the Dark Knight Detective, operating on his own in the shadows of Gotham City. Get A Copy. Paperbackpages. More Details Showcase PresentsShowcase Presents: Batman 6. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Showcase Presentsplease sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your review of Showcase Presents: Batman, Vol. Nov 06, Terry Collins rated it really liked it. Remember when Batman was actually a detective? Denny Showcase Presents: Batman: Volume 6 writes over half the stories, with Frank Robbins at the typewriter for the remainder. The Neil Adams art jobs are to be celebrated, but there are hundreds of pages by Irv Novick who admirably carried the ball on his stories. Underrated material that looks great in black in white His use Remember when Batman was actually a detective? His use of blacks are fantastic, making his pen and ink work on the series come fully to life. Jun 11, Skjam! Shelves: adventureauthor-obeat-the- backlistcomicsmysterypublishedsuperhero. Bythe Batman television show had been off the air long enough that its sales boost to the Batman and Detective Comics series had faded, and with it, the incentive to model the magazines on the show. Bruce Wayne moved from stately Wayne Manor to a penthouse in downtown Gotham City and started a charitable organization Showcase Presents: Batman: Volume 6 victims of crime. This freed up space for a more somber tone, although this run certainly had its own silliness, such as a return engagement by the Ten-Eyed Man, whose optic nerves had been transplanted into his fingers. And Two-Face made an appearance for the first official time since the s. But quite a few of the Showcase Presents: Batman: Volume 6 had Batman facing off against ordinary murderers and organized crime…as well as what appeared to be ghosts and psychic powers. This volume covers Batman and Detective Comics Several stories are topical to the s. Stories featuring youth activism and black radicals have aged poorly; the latter mixes in a police corruption subplot, the end of which supposedly fixes injustice in the legal system of Gotham City. Talia appeared first, helping Batman bring down Dr. Damien Darrk of the League of Assassins, who had fallen out with her father. Therefore he was going to do something about that. After much ado, they finally catch up to the mastermind, or rather his corpse. This puts a different cast on an earlier story where Talia had supposedly believed her father dead. This is nifty stuff, with some crackerjack writing and Showcase Presents: Batman: Volume 6 art. Overall, this is a good Showcase Presents: Batman: Volume 6 of Batman, and well worth requesting for the library, or even buying if you are a big Batman fan. Jun 22, Eamonn Murphy rated it really liked it. He said it was just random chance. When he handed in a script he had no idea which artist would be drawing it. Just so happens that Adams got many of them. He also seems to have had the best ones but it might look that way because of what he made of them. Of course, Neal Adams is the star draw here — pun intended Showcase Presents: Batman: Volume 6 but as many stories are pencilled by Irv Novick and Bob Brown who also deserve kudos. The greatest pencils can be ruined by a duff embellisher but Giordano — au contraire — makes a solid pro like Bob Brown look good, a significant talent like Irv Novick look great and a class act like Neal Adams look magnificent. This generous volume features stories from Batman and Detective Comics As there were back-up strips in the original comics featuring Robin or Batgirl, I think, most of these solo Batman tales run to a mere fifteen pages. On the other hand, it means they tend to blur into one Showcase Presents: Batman: Volume 6 somewhat. However, certain yarns definitely stand out. Two-Face is the villain. This multi-part story is Bats vs. They're easy to pick out because of the distinctive art. Frank Robbins turns in some good scripts, too. Perhaps he should have let Neal Adams draw it. The storytelling aspect is excellent but the figures are odd-looking and the blacks a bit overwhelming. These stories were published in the early 70s when US society was undergoing a severe re-assessment of itself and disillusionment was rife. In that way, certain comics of the time are interesting as social history. Simultaneously with the cosmic stuff, there were street super-heroes tackling Showcase Presents: Batman: Volume 6 issues of the day. This book contains several classics interspersed with fill-in material that ranges from good to very good. Kids pocket money prices, really. How can you refuse? Nov 07, Michael Allan Leonard rated it really liked it. A collection of Batman tales from Batman and Detective Comics originally published inthe centerpiece of this volume is the first few encounters between Showcase Presents: Batman: Volume 6 and Ra's al Ghul. Outside of the historical value of Ra's first appearances, there's some fantastic stories here and, as you can expect from a collection curated by publication date, a few head-scratching oddball clunkers and mediocre efforts, some of which are so bad they are amusing just for the strange, failed gimmicks. When A collection of Batman tales from Batman and Detective Comics originally published inthe centerpiece of this volume is the first few encounters between Batman and Ra's al Ghul. When the stories shine, though, they really shine: these are mostly done-in-one detective-oriented tales with Batman actually solving crimes and mysteries, rather than the modern non-stop gauntlet of violently insane sociopaths that pass for Batman comics recently. Feb 13, Tom rated it really liked it. I had ordered this book from Amazon and almost forgot about it. The release date had been pushed back much further than originally scheduled, and as a result, it was almost a year later when it finally showed up. As it turns out, it was mostly worth the wait. The Batman reprints often alternate between Batman and Detective Comics stories, and O'Neil and Adams didn't even always work together. Early stories from this era were as likely to have Batman encounter a ghost, or evidence of a possible ghost, as anything else. And while the Ra's stories are generally worth it, they appear sporadically throughout the volume. One issue will have Bruce Wayne faking his death to look for Ra's, while the following issue will make no mention of Ra's al-Ghul or Talia at all and have Bruce Wayne making public appearances. Continuity is not much for this Showcase Presents: Batman: Volume 6. Anyone looking for other classic Bat-foes may be disappointed. Two-Face and the Man-Bat each appear once, as does the Ten-Eyed Man, but Batman mostly deals with regular crooks pulling crimes that force him to use his detective skills over his superhero skills.
Recommended publications
  • Bill Rogers Collection Inventory (Without Notes).Xlsx
    Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers
    [Show full text]
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Superman's Girl Friend, Lois Lane and the Represe
    Research Space Journal article ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women Goodrum, M. Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Goodrum, M. (2018) ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women. Gender & History, 30 (2). ISSN 1468-0424. Link to official URL (if available): https://doi.org/10.1111/1468-0424.12361 This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] ‘Superman believes that a wife’s place is in the home’: Superman’s Girl Friend, Lois Lane and the representation of women Michael Goodrum Superman’s Girl Friend, Lois Lane ran from 1958-1974 and stands as a microcosm of contemporary debates about women and their place in American society. The title itself suggests many of the topics about which women were concerned, or at least were supposed to concern them: the mediation of identity through heterosexual partnership, the pressure to marry and the simultaneous emphasis placed on individual achievement. Concerns about marriage and Lois’ ability to enter into it routinely provide the sole narrative dynamic for stories and Superman engages in different methods of avoiding the matrimonial schemes devised by Lois or her main romantic rival, Lana Lang.
    [Show full text]
  • Click Above for a Preview, Or Download
    JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! .
    [Show full text]
  • Captain America and the Struggle of the Superhero This Page Intentionally Left Blank Captain America and the Struggle of the Superhero Critical Essays
    Captain America and the Struggle of the Superhero This page intentionally left blank Captain America and the Struggle of the Superhero Critical Essays Edited by ROBERT G. WEINER Foreword by JOHN SHELTON LAWRENCE Afterword by J.M. DEMATTEIS McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London ALSO BY ROBERT G. WEINER Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children’s Books, Articles, Criticism and Reference Works, 1965–2005 (McFarland, 2008) LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Captain America and the struggle of the superhero : critical essays / edited by Robert G. Weiner ; foreword by John Shelton Lawrence ; afterword by J.M. DeMatteis. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3703-0 softcover : 50# alkaline paper ¡. America, Captain (Fictitious character) I. Weiner, Robert G., 1966– PN6728.C35C37 2009 741.5'973—dc22 2009000604 British Library cataloguing data are available ©2009 Robert G. Weiner. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover images ©2009 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Dedicated to My parents (thanks for your love, and for putting up with me), and Larry and Vicki Weiner (thanks for your love, and I wish you all the happiness in the world). JLF, TAG, DW, SCD, “Lizzie” F, C Joyce M, and AH (thanks for your friend- ship, and for being there).
    [Show full text]
  • Graham Crackers Special Orders 2
    Graham Crackers Special Orders DC Report ACTION ($100 or less) BATMAN (1ST P) BATMAN THE DARK KNIGHT (52) FLASH VAR ED (52) JLA/AVENGERS 252 LV 663 EW 1 PF 4 DK 4 NP ACTION COMICS BATMAN (52) 1 PF2 FLASHPOINT JUSTICE LEAGUE (52 2ND P) 418 NP 1 EW 2 PF 1 EW 1 EW 455 NP 1 NP 2 PF2 3 DK,EW JUSTICE LEAGUE (VAR $10) BATMAN THE DARK KNIGHT (NEW 52) FLASHPOINT BATMAN 508 PF 1 NP3 1 CH ACTION COMICS (WITH DIG CODE) 3 DK 1 NP 2 CH,LV JUSTICE LEAGUE (VOL 2) BATMAN VAR 3 DK3,SC3,WT FLASHPOINT BATMAN (2ND P) 6 EW 113 NP ADVENTURE COMICS 4 CH,WT,SC 655 EW 1 PF JUSTICE LEAGUE COMBO PACK 4 DK2,DG BATMAN VAR (KUBERT) 381 LV FLASHPOINT BATMAN KOV 4 NP 5 WT ALL NEW BATMAN BRAVE&BOLD 686 EW 4 NP2,CH 1 NP 6 WT BATMAN: I JOKER ONE SHOT Fringe Tales of Fringe (VARIANTS) LOIS LANE (supermans girlfriend) 13 DK 4 NP3 AMERICAN VAMPIRE 4 WT CH 2 NP 14 pf BLACK CANARY SECRET FILES 2007 3 NP BATMAN (52) 1ST PRINT 4 NP LOONY TOONS 6 NP 1 DK SC 5 NP 200 PF ANIMAL MAN (52) CARTOON NETWORK ACTIONPACK GEARS OF WAR BATMAN (52) ANY P MAD MAGAZINE 2 NP 1 CH 49 DG 1 NP 491 NP2 AQUAMAN (NEW 52) CARTOON NETWORK BLOCK PARTY BATMAN (52) VAR 2 NP 495 NP 3 NP 2 DK 1 EW 53 NP 496 NP ASSASSINS CREED CATWOMAN (52) 3 PF 4 EW 497 NP 11 EW 1 EW BATMAN (52) VAR 1-IN-25 2 CH 499 NP 16 NP 2 EW DC COMICS PRESENTS LOBO 500 NP 1 DK GEARS OF WAR (variants) 501 NP 2 NP,DK BATMAN (9.0) 1 WT 2 NP 502 NP 2 PF DC PRESENTS LIFE OF FLASH 251 LV MODERN WARFARE 2 GHOST 3 EW 3 NP BATMAN (B&W VAR) PF GL EMERALD WARRIORS (VAR) ASSASSINS CREED THE FALL 2 pf DETECTIVE (52 1ST P) 1 CH NEW GODS VOL 1 2 DK 4 PF BATMAN (LOW-MED GRADE) 1 EW2 GOTHAM GIRLS ATOMIC KNIGHTS (ANY) 5 WT DETECTIVE COMICS 258 EW EW 4 DK NIGHTMARE WARRIORS JASON CVR BATMAN (NEW 52 VAR) 411 EW BANG TANGO 5 DK 1 PF 483 DK 4 CH,NP,DK 6 DK NIGHTWING 6 WT BATMAN 1-IN-25 VAR 880 NP GREEN ARROW (52) BATGIRL (52 1ST PRNT) 881 DK2,PF2,NP 1 SC 1 DK 2 PF NIGHTWING (52) 1 DK,CH2 881 EW,SC 3 DK 2 SC BATMAN DETECTIVE COMICS (52 ANY P) 1 DK,NP2,PF2 4 DK GREEN ARROW/G.L.
    [Show full text]
  • Please Continue on Back If Needed!
    DARK HORSE DC: VERTIGO MARVEL CONT. ANGEL AMERICAN VAMPIRE DEADPOOL BPRD ASTRO CITY FANTASTIC FOUR BUFFY FABLES GHOST RIDER CONAN THE BARBARIAN FAIREST GUARDIANS OF THE GALAXY HELLBOY FBP HAWKEYE MASSIVE SANDMAN INDESTRUCTIBLE HULK "THE" STAR WARS TRILLIUM IRON MAN STAR WARS - Brian Wood Classic UNWRITTEN IRON PATRIOT STAR WARS LEGACY WAKE LOKI STAR WARS DARK TIMES IDW MAGNETO DC COMICS BLACK DYNAMITE MIGHTY AVENGERS ACTION COMICS DOCTOR WHO MIRACLEMAN ADVENTURES OF SUPERMAN G.I. JOE MOON KNIGHT ALL-STAR WESTERN G.I. JOE REAL AMERICAN HERO MS MARVEL ANIMAL MAN G.I. JOE SPECIAL MISSIONS NEW AVENGERS AQUAMAN GHOSTBUSTERS NEW WARRIORS BATGIRL GODZILLA NOVA BATMAN JUDGE DREDD ORIGIN II BATMAN / SUPERMAN MY LITTLE PONY PUNISHER BATMAN / SUPERMAN POWERPUFF GIRLS SAVAGE WOLVERINE BATMAN & ---- SAMURAI JACK SECRET AVENGERS BATMAN 66 STAR TREK SHE HULK BATMAN BEYOND UNIVERSE TEENAGE MNT CLASSICS SILVER SURFER BATMAN LIL GOTHAM TEENAGE MUTANT NINJA TURTLES SUPERIOR FOES OF SPIDERMAN BATMAN: THE DARK KNIGHT TRANSFORMERS More Than Meets Eye SUPERIOR SPIDERMAN BATWING TRANSFORMERS Regeneration One SUPERIOR SPIDERMAN TEAM-UP BATWOMAN TRANSFORMERS Robots in Disguise THOR GOD OF THUNDER BIRDS OF PREY IMAGE THUNDERBOLTS CATWOMAN ALEX & ADA UNCANNY AVENGERS CONSTANTINE BEDLAM UNCANNY X-MEN DETECTIVE COMICS BLACK SCIENCE WOLVERINE EARTH 2 BOUNCE WOLVERINE & THE X-MEN FLASH CHEW X-FORCE GREEN ARROW EAST OF WEST X-MEN GREEN LANTERN ELEPHANTMENT X-MEN LEGACY
    [Show full text]
  • Favorite Movies
    Favorites as of June 2011 Favorite Movies - 00s The Boondock Saints Kiss Kiss, Bang Bang Lord of War The Machinist The Prestige The Punisher Harold and Kumar Go to White Castle The Butterfly Effect Confessions of a Dangerous Mind The Ring We Were Soldiers Ghost World Snatch Memento Serendipity Shoot „Em Up Taken Rules of Attraction Resident Evil & (Apocalypse) American Psycho Favorite Movies - 90s Fight Club PI Election The Usual Suspects Reservoir Dogs The Player Gattaca True Romance Freeway Dogfight ----------------------------- Free Enterprise Groundhog Day Goodwill Hunting The Inner Circle Dark City From Dusk till Dawn Reality Bites Sixth Sense Chasing Amy Fear and Loathing in Las Vegas Avalon/Liberty Heights American Beauty Go Something About Mary Office Space Oleanna Forrest Gump Wild Things Pulp Fiction Scream 1 & 2 Lock, Stock, & Two Smoking Barrels Favorites as of June 2011 Favorite Movies - 80s The Sure Thing Valley Girl Real Genius Terminator Baby Its You Breakfast Club 48 Hours Amadeus A Fish Called Wanda Jacob's Ladder -------------------- Repo Man Into the Night Die Hard Insignificance Field of Dreams Sixteen Candles One Crazy Summer Better Off Dead Weird Science The Empire Strikes Back Aliens Raiders of the Lost Ark/Temple of Doom Robocop The Hitcher The Manhattan Project Heartbreak Ridge Peggy Sue Got Married Favorites as of June 2011 Favorite Movies - Previous Citizen Kane (1941) Casablanca (1943) Dead of Night (1945) Its a Wonderful Life (1946) Curse of the Demon (1957) Touch of Evil (1958) Psycho (1960) David and Lisa
    [Show full text]
  • ALEX ROSS' Unrealized
    Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade .
    [Show full text]
  • War Comics from Wikipedia, the Free Encyclopedia
    War comics From Wikipedia, the free encyclopedia War comics is a genre of comic books that gained popularity in English-speaking countries following War comics World War II. Contents 1 History 1.1 American war comics 1.2 End of the Silver Age 1.3 British war comics 2 Reprints 3 See also 4 References 5 Further reading 6 External links History American war comics Battlefield Action #67 (March 1981). Cover at by Pat Masulli and Rocco Mastroserio[1] Shortly after the birth of the modern comic book in the mid- to late 1930s, comics publishers began including stories of wartime adventures in the multi-genre This topic covers comics that fall under the military omnibus titles then popular as a format. Even prior to the fiction genre. U.S. involvement in World War II, comic books such as Publishers Quality Comics Captain America Comics #1 (March 1941) depicted DC Comics superheroes fighting Adolf Hitler and the Nazis. Marvel Comics Golden Age publisher Quality Comics debuted its title Charlton Comics Blackhawk in 1944; the title was published more or less Publications Blackhawk continuously until the mid-1980s. Sgt. Fury and his Howling Commandos In the post-World War II era, comic books devoted Sgt. Rock solely to war stories began appearing, and gained G.I. Combat popularity the United States and Canada through the 1950s and even during the Vietnam War. The titles Commando Comics tended to concentrate on US military depictions, Creators Harvey Kurtzman generally in World War II, the Korean War or the Robert Kanigher Vietnam War. Most publishers produced anthologies; Joe Kubert industry giant DC Comics' war comics included such John Severin long-running titles as All-American Men of War, Our Russ Heath Army at War, Our Fighting Forces, and Star Spangled War Stories.
    [Show full text]
  • Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
    i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism.
    [Show full text]