Teaching the Postsecondary Music Student with Disabilities
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YOUR ONE STOP POP SHOP DURING the FINE ARTS FIESTA Over 50 Flavors to Choose from Free Samples!
E1 E2 2 Tuesday, May 15, 2018 2018 Fine Arts Fiesta Times Leader Welcome to the 63rd annual Fine Arts Fiesta! This year’s theme is “Fiesta = Arts2”. Every year, the Fine Arts festival. The City of Wilkes-Barre, our home, welcomes us each year Fiesta brings smiles to the faces of the hundreds of adults and children and is a great host for Fiesta. On behalf of the Board of Directors of who come to Public Square in Wilkes-Barre for Fiesta during the third Fiesta, I thank all these groups for your time, talent, and dedication to weekend in May. supporting Fiesta in our community. For four full days, Public Square comes alive with art, dance, music, Our Board of Directors works throughout the year to organize theater, children’s programs, and more as our community comes to- Fiesta. Their hard work and efforts bring it all together for your enjoy- gether for the oldest full-scale arts festival in Pennsylvania – a free gift ment. Thanks to the Board. I also thank Brian Benedetti, Executive of the arts to the community. Director of Fiesta, for his support, leadership and dedication to Fiesta. Each year, artists and crafters present their creations in the Juried Enjoy these four days of culture, art, song, shows, and sights. Gather Adult and Student Art Shows and in the Juried Artist Market. On with your family, friends, and neighbors and celebrate “Fiesta = Arts2”. the Bandshell, there are continuous performances - full of variety and excitement for four full days. Again this year, the children’s program- Mary Anne Fedrick ming area offers a wide range of activities and experiences for children President, Board of Directors and their families. -
Oklahoma International Trade Bulletin
OKLAHOMA INTERNATIONAL TRADE BULLETIN 301 N.W. 63rd Street, Suite 330 700 N. Greenwood Ave., Suite 1400 900 N. Stiles Ave. Oklahoma City, OK 73116 Tulsa, OK 74106 Oklahoma City, OK 73104 (405)608-5302 Fax: (405)608-5302 (918)581-7650 Fax: (918)581-6263 (405)815-6552 Fax: (405)815-5199 A joint newsletter of the Oklahoma Department of Commerce and the U.S. Department of Commerce Volume XXVII, Number 1 October 2009 Exporting 101: Shipping and Documentation Workshop – November 12, 2009 – Tulsa, OK The Oklahoma District Export Council, in conjunction with the Oklahoma U. S. Export Assistance Center and the Oklahoma Department of Commerce, will sponsor a full-day workshop in Tulsa, on November 12, 2009, on Exporting 101 – Export Shipping and Documentation Workshop. Registration will begin at 8:30 a.m. The workshop will be held from 9:00 a.m. to 4:00 p.m. The workshop will be located at OSU- Tulsa, Room 106 of the North Hall, 700 North Greenwood Avenue, Tulsa, OK. For a fee of only $35.00 you will receive nearly seven hours of expert advice from freight forwarders and Oklahoma U. S. Export Assistance Center International Trade Specialists. The following subjects will be covered: export licensing; utilizing a freight forwarder; Incoterms; export quotations; shipping methods; export packing; export documentation; and insurance. This will be an excellent opportunity to have your questions answered by the experts. Your registration fee will also include a networking luncheon. Checks should be made payable to the Oklahoma District Export Council and mailed to 301 N.W. -
Montana Kaimin, March 19, 2008 Students of the Niu Versity of Montana, Missoula
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 3-19-2008 Montana Kaimin, March 19, 2008 Students of The niU versity of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of The nivU ersity of Montana, Missoula, "Montana Kaimin, March 19, 2008" (2008). Montana Kaimin, 1898-present. 5105. https://scholarworks.umt.edu/studentnewspaper/5105 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. UMʼs Independent Campus Newspaper Since 1898 Wednesday MVolume CX, Issueontana 81 Kaimin March 19, 2008 Inside the Kaimin Arts p 7 On Campus Today Forecast Sports p 5 Finals week will start with • 9-11 a.m. President’s Open Offi ce Hours, University Hall 109 High 45F UM billiards player headed • 6 p.m. ASUM Senate meeting, UC 330-331 Low 29F Wilco, get worse from there • 7 p.m. “Lunafest,” short fi lms by, for and about women, UC Theater to nationals – Courtesy of UM Events Calendar UM possible stop on Obama’s Montana trip Elizabeth Harrison Montana’s June 3 primary draws for the Obama campaign. When Democratic But Tinsley said his subsequent MONTANA KAIMIN near, the candidate might campaign he found out the senator was to party, he phone calls to the campaign in other areas of the state as well. -
Sparrow Records Discography
Sparrow Discography by Mike Callahan, David Edwards & Patrice Eyries © 2018 by Mike Callahan Sparrow Records Discography Sparrow is a Contemporary Christian label founded in 1976 by Billy Ray Hearn. Hearn was the A&R Director for Word Records’ Myrrh label, founded a few years earlier also as a Contemporary Christian label. Sparrow also released records under their Birdwing subsidiary. Hearn’s Sparrow label was in competition with Hearn’s old boss, Word Records, and was quite successful. Even today, Sparrow is among the top Christian labels. Hearn sold the label to EMI in 1992, and it was placed under the Capitol Christian Music Group. Sparrow signed a distribution agreement with MCA in April, 1981 to release their product in the secular market while the regular Sparrow issues were distributed to Christian stores and Christian radio stations. The arrangement with MCA lasted until October, 1986, when Sparrow switched distribution to Capitol. Sparrow SPR-1001 Main Series: SPR-1001 - Through a Child’s Eyes - Annie Herring [1976] Learn A Curtsey/Where Is The Time/Wild Child/Death After Life/Grinding Stone/Hand On Me//Dance With You/Love Drops/Days Like These/First Love/Some Days/Liberty Bird/Fly Away Burden SPR-1002 - SPR-1003 - John Michael Talbot - John Michael Talbot [1976] He Is Risen/Jerusalem/How Long/Would You Crucify Him//Woman/Greewood Suite/Hallelu SPR-1004 - Firewind - Various Artists [1976] Artists include Anne Herring, Barry McGuire, John Talbot, Keith Green, Matthew Ward, Nelly Ward, and Terry Talbot (In other words, Barry McGuire, The Talbot Brothers, Keith Green, and The 2nd Chapter of Acts). -
Artist Songbooks Songbooks
121 ARTISTARTIST SONGBOOKS SONGBOOKS P/V/G = Arrangements for piano and voice with guitar AVALON – JOY PAUL BALOCHE chords. A Christmas Collection Ten beautiful holiday songs PAUL BALOCHE – Easy Piano = Easy arrangements for piano with lyrics. GOD OF WONDERS Easy Guitar with Notes and Tab = Simplified arrange- from this popular contem- ments with notes, tab, chord charts, and strum and pick porary Christian vocal quartet: Integrity Music patterns. Angels Medley • The One of the most respected Christmas Song • Don’t Save It worship leaders in the United All for Christmas Day • Good States, Paul Baloche’s best- selling album God of Wonders SUSAN ASHTON News • Jesus Born on This Day • Joy (To the World) • combines great vocals with SUSAN ASHTON – Light a Candle • Manger Medley • We Are the Reason • melodic instrumentation. This SO FAR … THE BEST Winter Wonderland. songbook includes OF SUSAN ASHTON .... ______00306379 P/V/G...................................$14.95 piano/vocal arrangements, guitar chords, and lyric-only 12 songs, featuring her #1 overhead masters for 14 songs: Stir Up a Hunger • God hits. Songs include: Stand • AVALON – of Wonders • The Song of Jabez • and more. Hide Or Seek • Here In My A MAZE OF GRACE ______08739281 P/V/G.....................................$9.95 Heart • Grand Canyon • and Adonai • Dreams I Dream for more. You • Forgive + Forget • MICHAEL CARD Knockin’ on Heaven’s Door • A Maze of Grace • The Move • MICHAEL CARD – ______00306061 P/V/G ........................................$12.95 Reason Enough • Speed of JOY IN THE JOURNEY Light • Testify to Love • A Matching folio to his compila- SUSAN ASHTON/ World Away. tion of 10 years of hits. -
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Iron Curtains and Satin Sheets: "Strange Loves" in Cold War Popular Music Russell Reising Cover of Jefferson Airplane's "Crown of Creation" Many Americans know of Dr. Ruth Westheimer, a tiny, grandmotherly woman with a heavy Germanic accent who, throughout the 1980s, dispensed love and sex advice to American television and radio audiences, often in shockingly, or at least titillatingly, graphic physical detail and frank language. A different doctor, one who also spoke in Germanically accented English, however, was in residence as the popular culture love and sex guru during the height of the Cold War. Stanley Kubrick's fictional Dr. Strangelove, the ex-Nazi defense theorist who stifled "Heil Hitler" salutes as he planned post-World War III orgies, lingers as a haunting reminder of the toll wreaked on human love and intimacy by the emotional terrors of the Cold War and its threat of instant nuclear obliteration. Even the resourceful Dr. Ruth would have a hard time offering advice to the Chiffons asking "Will You Still Love Me Tomorrow," when nuclear attack rendered the inevitability of "tomorrow" problematic, or to Tommy James and the Shondells's lovers who pant to each other "I Think We're Alone Now," if a nuclear war Copyright © 2003 by Russell Reising and Cultural Logic, ISSN 1097-3087 Reising 2 left them genuinely alone, the only two surviving human beings on earth. In some respects, rock and roll is the ultimate Cold War art form, the vehicle for the cathartic wails of a generation which was told to conform and aspire to a middle-class existence, but which knew all the while that the entire world could be incinerated in thirty minutes. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
2O21-22 Season
CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things. -
2. Case Study: Anime Music Videos
2. CASE STUDY: ANIME MUSIC VIDEOS Dana Milstein When on 1 August 1981 at 12:01 a.m. the Buggles’ ‘Video Killed the Radio Star’ aired as MTV’s first music video, its lyrics parodied the very media pre- senting it: ‘We can’t rewind, we’ve gone too far, . put the blame on VTR.’ Influenced by J. G. Ballard’s 1960 short story ‘The Sound Sweep’, Trevor Horn’s song voiced anxiety over the dystopian, artificial world developing as a result of modern technology. Ballard’s story described a world in which natu- rally audible sound, particularly song, is considered to be noise pollution; a sound sweep removes this acoustic noise on a daily basis while radios broad- cast a silent, rescored version of music using a richer, ultrasonic orchestra that subconsciously produces positive feelings in its listeners. Ballard was particu- larly criticising technology’s attempt to manipulate the human voice, by con- tending that the voice as a natural musical instrument can only be generated by ‘non-mechanical means which the neruophonic engineer could never hope, or bother, to duplicate’ (Ballard 2006: 150). Similarly, Horn professed anxiety over a world in which VTRs (video tape recorders) replace real-time radio music with simulacra of those performances. VTRs allowed networks to replay shows, to cater to different time zones, and to rerecord over material. Indeed, the first VTR broadcast occurred on 25 October 1956, when a recording of guest singer Dorothy Collins made the previous night was broadcast ‘live’ on the Jonathan Winters Show. The business of keeping audiences hooked 24 hours a day, 7 days a week, promoted the concept of quantity over quality: yes- terday’s information was irrelevant and could be permanently erased after serving its money-making purpose. -
Richard King Creates Harmony Through Musical Relationships
Richard King creates harmony through musical relationships By Jeremy Essig n 1982, Richard King booked a little-known band with a randomly chosen acronym to play at The Blue Note. Both the nightclub and the band, which had just recorded its first album, were 2 years old at the time. Following an appearance in support of their album Chronic Town, Michael Stipe and the other members of R.E.M. were about to leave The Blue Note, though known for building up on him. “I said, ‘No, it was Columbia when King’s partner Phil Costello noticed they were about bands, also holds a notorious place in alternative definitely (Costello).’” to loose a tire on their van, recalled Kevin Walsh – a longtime friend music history as the spot where an influential band Although The Blue Note of both King and Costello. self-destructed. might have missed out on Crow, When it came time to pay them, Costello provided extra money to Minnesota’s Husker Du, touring in support of King played an integral role in the purchase a new tire for the band, which would go on to become one 1987’s Warehouse: Songs and Stories, played their development of another regional of the most famous in rock and roll history. final show at The Blue Note. Drummer Grant Hart band — Uncle Tupelo from Belleville, Ill. “I can’t see myself at 30,” Stipe sang on “Little America,” the performed after missing the sound check and then Uncle Tupelo, whose members would band’s commentary on touring. On July 30, The Blue Note will do disappeared. -
La Romagna Nel Cuore Speciale Cervia Estate
IL MAGAZINE anno 6 numero 12 SUMMERduemilaquattordici milanomarittima life - anno 6 n° 1 - Poste Italiane spa sped. in A.P. D.L. 353/2003 (conv. in L. 27/02/04 n° 46) art. 1 comma 1 DCB Forlì E 5,00 VOGLIA D’ESTATE ЖЕЛАНИЕ ЛЕТА Looking forward to summer MODA E TENDENZE: SALTI DI STILE МОДА & ТЕНДЕНЦИИ: ПРЫЖКИ СО СТИЛЕМ FASHION&TRENDS: Stylish Jumps LAURA PAUSINI: LA ROMAGNA NEL CUORE LAURA PAUSINI: РОМАНЬЯ В СЕРДЦЕ Laura Pausini: Romagna in her heart SPECIALE CERVIA ESTATE ЛЕТО В ЧЕРВИИ Summer in Cervia MagMilanoMarittimaLife_B235x320H_2014summer_sveva.indd 1 05/05/14 10:03 Porsche consiglia Porsche consiglia Consumi ciclo combinato: da 9,2 a 6,1 l/100 km. Emissioni CO2: da 216 a 159 g/km. www.bologna.porsche.it Forse non ricordi quando hai smesso di sognare. Ma oggi ricomincerai. Nuova Macan. Life, intensified. Centro Porsche Bologna Soveco Spa Concessionario Porsche Via Monterumici 15, Bologna Tel. 051 3145811 Porsche consiglia Porsche consiglia Consumi ciclo combinato: da 9,2 a 6,1 l/100 km. Emissioni CO2: da 216 a 159 g/km. www.bologna.porsche.it Forse non ricordi quando hai smesso di sognare. Ma oggi ricomincerai. Nuova Macan. Life, intensified. Centro Porsche Bologna Soveco Spa Concessionario Porsche Via Monterumici 15, Bologna Tel. 051 3145811 8 MILANO MARITTIMA MONICA CIARAPICA Albergatrice Mi sono innamorata di Cervia - Milano Marittima fin dal primo momento, ero una giovanissima studentessa quando decisi di venire in Romagna. Sono originaria di una terra completamente diversa, l’Umbria... bellissima ma non c’è il mare! Di questa città ho apprezzato subito tutto, la spiaggia meraviglio- sa, il verde delle pinete, la vita cittadina, il divertimento, ma piu di ogni altra cosa la solarità delle persone che la abitano. -
SHAKE YOUR FAITH Diamond Day Records Is Very Excited to Announce the Release of the Steepwater Band’S 6Th Full-Length Studio Album SHAKE YOUR FAITH
THE STEEPWATER BAND : SHAKE YOUR FAITH Diamond Day Records is very excited to announce the release of The Steepwater Band’s 6th full-length studio album SHAKE YOUR FAITH. The LP features 11 brand new TSB tracks, and is slated for release on Friday, April 1st via Double 180 Gram Vinyl, Compact Disc and Digital Download. The album was recorded last winter at Crushtone Studios, in the shadows of the Rock & Roll Hall of Fame, in Cleveland, Ohio. Shake Your Faith was produced by the band along with seasoned rock studio veteran Jim Wirt, who has also worked with the likes of Fiona Apple, Incubus and the Buffalo Killers. As with most TSB albums, the sound and songwriting on Shake Your Faith has grown and expanded, yet retained the true nature of the band. It’s the first TSB studio record in over 4 years and the first to include “new” guitarist Eric Saylors. "SHAKE YOUR FAITH is a stomping, seductive cry that real rock 'n' roll is alive and well in a band with the swagger, justified confidence, and badass tunes of a modern classic, a collection with all the heart and hips of 70s Stones and serious competition to contemporaries like The Black Keys, Ben Harper, and Jack White." - Dennis Cook {Dirty Impound} • Their song “Dance Me a Number” from Revelation Sunday receives nearly 10,000 spins on Pandora daily, on such channels as The Black Keys, Alabama Shakes, White Stripes, Led Zeppelin, and more. • Their 2010 single The Stars Look Good Tonight reached # 109 on the Triple A radio charts and it was featured during the June 29, 2010, WGN-TV (nationally syndicated) broadcast of the Chicago Cubs Major League Baseball game.