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Alternative Digital Movies As Malaysian National Cinema A
Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof. -
Contesting and Appropriating Chineseness in Sinophone Music
China Perspectives 2020-2 | 2020 Sinophone Musical Worlds (2): The Politics of Chineseness Contesting and Appropriating Chineseness in Sinophone Music Nathanel Amar Electronic version URL: https://journals.openedition.org/chinaperspectives/10063 DOI: 10.4000/chinaperspectives.10063 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2020 Number of pages: 3-6 ISSN: 2070-3449 Electronic reference Nathanel Amar, “Contesting and Appropriating Chineseness in Sinophone Music”, China Perspectives [Online], 2020-2 | 2020, Online since 01 June 2020, connection on 06 July 2021. URL: http:// journals.openedition.org/chinaperspectives/10063 ; DOI: https://doi.org/10.4000/chinaperspectives. 10063 © All rights reserved Editorial china perspectives Contesting and Appropriating Chineseness in Sinophone Music NATHANEL AMAR he first special issue of China Perspectives on “Sinophone Musical itself as a more traditional approach to Chinese-sounding music but was Worlds” (2019/3) laid the theoretical foundation for a musical appropriated by amateur musicians on the Internet who subvert accepted T approach to Sinophone studies (Amar 2019). This first issue notions of Chinese history and masculinity (see Wang Yiwen’s article in this emphasised the importance of a “place-based” analysis of the global issue). Finally, the last article lays out in detail the censorship mechanisms for circulation of artistic creations, promoted in the field of Sinophone studies by music in the PRC, which are more complex and less monolithic than usually Shu-mei Shih (2007), and in cultural studies by Yiu Fai Chow and Jeroen de described, and the ways artists try to circumvent the state’s censorship Kloet (2013) as well as Marc Moskowitz (2010), among others. -
To Be Released On: 11 March 2010
Corporate Profile UnUsUaL Limited Established in 1997, UnUsUaL Limited started as a stage, sound and lighting equipment rental business. With a history and track record of 20 years, it has grown to become one of the leading names in Asia, specialising in the production and promotion of large-scale live events and concerts by Asian and International artistes. Its presence in the region is represented by UnUsUaL Entertainment, UnUsUaL Productions, UnUsUaL Development, UnUsUaL Productions in Malaysia, UnUsUaL Entertainment International in Hong Kong and UnUsUaL Development Pte. Ltd., Taiwan Branch in Taiwan. In 2016, UnUsUaL Group of Companies was acquired by mm2 Asia Limited, a Singapore- based, SGX Mainboard listed producer of films, TV and online content. It was subsequently listed on the SGX-ST Catalist board as UnUsUaL Limited on 10 April 2017. UnUsUaL Productions Pte Ltd UnUsUaL Productions has one of the largest technical inventory in Singapore. Its ability to deliver a complete technical solution has seen the company working on a diverse range of events such as concert, product launch, press conference, red carpet event, exihibition, trade show, music festival, sports event and more. It is a proud partner of the Singapore Arts Festival, the Chingay Parade, SG50 Youth Celebrate! and the Formula One Singapore Grand Prix. The team is trained to provide creative and quick technical solutions and are familiar with most major venues in Singapore and around the region. UnUsUaL Entertainment Pte Ltd UnUsUaL Entertainment is recognised as one of the key promoters in Singapore and the region. Supported by an experienced team, UnUsUaL Entertainment markets and organises concert, fan meet, private event, music festival and has plans to branch into sports entertainment. -
Unusual Limited (SGX:1D1): Price Target $0.38 Team No: 141 Team Leader: Yong Yao Zhen Kevin
Team Name: BIC Capital 11/08/19 UnUsUaL Limited (SGX:1D1): Price Target $0.38 Team No: 141 Team Leader: Yong Yao Zhen Kevin Market Cap (mm)/ Price: $288.2 / $0.28 Q1 Rev Projection: S$20.67 million 52 Wk Low / High: $0.26 / $0.46 Q1 EPS Projection: S$0.041 Beta / Yield: 0.79 / 0% FY2019 Rev Projection: S$82.67 million FY2019 EPS Projection: S$0.08 Fundamentals Competition/Distribution/Production: ➢Size 9 Arial font, regular, black Drivers / Catalysts: ➢Line spacing 1 (default) ➢Do not tamper with margins, leave it as it is ➢Growing spending power and willingness to spend on live entertainment events in Singapore ➢Growing live entertainment market in China with untapped potential coupled with the acquisition of Beijing Wish opening doors for expansion in China by UnUsUaL Industry overview and comparison: ➢Expansion into Family Entertainment as a new revenue ➢A total of 55% of the market was represented by live source music ticket sales and sponsorship Management: ➢Within the $20bn live music market, concert ticket ➢CEO: Leslie Ong Chin Soon revenues captures majority of the market share at 83% ➢ Responsible for overall management operations, ➢Major competitors of UnUsUaL are Live Nation and strategic planning and business development of the AEG Presents Group Recent Corporate Announcements of Interest: ➢CFO: Tay Joo Heng ➢Mr Leslie Ong acquired 20,408,164 shares (1.98%) of ➢More than 20 years of financial and operational ordinary voting shares via a married deal on 05-Mar-2019 experience in media, content production, technology ➢Directors announced on 29-May-2019 that UnUsUaL and trading industries Entertainment Pte Ltd had entered into definitive agreements relating to the Apollo Project, including an agreement to enter into a secured loan facility of USD 8,500,000 with UOB Financials: Risks: ➢Last Q Recap: Rev + 50%. -
'Ghost Island' and the Enduring Legacy of Late President Lee Teng-Hui
December 14, 2020 The future of ‘Ghost Island’ and the enduring legacy of late President Lee Teng-hui Edition 5, 2020 Dr Roger Lee Huang DOI: In one of Taiwan’s most popular songs of this year, Ghost Island (鬼島), alongside Taiwanese rapper Dwagie, Malaysian singer-songwriter Namewee satirises the excesses of ‘democracy and human rights’ as ‘gross impropriety,’ welcoming listeners to a land where freedom of speech is ‘blasphemy to the leaders.’ The song plays on the endearing yet self-depreciating slang for Taiwan, ‘Ghost Island’, which adeptly captures its wonderful contradictions: rowdy and confident which regularly punches above its weight internationally in the face of hostility from People’s Republic of China (PRC, China), while consistently dejected for its exclusion from the international community. The song exudes pride in Taiwan’s uniquely ‘chaotic’ democracy, but implicit is a sense of both despair and fear of an aggressively nationalistic China. What Taiwan’s democracy means today is deeply connected to the actions of the late President Lee Teng-hui, who died on July 30, 2020. As both the first Taiwanese president of the Republic of China (ROC, Taiwan), and the first president to be directly elected via universal suffrage, Lee was instrumental in leading Taiwan to a peaceful democratic transition. Under his presidency, open discussions about Taiwanese identity, and the island’s complicated relationship with China became possible. 1 December 14, 2020 In 1998, during a campaign speech in support of Ma Ying-jeou’s Taipei mayoral campaign, President Lee publicly spoke of the New‘ Taiwanese’ an idea rooted in civic-nationalist terms and deeply embedded as an essential part of Taiwanese democracy. -
Reflecting Malaysian Ethnic Disparities
LAUGHING AT OURSELVES: REFLECTING MALAYSIAN ETHNIC DISPARITIES SWAGATA SINHA ROY AND KAVITHA SUBARAMANIAM Abstract: Malaysia’s various ethnic groups make interesting study both sociologically and culturally. With such a heady mix of cultural elements to explore, it is often natural that the many groups stumble upon ‘rare gems’ that reflect their ‘Malaysianess’. Have Malaysians really ever appreciated the many and varied aspects of culture that they are seemingly suddenly thrown into? Do we embrace these happily or are we constantly rejecting them? Fortunately, through the medium of film, we are, from time to time, allowed to reflect on our obvious similarities and even more apparent disparities. In this paper, we explore the culture and perceptions of people from the major ethnic groups that are the human base of this very country. When was it we have last laughed at ourselves … heartily? Nasi Lemak 2.0 provides an interesting, if not disturbing insight into the workings of the Malaysian ‘mind’. Nasi Lemak 2.0 was released on 8th September 2011 and impacted a whole generation of Malaysians. The characters have been well chosen and have done a wonderful job of being representations of the various communities in this nation. Ethnocentrism is a reality and often rears its head, ‘ugly’ or otherwise in several situations. Are we able to grapple with the levels of ethnocentrism that we encounter? These are some of the issues that will trigger much debate and discussion among ourselves and perhaps also reflect our cores. Keywords: nasi lemak 2.0, ethnocentrism, ethnic identity, Malaysia INTRODUCTION Malaysia, a country formed in 1963 comprises a pluralistic society with a Malay majority, followed by Chinese, Indians and other indigenous groups. -
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International Academic Workshop on Social Science (IAW-SC 2013) Grotesque and Gaudy World of Music, Indispensable Narrative Pen Study on The Narrative Strategy of Modern Chinese Pop Songs’ Lyrics Chunjing Zhang College of Applied Technology Southwest University Chongqing,China [email protected] Abstract—Since the 1990s, the creation of pop songs’ lyrics has symbol presents "conation ", which promotes recipient to undergone a lot of changes, transforming from the past take action. According to Jacobsen’s brilliant analysis, lyrics emphasis on inner expression to frequent use of narration. appear to be more emotional or strongly conative. Therefore, Thus, the grotesque and gaudy world of music, concentrating the lyrics have a strong tendency of appealing. Answering is on creators ’narrative pen, unfolds vividly. Some important the basic trend of the lyrics, narrative strategy of “I tell you" narrative strategy has gradually taken shape, including basic is the most fundamental sending mode of lyrics. The narrative strategy of “I tell you” and public participation in appearance of subject expressing is an important “telling a story”, Demonstration of details and fragments in life characteristics of the lyrics. of whole narration and defamiliarization on narration. There are too many examples that we cannot cite them all. Keywords-lyrics; pop songs; narration According to the study of the highest search volume of 100 new songs lyrics on Baidu MP3 search, the author find that 95% of the lyrics comprise the basic strategy of "I tell you", I. INTRODUCTION including "I", "you" or slightly distorted "I" and "you", even No matter what kinds of art form, story-telling is the if starting in the fashion of third person and through the most attractive method. -
Open LIM Doctoral Dissertation 2009.Pdf
The Pennsylvania State University The Graduate School College of Communications BLOGGING AND DEMOCRACY: BLOGS IN MALAYSIAN POLITICAL DISCOURSE A Dissertation in Mass Communications by Ming Kuok Lim © 2009 Ming Kuok Lim Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 The dissertation of Ming Kuok Lim was reviewed and approved* by the following: Amit M. Schejter Associate Professor of Mass Communications Dissertation Advisor Chair of Committee Richard D. Taylor Professor of Mass Communications Jorge R. Schement Distinguished Professor of Mass Communications John Christman Associate Professor of Philosophy, Political Science, and Women’s Studies John S. Nichols Professor of Mass Communications Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School iii ABSTRACT This study examines how socio-political blogs contribute to the development of democracy in Malaysia. It suggests that blogs perform three main functions, which help make a democracy more meaningful: blogs as fifth estate, blogs as networks, and blogs as platform for expression. First, blogs function as the fifth estate performing checks-and-balances over the government. This function is expressed by blogs’ role in the dissemination of information, providing alternative perspectives that challenge the dominant frame, and setting of news agenda. The second function of blogs is that they perform as networks. This is linked to the social-networking aspect of the blogosphere both online and offline. Blogs also have the potential to act as mobilizing agents. The mobilizing capability of blogs facilitated the mass street protests, which took place in late- 2007 and early-2008 in Malaysia. -
Unusual Limited 11 August 2017
Company note UnUsUal Limited 11 August 2017 Unrated Powerful Mix of High Growth and High Profitability Current Price S$0.475 ▪ Integrated business provides high operating flexibility. Unusual is a live event production and promotion company with the largest technical Fair Value S$0.625 inventory in Singapore and a wealth of experience in various technical Up / (downside) 31.6% solutions, meaning that most production work is carried out internally. This is a very strong competitive advantage in Singapore as the financial Stock Statistics breakeven for each show will be comparatively lower than that of a less integrated competitor. In turn, Unusual can work with both new and Market cap S$305.5m established artists in technically complex shows to draw both small and large 52-low S$0.400 crowds, while risking less capital and cultivating relationships with artists. 52-high S$0.540 Avg daily vol 1,473,853 ▪ Established track record and lengthy relationships to top artists. Since No of share 643.2m its founding in 1997, Unusual has produced the concerts of artists such as Free float 17.8% Jay Chou and JJ Lin. Due to its track record and relationships in the industry, Unusual can reassure artists of payment of fees, production quality and venue quality and thus convince them to go on tours promoted by it. Key Indicators ▪ Financial war chest to expand pipeline. With net cash of S$17.1m, ROE 17F 34.8% Unusual is now able to monetise its industry networks by engaging more ROA 17F 26.1% artists and for more shows – both in Singapore and regionally. -
Book Review Between Diaspora and Against Diaspora a Review of Post-Malaysian Chinese-Language Film: Accented Style, Sinophone and Auteur Theory
马来亚大学华人文学与文化学刊第六卷，第一期，2018 Journal of Chinese Literature and Culture, Vol. 6, No. 1 (June 2018) Book Review Between Diaspora and Against Diaspora A review of Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory By HEE Wai Siam，Published by Linking Publishing 392 pages, ISBN 978-957-08-5098-7 ZHOU Ziheng Film Studies, University of Edinburgh The book Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory (hereinafter referred to as Chinese-language Film) purposely chooses a currently debatable and controversial topic. In the context of the modernization and capitalization of film production, how should people redefine and even reconstruct the cultural cognition of Malaysian Chinese-language films? People have long debated on the definition of the concept of “Chinese-language films.” They have not only discussed whether these films should adopt the same language, but also whether they should involve national identity, cultural trace, spiritual heritage, religious studies, ethnic minorities, ethnography, and other comprehensive aspects related to ethnic Chinese from all over the world. This makes Chinese-language films a cross-regional, interdisciplinary research topic that needs a long time span to discuss. The author avoids discourse seriously affected by political background and ideology, both in terms of the perspective on Orientalism and post-colonialism and in terms of Chinese film research modes dominated by China-centered ideology and America-oriented theory. He does not make a conclusion through this book, nor does he add brilliance to the current point-of-view. From the perspective of geography, Chinese-language Film avoids relevant hot issues, but chooses an equidistant position between traditional Chinese cultural regions and Chinese communities in the Western world, regardless of regional location and cultural references, namely Malaysian Chinese in Southeast Asia. -
Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and The
Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and the Symbolic Ecology of the Gambus Lute Joseph M. Kinzer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Christina Sunardi, Chair Patricia Campbell Laurie Sears Philip Schuyler Meilu Ho Program Authorized to Offer Degree: Music ii ©Copyright 2017 Joseph M. Kinzer iii University of Washington Abstract Bodies of Sound, Agents of Muslim Malayness: Malaysian Identity Politics and the Symbolic Ecology of the Gambus Lute Joseph M. Kinzer Chair of the Supervisory Committee: Dr. Christina Sunardi Music In this dissertation, I show how Malay-identified performing arts are used to fold in Malay Muslim identity into the urban milieu, not as an alternative to Kuala Lumpur’s contemporary cultural trajectory, but as an integrated part of it. I found this identity negotiation occurring through secular performance traditions of a particular instrument known as the gambus (lute), an Arabic instrument with strong ties to Malay history and trade. During my fieldwork, I discovered that the gambus in Malaysia is a potent symbol through which Malay Muslim identity is negotiated based on various local and transnational conceptions of Islamic modernity. My dissertation explores the material and virtual pathways that converge a number of historical, geographic, and socio-political sites—including the National Museum and the National Conservatory for the Arts, iv Culture, and Heritage—in my experiences studying the gambus and the wider transmission of muzik Melayu (Malay music) in urban Malaysia. I argue that the gambus complicates articulations of Malay identity through multiple agentic forces, including people (musicians, teachers, etc.), the gambus itself (its materials and iconicity), various governmental and non-governmental institutions, and wider oral, aural, and material transmission processes. -
Digital Media and Radical Politics in Postsocialist China
UNIVERSITY OF CALIFORNIA SANTA CRUZ DIGITAL EPHEMERALITY: DIGITAL MEDIA AND RADICAL POLITICS IN POSTSOCIALIST CHINA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in FEMINIST STUDIES by Yizhou Guo June 2020 The Dissertation of Yizhou Guo is approved: __________________________ Professor Neda Atanasoski, co-chair __________________________ Professor Lisa Rofel, co-chair __________________________ Professor Xiao Liu __________________________ Professor Madhavi Murty __________________________ Quentin Williams Acting Vice Provost and Dean of Graduate Studies Copyright © by Yizhou Guo 2020 Table of Contents List Of Figures And Tables IV Abstract V Acknowledgements V Introduction: Digital Ephemerality: Digital Media And Radical Politics In Postsocialist China 1 Chapter One: Queer Future In The Ephemeral: Sexualizing Digital Entertainment And The Promise Of Queer Insouciance 60 Chapter Two: Utopian In The Ephemeral: ‘Wenyi’ As Postsocialist Digital Affect 152 Chapter Three: Livestreaming Reality: Nonhuman Beauty And The Digital Fetishization Of Ephemerality 225 Epilogue: Thinking Of Digital Lives And Hopes In The Era Of The Pandemic And Quarantine 280 Bibliography 291 iii List of Figures and Tables Figure 1-1 Two Frames From The Television Zongyi Happy Camp (2015) 91 Figure 1-2 Color Wheel Of Happy Camp’s Opening Routine 91 Figure 1-3 Four Frames From The Internet Zongyi Let’s Talk (2015) 92 Figure 1- 4 Color Wheel Of The Four Screenshots From Figure 1.3 94 Figure 1-5 Let’s Talk Season