Time Talent Names Title

Total Page:16

File Type:pdf, Size:1020Kb

Time Talent Names Title Concert Rundown Timetable Time Talent Names Title DJ Leyo & MC Junior 630pm- DJ Rachel B Malaysia Rising Female DJ 800pm DJ Nimbia Vietnam Top Male DJ Choi SiWon (Main Host) Ranz & Niana, Priscilla Abby, HaoRen, Vanessa Reynauld (Co-Host) Ranz and Niana with Natalia Youtube Dance Duo Sensation Wimi Zhao 赵方婧 China Singer Songwriter Chau Bui Vietnam Top Model Tulsi Kumar Popular Indian Female Singer 8pm- 9pm G.E.M 鄧紫棋 Marvi Maria Vitoria The Voice Portugal Winner DatG & DuUyen Mutil-Talented Vietnamese Artist Mario Maurer Thailand Superstar Marie Kondo Famous Japanese Tidying Expert Namfon Indee, Laura Mam, Phyu Phyu Kyaw Thein Indo China Artiste Davika Hoorne Thailand Superstar Morning Musume。'20 TOP JAPANESE FEMALE IDOL GROUP Sam Tsui US Singer, Songwriter, Video Producer & Actor Jonita Gandhi & Lost Stories Popular Indian Female Singer Indian EDM Duo Quang Dang Influential Vietnamese Choreographer Singapore's Rapper, Dancer & Singer, Singapore's Fariz Jabba & Yung Raja Rapper & Songwriter Jack Neo Singaporean Film,TV, Actor, Host & Director Inul Daratista Indonesian Dangdut Superstar HeHaa TV Top Thailand Kids Creator Lisa Surihani Top Malaysian Artiste 9pm- Celine Tam 谭芷昀 Gold Buzzer Finalist from America's Got Talent 10pm ECLAT Indonesian Pop Group Beabadoobee Filipino Artist Jeryl Lee Malaysia Emerging Pop Chinese Artist CIX Korean Rising Boy Group Chi Pu Top Vietnamese Actress and Singer Superstar AKB48 Group Phenomenal Idol Group in Japan and World No Rome Filipino Artist Andi Rianto Top Indonesia Songwriter & Composer Sophia Huang 黄绮珊 Acclaimed Chinese Female Singer Darius Lim Singaporean Conductor-Composer & Pianist Namewee 黄明志 Multi-Talented Malaysian Star 10pm- Christian Bautista Filipino Pop Singer Superstar 11pm Karen Mok 莫文蔚 Hong Kong's Actress & Singer Superstar Rico Blanco Multi-Talented Filipino Star Zizi Kirana Top Malaysian Female Hip Hop Artist EXILE AKIRA Leader of Japanese Group Exile DatG & DuUyen Mutil-Talented Vietnamese Artist Mindset Pok Top Thailand Hiphop Rap Star ERIK Top Vietnamese Pop Singer Ismail Izzani Top Malaysian Male Superstar Priscilla Abby & HaoRen Rising Pop Malaysian Stars 11pm- Paris and Pearwah Top Thai Artiste 12am LEAD VOCALIST OF KOREAN GIRL GROUP Apink Jeong Eun-Ji APINK Morissette Multi-Talented Filipino Artist DJ Blink Influential Malaysian DJ & Producer 12am- DJ Pinko 孙琪淼 China Top Female DJ 1am DJ Richie Haley DJ Producer .
Recommended publications
  • Alternative Digital Movies As Malaysian National Cinema A
    Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof.
    [Show full text]
  • Contesting and Appropriating Chineseness in Sinophone Music
    China Perspectives 2020-2 | 2020 Sinophone Musical Worlds (2): The Politics of Chineseness Contesting and Appropriating Chineseness in Sinophone Music Nathanel Amar Electronic version URL: https://journals.openedition.org/chinaperspectives/10063 DOI: 10.4000/chinaperspectives.10063 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2020 Number of pages: 3-6 ISSN: 2070-3449 Electronic reference Nathanel Amar, “Contesting and Appropriating Chineseness in Sinophone Music”, China Perspectives [Online], 2020-2 | 2020, Online since 01 June 2020, connection on 06 July 2021. URL: http:// journals.openedition.org/chinaperspectives/10063 ; DOI: https://doi.org/10.4000/chinaperspectives. 10063 © All rights reserved Editorial china perspectives Contesting and Appropriating Chineseness in Sinophone Music NATHANEL AMAR he first special issue of China Perspectives on “Sinophone Musical itself as a more traditional approach to Chinese-sounding music but was Worlds” (2019/3) laid the theoretical foundation for a musical appropriated by amateur musicians on the Internet who subvert accepted T approach to Sinophone studies (Amar 2019). This first issue notions of Chinese history and masculinity (see Wang Yiwen’s article in this emphasised the importance of a “place-based” analysis of the global issue). Finally, the last article lays out in detail the censorship mechanisms for circulation of artistic creations, promoted in the field of Sinophone studies by music in the PRC, which are more complex and less monolithic than usually Shu-mei Shih (2007), and in cultural studies by Yiu Fai Chow and Jeroen de described, and the ways artists try to circumvent the state’s censorship Kloet (2013) as well as Marc Moskowitz (2010), among others.
    [Show full text]
  • 1 CHAPTER I INTRODUCTION This Chapter Presents Background of Study, Research Problems, Research Objectives, Significance Of
    CHAPTER I INTRODUCTION This chapter presents background of study, research problems, research objectives, significance of the study and definition of key terms. 1.1 Background of the Study Deixis is a theory that has been used to analyze implicit meaning of pronouns in utterances. Commonly, researchers analyze deixis in some literary works such as novel, poetry, and movie script or articles in newspapers, magazine, and many more. This study investigates person deixis which are used by 5 Seconds of Summer‟s Michael Clifford and The Vamps‟ Bradley Simpson on their official twitter accounts. The writer focuses on three problems: person deixis which is mostly used in the data, the reference of the person deixis used, and the similarities and differences of person deixis used from both twitter accounts. According to Meriam-Webster Dictionary, deixis is “the pointing or specifying function of some words (as definite articles and demonstrative pronouns) whose denotation changes from one discourse to another”. (Retrieved from http://dictionary.reference.com/browse/pragmatics?s=t). In Cognitive Anthropology, Levinson (1995: 10) states “Deixis is an important field studied in pragmatics, semantics and linguistics. Deixis refers to the phenomenon wherein understanding the meaning of certain words and phrases in an 1 digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id 2 utterance requires contextual information. Words or phrases that require contextual information to convey any meaning are deictic”; and furthermore “Deixis concerns the ways in which languages encode…features of the context of utterance…and thus also concerns ways in which the interpretation of utterance/es depends on the analysis of that context of utterance.” (Levinson: 1995).
    [Show full text]
  • 1 Song Title
    Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist Hillary Lindsey, Liz Rose, FEARLESS 344 TAYLOR SWIFT Taylor Swift Christina Aguilera; FIGHTER 345 CHRISTINA AGUILERA Scott Storch I. Dench/ A. Ghost/ E. Rogers/ GYPSY 346 SHAKIRA Shakira/ C. Sturken HEARTBREAK WARFARE 347 JOHN MAYER Mayer, John LAST OF THE AMERICAN GIRLS 351 GREENDAY Billie Joe Armstrong OPPOSITES ATTRACT 348 JURIS Jungee Marcelo SAMPIP 349 PAROKYA NI EDGAR SOMEDAY 352 MICHAEL LEARNS TO ROCK Jascha Richter SUNBURN 353 OWL CITY Adam Young Nasri Atweh, Justin Bieber, Luke THAT SHOULD BE ME 354 JUSTIN BIEBER Gottwald, Adam Messinger THE ONLY EXCEPTION 350 PARAMORE Farro, Hayley Williams Max Martin, Alicia WHAT DO YOU WANT FROM ME 355 ADAM LAMBERT Moore, Jonathan Karl Joseph Elliott, Rick WHEN LOVE AND HATE COLLIDE 356 DEF LEPPARD Savage Jason Michael Wade, YOU AND ME 357 LIFEHOUSE Jude Anthony Cole YOUR SMILING FACE 358 JAMES TAYLOR James Taylor www.wowvideoke.com 1 Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist AFTER ALL THESE YEARS 9057 JOURNEY Jonathan Cain Michael Masser / Je!rey ALL AT ONCE 9064 WHITNEY HOUSTON L Osborne ALL MY LIFE 9058 AMERICA Foo Fighters ALL THIS TIME 9059 SIX PART INVENTION COULD'VE BEEN 9063 SARAH GERONIMO Richard Kerr (music) I'LL NEVER LOVE THIS WAY AGAIN 9065 DIONNE WARWICK and Will Jennings (lyrics) NOT LIKE THE MOVIES 9062 KC CONCEPCION Jaye Muller/Ben Patton THE ART OF LETTING GO 9061 MIKAILA Linda Creed, Michael UNPRETTY 9066 TLC Masser YOU WIN THE GAME 9060 MARK BAUTISTA 2 www.wowvideoke.com Music Video Pack Vol.
    [Show full text]
  • 166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
    tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O.
    [Show full text]
  • An Ideological Analysis of the Birth of Chinese Indie Music
    REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself.
    [Show full text]
  • 'Ghost Island' and the Enduring Legacy of Late President Lee Teng-Hui
    December 14, 2020 The future of ‘Ghost Island’ and the enduring legacy of late President Lee Teng-hui Edition 5, 2020 Dr Roger Lee Huang DOI: In one of Taiwan’s most popular songs of this year, Ghost Island (鬼島), alongside Taiwanese rapper Dwagie, Malaysian singer-songwriter Namewee satirises the excesses of ‘democracy and human rights’ as ‘gross impropriety,’ welcoming listeners to a land where freedom of speech is ‘blasphemy to the leaders.’ The song plays on the endearing yet self-depreciating slang for Taiwan, ‘Ghost Island’, which adeptly captures its wonderful contradictions: rowdy and confident which regularly punches above its weight internationally in the face of hostility from People’s Republic of China (PRC, China), while consistently dejected for its exclusion from the international community. The song exudes pride in Taiwan’s uniquely ‘chaotic’ democracy, but implicit is a sense of both despair and fear of an aggressively nationalistic China. What Taiwan’s democracy means today is deeply connected to the actions of the late President Lee Teng-hui, who died on July 30, 2020. As both the first Taiwanese president of the Republic of China (ROC, Taiwan), and the first president to be directly elected via universal suffrage, Lee was instrumental in leading Taiwan to a peaceful democratic transition. Under his presidency, open discussions about Taiwanese identity, and the island’s complicated relationship with China became possible. 1 December 14, 2020 In 1998, during a campaign speech in support of Ma Ying-jeou’s Taipei mayoral campaign, President Lee publicly spoke of the New‘ Taiwanese’ an idea rooted in civic-nationalist terms and deeply embedded as an essential part of Taiwanese democracy.
    [Show full text]
  • Reflecting Malaysian Ethnic Disparities
    LAUGHING AT OURSELVES: REFLECTING MALAYSIAN ETHNIC DISPARITIES SWAGATA SINHA ROY AND KAVITHA SUBARAMANIAM Abstract: Malaysia’s various ethnic groups make interesting study both sociologically and culturally. With such a heady mix of cultural elements to explore, it is often natural that the many groups stumble upon ‘rare gems’ that reflect their ‘Malaysianess’. Have Malaysians really ever appreciated the many and varied aspects of culture that they are seemingly suddenly thrown into? Do we embrace these happily or are we constantly rejecting them? Fortunately, through the medium of film, we are, from time to time, allowed to reflect on our obvious similarities and even more apparent disparities. In this paper, we explore the culture and perceptions of people from the major ethnic groups that are the human base of this very country. When was it we have last laughed at ourselves … heartily? Nasi Lemak 2.0 provides an interesting, if not disturbing insight into the workings of the Malaysian ‘mind’. Nasi Lemak 2.0 was released on 8th September 2011 and impacted a whole generation of Malaysians. The characters have been well chosen and have done a wonderful job of being representations of the various communities in this nation. Ethnocentrism is a reality and often rears its head, ‘ugly’ or otherwise in several situations. Are we able to grapple with the levels of ethnocentrism that we encounter? These are some of the issues that will trigger much debate and discussion among ourselves and perhaps also reflect our cores. Keywords: nasi lemak 2.0, ethnocentrism, ethnic identity, Malaysia INTRODUCTION Malaysia, a country formed in 1963 comprises a pluralistic society with a Malay majority, followed by Chinese, Indians and other indigenous groups.
    [Show full text]
  • Bamcinématek Presents Stephen Chow: the King of Comedy, Oct 6—12
    BAMcinématek presents Stephen Chow: The King of Comedy, Oct 6—12 “The reigning king of Hong Kong comedy.”—J. Hoberman Co-presented with the Hong Kong Economic and Trade Office in New York. The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Sep 8, 2014—From Monday, October 6 through Sunday, October 12, BAMcinématek presents Stephen Chow: The King of Comedy, an eight-film retrospective of the Hong Kong actor, writer, and director. Chow’s audaciously anarchic comedies combine surreal sight gags, non sequiturs, extensive pop culture quoting, and gravity-defying martial arts to sublimely silly effect. Endlessly inventive, the reigning king of Hong Kong mo lei tau (―nonsense comedy‖) yields unfiltered cinematic pleasure. Initially prominent as a children’s television star, Chow became synonymous with mo lei tau, a style of film comedy in which traditional melodramas and kung fu tales are peppered with rapid- fire, fourth-wall-breaking slapstick bits and corny puns. A bigger box-office draw in his homeland than Jackie Chan or Jet Li, Chow—who cites Spielberg and Kubrick, along with Jim Carrey, as influences—has used his clout in recent years to fashion himself as an auteur, scripting, editing, and directing a series of high-budget, homage-filled blockbusters. Typical of Chow’s earliest hits, Johnnie To’s Justice, My Foot! (1992—Oct 8) casts the actor as a fast-talking lawyer whose mouth gets him into trouble, and whose kung fu-fighting wife gets him out of it—one of many tough, smart heroines Chow uses as foils for his feckless alter egos.
    [Show full text]
  • Karen Mok Celebrated Her Regardez World Tour Macau Concert at Studio City Event Center
    FOR IMMEDIATE RELEASE Karen Mok Celebrated Her Regardez World Tour Macau Concert at Studio City Event Center MACAU - April 18, 2016 (Monday): Karen Mok Regardez World Tour Macau concert ended beautifully at Studio City, dubbed Asia’s Entertainment Capital on April 16, 2016, inspiring thousands of her fans at Studio City Event Center (SCEC). Doubling up as director and performer for this concert, Mok overlooked all aspects to bring fans a fantastical feast for the ears and eyes with the "Regardez" world tour. Effortlessly blending fashion with music, coupled with the unique effects, Mok performed an extensive list of hits like "Diva" and "Faremewell", "Departures" and "Precious" and the greatest highlight of the "Regardez" world tour was when she showcased her Guzheng playing skills in a sauve solo. ### Studio City Event Center, the next generation in Macau’s innovative, premiere live entertainment venues SCEC is a 5,000-seat multi-purpose entertainment complex, with state-of-the-art infrastructure designed to host exciting world-class live concerts, theatrical and top sports events, in addition to award shows and other special gatherings. It is an international stage destined to become a ‘must-stop’ destination for today’s music legends as well as up-and-coming future stars. The stage welcomed numerous music icons globally and regionally including global superstar and biggest selling female artist of all-time Mariah Carey, ‘Queen of Pop’ Madonna, Asia’s King of Dance Aaron Kwok and KPOP sensations SISTAR. It also celebrated its world-class center’s first branded ‘‘Taiwan Music Series’ in 2015, featuring Taiwan ‘Mando-Pop’ stars including Show Lo, JJ Lin, A-Lin, Hebe Tien and S.H.E.
    [Show full text]
  • Open LIM Doctoral Dissertation 2009.Pdf
    The Pennsylvania State University The Graduate School College of Communications BLOGGING AND DEMOCRACY: BLOGS IN MALAYSIAN POLITICAL DISCOURSE A Dissertation in Mass Communications by Ming Kuok Lim © 2009 Ming Kuok Lim Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 The dissertation of Ming Kuok Lim was reviewed and approved* by the following: Amit M. Schejter Associate Professor of Mass Communications Dissertation Advisor Chair of Committee Richard D. Taylor Professor of Mass Communications Jorge R. Schement Distinguished Professor of Mass Communications John Christman Associate Professor of Philosophy, Political Science, and Women’s Studies John S. Nichols Professor of Mass Communications Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School iii ABSTRACT This study examines how socio-political blogs contribute to the development of democracy in Malaysia. It suggests that blogs perform three main functions, which help make a democracy more meaningful: blogs as fifth estate, blogs as networks, and blogs as platform for expression. First, blogs function as the fifth estate performing checks-and-balances over the government. This function is expressed by blogs’ role in the dissemination of information, providing alternative perspectives that challenge the dominant frame, and setting of news agenda. The second function of blogs is that they perform as networks. This is linked to the social-networking aspect of the blogosphere both online and offline. Blogs also have the potential to act as mobilizing agents. The mobilizing capability of blogs facilitated the mass street protests, which took place in late- 2007 and early-2008 in Malaysia.
    [Show full text]
  • Book Review Between Diaspora and Against Diaspora a Review of Post-Malaysian Chinese-Language Film: Accented Style, Sinophone and Auteur Theory
    马来亚大学华人文学与文化学刊第六卷,第一期,2018 Journal of Chinese Literature and Culture, Vol. 6, No. 1 (June 2018) Book Review Between Diaspora and Against Diaspora A review of Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory By HEE Wai Siam,Published by Linking Publishing 392 pages, ISBN 978-957-08-5098-7 ZHOU Ziheng Film Studies, University of Edinburgh The book Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory (hereinafter referred to as Chinese-language Film) purposely chooses a currently debatable and controversial topic. In the context of the modernization and capitalization of film production, how should people redefine and even reconstruct the cultural cognition of Malaysian Chinese-language films? People have long debated on the definition of the concept of “Chinese-language films.” They have not only discussed whether these films should adopt the same language, but also whether they should involve national identity, cultural trace, spiritual heritage, religious studies, ethnic minorities, ethnography, and other comprehensive aspects related to ethnic Chinese from all over the world. This makes Chinese-language films a cross-regional, interdisciplinary research topic that needs a long time span to discuss. The author avoids discourse seriously affected by political background and ideology, both in terms of the perspective on Orientalism and post-colonialism and in terms of Chinese film research modes dominated by China-centered ideology and America-oriented theory. He does not make a conclusion through this book, nor does he add brilliance to the current point-of-view. From the perspective of geography, Chinese-language Film avoids relevant hot issues, but chooses an equidistant position between traditional Chinese cultural regions and Chinese communities in the Western world, regardless of regional location and cultural references, namely Malaysian Chinese in Southeast Asia.
    [Show full text]