Annual Salary Survey Dollar$

Total Page:16

File Type:pdf, Size:1020Kb

Annual Salary Survey Dollar$ Your Guide to IT Certification and Salary www.certmag.com JANUARY 2018 WINTER EDITION ANNUAL SALARY SURVEY DOLLAR$ ANDCERTS TAKING STOCK OF THE RELATIONSHIP BETWEEN LEARNING AND EARNING Mastering Microsoft Office Use these helpful tips to train and certify your students. PAGE 28 Have Tech, Will Travel Six top countries where you can put your IT skills to work. PAGE 36 Certification Trepidation Is the long-term forecast for IT credentials cloudy or clear? PAGE 44 CERTIFICATION JANUARY 2018 VOLUME 15 ISSUE 1 TABLE OF CONTENTS FEATURES 4 FROM THE EDITOR 14 IT’s all about the numbers. Cody Clark 6 OPINION Certification is a journey, not a destination. Mike Chapple 12 PEOPLE IN CERTIFICATION A man for all certifications. Calvin Harper 16 PEOPLE IN CERTIFICATION Giving students job-ready tech skills in Puyallup. JOBS AND SALARY Calvin Harper 20 2017 SALARY SURVEY 28 CERTIFICATION How to do Microsoft Office certification right. Jeff Randall NUMBERS DON’T LIE. CERTIFICATION IS GOOD 28 CERTIFICATION Make your certification program attractive to all. FOR YOUR TECH CAREER. Peter Manijak 36 TECH KNOW Six more countries where IT pros should look for work. Reena Ghosh 40 TECH KNOW Six tech trends to monitor in 2018. Nathan Kimple 36 44 PARTING WORDS Is the heyday of IT certification behind us? Aaron Axline CERTIFICATION 3 WELCOME VOL. 15, ISSUE 1 January 2018 ONCE MORE UNTO PUBLISHER: Noel Vallejo MANAGING EDITOR: Cody Clark THE BREACH [email protected] ASSOCIATE EDITOR: Calvin Harper BY CODY CLARK [email protected] Cody Clark is the managing SENIOR DESIGNER: Jordan Jones editor of Certification Magazine. [email protected] CONTRIBUTING WRITERS: Aaron Axline, Mike Chapple, Cody Clark, Reena Ghosh, ere I sit, hours away from new Salary Survey 75, of course. We Calvin Harper, Nathan Kimpel, the first public screenings also have a list of 50 high-interest certs Peter Manijak, Jeff Randall of Star Wars: The Last Jedi, that many of your certified peers will Hand the long-ago words of Han Solo be working toward earning in the DIRECTOR OF STRATEGIC from what used to be called simply months ahead. And, in a new devel- PARTNERSHIPS: Todd Kerby Star Wars are on the tip of my tongue: opment, we asked this year whether [email protected] “Didn’t we just leave this party?” It’s survey respondents are satisfied with true that we live in a world that deliv- their current pay grade. ON THE WEB ers a new Star Wars movie every year. We take aim at a number of oth- CertMag.com, Fans won’t even have to wait a full 12 er topics as well. Microsoft Office twitter.com/CertMag, months for the next one: Solo: A Star certification is sweeping through facebook.com/CertMag Wars Story opens May 25. high schools and junior high schools What I’m really thinking about, around the world, so we have some HOW TO CONTACT US To contact our editorial team: however, is the annual Salary Survey. tips about how to help students suc- [email protected] It’s been a whole year since the last ceed at mastering some of the most To contact our ad sales team: time that this rodeo came to town, yet ubiquitous tools in the IT workplace. [email protected] it still feels like the dust has barely set- We also look ahead to 2018, and look For subscription problems: tled. Thanks to the ongoing series of around to identify more of the best [email protected] Deep Focus articles that we launched countries for IT professionals looking on the Certification Magazine website for work. Certification Magazine is last year, the Salary Survey has be- Some of you are almost certainly published quarterly by come a year-round presence. And now reading these words as a result of GoCertify, 65 North 100 East, it’s back. participating in the Salary Survey and Pleasant Grove, UT 84062 The survey is a numbers game. getting a free or discounted subscrip- Salary is an important, and highly im- tion in return. To you and everyone Certification Magazine, CertMag pactful number for all of us. Sussing else who took the time to answer our and CertMag.com are all out how many thousands of dollars call: Thank you. This issue wouldn’t trademarks of GoCertify. are going into the pockets of certified be possible without your input. Keep Copyright 2017, GoCertify. IT professionals, however, is really certifying, and we hope to hear from All rights reserved. just dancing on the tip of a volumi- you again when it’s time for next nous iceberg of data. When you ask year’s survey. Trust us: It will be here Reproduction without several dozen questions of several before you know it. permission of material thousand individuals, well, that leaves published in Certification you with a lot of raw information. P.S. Won’t you be our neighbor? Magazine is forbidden. We’ve processed some of it already, Look for Certification Magazine on and we think you’ll enjoy reading up Facebook and Twitter (@CertMag. A publication. on those findings. There’s a brand com). 4 CERTIFICATION THE VALUE OF RED HAT TRAINING According to IDC research, Red Hat® Training helps make IT more effective and efficient. • 30% higher project success rate from allocating just 1.5% of project budget to training • Three-year annual benefits worth an average of US $53,422 per trained employee • 71% less unplanned downtime • 389% three-year ROI LEARN MORE redhat.com/value CERTIFICATION 5 OPINION STILL CERTIFYING AFTER ALL THESE YEARS The CertMike of CertMag reflects on his journey fromBY MIKE one CHAPPLE IT certification to the next Mike Chapple is Senior Director for IT Service Delivery at the University of Notre Dame. Mike is CISSP certified and holds bachelor’s and doctoral degrees in computer science and engineering from Notre Dame, with a master’s degree in computer science from the University of Idaho and an MBA from Auburn University. recently hit a major career 1) MCP, 2) MCSE (NT 4.0), 3) milestone: 20 years of working MCDBA, 4) MCSE (2000), 5) CCNA, in and around the IT field. As 6) TICSA, 7) CCSP, 8) CISSP, 9) CISA, I reflect on that time, it occurs to me 10) GCFW, 11) PMP, 12) Security+, 13) that I’ve held a wide variety of IT cer- CSA+ tifications during those two decades Can you pick out the path through and they’ve played important roles as all of those acronyms? Allow me to I’ve moved through different stages of express it in terms of four general my career. phases in my career: Allow me a moment to rattle off Technology Foundation > Security the list of certifications that I’ve held Specialization > IT Leadership > Au- at one time or another, if only to offer thor and Educator you some perspective on my career Allow me to walk you through path. I’ll explain more about the twists each of these phases in the hopes that and turns that my career has taken in you can learn from my experiences, a moment, but those of you who have wherever you are in your career. been around the industry a while can probably get a sense of it just from analyzing this alphabet soup of certifi- cations, in the order in which I earned them: 6 CERTIFICATION Building the Foundation When I first embarked upon my IT journey, I was like many young professionals. I thought I knew everything but, in reality, knew very little. This hit me hard when I start- ed working with a team of talented professionals at the National Security Agency. I found myself surrounded by some of the world’s best minds in computer science, cybersecurity, net- working, and mathematics. The most important thing I learned from them is how much there is to learn! Fortunately, I was in an environ- ment with a culture of learning. The NSA has one of the nation’s largest technical workforces, and they com- mitted significant resources to many different types of technical training skills off the bat. Sure, I was working and analytics, offering a hands-on programs. I quickly latched on to a in security, but 20 years later, I still programming environment. I use it library of IT training courses they find myself drawing upon that reserve with my own students to help them offered to all employees and simply of foundational IT skills to inform my gain the foundational skills they need started taking courses in everything work. before moving on to more advanced that people around me discussed that The IT training library that I used material. I didn’t understand. during this phase in my career is long I used that library to build a base of gone, but there are others out there Focusing and Specializing practical IT skills, ranging from Win- that offer even greater opportunities dows administration to databases and to today’s developing technology After spending four years work- networking. Those courses helped professional. Two that I would partic- ing with the fantastic team at NSA, me round out the very Linux-focused ularly recommend are Lynda.com and I moved to a private consulting firm skills that I had picked up in my un- DataCamp. based out of Miami, where I had the dergraduate degree program. Lynda.com offers a tremendous opportunity to work with quite a few As I look back at that time in my breadth of content, releasing dozens fascinating clients. I spent five years career, I am thankful that the team of new courses every day.
Recommended publications
  • The Official Organ of the B.Bc
    Radio Times, August 21st, 1925. GREAT BROADCAST SEASON APPROACHES. oJ Ri se oea i = — T . aa oh, att THE OFFICIAL ORGAN OF THE B.BC — SS ——er ngistered cat the _Vol. §i_No, 100. GEO. a oo See per, _EVERY FRIDAY. Two Pence. OFFICIAL. Broadcasting Smiles! — PROGRAMMES By GEORGE GROSSMITH. for the week commencing EOPLEare pining for wireless humour. the correct mo- SUNDAY, August 23rd. Unfortunately, there is a regrettable ments ! If might = —— se dearth of radio comedians, not only if} be thought that MAIN STATIONS. this country, but also in America. Several a small audience LONDON, CARDIFF, ABERDEEN, GLAS- famous comedians have tried their hand in the ‘broad- casting studio GOW, BIRMINGHAM, MANCHESTER, at making listeners Laugh, but have acted as if they WET on the stare, lorpetting would help a BOURNEMOUTH, NEWCASTLE, BELFAST. that the ear ‘of listeners is not comple- comedian. But mented by the eye, a5 it is in a theatre. this has been HIGH-POWER STATION. Many mirth-makers on the stage rely tried and not (Daventry.) upon facial expression for fully half of their found of great success, Theyare likely to fail when they assistance, RELAY STATIONS, broaceast. ‘* = SHEFFIELD, PLYMOUTH, EDINBURGH, a i w i (an humour LIVERPOOL, LEEDS—BRADFORD, Few people appreciate the importance becommunicated Mr. GEORGE GROSSMITH. HULL, NOTTINGHAM, STOKE-ON- of the audience to a comedian. Correct by the ear alone ? TRENT, DUNDEE, SWANSEA. timing of the remarks. in a joke is often Many comedians reply with an emphatic an essential feature, and the speaker takes ‘No.” That cold-blooded microphone, SPECIAL CONTENTS.
    [Show full text]
  • Sommario Rassegna Stampa
    Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Anica Web Classtravel.it 04/02/2021 AQUA FILM FESTIVAL 3 Cinecitta.com 03/02/2021 PAOLO MANERA: "LE SERIE TV NEL NOSTRO DNA" 6 Mediabiz.de 03/02/2021 BIRGIT OBERKOFLER: "BLICK NACH VORNE RICHTEN" 10 Viviroma.tv 03/02/2021 AL VIA LA VI EDIZIONE DEL FILMING ITALY LOS ANGELES 18/21 12 MARZO 2021 Rubrica Cinema 26 Avvenire 04/02/2021 FEDS, FILM SULLA "VITA NUOVA" 16 1 Corriere della Sera 04/02/2021 STORICO AI GOLDEN GLOBE TRIS DI REGISTE IN LIZZA (G.Sarcina) 17 23 Il Fatto Quotidiano 04/02/2021 "RUMORE BIANCO" AL CINEMA 20 2 Il Foglio 04/02/2021 NETFLIX FA MAN BASSA DI NOMINATION AI GOLDEN GLOBE NELLA 21 SEZIONE CINEMA 2 Il Foglio 04/02/2021 RIALZARE I SIPARI 22 23 Il Mattino 04/02/2021 Int. a A.Truppo: "CRAZY FOR FOOTBALL", TRUPPO RACCONTA I 23 "MATTI PER IL CALCIO" (A.Farro) 24 Il Messaggero 04/02/2021 GOLDEN GLOBE, NO ALLA LOREN SI' A PAUSINI E BOSEMAN (G.Satta) 24 24 Il Messaggero 04/02/2021 MORTA NONI CORBUCCI, COSTUMISTA E VEDOVA DEL REGISTA 25 SERGIO 33 Tuttomilano (La Repubblica) 04/02/2021 CULTURA- LA PRIMA SALA-CINEMA PER BAMBINI 26 Rubrica Audiovisivo & Multimedia 65 Il Messaggero - Cronaca di Roma 04/02/2021 NETFLIX TROVA CASA A ROMA: LA SEDE A VILLINO RATTAZZI NEL 27 CUORE DELLA DOLCE VITA (G.Satta) 23 Avvenire 04/02/2021 A PICCO I RICAVI DEI MEDIA VA BENE L'ON-DEMAND, MALE LA 28 PUBBLICITA' LO STREAMING BATTE LA TV 31 Corriere della Sera 04/02/2021 IL LOCKDOWN PREMIA NETFLIX PUBBLICITA', IN NOVEMBRE LA7 29 CRESCE DELL'8,8% (S.Bocconi) 40 Corriere della Sera 04/02/2021 Int.
    [Show full text]
  • Fall 2007 PSF Newsletter
    The Pennsylvania Shakespeare Festival Newsletter • Fall 2007 PSF Announces 2008 Season ������������� THE STUFF OF LEGENDS Lear. Cyrano. Dracula. each through its own lens illuminates this �������������������� � profound and immutable struggle, within All are literary legends that will come to and between us. life on PSF’s stages next summer. The 2008 season features Shakespeare’s piercing master- King Lear, considered one of piece King Lear and beloved comedy Twelfth Shakespeare’s greatest masterpieces, tells the ��������� Night, as previously announced. Cyrano de story of an aging king of Britain who divides � ���������������������� Bergerac and Dracula: The Journal of Jonathan his kingdom amongst his daughters, whose Harker are new to the season line-up, though betrayals, real and imagined, lead to the they have long topped a ‘short list’ of mas- destruction of family and kingdom. terworks considered by Producing Artistic Director Patrick Mulcahy and Associate While Shakespeare’s exploration of ������������� Artistic Director Dennis Razze. For the chil- human frailty juxtaposed with insatiable hun- ger for power and adulation is wrenching in � ���������������������� dren’s show, a musical adaptation of The Jungle its destructiveness, in this play, “Shakespeare’s Book has been selected. art is at its apex, exquisitely executed, unmis- The process of choosing the plays takable in its beauty,” Mulcahy says. “It is no for each season always begins with PSF’s accident this is considered one of the greatest ������ mission: to enrich, inspire, engage, and plays ever written.” entertain. Mulcahy says that along the way � ����������� to providing some great entertainment, On a different note, opening with one by Edmund Rostand the 2008 season “will explore the primal of Shakespeare’s most lyrical lines—“If music fault lines between the heart and the ego: be the food of love, play on”—Twelfth Night humanity’s innate desire for love and con- offers a vibrant counterpoint to King Lear.
    [Show full text]
  • Herr Daniel Bandmann and Shakespeare Vs. the World
    Journal of Global Theatre History ISSN: 2509-6990 Issue 1, Number 2, 2016, pp. 56-70 Lisa J. Warrington Herr Daniel Bandmann and Shakespeare vs. the World Abstract German actor Daniel Bandmann played his first Hamlet at the age of 20, and made his English language debut as Shylock in New York, 1863. In his prime, he performed extensively in America, Great Britain, Australia, and New Zealand, amongst other countries. Though he played roles which ranged from Narcisse and the Corsican twins to Jekyll and Hyde, he was perhaps most closely identified with a handful of Shakespearean roles: Hamlet, Shylock, Macbeth, Othello, Iago. His apparently ungovernable temper led to a love/hate relationship with the critics, played out in public through the newspapers. His responses to criticism open a window into his playing of these roles. This paper examines Bandmann’s acting in the role of Hamlet and the critical interchanges he engaged in around the world, in which he defended his playing of the role. Author Lisa Warrington is an Associate Professor in Theatre Studies at the University of Otago, Dunedin, New Zealand. Current research interests (and areas in which she has published) include Shakespeare in performance, directing, Pasifika theatre, site-specific theatre, nineteenth century New Zealand theatre history and the theatre of Aotearoa/New Zealand. She is also a professional theatre director, with many productions to her credit. She runs the Theatre Aotearoa database (http://tadb.otago.ac.nz), which provides a regularly expanded detailed archive of stage productions in New Zealand. Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Author.
    [Show full text]
  • Honors Project Is an Examination of the Experience of Actors on the National Tour Of
    AN EXAMINATION OF THE RUDOLPH NATIONAL TOUR by Samantha McHenry Submitted in partial fulfillment of the requirements for Departmental Honors in the Department of Theatre Texas Christian University Fort Worth, Texas May 7th, 2018 !ii AN EXAMINATION OF THE RUDOLPH NATIONAL TOUR Project Approved: Supervising Professor: Alan Shorter, Ph.D. Department of Theatre Wendy Williams, Ph.D. Associate Professor of Professional Practice in Honors Jennifer Engler, M.F.A. Department of Theatre !iii ABSTRACT My honors project is an examination of the experience of actors on the national tour of Rudolph the Red Nosed Reindeer from two specific perspectives: an objective lens derived from tangible data and a subjective view of the experience exploring anecdotal data. My project will have two main components: 1) who I was, what I was doing, and how the tour related to the TCU experience and 2) information about the touring experience itself. Last winter I had the privilege of being cast in the National Tour of Rudolph the Red Nosed Reindeer. This experience provided an inside perspective of national touring, as well as the opportunity to live in a closed community. I thought a structured analysis of this experience would create a unique honors project. Over the course of a month and a half of this tour, I was able to collect both subjective and anecdotal data of a closed group of individuals sharing the same experiences but reacting to them differently. I was also able to experience the “Hawthorne Effect” and the “Observer Expectancy Effect,” as I myself was a part of the experimental group.
    [Show full text]
  • Curriculum Vitae Eng
    Curriculum Vitae Charlotta Grimfjord Cederblad - performance artist, director, actor Scroll down for film/TV, voice, education, grants and awards. Performance/theatre: 2020 •Banket for bier/Banquet for bees (immersive performance), Secret Hotel, performer, tour in Denmark •Magen i skogen/Le ventre dans la forêt (music/theatre), Dinn Dinn Bulo, author, director and choreographer, tours in Senegal and Sweden 2021 •If you look closely you will see me (solo performance), own work, performance artist, 13festivalen in Göteborg, Sweden 2019 •Det är vi som är trädgården (performance/presentation) of the art lab Mixed Minds. •If you look closely you will see me (solo performance), own work, performance artist, PAB Open festival in Bergen, Norway •Muskler, magi & magkänsla (stage performance) own work/Kurage, author, director and performer, tour in Sweden • Grant residency at the Nordic Water Color Museum in Skärhamn, Sweden •Fisken och Bintou (music/theatre), director, collaboration with Dinn Dinn Bulo, repertoire at Cinnober Teater in Göteborg, Sweden and extensive tour in Sweden •Residency in Berlin, Germany, invitation by artist Ruschka Steininger •Mixed Minds, one of seven artists in residence at the interdisciplinary art lab curated by Kultur i Väst and Art Inside Out •Residency in Denmark with Mixed Minds 2018 •Residency in Berlin, Germany with support from the Swedish Arts Grants Committee. •Slapstick och Storhetsvansinne (immersive performance), own work/Kurage, author, director, choreographer, performer, repertoire at Hagateatern in Göteborg,
    [Show full text]
  • Download Download
    Ludwig-Maximilians-University Munich Journal of Global Theatre History Theatrescapes Global Media and Translocal Publics (1850-1950) Editors Christopher Balme and Nic Leonhardt Volume 1, Number 2, 2016 Editorial Office Gwendolin Lehnerer Gero Toegl Editorial Board Helen Gilbert (Royal Holloway London) Gordon Winder (Munich), Derek Miller (Harvard), Kati Röttger (Amsterdam), Stanca Scholz-Cionca (Trier/Munich), Marlis Schweitzer (York University, Toronto) Roland Wenzlhuemer (Heidelberg), Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Authors. Journal of Global Theatre History Volume 1, Number 2, 2016 Table of Contents Nic Leonhardt Editorial .............................................................................................................................................III Monize Oliveira Moura Sarah Bernhardt in Brazil (1886 and 1893) ................................................................................................................................................1 Catherine Vance Yeh Experimenting with Dance Drama: Peking Opera Modernity, Kabuki Theater Reform and the Denishawn’s Tour of the Far East .............................................................................................................................................28 Johanna Dupré "Die erste Jockey-Reiterin der Welt, aus Süd-Amerika": Rosita de la Plata, Global Imaginaries and the Media .............................................................................................................................................38
    [Show full text]
  • Selected Press
    Selected Press Jay Scheib Feature Articles, Reviews, and General Press Jay Scheib | [email protected] | Selected Feature Articles and Reviews The best New York theater directors - Time Out New York Time Out New York Kids Time Out Chicago Time Out Worldwide Travel Book store Subscribe to Time Out New York Subscriber Services Home Art Books Clubs Comedy Dance Film Games Gay I, New York Kids Museums Music Opera & Classical Own This City Real Estate Restaurants & Bars Sex & Dating Shopping Spas & Sport Theater Travel TV Video Tools Theater E-mail Time Out New York / Mar 25, 2009 Print New York's best Rate & comment Report an error The best New York theater directors Share this 1. Jay Scheib Mixing multimedia with deadpan-cool (and very sexy) actors, Scheib is forging new ways of seeing drama. 2. Ken Rus Schmoll Schmoll takes on more difficult playwrights, teasing out the ambiguity and menace in their words. 3. Elizabeth LeCompte As chief engineer of the Wooster Group’s postmodern tech spectacles, she has influenced a generation of experimenters. 4. Anne Kauffman She helmed two of our favorite shows in years: The Thugs and God’s Ear. Sensitive to thorny language, she makes the murky crystal clear. Cheap tickets 5. Joe Mantello Seats for a song Sure, he helmed the blockbuster Wicked, but the former actor is most at home Find great deals on working on tough drama on an intimate level. tickets. 6. Richard Foreman Guides They don’t call him the king of the avant-garde for nothing; Foreman is the auteur’s Student Guide auteur: He writes, designs, directs and even operates the sound.
    [Show full text]
  • GTHJ Issue1 Number1 Theatri
    Ludwig-Maximilians-University Munich Journal of Global Theatre History Theatrical Trade Routes Editors Christopher Balme and Nic Leonhardt Volume 1, Number 1, 2016 Editorial Office Gero Toegl Gwendolin Lehnerer Editorial Board Derek Miller (Harvard), Helen Gilbert (Royal Holloway London) Stanca Scholz-Cionca (Trier/Munich), Kati Röttger (Amsterdam) Marlis Schweitzer (York University, Toronto) Roland Wenzlhuemer (Heidelberg), Gordon Winder (Munich) Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Authors. Journal of Global Theatre History Volume 1, Number 1, 2016 Table of Contents Editorial III Christopher Balme and Nic Leonhardt Introduction: Theatrical Trade Routes 1 Shannon Steen Theatrical Commodity Chains and Colonial Competition 10 Derek Miller The Salve of Duty: Global Theatre at the American Border (1875-1900) 20 Christopher Balme Maurice E. Bandmann and the Beginnings of a Global Theatre Trade 34 Stanca Scholz-Cionca Japanesque Shows for Western Markets: Loïe Fuller and Japanese Theatre Tours Through Europe (1900-08) 46 Veronica Kelly Australasia: Mapping a Theatrical ‘Region’ in Peace and War 62 Maria Helena Werneck and Maria João Brilhante Art and Trade in a Postcolonial Context: In Search of the Theatre Routes Linking Brazil and Portugal (1850 – 1930) 78 Table of Contents II Journal of Global Theatre History Volume 1, Number 1, 2016 Editorial Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Author. With this focus issue on ‘Theatrical Trade Routes’ the Centre for Global Theatre History at LMU Munich presents the first issue of a new online, peer-reviewed journal devoted to exploring the historical dimensions of theatre and performance from a global, transnational and transcultural perspective.
    [Show full text]
  • T ALL NEW WORKS PUBLISHED in GREAT BRITAIN '' I
    . _ . - . - ¦ .. -, ¦ ' . ¦ ¦ • - . ~ ¦ ¦ - ^^ i i ov" i^^ - <- ¦ ¦ V * * —- . ;>- . ^ •¦ ¦ - " ' . (-. .¦ -¦-, * ¦ ANDAMU • • '- -V- ¦ ¦ ' : *' " ¦' " - • ' . ' ^ . '- 43mcra l ftetor b of 5&riti £f> an& ^foreig n literature [ t CONTAINING A COMPLETE ALPHABE TICA L LIST OP X ALL NEW WORKS PUBLISH ED IN GREAT BRIT AIN '' I ' ¦ ' ' " '¦¦ ' ¦ " - ' ' * ' ' : ., AND • • } ¦ EVERY WOKK ¦ OF INTEREST- PUBtTSHEB ABROAD f \ * » * * •* .., * . - • r ' - « ^j . > ¦ f r r .. v/. ' , • ITspiricd - on the 1st and 15frh. of ehch Month ] y 1 f : i - ' ¦ ¦»¦ - - - ¦ ¦ - ' - • ' <V , Price 3d. ; t i r J anuary 15, 1885 Sil' mmr •[" :. ¦ ¦ ¦ - ' ;; ' .; f ' "¦ ! ' oo3srTE3 asra?s ' '?" \ ! ^ . .. , pTERARY INTJ 3LLI© l^CBv. iZp-lZ; KO>fTmENTAL ilT ^Riltit ; NOTES ... 7,- 8\ ' fcBrrnARY ..:.".•?• *.I. •- .V .9. I ITRADB CHASGhB f f.:.:...:. ;.....\.. ....^...v.;.... 0 v J\¦; tEG Ai|...' -.. ..V.i:.f:'/.'/.' :.:. ' ;V..; .' ,\i i<ft p. ' ' " ' I...:¦ ¦ ¦ ¦ . io—i»^|f ' v......I. - • • • booKs . » 1 ¦ ¦ . .. EEOBiT. ^B^.O........_ _. •¦'¦-, . •.....^ . JAN ARY.. AND 1 EJDKX TO BOOKS PUBLISHES * lk QBM^T BRITAIN BETWEEN U 1 15 T 14, 15 Htf JAN T;O ' ¦ ¦ BRITAIN FR031 TJAR Y 16-^18 } .. ¦ BOOKS' -CraBAT 1 15' ¦ ¦¦¦ PUBIiiS^EDr ...... J ¦ ¦> ...;: . ...... • ¦ ' . aooKS . * l^iuGAN T^sry^ . .: .; '. '... .;. ................:.::.......... 18—20 - j WEN BOOKS AND BOOKS LATELY PJfBLJ S .. ,.. ...*...... - 22—27 | r ^ED . : fcDUCA^iONAL Bd^K^ ' 1 .........../.. ..; . 1 28r-63 : ' I ENGLISH XANGtrAGE ;. ¦ 29, 32, 33, 38—42, 49, J>0 6ji, ¦ ! ! ..^. ¦ ¦ •¦ ,. fe f I* ¦ ¦ . - * *- • i . \ * /' > I FREN CH, GERMAN , AND ITALIAN : 36, 37; 42—48, 51, 63 j IH- COPYKi\jr x BOOKSouyivo .............. ..........»••....;...V.. 30ou, 33o», 6ui7' - {,• I ATLASE 3 AND MAP ^. T .-. ... ..i... -.. • ?. 30, 31, 34" j Miscellan eous- .........;...... ! • ^.......:... ..w'7i ~77 % BlftTHp AY OABDS AJ fD ,VALENTINES... ....;... ...'.......;./i^.;... 72i ^ ....^ \ vU8HrBsi ^s; :..>.:; ro , ; ^STA^TS^^;^ A 1J ^B|J | ,.w.
    [Show full text]
  • The Comment, November 29, 1979
    Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1979 The ommeC nt, November 29, 1979 Bridgewater State College Volume 53 Number 8 Recommended Citation Bridgewater State College. (1979). The Comment, November 29, 1979. 53(8). Retrieved from: http://vc.bridgew.edu/comment/445 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Comment Vol. LnI, No.8 Bridgewater State College November 29, 1979 Nader Speaks at BSC by Doug Schorr .", Ralph Nader appeared in the Nader also spoke about food in this attitude might change if Student Union Ballroom - On general, and supermarkets in consumers asked auto dealers November 27,1979 at 7:30 pm to an particular. He said that many questions such as, "Why does a audience estimated at 500 people. supermarkets "play" with the weight tinted windshield cost more when Nader began his lecture by listed on the packages and do not you see lessT or "Why have cars speaking about automobiles--his sell nutritious food to the consumer. lost the side vent windows-did you favorite pet peeve. He stated the The solution to this is to form a large take a survey of customers to see General Motor Corporation makes group of people (1-5% of what their opinions were on the $15 million an hour, and that community) and go to super­ matter?" He also mentioned that research conducted by the National markets and use the numbers of consumer education should be a Safety Council cost a little Jess than your group to affect change in the mandatory part ofa student's that amount--and the research was store's policy_ If needed, you could curriculum in school.
    [Show full text]
  • 2012 Calendar Journal
    CALENDAR JOURNAL La Tuna Estudiantina de Cayey and the Hostos Center for the Arts & Culture present A revue of Puerto Rican music. Celebrating Puerto Rican Heritage Month and the 45th Anniversaries of Hostos Comunity College and La Tuna de Cayey Sat, Nov 17, 2012 ▪ 7:30 pm Main Theater - Hostos Community College/CUNY 450 Grand Councourse at 149th St. ▪ The Bronx Admission: $15, $10 - Info & tkts: 718-518-4455 - www.hostos.cuny.edu/culturearts 2, 4, 5, Bx1, Bx19 to Grand Concourse & 149 St. Made possible, in part, with public funds from the NYC Department of Cultural Affairs in cooperation with the New York City Council. COMITÉ NOVIEMBRE WOULD LIKE TO EXTEND ITS SINCEREST GRATITUDE TO THE SPONSORS AND SUPPORTERS OF PUERTO RICAN HERITAGE MONTH 2012 THE NIELSEN CompanY CITY UNIVERSITY OF NEW YORK Municipal CREDIT UNION 1199 SEIU UNITED Federation OF TEACHERS WOLF POPPER, LLP CON EDISON Hostos COMMUNITY COLLEGE, CUNY ACACIA NETWORK INSTITUTE FOR THE Puerto RICAN/Hispanic ELDERLY, INC. Colgate PALMOLIVE EL CENTRO DE ESTUDIOS PuertorriQUEÑOS HealthPRO MED LEHMAN COLLEGE, CUNY Puerto RICO CONVENTION BUREAU RAIN, INC. MEMBER AGENCIES INSTITUTE FOR THE Puerto RICAN/Hispanic ELDERLY ASPIRA OF NEW YORK EL CENTRO DE ESTUDIOS PuertorriQUEÑOS EL MUSEO DEL BARRIO EL PUENTE EUGENIO MARÍA DE Hostos COMMUNITY COLLEGE/CUNY LA CASA DE LA HERENCIA Cultural PuertorriQUEÑA, INC. LA FUNDACIÓN NACIONAL para LA Cultura POPULAR LatinoJUSTICE: PRLDEF MÚSICA DE CÁMARA National CONGRESS FOR Puerto RICAN RIGHTS – JUSTICE COMMITTEE National INSTITUTE FOR Latino POLICY Puerto RICO FEDERAL Affairs Administration COMITÉ NOVIEMBRE HEADQuarters INSTITUTE FOR THE Puerto RICAN/Hispanic ELDERLY 105 East 22nd st.
    [Show full text]