1970-71-Rapport-Annuel.Pdf
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Theodore Thomas Collection: Finding
University of Toronto Music Library Thedore Thomas collection CA OTUFM 09 © University of Toronto Music Library 2020 Contents Theodore Thomas ............................................................................................................................................ 3 Ezra Schabas ....................................................................................................................................................... 3 Theodore Thomas collection ....................................................................................................................... 3 Series A: Chronological research files ............................................................................................. 4 Series B: Research files by topic or library ..................................................................................... 5 Series C: Correspondence regarding participation and promotion of biography ........ 6 Series D: Microfilms ................................................................................................................................ 8 Theodore Thomas collection University of Toronto Music Library CA OTUFM 09 Theodore Thomas 1935-1905 Thomas, Theodore (1835-1905), formed his own orchestra in 1862 and gave concerts in many American cities, always including some unfamiliar work. He conducted the New York Philharmonic 1877–1891, and was the first conductor of the Chicago Symphony 1891–1905. Ezra Schabas 1900-1971 Prof. Ezra Schabas was born in New York and received his Diploma in Clarinet -
Geoplanspring 2011
SPRING 2011 GEOPLAN DEPARTMENT OF GEOGRAPHY & PROGRAM IN PLANNING AND THE UNIVERSITY OF TORONTO ASSOCIATION OF GEOGRAPHY ALUMNI (UTAGA) Celebrating our 75th Anniversary he Department of Geography at the University of Toronto was founded in 1935 and the academic year 2010-11 was therefore our 75th anniversary. We had an excellent celebration, packed Twith events. It started early in September with a display at Robarts Library of more than 100 books authored by geography faculty and alumni. The display was seen by thousands of visitors to the library between September and October. We also put on a special departmen- tal speakers series with the theme of “Intersections” between human and physical geography and between geographers and the community. Twenty-two guest speakers participated and we held special panel sessions on the Tar Sands, Climate Change, the Aboriginal City, and Women and Factory Work in China. The biggest event of the year was a full weekend of activities in mid-September. The weekend began early on Thursday, September 16th, when the Planning Alumni Committee hosted its first Fall Plan- ning Mixer at the Duke of York, in honour of Geography’s 75th. On Friday afternoon, renowned climate change scholar Professor Diana Liverman (MA ‘80) from the University of Arizona gave a public lecture on “Governing Climate”. This was followed by an opening reception and book launch for Reflections on the History of Geography at the University of Toronto. On Saturday, there was a faculty panel ses- sion in the morning on the history of the department and a workshop exploring mapping on the web. -
14Th Annual Report the Canada Council 1970-1971
1 14th Annual Report The Canada Council 1970-1971 Honourable Gérard Pelletier Secretary of State of Canada Ottawa, Canada Sir, I have the honour to transmit herewith the Annual Report of the Canada Council, for submission to Parliament, as required by section 23 of the Canada Council Act (5-6 Elizabeth Ii, 1957, Chap. 3) for the fiscal year ending March 31, 1971. I am, Sir, Yours very truly, John G. Prentice, Chairman. June 341971 3 Contents The Arts The Humanities and Social Sciences Other Programs 10 Introduction 50 Levels of Subsidy, 1966-67 to 1970-71 90 Prizes and Special Awards 12 Levels of Subsidy, 1966-67 to 1970-71 51 Research Training 91 Cultural Exchanges Doctoral Fe//owships; distribution of 14 Music and Opera Doctoral Fellowships by discipline. 96 Canadian Commission for Unesco 21 Theatre 54 Research Work 100 Stanley House Leave Fellowships; distribution of Leave 27 Dance Fellowships by discipline; Research Finances Grants; distribution of Research Grants 102 Introduction 30 Visual Arts, Film and Photography by disciph’ne; list of Leave Fellowships, Killam Awards and large Research 105 Financial Statement 39 Writing Grants. Appendix 1 48 Other Grants 78 Research Communication 119 List of Doctoral Fellowships List of grants for publication, confer- ences, and travel to international Appendix 2 meetings. 125 List of Research Grants of less than $5,000 86 Special Grants Support of Learned Societies; Appendix 3 Other Assistance. 135 List of Securities March 31. 1971 Members John G. Prentice (Chairman) Brian Flemming Guy Rocher (Vice-Chairman) John M. Godfrey Ronald Baker Elizabeth A. Lane Jean-Charles Bonenfant Léon Lortie Alex Colville Byron March J. -
Conservatory of Music Piano Examinations, 1887-2015: Their Impact and Influence
A HISTORY OF THE ROYAL (TORONTO) CONSERVATORY OF MUSIC PIANO EXAMINATIONS, 1887-2015: THEIR IMPACT AND INFLUENCE TATIANA VOITOVITCH-CAMILLERI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO November 2019 © Tatiana Voitovitch-Camilleri, 2019 ii ABSTRACT Since its inception in 1887, the Royal Conservatory of Music has maintained its position as one of the largest and oldest community-based music schools and education centres in North America, with an integrated examination body and a comprehensive graded curriculum, influencing and shaping the Canadian musical landscape. For the past 130 years, the Conservatory has presented a wide-ranging art music repertoire for studying piano and offered a comprehensive system for assessing students’ progress through its Examinations, recently retitled as The Certificate Program. The Conservatory’s internal examinations began in 1887, with the external examinations following in 1898. The latter preserved the format of the former and expanded through increasing the number of the examination centres across Canada for both financial and educational reasons. Despite varying opinions of professionals and amateurs on the efficacy and value of the piano examinations in particular from the beginning, this dissertation, using historical sources and interviews, argues that over the years the structure and content of the piano examinations, while innately conservative on the whole, have kept up with a changing demographic of students across the country, and either countered or taken on the many criticisms that surrounded them over the years despite geographical and financial challenges, and indeed competition from other institutions. -
Architect Stanley M. Roscoe (1921-2010)
THEMATIC DOSSIER | DOSSIER THÉMATIQUE ARCHITECT STANLEY M. ROSCOE (1921-2010): PIONEERING INNOVATIONS Sharon VattaY is an architectural historian > SHARON VATTAY with wide-ranging professional and academic credentials. She holds a Ph.D. from the University of Toronto where she lectures on the history of architecture. She is also an associate at Goldsmith, Borgal & Company Ltd. Architects (GBCA)—a firm his paper traces the postwar archi- specializing in historic restoration and adaptive Ttectural designs of Stanley M. Roscoe reuse, with projects across Canada. Previous (1921-2010)—an architect who introduced cutting-edge construction techniques positions include Heritage planner at the City of and avant-garde styles to the mid-sized Hamilton, Ontario, and the City of Vaughan, Ontario. Canadian city of Hamilton, Ontario. While not necessarily radical in national or inter- national terms, Roscoe’s buildings were certainly progressive in the regional con- text of the day. As reported in a 1960 article on Roscoe in Time Magazine, his decade-long tenure as city architect brought to Hamilton “ten years of lively argument.”1 This spirited debate was the result of his role as a champion of modern design, within the traditional nineteenth- century Victorian city of Hamilton (fig. 1). The analysis of Roscoe’s oeuvre shows that, in the overall context of architec- ture in Canada, he was very much keep- ing pace with new developments and progress in building systems then being explored by architects across the coun- try. Not only did the writer of the afore- mentioned Time Magazine article boldly contend that Hamilton had received “the most interesting modern architecture in Canada” as a result of Roscoe’s employ- ment as their city architect,2 but a review of other references in the popular press, along with documents found in Roscoe’s personal correspondence,3 also uncovers many other accolades that support an assertion of the architect as a pioneer in modern architecture. -
Ezra Schabas Fonds
University of Toronto Archives and Record Management Services Finding Aid – Ezra Schabas fonds Contains the following accessions: • B1996-0013 • B2008-0031 To navigate to a particular accession, use the bookmarks in the PDF file Ezra Schabas Personal Records B1996-0013 Records [textual; graphic; sound and moving images] 1958-1993. 12.20 metres Access: Open; selected records in Series 4, Subseries 5 are restricted. BIOGRAPHICAL NOTE Prof. Ezra Schabas was born in New York and received his Diploma in Clarinet (1943) and Bachelor of Science (1948) from the Juillard School. In 1949, he received his Master of Arts from Columbia University. He also studied at the Conservatoire de Nancy, and the Fontainebleau School for the Arts in France between 1945 and 1950. After several appointments at American universities (1948-1952), he joined the staff of the Royal Conservatory of Music as Director of Concerts and Publicity where he arranged concerts for leading young artists across Canada. During the 1950s he was active as a clarinetist and conductor and managed music at the Stratford Festival (1958 and 1961). In 1960 he joined the staff of the Faculty of Music as Special Lecturer, becoming Associate Professor in 1961 and Professor in 1968. From 1978 to 1983, he was Principal of the Royal Conservatory of Music. Prof. Schabas retired as Professor Emeritus in 1985. Scope and Content The accession documents Prof. Schabas' forty year career as teacher, administrator, and consultant with the Royal Conservatory of Music and the Faculty of Music at the University of Toronto, and his numerous external activities as consultant, juror, examiner, and as member in various professional and government organizations devoted to the promotion of the education and professional development of musicians in Canada and abroad. -
Government Issue What Will Prime Minister Stephen Harper’S Arts and Culture Legacy Be?
EQUITY QUARTERLY FALL 2009 TIME FOR A CULTURAL POLICY REVIEW ADRIENNE CLARKSON ON THE ARTS EQ CAN A UNION CHANGE A COUNTRY? The Government Issue What will Prime Minister Stephen Harper’s arts and culture legacy be? 1932 – Prime Minister R.B. Bennett initiates the creation of the CBC 1951 – Louis St. Laurent asks Vincent Massey to chair the Royal Commission on culture, which recommends the creation of the Canada Council for the Arts, established in 1957 1983 – The Federal Cultural Policy Review Committee, appointed by the Trudeau government, issues the Applebaum-Hébert Report on cultural policy 2000 – The government of Jean Chrétien creates the Tomorrow Starts Today arts funding initiative 2008 – Harper government cuts the Trade Routes and PromArt touring programs President’s message After writing the end-of-term summary for the last EQ, and then the full online report, I’m not certain what I have left to say. People who know me well will want to mark this occasion down in their diary or note it in their blog. Perhaps some kind of celebration is in order.... We are fast approaching the end of the Council term, and by the time you read this we will be in the middle of elections for the next. It has been an honour serving both Council and the membership as President for the past three years. It was a lot of work, but enormously fulfilling. That said, I need to remind everyone that the President is not at the top of the governance structure; that position belongs to Council itself. -
Downloads/Newsletters/July August 2004.Pdf#Search= 'William%20Gasbarro%20Clarinet (Accessed February 25, 2011)
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Biographical Dictionary of Twentieth- Century American Clarinetists Tracey Lynn Paddock Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A BIOGRAPHICAL DICTIONARY OF TWENTIETH-CENTURY AMERICAN CLARINETISTS By TRACEY LYNN PADDOCK A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2011 The members of the committee approve the Treatise of Tracey L. Paddock defended on March 28, 2011. _________________________________ Frank Kowalsky Professor Directing Treatise _________________________________ Richard Clary University Representative _________________________________ Deborah Bish Committee Member _________________________________ Jeff Keesecker Committee Member The Graduate School has verified and approved the above-named committee members. ii To my husband Grant, who has stood by my side in the face of this and many other challenges, and to my parents, teachers, and friends, who have supported me generously and tirelessly. iii ACKNOWLEDGEMENTS I would like to acknowledge all of the teachers and mentors who have helped me on my musical, educational, and life path. To James Campbell, thank you for providing me with a strong musical foundation, and musical and philosophical inspiration which will last a lifetime, and which I try to pass on to my own students. To former committee member Eric Ohlsson, thank you for setting the comprehensive exam question that led me to this treatise. To former committee member John Deal, thank you for urging me to make the treatise “comprehensive.” To Howard Klug, thank you for your invaluable guidance at the onset of this journey. -
Schabas, Ezra
There’s Music in These Walls: A History of the Royal Conservatory of Music. By Ezra Schabas. Toronto: The Dundurn Group, 2005. ISBN 1-55002-540-6. 288 pp., ill. $50.00 (hardcover) any Canadians, this reviewer A continuing theme of the book is included, know the Royal the turbulent relationship between the M Conservatory of Music as an RCM and the University of Toronto. invisible force behind years of childhood The Conservatory’s long affiliation with piano lessons. We spent hours practising the University of Toronto began in 1896 music listed in the RCM syllabi, and ended in 1991. The saga of this on- performed nervously for RCM again, off-again relationship is told examiners, as well as studying and gradually throughout the book, and the writing theory, history, and harmony success or failure of an RCM principal tests during summer vacations. Ezra seemed to lie, in part, in how the Schabas, in There’s Music in These affiliation was managed. What started as Walls, introduces a side of the symbiosis (the RCM benefited from Conservatory that most Canadians never university affiliation; the U of T see: the on-campus, Toronto-based benefited from student tuition revenue) music school. degenerated over the years into bickering over land, buildings, faculty, Schabas’s personal history and and, of course, finances. As a former expertise shine in this work. His principal himself, Schabas does not previous publications include Sir Ernest hesitate to give his candid opinions of MacMillan: The Importance of Being various administrators, past and present. Canadian (1994) and (with Carl Morey) Opera Viva: Canadian Opera Company: The book’s coffee-table gloss and The First Fifty Years (2000), which format includes an eye-catching dust- explains the weight given to both jacket: a full colour photograph of subjects in There’s Music in These McMaster Hall, the RCM’s well-known Walls. -
Foreign Affairs Gets New Deputy Page 31 Employee
Canada & the Arctic: Inuit, territories and non-coastal states weigh in—Pages 15-27 EMBASSYCANADA’S FOREIGN POLICY NEWSWEEKLY OTTAWA, WEDNESDAY, APRIL 14, 2010 ISSUE 300 • $3.00 CYBER SECURITY STRATEGY DEMANDED page 4 EU COPYRIGHT DEMANDS CAST A CHILL page 4 POLISH EMBASSY MOURNS PHOTO: SAM GARCIA NATIONAL EMBASSY Not-So-Sombre Moment: Chief of Defence Staff Gen. Walter Natynczyk, Governor General Michaëlle Jean and Prime Minister Stephen Harper laugh last week during a ceremony commemorating the 93rd anniversary of Vimy Ridge. Participants also remembered Canada’s First World War veterans, the last of whom died this year. Page 9. LOSS page 2 Experts see Is Security Council bid prompting link between pseudo-interest in Africa? ■ Michaëlle Jean trip highlights increased According to a rough itinerary of Ms. Jean’s trip, Gualtieri, the governor general will talk about the role of the outreach, but absence of solid initiatives. media in Senegal and Rwanda, tour several CIDA proj- ects in Rwanda and the DRC, deliver a speech to the Lee Berthiaume DRC National Assembly, and look at the economic Colvin cases and social progress achieved in Cape Verde. Ms. Jean, who was asked by Prime Minister ■ Gualtieri’s case ‘would have been an overnor General Michaëlle Jean will lead a small GCanadian delegation on a four-country tour of Stephen Harper to undertake the trip, will be embarrassment,’ whistleblower says. Africa starting today that will include stops in Rwanda, accompanied almost exclusively by several media Senegal, the Democratic Republic of Congo and Cape experts, artists and human rights activists. Above STRONGER Carl Meyer Verde. -
Sir Ernest Macmillan Collection CA OTUFM 15
University of Toronto Music Library Sir Ernest MacMillan collection CA OTUFM 15 © University of Toronto Music Library 2020 Contents Sir Ernest MacMillan ........................................................................................................................................ 3 Ezra Schabas ....................................................................................................................................................... 3 Sir Ernest MacMillan collection ................................................................................................................... 3 Series A: Research files and correspondence ............................................................................... 3 Series B: Interviews conducted by Ezra Schabas ...................................................................... 21 Sir Ernest MacMillan collection University of Toronto Music Library CA OTUFM 15 Sir Ernest MacMillan 1893-1973 Sir Ernest MacMillan, conductor, organist, pianist, composer, educator, writer, administrator, was born in Mimico (Metropolitan Toronto) on August 18, 1893, and died in Toronto on May 6,1973. He was one of the most influential Canadian musicians of the middle 20th century. Ezra Schabas 1924- Prof. Ezra Schabas was born in New York and received his Diploma in Clarinet (1943) and Bachelor of Science (1948) from the Juillard School. In 1949, he received his Master of Arts from Columbia University. He also studied at the Conservatoire de Nancy, and the Fontainebleau School for the Arts in France -
A Selective Guide of Canadian Choral Compositions Appropriate for the Senior High School Choir (Repertoire, Secondary School)
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1986 A Selective Guide of Canadian Choral Compositions Appropriate for the Senior High School Choir (Repertoire, Secondary School). James Patrick Mccormick Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Mccormick, James Patrick, "A Selective Guide of Canadian Choral Compositions Appropriate for the Senior High School Choir (Repertoire, Secondary School)." (1986). LSU Historical Dissertations and Theses. 4249. https://digitalcommons.lsu.edu/gradschool_disstheses/4249 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This reproduction was made from a copy of a manuscript sent to us for publication and microfilming. While the most advanced technology has been used to pho tograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. Pages in any manuscript may have indistinct print. In all cases the best available copy has been filmed. The following explanation of techniques is provided to help clarify notations which may appear on this reproduction. 1. Manuscripts may not always be complete. When it is not possible to obtain missing pages, a note appears to indicate this. 2. When copyrighted materials are removed from the manuscript, a note ap pears to Indicate this. 3. Oversize materials (maps, drawings, and charts) are photographed by sec tioning the original, beginning at the upper left hand comer and continu ing from left to right in equal sections with small overlaps.