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1970-71-Rapport-Annuel.Pdf 14e Rapport annuel Conseil des Arts du Canada 1970-1971 L’honorable Gérard Pelletier, Secrétaire d’gtat du Canada, Ottawa, Canada. Monsieur le Ministre, Conformément à l’article 23 de la Loi sur le Conseil des Arts du Canada (5-6 Elisabeth II, 1957, chapitre 3), j’ai l’honneur de vous transmettre, pour présentation au Parlement, le rapport du Conseil des Arts du Canada pour l’exercice financier qui s’est terminé le 31 mars 1971. Veuillez agréer, Monsieur le Ministre, l’assurance de mes sentiments distinguéi. Le président, John G. Prentice. Le 30 juin 1971. Table des matières Les arts Les humanités et les sciences sociales Autres programmes 50 Niveaux des subventions, 1966-67 à 90 Prix et distinctions 10 Introduction 1970-71 91 Echanges culturels 12 Niveaux des subventions, 1966-67 à 51 Formation des chercheurs 1970-71 Bourses de doctorat; répartition des 96 Commission canadienne pour I’Unesco bourses de doctorat par discipline. 14 La musique et l’opéra 100 Stanley House 54 Travaux de recherche 21 Le théâtre Bourses de travail libre; répartition des Finances bourses de travail libre par discipline. 102 Introduction 27 Ladanse Subventions de recherche; répartition des subventions de recherche par 105 Etat financier 30 Les arts plastiques, le cinéma discipline. Liste des bourses de travail et la photographie libre, des subventions Killam et des Appendice 1 subventions de recherche de $5,000 119 Liste des bourses de doctorat 39 Les lettres et plus. Appendice 2 48 Divers 79 Communications entre chercheurs 124 Liste des subventions de recherche Aide à l’édition, rencontres et confé- ($5,000 ou moins) rences, et participation à des rencon- tres internationales (frais de voyage). Appendice 3 134 Portefeuille 87 Subventions spéciales Aide aux sociélés savantes. Divers. le 31 mars 1971 Membres John G. Prentice (président) Brian Flemming Guy Rocher (vice-président) John M. Godfrey Ronald Baker Elizabeth A. Lane Jean-Charles Bonenfant Léon Lortie Alex Colville Byron March J. A. Corry Pauline McGibbon Dora de Pedery Hunt David W. Slater Louis A. Desrochers Comité de placements Trevor F. Moore (président) John G. Prentice Frank Elliott Case John M. Godfrey Direction Peter M. Dwyer, directeur Paul Boisclair. directeur adioint Robert Elie, directeur associé et trésorier F. A. Milligan, directeur associé Jules Pelletier,directeur adjoint pour les affaires universitaires et chef du Service des bourses Claude Gauthier, directeur adjoint et secrétaire Commission consultative des arts James Domville (président) Eli Mandel John Avison Guido Molinari Dorothy Cameron Sydney Newman Laurel Crosby Betty Oliphant Gerry Eldred Christopher Pratt Victor Feldbrill Murray Schafer Jacques Hébert Léopold Simoneau Paul Hébert Dora de Pedery Hunt Doug Jones (membre du Conseil) Commission consultative des Vianney Décarie (président) K. E. Kidd affaires universitaires W. H. Coons (vice-président) A. M. Moore Jean-Paul Audet J. G. Nicholson David Braybrooke K. 2. Paltiel Raymond Breton A. E. Safarian W. A. C. H. Dobson Marc-Adélard Tremblay Alfred Dubuc S. Warhaft E. J. H. Greene Ronald Baker (membre du Conseil) Louis-Edmond Hamelin Jean-Charles Bonenfant, L. G. Harris (membre du Conseil) Commission canadienne pour I’Unesco David Bartlett, secrétaire général Jacques-Victor Morin, secrétaire aénéral associé 5 Jurys des bourses de travail libre CrBation littéraire (française) Arts plastiques pour artistes Roger Duhamel Françoise Desrochers-Drolet Rina Lasnier Albert Dumouchel Rejean Robidoux Anthony Emery Hugh Leroy Création littéraire (anglaise) William Withrow Northrop Frye Malcoim Ross Cinéma et photographie George Woodcock Robert Daudeiin Wendy Porteous Musique Christian Rasselet Louis Applebaum Michael Snow John Newmark Ron Solomon Jean Papineau-Couture Théâtre et danse James de B. Domville Gratien Géiinas William Hutt Jurys des bourses de perfectionnement Création littéraire (française) Musique (interpr&ttion, Amérique pour artistes Maurice Blain du Nord) Monique Bosco Lorand Fenyves Jacques Brault Victor Bouchard John Avison Création iittbraire (anglaise) Ezra Schabas D. G. Jones Pierrette Alarie Kildare Dobbs Gwendoiyn MacEwen Musique (composition) Victor Feldbrill Musique (interprétation, Europe) Serge Garant Brian Priestman Murray Schafer Raoul Jobin Kenneth Gilbert Danse (Canada) Gwen Ashton Martha Hiii Betty Oliphant Danse (Londres) Cinéma et photographie Peter Brinson Robert Daudelin Maryon Lane Wendy Porteous Christian Rasselet ThBâtre Michael Snow Yvette Brind’Amour Ron Solomon André Mullet Marc Negin Architecture Christopher Newton Gustavo da Roza Jean-Louis Lalonde Arts plastiques Fred Lebensold Greg Curnoe Mira Godard Gordon Smith Comités de sélection pour Littérature anglaise Philosophie et études religieuses les bourses de doctorat L. Lane (président) V. Cauchy (président) R. G. Baldwin H. M. Estall A. R. Bevan B. Morissette D. R. Cherry L. E. Toombs H. J. Hood Z. Vendler R. E. Watters R. H. Vincent Littérature française Histoire H. Tuchmaier (président) P. Harnetty (président) C. A. E. Jensen L. E. Boyle R. Joly J. C. Dubé R. G. Motut J. E. Flint Pierre Page J. Hamelin P. Wyczynski 1. N. Lambi Littératures étrangères, études classiques, Sociologie, anthropologie, géographie linguistique J. Brazeau (président) R. Charbonneau (président) M. Bélanger E. Berry A. L. Bryan G. Bursill-Hall Frank Jones E. Gareau R. R. Krueger J. B. MacLean A. L. Laycock A. J. Shaw P. Montminy G. S. Wickens 7 Psychologie, éducation Sciences politiques et droit J. A. Easterbrook (président) R. C. Pratt (président) G.-Y. Drolet L. Balthazar N. S. Endler J. C. Courtney A. Godbout K. Dore T. B. Greenfield Y. Ouellette R. Sévigny W. Young A. H. Shephard Beaux-arts Science économique, gestion des G. Vickers (président) affaires, mathématiques M. Adaskin A. M. Sinclair (président) J. Des Gagniers R. F. Harris K. Hare M. Leenders C. Morin G. Marion T. Matuszewski W. 0. Wood Comités de sélection pour les Sciences sociales Humanités (y compris les beaux-arts) bourses de travail libre Yves Dubé (président) René De Chantal (président) (humanités et sciences sociales) W. R. Blair Ronald Bloore Guy Dubreuil Maurice Lebel M. A. Ormsby J. A. McNeely Donat Pharand T. N. Penelhum Douglas Pullman R. M. Ross D. S. Spafford L. J. Shein Comités de sélection pour les Humanités et sciences sociales Sciences physiques et biologiques échanges culturels Gilles Lalande (président) Roland Rivest (président) Marcel Dagenais Bernard Bernier G. Dumouchel Claude Hamel Jacques L’Heureux Fabius Leblanc G. A. McMurray P. H. LeBlond K. Weiermair J. C. Picot Arts Jacques de Tonnancourt (président) Alain Desvergnes David Silcox Comités de sélection pour Humanités Sciences sociales les échanges de chercheurs Emmanuel Trépanier (président) André Raynauld (président) Jean Ethier-Blais Ezio Cappadocia C. H. Moore J. S. Dupré Comité de sélection pour J. C. M. Obelsby (président) les bourses d’études en Lauchin Currie Amérique latine (Foreign Area Paul-Yves Denis Fellowship Program for studies Lionel Vallée in Latin America) Introduction Dans le présent chapitre, nous nous propo- entreprises de spectacles paraissent Galerie, et a accordé à celle-ci une géné- sons de rendre compte succintement mais s’orienter vers une plus grande stabilité reuse subvention pour ses activités de la aussi clairement que possible des activités financiere. prochaine année. du Conseil dans le domaine des arts. Par ailleurs, la question des rapports Toujours au chapitre de la diffusion des Une explication compléte de notre action entre les conseils d’administration et les arts, la tournée des Territoires du Nord- dans ce domaine nous entraînerait dans de cadres des institutions artistiques a fait Ouest, organisée avec notre appui par le longs développements qui n’ont pas leur couler beaucoup d’encre...et de salive! Canadian Mime Theatre, constitue une place ici. II nous faudrait traiter par exem- En réponse a de nombreuses demandes, le innovation. Comme cette troupe est peu ple de l’importance de l’art dans la vie Conseil a publié un document qui, sans nombreuse et n’utilise que quelques acces- des Canadiens, ce qui est un peu la même avoir réponse a tout, paraît avoir alimenté soires, elle a pu se déplacer sans trop de chose que de vouloir dsfinir la “culture” ou maintes discussions et suscité des examens frais a travers les Btendues désertiques de la “beauté”, notions simples en apparence, de conscience. Sous le titre peu ronflant de cette immense région. A maints endroits, mais qui diviseront sans doute toujours les Glanures sur les conseils d’administration c’était la première visite d’une troupe pro- esprits. II nous faudrait mentionner aussi des entreprises artistiques, ce document fessionnelle. Par la magie de la mime, la tous les hauts faits-et les problèmes-de nos n’a été distribué qu’aux personnes direc- barrière linguistique entre les artistes et artistes et des institutions qui les encadrent, tement liées à des entreprises artistiques leurs auditoires formés en majorité d’Esqui- au lieu de n’en donner que des exemples. canadiennes. maux se trouvait abolie. Depuis des années nous revenons sans Pour la seconde année, le Conseil a Dans l’ensemble, les conditions d’existen- cesse, dans nos rapports annuels, sur la accordé des sommes assez modestes à ce et de travail de l’artiste se sont amé- question des déficits accumulés par les certaines institutions, dans les domaines liorées depuis la création du Conseil des entreprises de spectacles qui-il faut bien des arts de la scéne et des arts plastiques, Arts, il y a 14 ans. L’accroissement des le dire-oeuvrent dans un domaine ou pour les aider à atteindre de nouveaux subventions gouvernementales à l’activité l’excellence et l’esprit d’aventure ne garan- publics, ordinairement dans leur propre artistique y est sans doute pour quelque tissent pas toujours la recette. Ce probléme région, mais parfois aussi dans des réglons chose. Nous n’en continuons pas moins a est enfin en voie de solution. Le Conseil des défavorisées sur le plan artistique. II s’agit penser, comme nous le disions dans notre Arts, pour sa part, a distribué au cours de du programme Diffusion des arts.
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