Sir Ernest Macmillan Collection CA OTUFM 15

Total Page:16

File Type:pdf, Size:1020Kb

Sir Ernest Macmillan Collection CA OTUFM 15 University of Toronto Music Library Sir Ernest MacMillan collection CA OTUFM 15 © University of Toronto Music Library 2020 Contents Sir Ernest MacMillan ........................................................................................................................................ 3 Ezra Schabas ....................................................................................................................................................... 3 Sir Ernest MacMillan collection ................................................................................................................... 3 Series A: Research files and correspondence ............................................................................... 3 Series B: Interviews conducted by Ezra Schabas ...................................................................... 21 Sir Ernest MacMillan collection University of Toronto Music Library CA OTUFM 15 Sir Ernest MacMillan 1893-1973 Sir Ernest MacMillan, conductor, organist, pianist, composer, educator, writer, administrator, was born in Mimico (Metropolitan Toronto) on August 18, 1893, and died in Toronto on May 6,1973. He was one of the most influential Canadian musicians of the middle 20th century. Ezra Schabas 1924- Prof. Ezra Schabas was born in New York and received his Diploma in Clarinet (1943) and Bachelor of Science (1948) from the Juillard School. In 1949, he received his Master of Arts from Columbia University. He also studied at the Conservatoire de Nancy, and the Fontainebleau School for the Arts in France between 1945 and 1950. After several appointments at American universities (1948-1952), he joined the staff of the Royal Conservatory of Music as Director of Concerts and Publicity where he arranged concerts for leading young artists across Canada. During the 1950s he was active as a clarinetist and conductor and managed music at the Stratford Festival (1958 and 1961). In 1960 he joined the staff of the Faculty of Music as Special Lecturer, becoming Associate Professor in 1961 and Professor in 1968. From 1978 to 1983, he was Principal of the Royal Conservatory of Music. Prof. Schabas retired as Professor Emeritus in 1985. Sir Ernest MacMillan collection Date range: 1890-1996, predominant 1991-1994 Extent: 1.3 m of textual records (10 boxes) + 35 audio cassettes (2 boxes) Collection includes correspondence, notes, transcripts, and other working papers for Ezra Schabas's book Sir Ernest MacMillan: the importance of being Canadian, published by the University of Toronto Press in 1994. Arrangement: Files are listed in alphabetical order. Series A: Research files and correspondence Date range: 1890-1995 Extent: 1.3 m of textual records (10 boxes) 3 Sir Ernest MacMillan collection University of Toronto Music Library CA OTUFM 15 Series consists of Ezra Schabas's textual research files for his biography of Sir Ernest MacMillan. Files include correspondence with Schabas, copies of correspondence with MacMillan, copies of newspaper articles and photographs, and copies of research on MacMillan by other individuals, including that by Keith MacMillan. Arrangement: Files are listed in their original order, which is roughly alphabetical. Ident. Title Date Location 1 Agnew, Marjorie : correspondence 1937-1984 Box 1 2 Anecdotes : correspondence to Keith MacMillan 1938-1990 Box 1 3 Applebaum, Lou : notes for an interview 1991-1992 Box 1 4 Arts and Letters Club : articles and lectures 1932-1992 Box 1 5 Audiences, listening and enjoying music : lectures 1927-1966 Box 1 and articles 6 Auditions : notes November Box 1 30, 1953 7 Australia : notes, press notices, and radio script 1944-1946 Box 1 8 Bach : lectures by Ernest MacMillan 1930, 1950 Box 1 9 Barbeau, Marius : notes and lecture 1925-1966 Box 1 10 Beckwith, John : correspondence and drafts 1957-1993 Box 1 11 Beecham, Thomas : press notices 1940 Box 1 12 Berlin, Boris : summary of interview with Keith 1984 Box 1 MacMillan 13 Binnie, Edith : notes [before 1994] Box 1 14 Bibliography : photocopies and notes 1930-1949, Box 1 [after 1955] 15 Biography : 1893-1920 [before 1994] Box 1 4 Sir Ernest MacMillan collection University of Toronto Music Library CA OTUFM 15 Ident. Title Date Location 16 Biography : 1893-1920 : notes 1893-1920, Box 1 1978, 1985 17 Biography : seventieth birthday : notes and press 1963, 1968- Box 1 notices 1969 18 Biography : general appraisals : notes and press 1953-1973 Box 1 articles 19 Biography : personal correspondence 1947-1984 Box 1 20 Biographers : correspondence 1967, 1971 Box 1 21 Boult, Adrian : notes 1935-1969 Box 1 22 Bradshaw, Suzanne : correspondence regarding the 1994 Box 1 Founders Fund 23 Brandon : notes 1963 Box 1 24 Brazil : notes and press notices 1946 Box 1 25 BBC concerts : notes and press notices 1934-1993 Box 1 26 Brott, Alexander : notes regarding composition 1956-1959 Box 1 27 Buffalo : notes 1945, July Box 1 1989 28 Burgess, Antoinette and Barbara : notes and 1913-1915 Box 1 correspondence 29 CKEY radio : notes 1951-1953 Box 1 30 Canadian College of Organists : press clipping and 1928, 1950 Box 1 address by MacMillan 31 Calgary : press notices and correspondence 1934, 1955 Box 1 32 Calverley, Amice : correspondence 1934 Box 1 5 Sir Ernest MacMillan collection University of Toronto Music Library CA OTUFM 15 Ident. Title Date Location 33 Canada Council : articles, talks, and brief 1956-1973 Box 1 34 Canada : places visited [before 1994] Box 1 35 Canada Foundation : notes 1945 Box 1 36 Canadian Academy of Music : press notices 1920, 1923 Box 1 37 Canadian artists : press notices 1951 Box 1 38 Canadian Broadcasting Corporation : notes and 1936-1966 Box 1 correspondence 39 Canadian Broadcasting Corporation Talent Festival : 1959-1963 Box 1 notes, correspondence, and press notices 40 Canadian Broadcasting Corporation catalogue of [before 1994] Box 1 MacMillan tapes 41 Canadian Forum : articles by MacMillan October 20, Box 1 1983 42 Canadian Music Centre : notes and holdings list of 1958 Box 1 MacMillan works 43 Canadian Musical Heritage Society : advertisements [1973], 1993 Box 1 44 Canadian song book : notes [before 1994] Box 1 45 Canadian Trio : notes and press notices 1941-1943 Box 1 46 Centennial competition (IBM) : notes and 1964 Box 2 correspondence 47 CAPAC : notes, program, correspondence, and press 1955-1963 Box 2 notices 48 Chicago conducting : notes and press notices 1937 Box 2 49 Chalmers, Floyd : transcripts of interviews 1982-1983 Box 2 6 Sir Ernest MacMillan collection University of Toronto Music Library CA OTUFM 15 Ident. Title Date Location 50 Christmas Box concerts : notes, interview transcripts, 1940-1952 Box 2 programs, scripts, and press notices 51 CIDEM : notes 1955, 1961 Box 2 52 Clarkson, Adrienne : program proposal and 1992 Box 2 correspondence 53 Claxton, Brooke : notes 1960 Box 2 54 Clippings : transcribed press notices 1921-1940 Box 2 55 Clippings lists : notes and press sources 1992 Box 2 56 Clippings : press notices 1904-1913 Box 2 57 Composers competition : press notices 1950 Box 2 58 Compositions : notes and press notices 1927-1986 Box 2 59 Composing views : notes, press notices, and 1937-1956 Box 2 correspondence 60 Coronation : press notices 1953-1954 Box 2 61 Concerts of Canadian composers : notes, press 1947-1993 Box 2 notices, and correspondence 62 Concerts : press notices 1957-1968 Box 2 63 Conducting methods and miscellaneous : notes [before 1994] Box 2 64 Cozens, John : notes, correspondence, and press 1967-1992 Box 2 notices 65 Creech, Robert : notes and questions 1993 Box 2 66 Criticism : articles by Ernest MacMillan 1928, 1963 Box 2 67 Cross, Ted : interview notes May 3, 1992 Box 2 7 Sir Ernest MacMillan collection University of Toronto Music Library CA OTUFM 15 Ident. Title Date Location 68 Dale, Benjamin : notes and correspondence 1919-1943, Box 2 1987 69 Davies, Robertson : interview transcript July 29, 1982 Box 2 70 De Kresz, Geza : correspondence September Box 2 1945 71 Diary searches [before 1994] Box 2 72 Edinburgh : notes and short essay 1933-1949 Box 2 73 Edmonton : notes 1936, 1963 Box 2 74 Education : notes, essays, lectures, and press notices 1926-1948 Box 3 75 Elliott, Robin : correspondence, program, and press 1925-1930, Box 3 notices 1993 76 Engagements : Europe : notes 1941-1942, Box 3 1951 77 Examinations and adjudicating : notes, articles, and 1933-1937 Box 3 skit typescript 78 Faculty of Music : MacMillan celebration : programs 1993-1994 Box 3 79 Feldbrill, Victor : notes and interview transcript 1987-1991 Box 3 80 Festivals : competitive : notes, articles, and press 1935-1962 Box 3 notices 81 Forbes, Kenneth : press notices 1943 Box 3 82 Ford Sunday Evening Hour : notes 1937 Box 3 83 Fusco, Frank : interview transcript 1984, 1993 Box 3 84 Gage, Frances : notes and obituary for Ernest 1973, 1992 Box 3 MacMillan 8 Sir Ernest MacMillan collection University of Toronto Music Library CA OTUFM 15 Ident. Title Date Location 85 George, Graham : notes and interview transcript 1969, 1986 Box 3 86 Gibbons, John Murray : notes 1927, 1946 Box 3 87 Gilbert and Sullivan Society of Toronto : lecture 1966 Box 3 88 Gilmour, Clyde : correspondence 1993-1994 Box 3 89 Glasgow : notes 1929 Box 3 90 Goodman, Hymn : reminiscences written for Keith 1966, 1988 Box 3 MacMillan 91 Guelph : essay on Edward Johnson 1968 Box 3 92 Grainger, Percy : notes, press notices, and 1932-1952 Box 3 correspondence 93 Hallett, Gordon : interview notes 1992 Box 3 94 Health : correspondence 1931, 1984 Box 3 95 Hitler : article and draft 1939, 1941 Box 3 96 Hollins, Alfred : notes and memoirs
Recommended publications
  • Theodore Thomas Collection: Finding
    University of Toronto Music Library Thedore Thomas collection CA OTUFM 09 © University of Toronto Music Library 2020 Contents Theodore Thomas ............................................................................................................................................ 3 Ezra Schabas ....................................................................................................................................................... 3 Theodore Thomas collection ....................................................................................................................... 3 Series A: Chronological research files ............................................................................................. 4 Series B: Research files by topic or library ..................................................................................... 5 Series C: Correspondence regarding participation and promotion of biography ........ 6 Series D: Microfilms ................................................................................................................................ 8 Theodore Thomas collection University of Toronto Music Library CA OTUFM 09 Theodore Thomas 1935-1905 Thomas, Theodore (1835-1905), formed his own orchestra in 1862 and gave concerts in many American cities, always including some unfamiliar work. He conducted the New York Philharmonic 1877–1891, and was the first conductor of the Chicago Symphony 1891–1905. Ezra Schabas 1900-1971 Prof. Ezra Schabas was born in New York and received his Diploma in Clarinet
    [Show full text]
  • Journal September 1984
    The Elgar Society JOURNAL ^■m Z 1 % 1 ?■ • 'y. W ■■ ■ '4 September 1984 Contents Page Editorial 3 News Items and Announcements 5 Articles: Further Notes on Severn House 7 Elgar and the Toronto Symphony 9 Elgar and Hardy 13 International Report 16 AGM and Malvern Dinner 18 Eigar in Rutland 20 A Vice-President’s Tribute 21 Concert Diary 22 Book Reviews 24 Record Reviews 29 Branch Reports 30 Letters 33 Subscription Detaiis 36 The editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views The cover portrait is reproduced by kind permission of National Portrait Gallery This issue of ‘The Elgar Society Journal’ is computer-typeset. The computer programs were written by a committee member, Michael Rostron, and the processing was carried out on Hutton -t- Rostron’s PDPSe computer. The font used is Newton, composed on an APS5 photo-typesetter by Systemset - a division of Microgen Ltd. ELGAR SOCIETY JOURNAL ISSN 0143-121 2 r rhe Elgar Society Journal 01-440 2651 104 CRESCENT ROAD, NEW BARNET. HERTS. EDITORIAL September 1984 .Vol.3.no.6 By the time these words appear the year 1984 will be three parts gone, and most of the musical events which took so long to plan will be pleasant memories. In the Autumn months there are still concerts and lectures to attend, but it must be admitted there is a sense of ‘winding down’. However, the joint meeting with the Delius Society in October is something to be welcomed, and we hope it may be the beginning of an association with other musical societies.
    [Show full text]
  • The Presbyterian Church in Canada Archives
    THE PRESBYTERIAN CHURCH IN CANADA ARCHIVES FINDING AID RECORDS OF THE REV. ALEXANDER MACMILLAN AND FAMILY 50 Wynford Drive. Toronto, Ontario M3C 1J7 Telephone: (416) 441-1111 1-800-619-7301 Fax: 416-441-2825 Web: http://www.presbyterian.ca Catalogued by: Bob Anger, August 2002 1 Biographical Sketch of The Rev. Dr. Alexander MacMillan The Rev. Dr. Alexander MacMillan was a minister of The Presbyterian Church in Canada and later The United Church of Canada, and was both nationally and internationally recognized and respected as a hymnologist and expert in the field of hymnody and church praise. He was born in Edinburgh, Scotland, on October 19, 1864, to Thomas MacMillan and his wife Margaret MacMillan (nee Henderson). He had an older step- brother, Thomas (the son of Thomas Sr. through a previous marriage), an older sister, Margaret, and a younger brother, John. He studied at the University of Edinburgh from 1880 to 1884 before attending the United Presbyterian Theological College, "Divinity Hall", in Edinburgh. Through the Student Missionary Society he worked in Canada during the summer and autumn of 1886, visiting and preaching as student minister to the community in Fort Frances in northern Ontario. Shortly after his ordination in 1887, Alexander returned to Canada and accepted a call to the pastoral charge of Auburn and Smith's Hill in Ontario, where he served until September 1891. In 1890, he married Wilhelmina ("Winnie") Ross, with whom he had four children: Ernest (born Aug. 18, 1893), Dorothy (born Aug. 22, 1898), Jean (born Feb. 15, 1901), and Winifred (born Jan.
    [Show full text]
  • Marius Barbeau and Musical Performers Elaine Keillor
    Marius Barbeau and Musical Performers Elaine Keillor Abstract: One of Marius Barbeau’s important contributions to heightening awareness of folk music traditions in Canada was his organization and promotion of concerts. These concerts took different forms and involved a range of performers. Concert presentations of folk music, such as those that Barbeau initiated called the Veillées du bon vieux temps, often and typically included a combination of performers. This article examines Barbeau’s “performers,” including classically educated musicians and some of his most prolific, talented informants. Barbeau and Juliette Gaultier Throughout Barbeau’s career as a folklorist, one of his goals was to use trained Canadian classical musicians as folk music performers, thereby introducing Canada’s rich folk music heritage to a broader public. This practice met with some mixed reviews. There are suggestions that he was criticized for depending on an American singer, Loraine Wyman,1 in his early presentations. Certainly, in his first Veillées du bon vieux temps, he used Sarah Fischer (1896-1975), a French-born singer who had made a highly praised operatic debut in 1918 at the Monument national in Montreal. But in 1919, she returned to Europe to pursue her career. Since she was no longer readily available for Barbeau’s efforts, he had to look elsewhere. One of Barbeau’s most prominent Canadian, classically trained singers was Juliette Gauthier de la Verendrye2 (1888-1972). Born in Ottawa, Juliette Gauthier attended McGill University, studied music in Europe, and made her debut with the Boston Opera in the United States. The younger sister of the singer Eva Gauthier,3 Juliette Gauthier made her professional career performing French, Inuit, and Native music.
    [Show full text]
  • Bridge the Annual Meeting of the Gen- American Miss Mabel Legion by Frank B
    Legion Auxiliary OES Activities Aids Veterans’ Folk; fort In Local Dupont Post Music Other Activities Chapters Bridge The annual meeting of the Gen- American Miss Mabel Legion By Frank B. Lord. F. Staub, president eral Auxiliary Home Board will be of the District of Columbia Depart- held at One pair playing in the Northern 1:30 p.m. tomorrow for Officers Installed ment, the American Legion Aux- election Virginia championship bridge tour- of officers. iliary, announced last week that 58 Lee R. Pennington, commander of By James Waldo Fawcett. nament held last week at the Ward- Meetings announced are: needy children of World War II the District of Columbia Depart- Notes man a Readers of The Star, whether Park Hotel established near- veterans have been Electa Chapter—Tuesday, initia- ment, the American Legion, and his assisted finan- collectors are record for the magnitude of the set tion of 10 and stamp or not. invited cially since September 1, at a candidates; ways staff, last week installed officers of Orchestra which administered to their 1944, to attend a meeting of the Wash- Plays they cost of $2,691.60. means card party Saturday eve- the new Fort Dupont Post, at the adversaries in the qualifying round 3925 ington Philatelic Society at the Na- The American Legion Auxiliary ning, Alabama avenue S.E. St. Francis Xavier School. Three Concerts of the open pair match. William tional Museum Auditorium, Consti- Child Welfare Committee, under Naomi Chapter—Tuesday, re- They are as follows: R. H. Ran- Cheeks and on tution avenue at Ninth street N.W, Mrs.
    [Show full text]
  • Warhol in Winnipeg
    k t '^ Red River C*Ilege projectorstaff EDITOR-IN-CHIEF Nisha Tuli [email protected] GUERRILLA GARDENING PG.3 REBEL WITH A TROWEL HEALTH SPORTS & LIFESTYLES EDITOR Andrea Danelak LETTER TO THE EDITOR [email protected] PG. 5 WHAT'S WRONG WITH THE PRINCESS STREET CAMPUS? RRC TO ACQUIRE NEW BUILDING? Chris Webb PG.5 UNION BANK UP FOR GRABS [email protected] JOURNALIST SUBMITS CRAP PG.7 NO MENTION OF GOAT BINGO ARTS & CULTURE EDITOR PLIGHT OF THE HOMELESS Sara Atnikov PG.7 [email protected] HARD LIVES ON THE STREETS WARHOL IN WINNIPEG PG.14 EXHIBIT BRINGS FATHER OF POP ART LAYOUT & DESIGN EDITOR Doug McArthur HERE'S TO BEING UNDRUNK [email protected] PG.22 CAMPAIGN TAKES INITIATIVE Cover Design LAYOUT & DESIGN EDITOR Matt Stevens Chelsea Gowryluk [email protected] Contributing Writers Karen Kornelsen Randi-Leigh Michaniuk Dawn Hinchliffe ADVERTISING CONTACT Sula Johnson Guy Lussier [email protected] Wade Argo Shannah-Lee Vidal Julijana Capone Tania Kohut Jennifer Ryan Tamara Forianski Tim Phelan Jolene Bergen Matt Meisner Red Rkerollege Leigh Enns projector Melody Rogan Sam Karney c/o Red River College Students' Association Darren Cameron P110 -160 Princess Street Winnipeg, MB R3B 1K9 Phone: 204.947.0013 Fax: 204.949.9150 Writers, Photographers, and Illustrators: The Projector Wants You! The Projector is continually searching for new content and new points of view. If you've got something to say, an opinion or interesting story from on or off campus, or illustrations or photos, contact one of our editors with your idea. See your name in print! Contact The Projector today.
    [Show full text]
  • I Popular but Disparaged: Sonata Structures in Tchaikovsky's
    Popular But Disparaged: Sonata Structures In Tchaikovsky’s Symphonies Four, Five, And Six by Daniel Robert Wolfe A dissertation presented to the Moores School of Music, Kathrine G. McGovern College of the Arts in partial fulfillment of the requirements of the degree of Doctor of Musical Arts in Bassoon Performance Chair of Committee: Timothy Koozin Committee Member: Elise Wagner Committee Member: Jonathan Fischer Committee Member: Ji Yeon Lee University of Houston May 2020 i ABSTRACT Few composers can claim the same level of popularity with the public and in the concert hall as Pyotr Tchaikovsky. Unfortunately, however, many early-twentieth- century scholars, music critics, and music theorists have discussed Tchaikovsky’s music in a manner which reveals their biases against both the feminine and the queer community. In this document I have first surveyed analytical writing about Tchaikovsky’s symphonies Four, Five, and Six and specifically his use of form in those works. I believe this survey reveals many of the same patterns in musical analysis that other scholars such as Richard Taruskin and Malcolm Brown have already compiled in music criticism and history. My second goal has to been to analyze these three symphonies using James Hepokoski and Warren Darcy’s method: Sonata Theory. By so doing I have attempted to uncover the strategies within a sonata form that are normative for Tchaikovsky, although deformational for other composers. This includes an innovative strategy for parageneric zones, the use of P0 modules, the tri-modular block, and IACs rather than PACs for essential structural closures. My final goal throughout this document is to trace those analysts who describe Tchaikovsky’s music as weak or somehow failing, and correlate that to an intentionally crafted instability on the part of Tchaikovsky.
    [Show full text]
  • 14Th Annual Report the Canada Council 1970-1971
    1 14th Annual Report The Canada Council 1970-1971 Honourable Gérard Pelletier Secretary of State of Canada Ottawa, Canada Sir, I have the honour to transmit herewith the Annual Report of the Canada Council, for submission to Parliament, as required by section 23 of the Canada Council Act (5-6 Elizabeth Ii, 1957, Chap. 3) for the fiscal year ending March 31, 1971. I am, Sir, Yours very truly, John G. Prentice, Chairman. June 341971 3 Contents The Arts The Humanities and Social Sciences Other Programs 10 Introduction 50 Levels of Subsidy, 1966-67 to 1970-71 90 Prizes and Special Awards 12 Levels of Subsidy, 1966-67 to 1970-71 51 Research Training 91 Cultural Exchanges Doctoral Fe//owships; distribution of 14 Music and Opera Doctoral Fellowships by discipline. 96 Canadian Commission for Unesco 21 Theatre 54 Research Work 100 Stanley House Leave Fellowships; distribution of Leave 27 Dance Fellowships by discipline; Research Finances Grants; distribution of Research Grants 102 Introduction 30 Visual Arts, Film and Photography by disciph’ne; list of Leave Fellowships, Killam Awards and large Research 105 Financial Statement 39 Writing Grants. Appendix 1 48 Other Grants 78 Research Communication 119 List of Doctoral Fellowships List of grants for publication, confer- ences, and travel to international Appendix 2 meetings. 125 List of Research Grants of less than $5,000 86 Special Grants Support of Learned Societies; Appendix 3 Other Assistance. 135 List of Securities March 31. 1971 Members John G. Prentice (Chairman) Brian Flemming Guy Rocher (Vice-Chairman) John M. Godfrey Ronald Baker Elizabeth A. Lane Jean-Charles Bonenfant Léon Lortie Alex Colville Byron March J.
    [Show full text]
  • Conservatory of Music Piano Examinations, 1887-2015: Their Impact and Influence
    A HISTORY OF THE ROYAL (TORONTO) CONSERVATORY OF MUSIC PIANO EXAMINATIONS, 1887-2015: THEIR IMPACT AND INFLUENCE TATIANA VOITOVITCH-CAMILLERI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO November 2019 © Tatiana Voitovitch-Camilleri, 2019 ii ABSTRACT Since its inception in 1887, the Royal Conservatory of Music has maintained its position as one of the largest and oldest community-based music schools and education centres in North America, with an integrated examination body and a comprehensive graded curriculum, influencing and shaping the Canadian musical landscape. For the past 130 years, the Conservatory has presented a wide-ranging art music repertoire for studying piano and offered a comprehensive system for assessing students’ progress through its Examinations, recently retitled as The Certificate Program. The Conservatory’s internal examinations began in 1887, with the external examinations following in 1898. The latter preserved the format of the former and expanded through increasing the number of the examination centres across Canada for both financial and educational reasons. Despite varying opinions of professionals and amateurs on the efficacy and value of the piano examinations in particular from the beginning, this dissertation, using historical sources and interviews, argues that over the years the structure and content of the piano examinations, while innately conservative on the whole, have kept up with a changing demographic of students across the country, and either countered or taken on the many criticisms that surrounded them over the years despite geographical and financial challenges, and indeed competition from other institutions.
    [Show full text]
  • Classical Music Criticism at the Globe and Mail: 1936-2000 Colin Eatock
    Document generated on 09/28/2021 8:13 a.m. Canadian University Music Review Revue de musique des universités canadiennes Classical Music Criticism at the Globe and Mail: 1936-2000 Colin Eatock Volume 24, Number 2, 2004 Article abstract This article is a study of developments in classical music criticism at the URI: https://id.erudit.org/iderudit/1014580ar Toronto-based Globe and Mail newspaper from its inception in 1936 to the year DOI: https://doi.org/10.7202/1014580ar 2000. Three distinct time-periods are identified, according to content, style and ideology: 1936-1952, a period of boosterism, when critics often saw it as their See table of contents role to support Toronto's musicians and musical institutions; 1952-1987, when (during the lengthy tenure of critic John Kraglund) the newspaper took a more detached, non-partisan stance towards musicians and musical activities in the Publisher(s) city; and 1987-2000, when critics began to address social, political, and economic issues governing classical music, and to question inherited cultural Canadian University Music Society / Société de musique des universités assumptions about the art form. canadiennes ISSN 0710-0353 (print) 2291-2436 (digital) Explore this journal Cite this article Eatock, C. (2004). Classical Music Criticism at the Globe and Mail: 1936-2000. Canadian University Music Review / Revue de musique des universités canadiennes, 24(2), 8–28. https://doi.org/10.7202/1014580ar All Rights Reserved © Canadian University Music Society / Société de musique This document is protected by copyright law. Use of the services of Érudit des universités canadiennes, 2005 (including reproduction) is subject to its terms and conditions, which can be viewed online.
    [Show full text]
  • An Annotated Bibliography of Canadian Oboe Concertos
    An Annotated Bibliography of Canadian Oboe Concertos Document Presented in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Oboe in the Performance Studies Division of the University of Cincinnati College-Conservatory of Music January 11, 2016 by Elizabeth E. Eccleston M02515809 B.M., Wilfrid Laurier University, 2004 M.M., University of Cincinnati, 2007 D.M.A. Candidacy: April 5, 2012 256 Major Street Toronto, Ontario M5S 2L6 Canada [email protected] ____________________________ Dr. Mark Ostoich, Advisor ____________________________ Dr. Glenn Price, Reader ____________________________ Professor Lee Fiser, Reader Copyright by Elizabeth E. Eccleston 2016 i Abstract: Post-World War II in Canada was a time during which major organizations were born to foster the need for a sense of Canadian cultural identity. The Canada Council for the Arts, the Canadian Broadcasting Corporation and the Canadian Music Centre led the initiative for commissioning, producing, and disseminating this Canadian musical legacy. Yet despite the wealth of repertoire created since then, the contemporary music of Canada is largely unknown both within and outside its borders. This annotated bibliography serves as a concise summary and evaluative resource into the breadth of concertos and solo works written for oboe, oboe d’amore, and English horn, accompanied by an ensemble. The document examines selected pieces of significance from the mid-twentieth century to present day. Entries discuss style and difficulty using the modified rating system developed by oboist Dr. Sarah J. Hamilton. In addition, details of duration, instrumentation, premiere/performance history, including dedications, commissions, program notes, reviews, publisher information and recordings are included wherever possible.
    [Show full text]
  • Centennial Concert Hall Seating
    Welcome to the 70th anniversary season of the Winnipeg Symphony Orchestra! For seventy years you have been our partners.The journey started in 1948 when Walter Kaufmann launched the first regular season of the WSO at the Winnipeg Auditorium.The years that followed were filled with one high note after another.Two tours to Carnegie Hall, international guests including Pierre Monteux, John Barbirolli, Leon Fleisher and Jacqueline du Pré, the move to the Manitoba Centennial Concert Hall, and the launch of the Winnipeg New Music Festival. This season, we celebrate with nods to the past and a steady gaze to the future.The season opens with the preeminent violinist of our day, Itzhak Perlman, and closes with a visit from WSO conductor laureate Bramwell Tovey and Brandon-born James Ehnes, who TH ANNIVERSARY will join the Vancouver Symphony on Tour to Winnipeg. 70 We launch a new Movie Series with Harry Potter and The SPECIAL EVENTS Philosopher’s Stone and The Wizard of Oz, and we will get in June 28, 2017 the Christmas spirit with The Tenors in a great new show. 70th Anniversary Community Celebration It is a season of exciting music that could only happen Sep 16, 2017 in a city that embraces its orchestra.Without you, Itzhak Perlman,The Asper Family we could not perform.Without you, we could not Opening Night Gala Performance create.Thank you for your energy.Thank you for Oct 13, 2017 your support.Thank you for your love of great Happy 70th WSO! - See Page 6 music! See you at the Concert Hall.
    [Show full text]