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BACH IS BACK in BERLIN: the Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics
BACH IS BACK IN BERLIN: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics Patricia Kennedy Grimsted Harvard Ukrainian Research Institute The National Council for Eurasian and East European Research 910 17th Street, N.W. Suite 300 Washington, D.C. 20006 TITLE VIII PROGRAM Project Information* Contractor: Harvard University Principal Investigator: Patricia Kennedy Grimsted Council Contract Number: 816-03g Date: June 9, 2003 Copyright Information Individual researchers retain the copyright on their work products derived from research funded through a contract or grant from the National Council for Eurasian and East European Research (NCEEER). However, the NCEEER and the United States Government have the right to duplicate and disseminate, in written and electronic form, reports submitted to NCEEER to fulfill Contract or Grant Agreements either (a) for NCEEER’s own internal use, or (b) for use by the United States Government, and as follows: (1) for further dissemination to domestic, international, and foreign governments, entities and/or individuals to serve official United States Government purposes or (2) for dissemination in accordance with the Freedom of Information Act or other law or policy of the United States Government granting the public access to documents held by the United States Government. Neither NCEEER nor the United States Government nor any recipient of this Report may use it for commercial sale. * The work leading to this report was supported in part by contract or grant funds provided by the National Council for Eurasian and East European Research, funds which were made available by the U.S. -
Press Release
PRESS RELEASE Collaboration between AGF and YouTube provides new evidence of the relevance of video in the German media landscape Frankfurt/Hamburg, Mar. 6th, 2019 — For the first time, the AGF Videoforschung (AGF) and YouTube published the results of their cooperation. Their collaboration started more than three years ago. The aim of this cooperation is to map the additional use of video through other platforms within the framework of the AGF convergence standard. The results for the observation period show that — with an average daily viewing time of 267 minutes for persons 18 years and older — the relevance of video in Germany is unbroken! During the study period, traditional linear TV usage averaged 232 minutes per day. Plus 35 minutes of streaming usage, mostly through mobile devices (60%). "It is a remarkable milestone for AGF's video research to have reached the current level together with YouTube. Everyone involved knows that we need to work continuously on this internationally unique project to best reflect the differentiated use of the platform in this dynamically changing technological environment. AGF's goal is to identify YouTube as a reliable, transparent partner in the AGF system, in line with the common market standard", said AGF Managing Director Kerstin Niederauer-Kopf. Dirk Bruns, Head of Video Sales, Google Germany: "We are very proud to be able to present the first results together with AGF Videoforschung and hope that industry representatives from other countries will follow the example of AGF. Google has long been committed to transparent measurement. And the presented data highlights the relevance of the YouTube platform for users, the advertising industry, and our content partners." 1 YouTube as platform in the AGF system Since April 2015, AGF and YouTube have collaborated intensively with the common goal of integrating the YouTube platform into the AGF system. -
Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment
German Studies Faculty Publications German Studies 12-15-2020 Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment. Kerry Wallach Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/gerfac Part of the Jewish Studies Commons, Other Film and Media Studies Commons, and the Other German Language and Literature Commons Share feedback about the accessibility of this item. Recommended Citation Wallach, Kerry. “Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment.” In The Future of the German Jewish Past: Memory and the Question of Antisemitism, edited by Gideon Reuveni and Diana Franklin, 239-51. Purdue: Purdue University Press, 2020. This open access book chapter is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. Digital German-Jewish Futures: Experiential Learning, Activism, and Entertainment. Abstract The future of the German-Jewish past is, in a word, digital, and not only in the sense of digital humanities or digital history. Future generations of scholars, students, and the general public will engage with the past online in the same ways—and for many of the same reasons—that they engage with everything else. There needs to be something redeeming, enjoyable, or at least memorable about studying history for people to feel that it is worthwhile. For many, the act of learning about the past serves as a kind of virtual travel, even an escape, to another time and place. Learning about German-Jewish history becomes possible on a regular basis when it is easily accessible through the newest media on computers, cell phones, and other electronic devices. -
TRIAD Brings Ideas to Life “Our Core Competencies?
TRIAD Brings Ideas to Life “Our core competencies? Creativity, strategic thinking and expertise. Our goal? Showcasing topics and brands across the globe. Our driving force? Curiosity and passion.” Prof. Lutz Engelke Founder TRIAD 2 0 Page 4 About TRIAD 8 Method: Explore – Play – Transform 10 Products and Services 14 Clients and Networking 16 Projects 64 Publications 3 Creativity Is Our Most Important Asset 1,000 Projects, 20 Million Visitors, 50 Countries As a creative agency focusing on spatial communication, TRIAD has been designing and producing exhibitions, museums, theme parks, trade fairs, brand environments, retail spaces, and events across the globe since 1994. At our offices in Berlin and Shanghai, we pool the expertise and creativity of 200 employees. founded Offices in Berlin1994 and Shanghai 4 2 2 in completed1,000 projects employees00 languages4 countries50 2 4 million 0visitors Expo Pavilions3 awards45 target groups7 film300 projects professions47 publications33 projects on our15 own initiative 5 Excellent Award-winning Design with Conviction Our international teams of architects, engineers, film and media creators, content developers, designers, and managers render complex topics into accessible, interactive, multi-sensorial experiences. 6 Some of Our Awards Adam Award Best of Business Art Directors Club Clean Tech Media Designpreis der to Business Award (ADC) Award Award Bundesrepublik Deutschland German Design Club European Museum Eva Award German Brand Award German Design Award „Gute Gestaltung” of the Year (Nominee) (Special Mention) GWA Profi Award iF Design Award IIDA Global Excellence Red Dot Award: Sinus – Systems Integration Award Communication Design Award 7 Our Method: Explore – Play – Transform TRIAD Is a Think & Do Tank and a Strategic Navigator Together with our partners and clients, we are exploring a new territory at the intersection of science, culture and economics. -