18TH ANNUAL CONFERENCE OF THE

SOCIETY FOR MUSICOLOGY IN

University College 29-31 October 2020

Programme

Thursday, 29 October 13:30-13:45 Welcome (Stream 1) Lorraine Byrne Bodley (President, Society for Musicology in Ireland) Ciarán Crilly (Head, UCD School of Music)

13:45-15:15 Session 1 1a Music of the Long Eighteenth 1b Organs, Organology, and the 1c Musical Activism (Stream 3) Century (Stream 1) History of Instruments (Stream 2) Chair: Áine Mangaoang Chair: Kerry Houston (TU Dublin) Chair: Joe Davies ( Dublin) ( of Oslo)

Éamonn Galldubh Jessie Cox Boris Hei Yin Wong (Dundalk Institute of Technology) (Columbia University) (Chinese University of Hong Kong) Between the Gigues and the Reels; Early Posthumanistic Organology: Diffracting ‘The Day It Rained on Our Parade’: Uilleann Piping Repertoire 1700-1820 the Instrument School Marching Bands and the Ideology of Survivalism in Contemporary Singapore Estelle Murphy Rachel Duffy Christopher Smith (Maynooth University) (TU Dublin) (Texas Tech University) Court Ode Collaboration: William Boyce The (Inter)national Harp #DancingIsNotACrime: Dance, Defiance, and his Poets and Digital Resistance in the Patrice Keegan, Carole O'Connor Transnational 21st Century Damián Martín Gil (Royal Irish Academy of Music) (Conservatorio Profesional de Música Four Hands, four Feet, one Organ: An Georgina Hughes ‘Hermanos Berzosa’, Cáceres, Spain) Examination of Contemporary (University College Dublin) Gender and the Guitar in Paris, 1750 - Repertoire for Organ Duet Dame Evelyn Glennie: Solo Percussion at 1804 the Intersection of Creative Arts Practice and Activism

15:15-15:45 Coffee Break 15:45-17:45 Session 2 2a Political Engagements (Stream 1) 2b Brahms, Joachim, and Mahler 2c Opera, Ballet, and Staging Chair: John O’Flynn (Stream 2) (Stream 3) () Chair: Lorraine Byrne Bodley Chair: Wolfgang Marx (Maynooth University) (University College Dublin) Jessica Sommer (Lawrence University) Martin Ennis Tom Doyle Mozart and #metoo: The Implication of (University of Cambridge) (CIT Cork School of Music) Women’s Roles in Recent Operatic Relocating Brahms’s ‘glorious nation’: Guns and Gondoliers: The Formative Productions New Light on the Origins of the Fest- und Years of Cork Operatic Society Gedenksprüche, Op. 109 Helen Lawlor Yonit Kosovske (Dundalk Institute of Technology) Adèle Commins (Irish World Academy of Music and Ascendent Aesthetics and Class (Dundalk Institute of Technology) Dance, ) Implications: Irish Traditional A Critical Friend: Finding Meaning in Staging: Serious Art or Spectacle? Instrumental Music in the Twenty-First Charles Villiers Stanford’s Memoriam to Century Joseph Joachim

Nicole Grimes Gregory Marion Céleste Pagniello (University of California, Irvine) (University of Saskatchewan) (University of Cambridge) Beyond ‘Widmung’ and ‘Träumerei’: The Mahler and the New Symphony Ideal? Locating Boris Asafyev’s Theory of Political Faces of Clara Schumann on Spatial Concerns in the ‘Adagio’ of Intonation in The Fountain of German Film Symphony X Bakhchisarai (1934)

Laura Watson Katharina Uhde (Valparaiso University) Nancy Luzco & Daniel Luzco (Maynooth University) Michael Uhde (University of Music, (Irvine Valley College, California) Gender Politics, the Piano, and Rhoda Karlsruhe) Ballet and Opera Extracts based on Eliza Coghill’s Career Joachim and the Violin Romance: from Lynch Bravourstücke to ‘Gestaltende Lecture Recital (ends at 18:00) Virtuosität’ Lecture Recital (ends at 18:00)

17:45-18:30 Coffee Break 18:30-19:30 Keynote Address (streamed on YouTube) Chair: Harry White (University College Dublin)

Julian Johns