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18Th Annual Conference of the Society for Musicology in Ireland

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18Th Annual Conference of the Society for Musicology in Ireland 18TH ANNUAL CONFERENCE OF THE SOCIETY FOR MUSICOLOGY IN IRELAND University College Dublin 29-31 October 2020 Programme Thursday, 29 October 13:30-13:45 Welcome (Stream 1) Lorraine Byrne Bodley (President, Society for Musicology in Ireland) Ciarán Crilly (Head, UCD School of Music) 13:45-15:15 Session 1 1a Music of the Long Eighteenth 1b Organs, Organology, and the 1c Musical Activism (Stream 3) Century (Stream 1) History of Instruments (Stream 2) Chair: Áine Mangaoang Chair: Kerry Houston (TU Dublin) Chair: Joe Davies (Maynooth Dublin) (University of Oslo) Éamonn Galldubh Jessie Cox Boris Hei Yin Wong (Dundalk Institute of Technology) (Columbia University) (Chinese University of Hong Kong) Between the Gigues and the Reels; Early Posthumanistic Organology: Diffracting ‘The Day It Rained on Our Parade’: Uilleann Piping Repertoire 1700-1820 the Instrument School Marching Bands and the Ideology of Survivalism in Contemporary Singapore Estelle Murphy Rachel Duffy Christopher Smith (Maynooth University) (TU Dublin) (Texas Tech University) Court Ode Collaboration: William Boyce The (Inter)national Harp #DancingIsNotACrime: Dance, Defiance, and his Poets and Digital Resistance in the Patrice Keegan, Carole O'Connor Transnational 21st Century Damián Martín Gil (Royal Irish Academy of Music) (Conservatorio Profesional de Música Four Hands, four Feet, one Organ: An Georgina Hughes ‘Hermanos Berzosa’, Cáceres, Spain) Examination of Contemporary (University College Dublin) Gender and the Guitar in Paris, 1750 - Repertoire for Organ Duet Dame Evelyn Glennie: Solo Percussion at 1804 the Intersection of Creative Arts Practice and Activism 15:15-15:45 Coffee Break 15:45-17:45 Session 2 2a Political Engagements (Stream 1) 2b Brahms, Joachim, and Mahler 2c Opera, Ballet, and Staging Chair: John O’Flynn (Stream 2) (Stream 3) (Dublin City University) Chair: Lorraine Byrne Bodley Chair: Wolfgang Marx (Maynooth University) (University College Dublin) Jessica Sommer (Lawrence University) Martin Ennis Tom Doyle Mozart and #metoo: The Implication of (University of Cambridge) (CIT Cork School of Music) Women’s Roles in Recent Operatic Relocating Brahms’s ‘glorious nation’: Guns and Gondoliers: The Formative Productions New Light on the Origins of the Fest- und Years of Cork Operatic Society Gedenksprüche, Op. 109 Helen Lawlor Yonit Kosovske (Dundalk Institute of Technology) Adèle Commins (Irish World Academy of Music and Ascendent Aesthetics and Class (Dundalk Institute of Technology) Dance, University of Limerick) Implications: Irish Traditional A Critical Friend: Finding Meaning in Staging: Serious Art or Spectacle? Instrumental Music in the Twenty-First Charles Villiers Stanford’s Memoriam to Century Joseph Joachim Nicole Grimes Gregory Marion Céleste Pagniello (University of California, Irvine) (University of Saskatchewan) (University of Cambridge) Beyond ‘Widmung’ and ‘Träumerei’: The Mahler and the New Symphony Ideal? Locating Boris Asafyev’s Theory of Political Faces of Clara Schumann on Spatial Concerns in the ‘Adagio’ of Intonation in The Fountain of German Film Symphony X Bakhchisarai (1934) Laura Watson Katharina Uhde (Valparaiso University) Nancy Luzco & Daniel Luzco (Maynooth University) Michael Uhde (University of Music, (Irvine Valley College, California) Gender Politics, the Piano, and Rhoda Karlsruhe) Ballet and Opera Extracts based on Eliza Coghill’s Career Joachim and the Violin Romance: from Lynch Bravourstücke to ‘Gestaltende Lecture Recital (ends at 18:00) Virtuosität’ Lecture Recital (ends at 18:00) 17:45-18:30 Coffee Break 18:30-19:30 Keynote Address (streamed on YouTube) Chair: Harry White (University College Dublin) Julian Johnson (Regius Professor of Music, Royal Holloway, University of London) The Blasphemy of Talking Beethoven in 2020: Listening again to the Heiliger Dankgesang Friday, 30 October 9:30-11:00 Session 3 3a Traditional Irish Music (Stream 1) 3b Analytical Issues (Stream 2) 3c Technology (Stream 3) Chair: Helen Lawlor Chair: Ciarán Crilly Chair: Bláithín Duggan (Dundalk Institute of Technology) (University College Dublin) (Trinity College Dublin) Anthony Cahill Jon Churchill Eamonn Bell (Irish World Academy of Music and (Duke University) (Trinity College Dublin) Dance, University of Limerick) Notating Confluence: Per Nørgård’s Subverting Algorithmic Policies of Sonic ‘The key that opens every lock’: Dynamic Meter and the Concerto in Due Control in Nicolas Collins’s Broken Light Examining the Representation of Sean- Tempi (1992) nós Singing Style in a Traditional Flute Player’s Adaptation of Sliabh Geal gCua Koichi Kato Thomas Metcalf (Independent Scholar) (University of Oxford) Edmund Hunt (Royal Birmingham Cyclicality in Schubert’s Sonata Form: Towards an Extended ‘Musical Conservatoire), Islah Ali-MacLachlan Linear versus Cycle Ekphrasis’: Determinate Graphical (Birmingham City University) Processes in Contemporary Music A Hard Road to Travel: Analysing Irish Vadim Rakochi Traditional Flute Styles (Lysenko Lviv National Music Academy) Ian O'Connor Jazz and ‘Classic’ Orchestra in (Irish World Academy of Music and Paul Clesham Rachmaninoff’s Rhapsody on a Theme of Dance, University of Limerick) (University College Cork) Paganini Live Music is Dead? The Emergence of a Navigating two Musical Worlds: An ‘Digital Liveness’ within Dance Exploration of Compositions and Accompaniment for Competitive Irish Arrangements of Irish Composers Step Dancing Intertwining Irish Traditional Music with Western Art Musical Traditions 11:00-11:30 Coffee Break 11:30-13:00 Session 4 4a Issues in Aesthetics I (Stream 1) 4b Music and Literature (Stream 2) 4c Reimagining Early Music Chair: Harry White Chair: Nicole Grimes (Stream 3) (University College Dublin) (University of California, Irvine) Chair: Frank Lawrence (University College Dublin) Ram Reuven Anja Bunzel (The Hebrew University of Jerusalem) (Institute of Art History, Czech Academy Joseph W. Mason Once Upon a Time: Towards the of Sciences_ (University College Dublin) Theorization of Rarity in Music Eduard Hanslick’s Lieder to Words by Sound, Song and Violence in Thirteenth- Robert Zimmermann Century Crusades Anika Babel (University College Dublin) David Robb Fiona Baldwin Nouns and Adjectives: The (Queen’s University Belfast) (University College Dublin) Representation and Interpretation of On- Music and the Function of Contrafactum ‘Saints be praised’: The Notated Office of screen Music in the Songs of the German Vormärz and St. Canice in IRL-Dtc 78 1848 Revolution Svetlana Rudenko Kayleigh Ferguson (Bray Institute of Further Education & Stan Erraught (Independent Scholar) University of Granada) (University of Leeds) Tuneful Song in the Wild: A Historical Cognitive Musicology via Archetypes of ‘I was Listening but did Not Succeed in Discourse of the Troubadour in British Musical Texture and Cross-Modal Hearing You’ Literature Associations: A. Scriabin, Preludes op. 74 and Sonata N5 op. 53 with Visuals 13:00-14:00 Lunch Break 14:00-14:30 Society for Musicology in Ireland – Annual General Meeting (Stream 1) 14:30-15:00 Presidential Address (Stream 1) Lorraine Byrne Bodley (Maynooth University) 15:00-16:30 Session 5 5a Issues in Aesthetics II (Stream 1) 5b Music of the Long Twentieth 5c Music in Britain and Irish Chair: Estelle Murphy Century (Stream 2) Influences (Stream 3) (Maynooth University) Chair: Lonán Ó Briain Chair: David O’Shea (Trinity College (University of Nottingham) Dublin & University College Dublin) Amy Kyle (Sorbonne University) Virginia Mendez Anne Stanyon Un-gendering Genius: Re-writing how (National University of Cuyo, Mendoza, (Independent Scholar) We Perceive Musical Genius through the Argentina) But Sullivan must live...’ The Financial Life of Pauline Viardot-García Three Proposals: Argentine Music for Survival of a Victorian Musician Marimba. Influence of Folk Music Alexander Wilfing Joseph V. Nelson (Austrian Academy of Sciences) LeeLee Hunter & Chelsea Buyalos (University of Minnesota) Hanslick’s Concept(s) of Beauty in (University of Arizona) Music, Noise, and the Geography of Relation to History Lift Every Voice and Sing: An London’s Urban Labor, 1650-1750 Exploration of Spirituals and Identity Eleanor Jones-McAuley Hannah Millington (Trinity College Dublin) Erin Kirk (Dublin City University) In medio iuvencularum: Women and (California Baptist University) Dreaming of the Emerald Isle: Ethel Worship Music in Eighteenth-Century Mining Hidden Depths: Aaron Copland’s Smyth’s Irish Influences Dublin Passacaglia for Piano Lecture Recital (ends at 16:45) 16:30-17:00 Coffee Break 17:00-17:45 Book Launch (Stream 1) Áine Mangaoang, John O'Flynn, Lonán Ó Briain (eds) Made in Ireland: Studies in Popular Music (Routledge Global Popular Music Series) Introductions: Áine Mangaoang (University of Oslo), Lonán Ó Briain (University of Nottingham) Guest speaker: Stan Hawkins (University of Oslo) Response: John O'Flynn (Dublin City University) Saturday, 31 October 9:30-11:00 Session 6 6a Popular Music and Culture (Stream 1) 6b Liszt and the New Formenlehre (Stream 2) Chair: J. Griffith Rollefson (University College Cork) Chair: Aidan Thomson (NUI Galway) Tim Gaze Nicolás Puyané (Queensland University of Technology, Brisbane) (Maynooth University) Surf, Sun, and Sound: The Role of Surf Music in the How I Learned to Stop Worrying and Love Textual Fluidity: Development of Australian Popular Culture Urtexts, Werktreue, and the Music of Franz Liszt Bláithín Duggan Bryan A. Whitelaw (Trinity College Dublin) (Queen’s University Belfast) ‘Something in the way [they sing]’
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