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Samuel Clemens Carriage House) 351 Farmington Avenue WABS Hartford Hartford County- Connecticut
MARK TWAIN CARRIAGE HOUSE HABS No. CT-359-A (Samuel Clemens Carriage House) 351 Farmington Avenue WABS Hartford Hartford County- Connecticut WRITTEN HISTORICAL AND DESCRIPTIVE DATA REDUCED COPIES OF THE MEASURED DRAWINGS PHOTOGRAPHS Historic American Buildings Survey National Park Service U.S. Department of the Interior Washington, D.C. 20013-7127 m HISTORIC AMERICAN BUILDINGS SURVEY MARK TWAIN CARRIAGE HOUSE HABS NO. CT-359-A Location: Rear of 351 Farmington Avenue, Hartford, Hartford County, Connecticut. USGS Hartford North Quadrangle, Universal Transverse Mercator Coordinates; 18.691050.4626060. Present Owner. Occupant. Use: Mark Twain Memorial, the former residence of Samuel Langhorne Clemens (better known as Mark Twain), now a house museum. The carriage house is a mixed-use structure and contains museum offices, conference space, a staff kitchen, a staff library, and storage space. Significance: Completed in 1874, the Mark Twain Carriage House is a multi-purpose barn with a coachman's apartment designed by architects Edward Tuckerman Potter and Alfred H, Thorp as a companion structure to the residence for noted American author and humorist Samuel Clemens and his family. Its massive size and its generous accommodations for the coachman mark this structure as an unusual carriage house among those intended for a single family's use. The building has the wide overhanging eaves and half-timbering typical of the Chalet style popular in the late 19th century for cottages, carriage houses, and gatehouses. The carriage house apartment was -
The News Media Industry Defined
Spring 2006 Industry Study Final Report News Media Industry The Industrial College of the Armed Forces National Defense University Fort McNair, Washington, D.C. 20319-5062 i NEWS MEDIA 2006 ABSTRACT: The American news media industry is characterized by two competing dynamics – traditional journalistic values and market demands for profit. Most within the industry consider themselves to be journalists first. In that capacity, they fulfill two key roles: providing information that helps the public act as informed citizens, and serving as a watchdog that provides an important check on the power of the American government. At the same time, the news media is an extremely costly, market-driven, and profit-oriented industry. These sometimes conflicting interests compel the industry to weigh the public interest against what will sell. Moreover, several fast-paced trends have emerged within the industry in recent years, driven largely by changes in technology, demographics, and industry economics. They include: consolidation of news organizations, government deregulation, the emergence of new types of media, blurring of the distinction between news and entertainment, decline in international coverage, declining circulation and viewership for some of the oldest media institutions, and increased skepticism of the credibility of “mainstream media.” Looking ahead, technology will enable consumers to tailor their news and access it at their convenience – perhaps at the cost of reading the dull but important stories that make an informed citizenry. Changes in viewer preferences – combined with financial pressures and fast paced technological changes– are forcing the mainstream media to re-look their long-held business strategies. These changes will continue to impact the media’s approach to the news and the profitability of the news industry. -
Broadcast News Media in Video Art and Art Education
170 Wyrick Truth rhoI S~lls 171 systematic delivery of public infonnation. Teachers should al50 seek to study contemporary artists and critics that enjoin us to examine ourselves and our institutions to acknowledge the complex of notions that reproduce oppression. In this paper, I will examine contemporary video artists and critics as potential models for student art making and written critidsm. "Truth" that Sells: Broadcast News The New Face of Broadcast News Media In Video Art and Art Rapidly advandng technologies that bro.adcast twenty four-hour-a.-day news reports imp.act .as never before on local Education and global communities. While tr.aveling in Yucatan and Chlapas, Mexico, in 1992 (prior to the Zapatista uprising in 199.), I saw numerous .apparently Indigenous people living in homes with Mary Wyrick th.atched roofs similar to those pictured on the walls of ancient Mayan pyramids in that region. Much to my surprise, many of these otherwise b.asic homes were equipped with televisions .and some had ac~s to cable TV. While visiting Costa Rica in a hotel room that was without hot water, I watched Cable News Network (CNN) broadcasts of dirt track races from Charlotte, Vincent Lanier (1969). Manuel Sarkan and Laura Chapman North Carolina. Our broadcast news media in the United States, (1967), laura Chapman (1982), Paul Duncum (1987, 1989), and for better a.nd for worse, a.re not only bringing other cultures to Dan Nadaner (1985) have written about the implications of us, but are spreading our culture on a glob.al sale. using mass media sources in art education. -
“Authentic” News: Voices, Forms, and Strategies in Presenting Television News
International Journal of Communication 10(2016), 4239–4257 1932–8036/20160005 Doing “Authentic” News: Voices, Forms, and Strategies in Presenting Television News DEBING FENG1 Jiangxi University of Finance and Economics, China Unlike print news that is static and mainly composed of written text, television news is dynamic and needs to be delivered with diversified presentational modes and forms. Drawing upon Bakhtin’s heteroglossia and Goffman’s production format of talk, this article examined the presentational forms and strategies deployed in BBC News at Ten and CCTV’s News Simulcast. It showed that the employment of different presentational elements and forms in the two programs reflects two contrasting types of news discourse. The discourse of BBC News tends to present different, and even confrontational, voices with diversified presentational forms, such as direct mode of address and “fresh talk,” thus likely to accentuate the authenticity of the news. The other type of discourse (i.e., CCTV News) seems to prefer monologic news presentation and prioritize studio-based, scripted news reading, such as on-camera address or voice- overs, and it thus creates a single authoritative voice that is likely to undermine the truth of the news. Keywords: authenticity, mode of address, presentational elements, voice, television news The discourse of television news has been widely studied within the linguistic world. Early in the 1970s, researchers in the field of critical linguistics (CL; e.g., Fowler, 1991; Fowler, Hodge, Kress, & Trew, 1979; Hodge & Kress, 1993) paid great attention to the ideological meaning of news by drawing upon a kit of linguistic tools such as modality, transitivity, and transformation. -
Portable News Media Studio
2011 PORTABLE NEWS MEDIA STUDIO (CG4TV) Paulo Cavalcanti Jonathan Goldsmith Nathan Tetreault Worcester Polytechnic Institute Project Number: IQP MQF 289 PORTABLE NEWS MEDIA STUDIO by Paulo Cavalcanti Jonathan Goldsmith Nathan Tetreault An Interactive Qualifying Project Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements for the Degree of Bachelor of Science In Mechanical Engineering _________________________ ____________________ ________________________ Paulo Cavalcanti Jonathan Goldsmith Nathan Tetreault APPROVED: APRIL 2011 ________________________________ Professor M. S. Fofana, Major Advisor Mechanical Engineering Department Abstract The Portable News Media Studio is a unit to be used in the future. This would serve as a temporary shelter during any type of emergency situation for a news team that is broadcasting on site. The unit would provide all the necessary elements for long term sustainability for the occupants. The unit would be able to broadcast from anywhere in the world as well as allowing the occupants to travel on any terrain in the world including land, sea, and snow. The power generated would all be self‐provided and would be able to supply enough power for computers, a washing machine, lighting, broadcasting equipment, a waste treatment station, and any other utility in the unit that consumes electricity. Through research, various designs for the portable studio were developed. These designs encompass a range of necessities that would make the portable media studio feasible. Some of the necessities include portability, habitability, and sustainability, etc. This would be the best recommendation for any news station that wants to broadcast the world’s most relevant news sources to a large audience. -
Fake News” in Poland
092 092 DISINFORNATION: DISINFORMATION PRACTICES IN CEE Authoritarian Change, Public Broadcasters, and “Fake News” in Poland PIOTR BENIUSZYS PIOTR BENIUSZYS 093 uthoritarian regimes and dic- tatorships of any kind have al- ways typically striven to control the flow of information in the IN A WORLD countries they governed. All FILLED WITH FALSE mediaA outlets that would come under con- trol of such political systems were bound OR INACCURATE to cease as reliable sources of informa- tion. The political agenda of the govern- NEWS, ment would thence dictate their political news broadcasting: some facts would be AUTHORITARIAN omitted, others manipulated or distorted, blown out of proportion, or even simply REGIMES CAN created out of nothing. SET UP PUBLIC At the same time, some authoritarian re- BROADCASTING gimes would declare themselves genu- inely free democracies and would hope to NEWS OUTLETS transmit this kind of image to at least part of the world. The fact-checking activities of AND PUBLISH free media, usually from the democracies abroad, would present a major challenge DISINFORMATION to this image-building strategy, as lies and propaganda of their state media would get ALMOST exposed time and again. In some cases, this threat would constitute an incentive WITHOUT LIMITS to limit the frequency of false information broadcasting to only the most urgent or inevitable situations. But in today’s reality, where people are permanently confronted lish disinformation almost without limits. As with a tremendous amount of online news public TV and radio stations in democratic sources (many of which are of rather low countries still enjoy a somewhat better rep- quality), with identity media outlets, which utation than other outlets2, them being tak- dress up ideological formation as news, en over by a government which is gearing and, of course, with blunt so-called “fake towards introducing a change of the politi- news” spreaders, the general trust in media cal system – away from liberal democracy credibility has been profoundly damaged1. -
Project Censored 2012: the Sourcebook for the Media Revolution
Project Censored 2012: The Sourcebook for the Media Revolution By Media Freedom Foundation Theme: Media Disinformation Global Research, October 20, 2011 Media Freedom Foundation 20 October 2011 For Immediate Release: October 12, 2011 Contact: Project Censored/Media Freedom Foundation, 707.874.2695 Dr. Peter Phillips, President; Prof. Mickey Huff, Director [email protected]; [email protected] Interviews: Contact Mickey Huff at email above. Order the new book online at http://projectcensored.org or send check for $22.95 to Project Censored/Media Freedom Foundation, P.O. Box 571 Cotati, CA 94931 “Most journalists in the United States believe the press here is free. That grand illusion only helps obscure the fact that, by and large, the US corporate press does not report what’s really going on, while tuning out, or laughing off, all those who try to do just that. Americans—now more than ever—need those outlets that do labor to report some truth. Project Censored is not just among the bravest, smartest, and most rigorous of those outlets, but the only one that’s wholly focused on those stories that the corporate press ignores, downplays and/or distorts. This latest book is therefore a must-read for anyone who cares about this country, its tottering economy, and—most important—what’s now left of its democracy.” —Mark Crispin Miller, professor of media ecology, NYU Our new book has arrived! Censored 2012: The Sourcebook for the Media Revolution, The Top Censored Stories and Media Analysis of 2010-2011 by Mickey Huff and Project Censored. In this volume, there are 500 pages of real news you can use, plus ample analysis that eradicates civil paralysis, and antidotes to our current Truth Emergency that will strengthen societal media literacy. -
“Project Censored's List of the Top Stories That Get Very Little
“Project Censored’s list of the top stories that get very little mainstream me- dia traction should in fact drive the reporting agendas of every major news outlet. These 25 stories are clearly the most consequential of the year, and what is scary in looking at the list is how obvious it is that silencing reports of these themes protects corrupt governments and corporate gatekeepers. Project Censored is a lifeline to the world’s most urgent and significant stories.” —Naomi Wolf, author of the bestselling books The Beauty Myth; The End of America; and Give Me Liberty “The systematic exposure of censored stories by Project Censored has been an important contribution.” —Howard Zinn, author of A People’s History of the United States “Project Censored . has evolved into a deep, wide, and utterly engross- ing exercise to unmask censorship, self-censorship, and propaganda in the mass media.” —Ralph Nader, consumer advocate, lawyer, author “[Project Censored] is a clarion call for truth telling.”—Daniel Ellsberg, The Pentagon Papers “[Project Censored] shows how the American public has been bamboozled, snookered, and dumbed down by the corporate media. It is chock-full of ‘ah- ha’ moments where we understand just how we’ve been fleeced by bank- sters, stripped of our civil liberties, and blindly led down a path of never- ending war.” —Medea Benjamin, author of Drone Warfare, and cofounder of Global Exchange and CODEPINK “Project Censored . not only shines a penetrating light on the American Empire and all its deadly, destructive, and deceitful actions, it does so at a time when the Obama administration is mounting a fierce effort to silence truth-tellers and whistleblowers. -
Alwood, Edward, Dark Days in the Newsroom
DARK DAYS IN THE NEWSROOM DARK DAYS in the NEWSROOM McCarthyism Aimed at the Press EDWARD ALWOOD TEMPLE UNIVERSITY PRESS Philadelphia Temple University Press 1601 North Broad Street Philadelphia PA 19122 www.temple.edu/tempress Copyright © 2007 by Edward Alwood All rights reserved Published 2007 Printed in the United States of America Text design by Lynne Frost The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Library of Congress Cataloging-in-Publication Data Alwood, Edward. Dark days in the newsroom : McCarthyism aimed at the press / Edward Alwood. p. cm. Includes bibliographical references and index. ISBN 13: 978-1-59213-341-3 ISBN 10: 1-59213-341-X (cloth: alk. paper) ISBN 13: 978-1-59213-342-0 ISBN 10: 1-59213-342-8 (pbk.: alk. paper) 1. Anti-communist movements—United States—History—20th century. 2. McCarthy, Joseph, 1908–1957—Relations with journalists. 3. Journalists— United States—History—20th century. 4. Journalists—United States— Political activity—History—20th century. 5. Press and politics—United States—History—20th century. 6. United States—Politics and government— 1945–1953. 7. United States—Politics and government—1953–1961. I. Title. E743.5.A66 2007 973.921—dc22 2006034205 2 4 6 8 9 7 5 3 1 In Memoriam Margaret A. Blanchard Teacher, Mentor, and Friend Do the people of this land . desire to preserve those so carefully protected by the First Amendment: Liberty of religious worship, freedom of speech and of the press, and the right as freemen peaceably to assemble and petition their government for a redress of grievances? If so, let them withstand all beginnings of encroachment. -
Guardian Media Group PLC's
CONFIDENTIAL GMG RESPONSE TO CMA STATEMENT OF SCOPE - DIGITAL ADVERTISING MARKET STUDY CONFIDENTIAL VERSION About Guardian Media Group PLC (GMG) GMG is one of the UK’s leading commercial media organisations and a British-owned, independent, news media business. GMG owns Guardian News & Media (GNM), the publisher of theguardian.com website and the Guardian and Observer newspapers. It is known for its globally acclaimed investigations, including investigating the Paradise Papers and Panama Papers and Cambridge Analytica. As well as being the UK’s largest quality news brand, the Guardian and Observer have pioneered a highly distinctive, open approach to publishing on the web and their website has achieved significant global audience growth over the past 20 years. Our endowment fund and portfolio of other holdings exist to support the Guardian’s journalism by providing financial returns. As the CMA may be aware, The Guardian’s unique structure and trust model means that our owner - the Scott Trust - takes no dividend from the business. This means that any revenue generated by GNM is reinvested back into funding more high-quality public interest Guardian journalism. Introduction GMG welcomes the opportunity to respond to the CMA statement of scope and wider work to examine competition in digital markets. The digital economy underpins and impacts almost every sector of the UK and global economy in some way. Ensuring that there is fair and effective competition in the supply of key products such as digital advertising, and digital payment services -
Gateway Journalism Review
St. Louis Journalism Review Presents: OURNALISMOURNALISM REVIEWREVIEW Inside this issue: Daily Egyptian challenges Courage and coverage in real time by Jodi MacNeal chancellor’s ethics by Athena Chrysanthou Checking on the facts Remembering Roy Malone by Ben Lyons by Terry Ganey Activists draw attention to atomic city Review: McPhee and Bill Bradley by Don Corrigan by Michael Murray - PAGE 1 - 2018 • Volume 47 Number 348 • $8 St. Louis Journalism Review Presents: CONTRIBUTORS OURNALISM REVIEW Publisher William H. Freivogel Published by: Publisher of Gateway Journalism Review. Freivo- Artist Steve Edwards gel is a former editorial page deputy editor for Professional artist, Steve Edwards Studio. School of Journalism College the St. Louis Post-Dispatch and contributes to of Mass Communication St. Louis Public Radio. He is a member of the and Media Arts Missouri Bar. GJR Founder Charles Klotzer Deborah Tudor: interim dean The founder of the St. Louis Journalism Review. Kavita Karan: interim director Sherida Evans: School of Editor William A. Babcock Journalism, office manager Editor of Gateway Journalism Review. Former DON CORRIGAN senior international news editor and writing Don Corrigan is the editor-in-chief and co-pub- coach for the Christian Science Monitor. Media lisher of the Webster-Kirkwood Times, South Board of Advisers: ethics is his primary teaching and research area. County Times and West End Word newspapers in Jim Kirchherr, Don Corrigan, St. Louis. He also is a professor of journalism in Lisa Bedian, Tammy Merrett, the School of Communications at Webster Univer- Rita Csapo-Sweet, Steve Managing Editor Jin Lee sity in St. Louis, serving as a print adviser to the Perron, Eileen Duggan, Associate editor of the Gateway Journalism university newspaper. -
Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 459 499 CS 510 717 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (84th, Washington, DC, August 5-8, 2001). Visual Communication Division. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 2001-08-00 NOTE 231p.; For other sections of the 2001 proceedings, see CS 510 704-724. PUB TYPE Collected Works Proceedings (021) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Computer Simulation; Credibility; Editing; *Emotional Response; *Ethics; Higher Education; Journalism Education; Longitudinal Studies; *News Writing; Organizational Climate; *Photojournalism; Racial Relations IDENTIFIERS Digital Imagery; *Digital Retouching (Photography); United States (South); *Visual Communication ABSTRACT The Visual Communication section of the proceedings contains the following 8 selected papers: "Affect and Emotion: Eliciting Compassionate Response via Facial Affect in Visual Images" (Courtney Bennett); "A Study of the Persuasiveness of Animation When Used as Forensic Demonstrative Evidence" (Benjamin Allyn Meyer); "Southern Mentalities, Photographic Reflections in Black and White: The 1915-1960 Mississippi Pictures of O.N. Pruitt" (Berkley Hudson); "If Looks Could Kill: The Ethics of Digital Manipulation of Fashion Models and Attitudes of Readers" (Shiela Reaves, Jacqueline Bush Hitchon, Sung-Yeon Park, and Gi Woong Yun); "Establishing a Photojournalism Historiography: An Historiographical Analysis of the Developmental Approach" (Timothy Roy Gleason); "Normative Conflict in the Newsroom: The Case of Digital Photo Manipulation" (Wilson Lowrey); "A Longitudinal Analysis of Network News Editing Strategies from 1969 through 1997" (Richard J. Schaefer); and "Digitally Altered News Photographs: How Much Manipulation Will the Public Tolerate before Credibility Is Lost?" (Joseph D. Gosen and Jennifer Greer).