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In Nineteenth-Century American Theatre: the Image
Burlesquing “Otherness” 101 Burlesquing “Otherness” in Nineteenth-Century American Theatre: The Image of the Indian in John Brougham’s Met-a-mora; or, The Last of the Pollywogs (1847) and Po-Ca-Hon-Tas; or, The Gentle Savage (1855). Zoe Detsi-Diamanti When John Brougham’s Indian burlesque, Met-a-mora; or, The Last of the Pollywogs, opened in Boston at Brougham’s Adelphi Theatre on November 29, 1847, it won the lasting reputation of an exceptional satiric force in the American theatre for its author, while, at the same time, signaled the end of the serious Indian dramas that were so popular during the 1820s and 1830s. Eight years later, in 1855, Brougham made a most spectacular comeback with another Indian burlesque, Po-Ca-Hon-Tas; or, The Gentle Savage, an “Original, Aboriginal, Erratic, Operatic, Semi-Civilized, and Demi-savage Extravaganza,” which was produced at Wallack’s Lyceum Theatre in New York City.1 Both plays have been invariably cited as successful parodies of Augustus Stone’s Metamora; or, The Last of the Wampanoags (1829) and the stilted acting style of Edwin Forrest, and the Pocahontas plays of the first half of the nineteenth century. They are sig- nificant because they opened up new possibilities for the development of satiric comedy in America2 and substantially contributed to the transformation of the stage picture of the Indian from the romantic pattern of Arcadian innocence to a view far more satirical, even ridiculous. 0026-3079/2007/4803-101$2.50/0 American Studies, 48:3 (Fall 2007): 101-123 101 102 Zoe Detsi-Diamanti -
The Way of All Flesh
The Way of All Flesh Samuel Butler This eBook was designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. To hear about our latest releases subscribe to the Planet PDF Newsletter. The Way of All Flesh Chapter I When I was a small boy at the beginning of the century I remember an old man who wore knee-breeches and worsted stockings, and who used to hobble about the street of our village with the help of a stick. He must have been getting on for eighty in the year 1807, earlier than which date I suppose I can hardly remember him, for I was born in 1802. A few white locks hung about his ears, his shoulders were bent and his knees feeble, but he was still hale, and was much respected in our little world of Paleham. His name was Pontifex. His wife was said to be his master; I have been told she brought him a little money, but it cannot have been much. She was a tall, square-shouldered person (I have heard my father call her a Gothic woman) who had insisted on being married to Mr Pontifex when he was young and too good-natured to say nay to any woman who wooed him. The pair had lived not unhappily together, for Mr Pontifex’s temper was easy and he soon learned to bow before his wife’s more stormy moods. Mr Pontifex was a carpenter by trade; he was also at one time parish clerk; when I remember him, however, he had so far risen in life as to be no longer compelled to 2 of 736 The Way of All Flesh work with his own hands. -
Super! Drama TV December 2020 ▶Programs Are Suspended for Equipment Maintenance from 1:00-7:00 on the 15Th
Super! drama TV December 2020 ▶Programs are suspended for equipment maintenance from 1:00-7:00 on the 15th. Note: #=serial number [J]=in Japanese [D]=in Danish 2020.11.30 2020.12.01 2020.12.02 2020.12.03 2020.12.04 2020.12.05 2020.12.06 Mon Tue Wed Thu Fri Sat Sun 06:00 06:00 MACGYVER Season 2 06:00 MACGYVER Season 2 06:00 MACGYVER Season 2 06:00 MACGYVER Season 2 06:00 06:00 MACGYVER Season 3 06:00 BELOW THE SURFACE 06:00 #20 #21 #22 #23 #1 #8 [D] 「Skyscraper - Power」 「Wind + Water」 「UFO + Area 51」 「MacGyver + MacGyver」 「Improvise」 06:30 06:30 06:30 07:00 07:00 THE BIG BANG THEORY 07:00 THE BIG BANG THEORY 07:00 THE BIG BANG THEORY 07:00 THE BIG BANG THEORY 07:00 07:00 STAR TREK Season 1 07:00 STAR TREK: THE NEXT 07:00 Season 12 Season 12 Season 12 Season 12 #4 GENERATION Season 7 #7「The Grant Allocation Derivation」 #9 「The Citation Negation」 #11「The Paintball Scattering」 #13「The Confirmation Polarization」 「The Naked Time」 #15 07:30 07:30 THE BIG BANG THEORY 07:30 THE BIG BANG THEORY 07:30 THE BIG BANG THEORY 07:30 information [J] 07:30 「LOWER DECKS」 07:30 Season 12 Season 12 Season 12 #8「The Consummation Deviation」 #10「The VCR Illumination」 #12「The Propagation Proposition」 08:00 08:00 SUPERNATURAL Season 11 08:00 SUPERNATURAL Season 11 08:00 SUPERNATURAL Season 11 08:00 SUPERNATURAL Season 11 08:00 08:00 THUNDERBIRDS ARE GO 08:00 STAR TREK: THE NEXT 08:00 #5 #6 #7 #8 Season 3 GENERATION Season 7 「Thin Lizzie」 「Our Little World」 「Plush」 「Just My Imagination」 #18「AVALANCHE」 #16 08:30 08:30 08:30 THUNDERBIRDS ARE GO 「THINE OWN SELF」 08:30 -
89Th Annual Academy Awards® Oscar® Nominations Fact
® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010). -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
Learning the Languages of Nostalgia in Modern and Contemporary Literature
Learning the Languages of Nostalgia in Modern and Contemporary Literature Tasha Marie Buttler A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Carolyn Allen, Chair Katherine Cummings Mark Patterson Program Authorized to Offer Degree: English University of Washington Abstract Learning the Languages of Nostalgia in Modern and Contemporary Literature Tasha M. Buttler Chair of Supervisory Committee: Professor Carolyn Allen Department of English This dissertation builds upon recent discourses on nostalgia that focus on the generative potential of a sustained melancholic stance and position the past as resource for the future. My particular interest is in the potential for de-subjectification out of regulatory regimes, as outlined in the work of Judith Butler, particularly in The Psychic Life of Power. This text has allowed me to develop a robust theory about accumulated experiences of love and loss that are central to the formation of “character” that repeats or disrupts patterns of social relation. I differentiate between politicized nostalgia and experiential nostalgia, suggesting that the latter can make use of inevitable experiences of loss by initiating and sustaining a melancholic agency. I use various literary texts and memoirs to identify how the thwarting of melancholia can lead to nostalgia’s obverse: the desire to return suffering, or what Czech author Milan Kundera calls litost. These instances of thwarted grieving are positioned against a set of characters in the work of Virginia Woolf, Eva Hoffman, and Clarice Lispector who allow themselves to honor their experiential nostalgia rather than reverting to politicized nostalgia that repeats representations and clichés associated with empire. -
A Don West Reader West End Press
Lincoln Memorial University LMU Digital Commons Copyright-Free Books Collection Special Collections 1985 In a Land of Plenty: A Don West Reader West End Press Don West Constance Adams West Follow this and additional works at: https://digitalcommons.lmunet.edu/csbc Part of the Appalachian Studies Commons, and the Poetry Commons Recommended Citation End Press, West; West, Don; and West, Constance Adams, "In a Land of Plenty: A Don West Reader" (1985). Copyright-Free Books Collection. 1. https://digitalcommons.lmunet.edu/csbc/1 This Book is brought to you for free and open access by the Special Collections at LMU Digital Commons. It has been accepted for inclusion in Copyright-Free Books Collection by an authorized administrator of LMU Digital Commons. For more information, please contact [email protected]. With sketches Constance Adams West No Grants This book is not supported any grant, governmental, corporate or PS 3545 .E8279 16 1985 private. It is paid for, directly or indirectly, by the people who support and In a land of plenty have Don West's vision, and it both reflects and proves their best - The publisher No Purposely this book is not copyrighted. Poetry and other creative efforts should be levers, weapons to be used in the people's struggle for understanding, human rights, and decency. "Art for Art's Sake" is a misnomer. The poet can never be neutral. In a hungry world the struggle between oppressor and oppressed is unending. There is the inevitable question: "Which side are you on?" To be content with as they are, to be "neutral," is to take sides with the oppressor who also wants to keep the status quo. -
Dreams of the New Land
When History Sleeps: A Beginning 13 DREAMS OF THE NEW LAND Africa I guard your memory Africa you are in me My future is your future Your wounds are my wounds The funky blues I cook are black like you—Africa Africa my motherland America my fatherland Although I did not choose it to be Africa you alone can make me free Africa where the rhinos roam Where I learned to swing Before America became my home Not like a monkey but in my soul Africa you are rich with natural gold Africa I live and study for thee And through you I shall be free Someday I’ll come back and see Land of my mothers, where a black god made me My Africa, your Africa, a free continent to be. Ted Joans, “Africa” 14 Freedom Dreams Schoolhouse Rock didn’t teach me a damn thing about “free- dom.” The kids like me growing up in Harlem during the 1960s and early 1970s heard that word in the streets; it rang in our ears with the regularity of a hit song. Everybody and their mama spoke of freedom, and what they meant usually defied the popular meanings of the day. Whereas most Americans associated free- dom with Western democracies at war against communism, free- market capitalism, or U.S. intervention in countries such as Viet- nam or the Dominican Republic, in our neighborhood “freedom” had no particular tie to U.S. nationality (with the pos- sible exception of the black-owned Freedom National Bank). Freedom was the goal our people were trying to achieve; free was a verb, an act, a wish, a militant demand. -
Reconfiguring Untidiness: the Ethics of Remembering History
RECONFIGURING UNTIDINESS: THE ETHICS OF REMEMBERING HISTORY IN NOVELS BY VIRGINIA WOOLF, D. M. THOMAS, AND IAN MCEWAN A Dissertation by SEUNG-HYUN KIM Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Mary Ann O’Farrell Committee Members, Marian Eide David McWhirter Theodore George Head of Department, Maura Ives August 2019 English Copyright 2019 Seung-Hyun Kim ABSTRACT This dissertation examines representations of ideas about untidiness in modern and contemporary British novels. Reading works by Virginia Woolf, D. M. Thomas, and Ian McEwan as memory texts that engage historical atrocities, I investigate the ways in which the attention to small-scale violence of the everyday as manifested in the novels’ conceptualizations of the untidy is entwined with their articulation of violence perpetrated on a massive scale, the wars and the Holocaust. As both a thematic and a formal concern, the trope of the untidy illuminates paradigms established on exclusion, acts of boundary-setting that obliterate the face of the Other even as it puts into play literary elements that dispel such brutalizing operations. I make the case that the reconfiguration of untidiness as a form of relinquishing the self’s autonomy to relate to the Other is integral to how the novels explore the ethics of remembering history. This dissertation rethinks Woolf’s Mrs Dalloway as a historical novel that intervenes in the author’s contemporary discourse about remembering the recent past of the Great War. Disrupting dominant culture’s homogenizing affective economy, the novel’s thematization of untidiness through two women’s love figures a nonappropriative mode of relating to the Other that transfers onto the novel’s metacritical ruminations upon engaging a violent past in ways that preserve the unassimilability of the subject matter. -
Tsugiki, a Grafting: the Life and Poetry of a Japanese Pioneer Woman in Washington Columbia Magazine, Spring 2005: Vol
Tsugiki, a Grafting: The Life and Poetry of a Japanese Pioneer Woman in Washington Columbia Magazine, Spring 2005: Vol. 19, No. 1 By Gail M. Nomura In the imagination of most of us, the pioneer woman is represented by a sunbonneted Caucasian traveling westward on the American Plains. Few are aware of the pioneer women who crossed the Pacific Ocean east to America from Japan. Among these Japanese pioneer women were some whose destiny lay in the Pacific Northwest. In Washington, pioneer women from Japan, the Issei or first (immigrant) generation, and their Nisei, second-generation, American-born daughters, made up the largest group of nonwhite ethnic women in the state for most of the first half of the 20th century. These women contributed their labor in agriculture and small businesses to help develop the state’s economy. Moreover, they were essential to the establishment of a viable Japanese American community in Washington. Yet, little is known of the history of these women. What follows is the story of one Japanese pioneer woman, Teiko Tomita. An examination of her life offers insight into the historical experience of other Japanese pioneer women in Washington. Beyond an oral history obtained through interviews, Tomita’s experience is illumined by the rich legacy of tanka poems she wrote since she was a high school girl in Japan. The tanka written by Tomita served as a form of journal for her, a way of expressing her innermost thoughts as she became part of America. Indeed, Tsugiki, the title Tomita gave her section of a poetry anthology, meaning a grafting or a grafted tree, reflects her vision of a Japanese American grafted community rooting itself in Washington through the pioneering experiences of women like herself. -
Redacted - for Public Inspection
REDACTED - FOR PUBLIC INSPECTION Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In the Matter of ) ) AMC NETWORKS INC., ) Complainant, ) File No.:______________ ) v. ) ) AT&T INC., ) Defendant. ) TO: Chief, Media Bureau Deadline PROGRAM CARRIAGE COMPLAINT OF AMC NETWORKS INC. Tara M. Corvo Alyssia J. Bryant MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C. 701 Pennsylvania Avenue, NW Suite 900 Washington, DC 20004 (202) 434-7300 Scott A. Rader MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C. Chrysler Center 666 Third Avenue New York, NY 10017 (212) 935-3000 Counsel to AMC Networks Inc. August 5, 2020 REDACTED - FOR PUBLIC INSPECTION TABLE OF CONTENTS INTRODUCTION .......................................................................................................................... 1 STATEMENT OF FACTS ............................................................................................................. 5 1. Jurisdiction ........................................................................................................................ 5 2. AMCN ................................................................................................................................ 5 3. AT&T ................................................................................................................................. 6 4. AT&T’s Public Assurances During the Civil Antitrust Litigation .............................. 7 5. AT&T’s Discriminatory Conduct .................................................................................. -
The Emigrants Pdf, Epub, Ebook
THE EMIGRANTS PDF, EPUB, EBOOK W. G. Sebald,Michael Hulse | 256 pages | 04 Jul 2011 | Vintage Publishing | 9780099448884 | English | London, United Kingdom The Emigrants PDF Book Netflix and third parties use cookies why? And later, on board a paddle-wheel steamer that is taking them through the Great Lakes to Minnesota, the emigrants in steerage look up in admiration to the rich first-class passengers on the upper deck. No comments yet. They sell everything and embark for the U. Not long afterwards, tragedy strikes again when Danjel's infant daughter dies after a brief illness. The journey on the sailing ship is long and tedious. Director: Jan Troell. Now playing. Reviews The Emigrants. Robert Sven-Olof Bern The Emigrants The New Land. More takes were filmed in May to August Understated, Dark. Available to download. Add the first question. Once Upon a River Roxana Hadadi. Awards for The Emigrants. Not long afterwards, a friend and neighbor of Karl Oskar, Jonas Petter, also expresses an interest of going with them to escape his unhappy marriage. The combined cost of the two films was kr 7 million, then the most expensive Swedish film. New York. Looking for some great streaming picks? Keep track of everything you watch; tell your friends. Meanwhile, Kristina's uncle Danjel Andreasson is being persecuted by the dean for rejecting the official religion and giving fundamentalist religious services in his home. A Ship Loaded with Dreams 48m. Plot Summary. Films directed by Jan Troell. More than 70 industry sessions confirmed to run alongside market and screenings from November Visit our What to Watch page.