Liam Ross-Mills Schauspieler, Sänger

Liam Ross-Mills Schauspieler, Sänger Geburstort: London Nationalität: England Wohnort: London Größe: 1,74 m Haarfarbe: dunkelbraun Augenfarbe: braun Sprachen: englisch, deutsch Dialekt: südstaaten-englisch, amerikanisch, british english (Cockney, Essex, Liverpool, London) Stimmlage: Barton / Tenor bis d‘‘ Tanz: Jazz, Stepp Ausbildung: London School of Musical Theatre (Diplom 2011) Theater (Auswahl): 2017 Bromance – The Dudesical | Henley-On-Thames | R: Sarah Redmond 2016 Hair – Woof | Hope Mill Theatre Manchester 2016 Aladdin – Aladdin | CIVIC Theatre Chelmsford, R: Simon Aylin 2015 Rocky Horror Show European Tour – Phantom / Cover Brad / Riff Raff / Eddie / Dr. Scott | BB Promotions, R: Sam Buntrock 2014 Ushers - The Front of House Musical – Ben | The Charing Cross Theatre, R: Max Reynolds Part A (Workshop) | Leicester Square Theatre, R: Stuart Saint 2013 Bare – Lucas | Union Theatre London, R: Paul Taylor Mills Ushers – The Front of House Musical – Ben | The Hope Theatre London, R: Max Reynolds The Waterbabies (Workshop) – Miller | Dominion Theatre, R: Ed Curtis 2012 Pierced – Robbie | Landor Theatre London, R: Drew Baker Aladdin – Aladdin | Wyvern Theatre Swindon, R: Andrew Wright 2011 An Autumn Tune – Kabarett Rent – Angel | Bridewell Theatre, R: Matt Ryan The Bakers Wife – Doumergue | Union London, R: Michael Strassen Snow White and the Seven Poofs – Prince | Leicester Square Theatre, R: Simon Gross 2001 Les Miserables – Gavroche | Palace Theatre London, R: James Powell Künstlermanagement Hellepart Sabine Hellepart | Gatterederstraße 6 / 2 / E6, 1230 Wien | Österreich / Austria | T +43 (0)1 / 495 60 05 | F +43 (0)1 / 495 60 05-10 M +43 (0)699 / 10 10 88 27 | [email protected] | www.hellepart.com | facebook: www.facebook.com / KünstlermanagementHellepart Liam Ross-Mills Sänger, Schauspieler Film & Fernsehen: 2011 Werbung Sony | Tim Bricknell 2010 Kurzfilm „Trigger“ – Ollie | R: Phillip Morris 2007 CBBC Newsround – News Reporter Voice Over / Audio: 2010 Dream Phone – Teen Admirer | Fisher Price NSPCC – Teen Victim | The Sound House Pizza Hut – Young Boy | Abott Mead Vickers Leapfrog Games – verschiedene Rollen | Leapfrog Enterprises Ltd DVD Tractor Tom – Tractor Tom | Contender Entertainment Künstlermanagement Hellepart Sabine Hellepart | Gatterederstraße 6 / 2 / E6, 1230 Wien | Österreich / Austria | T +43 (0)1 / 495 60 05 | F +43 (0)1 / 495 60 05-10 M +43 (0)699 / 10 10 88 27 | [email protected] | www.hellepart.com | facebook: www.facebook.com / KünstlermanagementHellepart.

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Michel Tremblay Auteur
MICHEL TREMBLAY AUTEUR NOTES BIOGRAPHIQUES Figure dominante du théâtre québécois depuis la fin des années 1960, Michel Tremblay s'est aussi imposé comme romancier, traducteur, adaptateur et scénariste. Né dans un quartier populaire de l'est de Montréal, il découvre très tôt sa vocation d'écrivain. Dès ses études secondaires, il écrit des poèmes, des pièces de théâtre, des romans. À l’adolescence, il entreprend la rédaction de contes fantastiques qu'il réunit plus tard en un recueil : Contes pour buveurs attardés. À 18 ans, il s'inscrit à l'Institut des Arts graphiques, où il apprend le métier de linotypiste, qu’il exerce de 1963 à 1966. En 1964, Michel Tremblay soumet une pièce, Le train, au concours des Jeunes auteurs de Radio-Canada : il y remporte le premier prix. La même année, il rencontre André Brassard qui deviendra le metteur en scène de presque toutes ses pièces, jusqu’en 2003. En 1965, André Brassard utilise quelques-uns des Contes pour buveurs attardés dans un spectacle consacré à la littérature fantastique : Messe noire. La même année, Michel Tremblay écrit Les belles-sœurs. Après la lecture publique des Belles-sœurs le 4 mars 1968 au Centre d’essai des auteurs dramatiques, la pièce est créée au Théâtre du Rideau Vert, le 28 août 1968. Elle connaît alors un succès retentissant, au point d’avoir fait l’objet de près de 600 productions au Québec et à l'étranger. Écrites en joual, un registre de langue propre à Montréal, Les belles-sœurs donnent une vision renouvelée du quartier ouvrier où est né Tremblay.
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LABAN THEATRELABAN Trinity Laban Conservatoire of Music & Dance
LABAN TRINITY Laban CONSERVatOIRE OF MUSIC & DANCE THEATRE MUSICAL THEATRE STUDENTS PRESENT: FRI 2 & SAT 3 DEC 14.30h & 19.30h THE CLOCKMAKer’S DAUGHTER An original faerytale musical by Michael Webborn and Daniel Finn PROGRAMME £3 THE CLOCKMAKER’S DAUGHTER Presented by Trinity Laban final year Musical Theatre students. This production is presented by special arrangement with Webborn and Finn. Director Michael Howcroft Musical Director Tony Castro Choreographer Jenny Arnold Set and Costume Designer Amy Yardley Lighting Designer Chloe Kenward The Clockmaker’s Daughter was originally produced by Theatrica Limited at the Landor Theatre. Directed by Robert McWhir Choreographed by Robbie O’Reilly Designed by David Shields Lighting by Richard Lambert Executive Producer Clive Chenery SYNOPSIS Spindlewood, like most towns of age, has its traditions. But no practice, custom, or Old Wives Warning is so firmly adhered to as ‘The Turning of the Key’. Every year, on the last night of winter, as the first day of spring unfolds, the townsfolk gather to take part in a strange ritual. They meet in the centre of the town square, where a statue bearing the likeness of a young girl stands, poised and still, one hand raised as if to toast the sky. Constance has stood in the square for as long as any can remember. And she is never more lifelike than tonight. CREATIVE TEAM BAND Director Lighting Designer Piano/Musical Director Michael Howcroft Chloe Kenward Tony Castro Musical Director Costume Supervisor Violin Tony Castro Cristiano Casimiro Rosie Judge Choreographer
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The Echo 7.Pdf
ISSUE 7 // OCTOBER 2013 THE ECHO OBBY AITKEN | GILL ALLEN | RACHEL ARCHIBALD | PAUL ARDITTI | CHRISTOPHER ASHWORTH | TOM ASPLEY | HELEN ATKINSON | KELSH B-D | DAN BAILEY | SIMON BAK DANIEL BALFOUR | HAMISH BAMFORD | ALEX BARANOWSKI | HARRY BARKER | CHRIS BARLOW | DAVID BARTHOLOMEUSZ | MIKE BEER | SIMON BEESLEY | RICHARD BE OB BETTLE | DOMINIC BILKEY | SIMON BIRCHALL | ZOE BLACKFORD | BRYONY BLACKLER | MARK BODEN | FRANK BRADLEY | AMY BRAMMA | DANNY BRIGHT | ALICE BROO TEVEN BROWN | NELA BROWN | RACHEL BROWN | ROSS BROWN | BORNEO BROWN | ANDREW BRUCE | CLIVE BRYAN | RICHARD BUGG | PAUL BULL | DAVID BURTON | HAR UTCHER | ALEX CAPLEN | RICHARD CARTER | SAM CHARLESTON | KERI DANIELLE CHESSER | KARL CHRISTMAS | GEORGE CHRISTOU | THOMAS CLACHERS | SHAUN CLARK | E LARKE | RICK CLARKE | GREGORY CLARKE | SAMUEL CLARKSON | ANDY COLLINS | JACK CONDELL | CRISPIAN COVELL | TOM COX | ANDREA J COX | MATT DANDO | BEN DAVI ONY DAVIES | SIMON DEACON | STUART DEAN | GEORGE DENNIS | IAN DICKINSON | ROBERT DONNELLY-JACKSON | CAROLYN DOWNING | OLIVER DRIVER | CHRIS DROHA RALPH DUNLOP | JEREMY DUNN | MARK DUNNE | ALEX DURRELL | CHANTELLE DYSON | STEPHEN EDWARDS | ED ELBOURNE | JEREMY ELLIS | PETER ELTRINGHAM ADISONTips ENGLISH and | GARETH tricks EVANS of| DAN the EVANS |trade AARON EVANS | CHRISTOPHER EVANS | ED FERGUSON | GREGG FISHER | ADAM FISHER | JAMIE FLOCKTON | AND ANKSFrom | SEBASTIAN Terry Jardine,Mic FROST | GARETH Pool, FRY Andrew| CHRIS FULL Bruce, | ADAM John FUNNELL Leonard, | PAUL Gareth GAVIN | Fry,JEREMY GEORGE | TUOMO GEORGE-TOLONEN | TOM
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Harold Sanditen
Harold Sanditen Harold was born in Oklahoma – you know, where the wind comes sweeping down the plain, Oklahoma – and has lived in London since 1987. In 2007, after 20 years as a UK based theatre producer, Harold decided to move on from producing and do something he’d always wanted to do – give singing/cabaret performance a try and see if he was any good at it! In September, 2008 he performed his first solo cabaret show, The Secret of Life, at The Duplex in New York. He figured if he was going to fail, it shouldn’t be on his home turf. The show was successful enough for Harold to bring it home to London, where he performed it in November, 2008 at Pizza on the Park. Harold’s second show, Love Exposed, was performed in London at Pizza on the Park as well as in New York at Don’t Tell Mama in 2009 and 2010. His third show, Thoughts ‘Round Midnight, was premiered in London at The Pheasantry in September 2010 and then in New York at Don’t Tell Mama in October. He reprised it at The Pheasantry in January 2011 prior to Chicago, New York and Hornchurch, Essex. Thoughts ‘Round Midnight returned to North America in June, 2011, where Harold made his Toronto, Los Angeles, San Diego and Palm Springs debuts. Thoughts ‘Round Midnight returned to The Pheasantry in October, 2011 and January, 2012. Shades of Blue, Harold’s fourth show, premiered in London at The Pheasantry in March 2012 and returned several times, as well as playing in New York at Don’t Tell Mama and The Metropolitan Room, in London at the Crazy Coqs, and at the Oklahoma Jazz Hall of Fame in Tulsa.
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Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).
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Catherine Bailey Photo: Brandon Bishop
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Catherine Bailey Photo: Brandon Bishop Appearing on BBC iplayer as Miss Gale in "Malory Towers". Recently ﬁlmed "Grace" (ITV) and "Whitstable Pearl" (Acorn/Buccaneer). Greater London, England, United Other: Equity Location: Kingdom Eye Colour: Brown Height: 5'8" (172cm) Hair Colour: Light/Mid Brown Playing Age: 31 - 40 years Hair Length: Mid Length Television 2020, Television, Francine, Grace, ITV, John Alexander 2020, Television, Fi Marston, Whitstable, Acorn TV / Buccaneer, David Caﬀrey 2019, Television, Miss Gale, Malory Towers, King Bert Productions, Rebecca Ryecroft 2018, Television, Lady Elizabeth Cavendish, The Crown (season 2), Left Bank Pictures, Stephen Daldry and Benjamin Caron 2017, Television, Louisa Hooper, Hetty Feather, BBC, Sallie Aprahamian 2017, Television, Jess, Strike: The Silkworm Part 1, BBC & HBO, Kieron Hawkes 2016, Television, Nina, Mr Selfridge 4, ITV, Joss Agnew 2015, Television, Olivia Hamilton, And Then There Were None, Mammoth Screen for BBC 1, Craig Viveiros 2013, Television, Sammy Jo Rinsler, Doctors, BBC, Emma Sullivan 2013, Television, Stephanie Weston, Midsomer Murders: Wild Harvest, Bentley Productions, Renny Rye 2012, Television, Esther Robinson (Series Reg), House of Anubis, Nickelodeon/Lime, Tim Hopewell/Tom Poole 2011, Television, Miss Wyckham, The Sarah Jane Adventures, DW Productions Ltd, Joss Agnew 2010, Television, DS Karen Roberts (2 Eps), Holby City, BBC, Chris King 2009, Television,
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Michel Tremblay Writer
MICHEL TREMBLAY WRITER BIOGRAPHICAL NOTES Michel Tremblay emerged as a dominant figure of Quebec’s theatre world in the late 1960s. Since then, his considerable impact on French Canada’s thriving culture has broadened to include successful novels, translations, adaptations and screenplays. Born into an East Montreal working class neighbourhood, it soon became clear that Michel was also born to write. As a schoolboy, he was already composing poems, plays, and novels. The adolescent Michel wrote a series of fantasy stories that he later brought together in a collection entitled Contes pour buveurs attardés (Stories for Late Night Drinkers). At the age of 18, he enrolled at the Institut des Arts graphiques from which he qualified as a linotypist, a career that he pursued from 1963 to 1966. In 1964, Michel submitted a play, Le train, to a competition for young writers, Jeunes auteurs de Radio-Canada. He walked away with the First Prize. In that same year, he met André Brassard who would direct all Michel’s plays for the next 39 years. In 1965, André Brassard used some of the Contes pour buveurs attardés in a show, Messe noire, which drew on the fantasy genre for inspiration. It was also in 1965 that Michel wrote Les belles-sœurs. After a public reading of Les belles-sœurs, on March 4, 1968, at a venue for young playwrights, the Centre d’essai des auteurs dramatiques, Michel’s play was produced at the Théâtre du Rideau Vert on August 28, 1968. It was an instant and stunning success: so much so that there has been more than 600 productions both in Quebec since, and abroad.
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Theatre Production Amount
THEATRE PRODUCTION AMOUNT Aberdeen Performing Arts/His Majesty's Theatre Hercule Poirot in Black Coffee £5,675.16 Adelphi Theatre Made in Dagenham £1,106.08 Aldwych Theatre Dance til Dawn £892.00 Ambassadors Theatre Stomp £1,631.29 Apollo Theatre Urinetown £1,790.75 Apollo Victoria Theatre Wicked £3,973.70 Belgrade Theatre & Belgrade Studio Dreamboats and Miniskirts £1,160.08 Birmingham Hippodrome Blood Brothers £3,825.95 Brecon Theatre Various £5.83 Bristol Hippodrome Various £166.60 Charing Cross Theatre Jacques Brel is alive and well and Living in Paris £1,381.52 Chichester Festival Theatre Gypsy £2,595.42 Citizens Theatre Kill Johnny Glendenning £505.35 Civic Theatre Chelmsford Barmy Britain £315.00 Clwyd Theatr Cymru Somewhere in England £3,193.39 Criterion Theatre The 39 Steps £1,570.09 De Montfort Hall Blood Brothers £4,531.65 Devonshire Park Theatre The Perfect Murder £1,559.13 Dominion Theatre Evita £583.32 Dominion Theatre White Christmas £1,465.00 Donmar Warehouse The City of Angels £1,964.28 Duchess Theatre The Play that Goes Wrong £2,107.17 Duke of York's Theatre Neville's Island £1,309.51 Edinburgh Playhouse Jersey Boys £398.06 Exeter Northcott Theatre Three Men in a Boat £183.82 Fortune Theatre The Woman in Black £449.97 Garrick Theatre The Scottsboro Boys £3,879.22 Gielgud Theatre The Curious Incident of the Dog in the Night-time £4,950.00 Grand Opera House York Eric and Ern, Vampires Rock, The Small Hand £26.06 Greenwich Theatre Various £50.00 Hampstead Theatre Seminar £935.00 Harold Pinter Theatre Sunny Afternoon £1,332.22
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Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
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Casting Directors Guild Credits
DAVID GRINDROD ASSOCIATES Casting Directors Credits TELEVISION: THE SOUND OF MUSIC “LIVE” ITV (2015 BAFTA Awards) UNIVERSE BBC 2 HOW DO YOU SOLVE A PROBLEM LIKE MARIA? BBC1 (2008 Emmy Award) KOMBAT OPERA PRESENTS……. BBC 2 (2008 Golden Rose of Montreux Award) ANY DREAM WILL DO. BBC 1 HOLLYOAKS Channel 4 WEST END STAR TV3 SWEDEN I’D DO ANYTHING BBC 1 OVER THE RAINBOW Talk Back Thames/BBC SUPERSTAR ITV FILM: MATILDA: Ensemble Casting Directed by Matthew Warchus GREATEST DAYS: Ensemble Casting Directed by Coky Giedroyc ALADDIN: Ensemble Casting Directed by Guy Ritchie MAMMA MIA! 2: Ensemble Casting Directed by Ol Parker MARY POPPINS RETURNS UK Dancer casting Directed by Rob Marshall BEAUTY & THE BEAST Ensemble Directed by Bill Condon NINE UK Dancer casting Directed by Rob Marshall MAMMA MIA! Ensemble Casting Directed by Phyllida Lloyd THE PHANTOM OF THE OPERA Directed by Joel Schumacher THEATRE: INTO THE WOODS Old Vic CINDERELLA West End BACK TO THE FUTURE West End & Manchester Opera House THE SOLDIER OF ORANGE Albert Docks, London. FUNNY GIRL Théâtre Marigny, Paris SWEET CHARITY Donmar Warehouse. PRISCILLA QUEEN OF THE DESERT:UK Tour EVITA Regent’s Park Open Air Theatre & Barbican Centre JESUS CHRIST SUPERSTAR Barbican Centre MAN OF LA MANCHA English National Opera WAITRESS West End & UK Tour ONLY FOOLS AND HORSES West End LOCAL HERO Royal Lyceum, Edinburgh & Old Vic MAGIC MIKE LIVE UK Casting SPANDAU BALLET MAMMA MIA! The Party O2 Arena, London. GUYS & DOLLS Paris VIOLET Charing Cross Theatre. WEST SIDE STORY BBC Proms. ON THE TOWN BBC Proms. CHESS English National Opera THREE PENNY OPERA Theatre des Bouffes du Nord, Paris HAROLD & MAUDE Charing Cross Theatre CHICAGO West End 2018.
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Ellie Collyer-Bristow Cdg
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PRESS RELEASE Séayoncé Comes to HOME for the First Time with Déjà
HOME is a trading name of xx Greater Manchester Arts Ltd a company limited by guarantee, registered in England and Wales No: 1681278 Registered office 2 Tony Wilson Place Manchester M15 4FN. Charity No: 514719 PRESS RELEASE For immediate release Séayoncé comes to HOME for the first time with Déjà Voodoo Séayoncé: Déjà Voodoo HOME, Manchester 8 and 9 Dec 2020 Last year, Séayoncé: Déjà Voodoo performed to sold out crowds at Soho Theatre and the Edinburgh Fringe. Now, the legendary ghost-whisperer and baddest bitch in the spirit world is coming to Manchester’s HOME for the very first time. Hell-bent on feeling love’s embrace, Séayoncé reawakens the soul of her past soulmate William Shakespeare into a voodoo doll, but by doing so they alert another possessive ex- whom Séayoncé left for the Bard- the darkest of demons himself… the Devil. Hell hath no fury like… the Devil scorned and he’s determined to stop this union and prove Séayoncé is a pure evil force just like him. It’s a camp celestial journey that would put Mystic Meg to shame, packed with expertly crafted jokes, voodoo and ex-lover drama. This show exhibits an array of comedic styles, heart lifting cabaret ballads, improvised spiritual audience interaction, puppetry, lip syncs, with a dash of the occult, all of which make up an epic alternative comedy show like no other. With the sole purpose to spread joy and laughter, Séayoncé Déjà Voodoo is a fabulous introduction for those who are yet to encounter the camp ecstasy of Queer performance.
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