formaten

Een woordje uitleg bij de verschillende kolommen (waar nodig)

• gauge : afmeting van de negatieffilm, gemeten in de breedte, van rand tot rand • Negative : verhouding breedte / hoogte van het negatief (beeld) • Gate dimensions : afmetingen van de gate • Negative pulldown : transportsysteem (perforaties) • Negative lenses : normale (spherical) of anamorfe lenzen (bij opname) • Projection aspect ratio : verschilt van de Negative aspect ratio in geval van anamorfoten • Projection lenses : normale (spherical) of anamorfe lenzen (bij projectie)

Met dank aan Wikipeda, waar ook de meeste links naar verwijzen

Zie ook hier voor meer uitleg en illustatiemateriaal

Negative Gate Negative Negative Projection Projection Projection Projection Year First known Negative aspect [1] Format Creator [1] dimensions pulldown lenses gauge aspect ratio dimensions lenses Created work gauge ratio

much Etienne-Jules Chronophotographe 1888 90 mm less than unperforated spherical Marey 1.00

Louis Le Roundhay Paperfilm 1888 54 mm unperforated spherical 54 mm spherical Prince Garden Scene

Emile Theatre Optique 1888 Pauvre Pierrot perforated spherical spherical Reynaud

William irregular Chronophotographic 1889 54 mm spherical Friese-Greene perfs

view of Wordsworth Kinesigraph 1889 Trafalgar 68 mm 1.00? unperforated spherical Donisthorpe Square William strip strip rolled Dickson and 1889 or Monkeyshines, rolled Kinetograph cylinder unperforated spherical around a spherical Thomas 1890 No. 1 around a cylinder Edison cylinder

William 1 perf, 1 Dickson 19 mm, Kinetoscope horizontal Dickson and 1891 19 mm side, spherical spherical Greeting horizontal William Heise horizontal

William Dickson and Blacksmithing 0.980" x 4 perf, 2 0.931" x Silent film standard 1892 35 mm 1.33 spherical 35 mm 1.33 spherical Thomas Scene 0.735" sides 0.698" Edison

unperforated 54 mm (two Max footage of Emil (camera); 4 Bioskop 1892 54 mm spherical strips spherical Skladanowsky Skladanowsky perf, 2 sides interleaved) (projection)

The Henley 2.750" x Acres 70 Birt Acres 1894 Royal Regatta 70 mm 1.38 spherical 70 mm spherical 2.000" of 1894

Woodville Griffo-Barnett 1.457" x 4 perf, 2 Eidoloscope 1895 51 mm 1.85 spherical 51 mm 1.85 spherical Latham Prize Fight 0.787" sides

1 perf, 2 Lumiere La Sortie des 0.980" x Cinematographe 1895 35 mm 1.33 sides spherical 35 mm 1.33 spherical Brothers Usines Lumiere 0.735" (rounded)

1 perf, 2 Sparring Herman 2.625" x sides Biograph 1895 Contest at 68 mm 1.35 spherical 68 mm spherical Casler 1.938" (punched in- Canastota camera)

5 perf, 2 Joly-Normandin Henri Joly 1895 60 mm spherical 60 mm spherical sides

Biographe 1896 60 mm 1.40 unperforated spherical 60 mm 1.40 spherical Demeny- 1.750" x. Gaumont 1.250"

Demeny- 1.750" x. 4 perf, 2 Chronophotographe 1896 60 mm 1.40 spherical 60 mm 1.40 spherical Gaumont 1.250" sides

Casimir Sivan Sivan-Dalphin and E. 1896 38 mm spherical 38 mm spherical Dalphin

Corbett- 1.875" x 5 perf, 2 Veriscope Enoch Rector 1897 Fitzsimmons 63 mm 1.66 spherical 63 mm spherical 1.125" sides fight

Thomas 1.500" x Viventoscope 1897 48 mm 1.50 1 perf? spherical 48 mm spherical Henry Blair 1.000"

unknown Birtac Birt Acres 1898 (amateur 17.5 mm 2 perf, 1 side spherical 17.5 mm spherical format)

unknown T.C. 0.630" x Biokam 1899 (amateur 17.5 mm 1.60 1 perf, center spherical 17.5 mm spherical Hepworth 0.394" format)

unknown John Alfred Prestwich 13 mm 1899 (amateur 13 mm spherical 13 mm spherical Prestwich format)

Reulos, unknown 1 notch, 2 Mirograph Goudeau & 1900 (amateur 21 mm spherical 21 mm spherical sides Co format)

Lumiere 2.362" x 8 perf, 2 Lumiere Wide 1900 75 mm 1.33 spherical 75 mm 1.33 spherical Brothers 1.772" sides

70 mm x Raoul 70 mm x 10 10 Cineorama Grimoin- 1900 Cineorama 4 perf? spherical projectors spherical Sanson (360°) (360°) 1 perf, center (smaller and unknown 0.630" x less La Petite (Hughes) W.C. Hughes 1900 (amateur 17.5 mm 1.60 spherical 17.5 mm spherical 0.394" rectangular format) than Biokam)

unknown Gaumont Pocket Chrono 1900 (amateur 15 mm 1 perf, center spherical 15 mm spherical Demeny format)

unknown William no no Vitak 1902 (amateur no standard 1 perf, center spherical 11 mm spherical Wardell standard standard format)

22 mm, 2 0.236" x unknown perf (on no no 0.157" (three Home Kinetoscope Edison 1912 (amateur no standard no standard spherical frameline 1.5 spherical standard standard frames across format) between width) frame rows)

unknown 3 perf on one 0.748" x Pathe Kok Pathe 1912 (amateur 28 mm 1.36 side, 1 perf spherical 28 mm spherical 0.551" format) on the other

unknown Alexander F. 2 perfs, Duoscope 1912 (amateur 17.5 mm spherical 17.5 mm spherical Victor center format)

Filoteo Il sacco di 5 perf, 2 Panoramico 1914 70 mm 2.52 spherical 70 mm spherical Alberini Roma sides

4 perf, 2 spherical Duplex 0.980" x 0.735" x Split Duplex 1915 35 mm 1.33 sides spherical 35 mm 1.87 (split image Corporation 0.735" 0.394" (shooting) 90° rotated)

unknown 11 mm (American) 1916 (amateur 11 mm 1 perf, center spherical 11 mm spherical format) Movette unknown 2 perfs, 2 Movette Camera 1917 (amateur 17.5 mm sides spherical 17.5 mm spherical Company format) (rounded)

unknown Alexander 0.748" x 3 perf, 2 28 mm safety standard 1918 (amateur 28 mm 1.36 spherical 28 mm spherical Victor 0.551" sides format)

unknown 2 perf, 2 Clou (Austrian) 1920 (amateur 17.5 mm spherical 17.5 mm spherical sides format)

unknown 26 mm (French) 1920 (amateur 26 mm 1 perf, 1 side spherical 26 mm spherical format)

unknown 0.335" x 0.315" x 9.5 mm Pathe 1922 (amateur 9.5 mm 1.31 1 perf, center spherical 9.5 mm 1.31 spherical 0.256" 0.242" format)

35 mm x John D. Elms spherical 2 (both in 0.980" x 1.33 x 2 4 perf, 2 35 mm x 2 0.931" x Widescope and George 1922 (one lens 2.66 spherical same 0.735" negatives sides projectors 0.698" W. Bingham per strip) camera)

unknown 2 perf, 2 Cinebloc Ozaphan 1922 (amateur 22 mm spherical 22 mm spherical sides format)

0.980" x 4 perf, 2 0.931" x Tri-Ergon soundfilm Tri-Ergon 1922 35 mm 1.33 spherical 42 mm 1.33 spherical 0.735" sides 0.698"

unknown Eastman 0.404" x 1 perf, 1 or 2 0.378" x 16 mm 1923 (amateur 16 mm 1.37 spherical 16 mm 1.37 spherical 0.295" sides 0.276" format)

unknown 2 perf, 2 Duplex G.J. Bradley 1923 (amateur 11 mm sides spherical 11.5 mm spherical format) (rounded) spherical, 1.575" x 10 perf, 2 Corrado on 65° Alberini-Hill 1924 35 mm 1.66 0.945" sides, 35 mm spherical Cerqua revolving (curved) horizontal drum

unknown Cinelux Ozaphan 1924 (amateur 24 mm spherical 24 mm spherical format)

1.969" x 0.931" x 48 mm J.H. Powrie 1924 48 mm 1.32 horizontal spherical 35 mm 1.33 spherical 1.496" 0.698"

George K. 2.060" x 6 perf, 2 Natural Vision Spoor and P. 1925 The American 63.5 mm 1.84 spherical 63.5 mm 2.00 spherical 1.120" sides, 20 fps John Berggren

unknown 13 mm (French) 1925 (amateur 13 mm 4 perf, center spherical 13 mm spherical format)

unknown 1 perf, 2 18 mm (Russian) 1925 (amateur 18 mm spherical 18 mm spherical sides format)

0.516" x 0.472" x 1.35 0.382" 0.354" unknown (silent); (silent); 1 perf, 2 1.33 (silent); (silent); Pathe Rural Pathe 1926 (amateur 17.5 mm spherical 17.5 mm spherical 1.30 0.445" x sides 1.26 (sound) 0.445" x format) (sound) 0.343" 0.343" (sound) (sound)

John D. Elms Natural Vision 5 perf, 2 Widevision and George 1926 57 mm spherical 57 mm spherical Pictures sides W. Bingham

spherical (selected Lorenzo del 0.980" x 4 perf, 2 0.931" x Magnascope 1926 Old Ironsides 35 mm 1.33 spherical 35 mm 1.33 scenes Riccio 0.735" sides 0.698" projected using a wider lens for larger picture)

0.980" x 4 perf, 2 0.826" x Movietone Lee De Forest 1927 As We Lie 35 mm 1.33? spherical 35 mm 1.17 spherical 0.735"? sides 0.708"

35 mm x 1.33 x 3 0.980" x 4 perf, 2 35 mm x 3 0.931" x Abel Gance 1927 Napoléon 3 spherical 4.00 spherical negatives 0.735" sides projectors 0.698" cameras

Lorenzo del You're in the 1.620" x 4 perf, 2 Magnafilm 1929 56 mm 2.19 spherical 56 mm 2.00 spherical Riccio Army Now 0.740" sides

Henri Pour construire 0.980" x 4 perf, 2 2x 0.931" x 2x Hypergonar 1927 35 mm 2.66 35 mm 2.66 Chretien un feu 0.735" sides anamorphic 0.698" anamorphic

4 perf, 2 20th Century Fox Grandeur 1.890" x sides, 20 fps 1.768" x Grandeur 1929 70 mm 2.07 spherical 70 mm 2.00 spherical Fox News 0.913" (before 0.885" 1930)

10 perfs, 2 1.813" x 35 mm, Fearless Super Pictures Ralph G. Fear 1929 35 mm 2.27 sides, spherical spherical 0.800" horizontal horizontal

Fearless Super- 1.811" x 5 perf, 2 1.772" x Film /Magnifilm Ralph G. Fear 1930 Kismet 65 mm 2.00 spherical 65 mm 2.05 spherical 0.906" sides 0.866" /Fox Vitascope 1.890" x 4 perf, 2 0.904" x Realife MGM 1930 Billy the Kid 70 mm 2.07 spherical 35 mm 1.75 spherical 0.913" sides 0.517"

20th Century 1.325" x 1.305" x 50 mm Fox and 1930 50 mm 1.80 spherical 50 mm 1.80 spherical 0.735" 0.725" SMPE

unknown 17 mm sound (French) 1930 (amateur 17 mm 1 perf, 1 side spherical 17 mm spherical format) spherical (with a special projection zoom lens George 0.980" x 4 perf, 2 0.826" x Giant Expanding Pictures 1930 35 mm 1.33 spherical 35 mm 1.17 zooming Palmer 0.735" sides 0.708" wider and opening masking for key sequences)

unknown 4 sequential Clarence 1 perf, 2 Kodel Kemco Homovie 1931 (amateur 16 mm images per spherical 16 mm spherical Ogden sides format) frame

0.866" x 4 perf, 2 0.825" x Academy format AMPAS 1932 35 mm 1.37 spherical 35 mm 1.37 spherical 0.630" sides 0.602"

1 perf, 1 side unknown (using 16 Eastman 0.192" x 0.172" x 8 mm 1932 (amateur 16 mm 1.32 mm film spherical 8 mm 1.33 spherical Kodak 0.145" 0.129" format) with twice as many perfs)

unknown Bell and 0.192" x 0.172" x Straight 8 1935 (amateur 8 mm 1.32 1 perf, 1 side spherical 8 mm 1.33 spherical Howell 0.145" 0.129" format)

16 mm x 1.37 x 11 0.404" x 1 perf, 2 16 mm x 11 hemispherical 0.378" x Vitarama Fred Waller 1939 11 spherical spherical negatives 0.295" sides projectors view 0.276" cameras

US Air Force 35 mm x Waller Flexible Gunnery interactive 1.37 x 5 0.866" x 4 perf, 2 35 mm x 5 hemispherical 0.825" x Fred Waller 1943 5 spherical spherical Trainer training negatives 0.630" sides projectors view 0.602" cameras exercise

This Is 0.89 x 3 0.996" x 35 mm x 3 0.985" x Fred Waller 1952 35 mm x 6 perf, 2 spherical 2.59, with spherical Cinerama negatives 1.116" projectors, 1.088" 3 sides at 26 146° curved with 6 perf cameras fps pulldown screen

0.866" x 4 perf, 2 0.825" x Matted 1.66 Paramount 1953 Shane 35 mm 1.37 spherical 35 mm 1.66 spherical 0.630" sides 0.497"

0.866" x 4 perf, 2 0.825" x Matted 1.85 Universal 1953 Thunder Bay 35 mm 1.37 spherical 35 mm 1.85 spherical 0.630" sides 0.446"

0.866" x 4 perf, 2 0.825" x Matted 1.75 MGM 1953 Arena 35 mm 1.37 spherical 35 mm 1.75 spherical 0.630" sides 0.471"

0.937" x 2.55 0.735" 0.912" x (1953- (1953- 0.715" 2.55 (1953- 20th Century 1957); 1957); 4 perf, 2 2x (1953-1957); 2x 1953 The Robe 35 mm 35 mm 1957); 2.35 Fox 2.37 0.866" x sides anamorphic 0.839" x anamorphic (1957-1967) (1957- 0.732" 0.715" 1967) (1957- (1957-1967) 1967)

10 perf, 2 Arnoldscope John Arnold 1953 35 mm sides, spherical horizontal

8 perf, 2 35 mm, 4 White 1.495" x 0.825" x VistaVision Paramount 1954 35 mm 1.51 sides, spherical perf, 1.85 spherical Christmas 0.991" 0.446" horizontal vertical

Tushinsky 0.980" x 4 perf, 2 0.715" x 2x Superscope 1954 Vera Cruz 35 mm 1.33 spherical 35 mm 2.00 Brothers 0.735" sides 0.715" anamorphic

8 perf, 2 35 mm, 8 Strategic Air 1.495" x 1.418" x VistaVision Large Area Paramount 1955 35 mm 1.51 sides, spherical perf, 1.96 spherical Command 0.991" 0.723" horizontal horizontal

16 mm x A Tour of the 1.37 x 11 0.404" x 1 perf, 2 16 mm x 11 0.378" x Circarama Disney 1955 11 spherical 360° spherical West negatives 0.295" sides projectors 0.276" cameras 5 perfs, 2 2.21, with 2.072" x 1.912" x Todd A.O. [2] Michael Todd 1955 Oklahoma! 65 mm 2.29 sides, at 30 spherical 70 mm 120° curved spherical 0.906" 0.870" fps screen

20th Century 1.824" x 8 perfs, 2 2x 0.912" x 2x Cinemascope 55 1955 Carousel 55 mm 2.55 35 mm 2.55 Fox 1.430" sides anamorphic 0.715" anamorphic

2 perf, 1 side unknown (using 9.5 spherical, 4.75 mm Pathe 1955 (amateur 9.5 mm mm film spherical 4.75 mm rotated 90° format) with tw ice as many perfs)

8 perf, 2 The Monte 1.496" x 1.5x 35 mm, 4 0.839" x 2x Technirama 1956 35 mm 2.26 sides, 2.35 Carlo Story 0.992" anamorphic perf vertical 0.715" anamorphic horizontally

8 perf, 2 35 mm, 8 The Monte 1.496" x 1.5x 1.421" x 1.5x Technirama Large Area Technicolor 1956 35 mm 2.26 sides, perf 2.42 Carlo Story 0.992" anamorphic 0.881" anamorphic horizontally horizontal

variable 8 perf, 2 35 mm, 4 The Door in the 1.3, 1.6, 1.3, 1.5, and Dynamic Frame Glenn Alvey 1956 35 mm aperture sides, spherical perf, spherical Wall and 2.5 2.5 plates horizontally vertical

Superscope 0.980" x 4 perf, 2 0.839" x 2x Superscope 235 1956 Run for the Sun 35 mm 1.33 spherical 35 mm 2.35 Inc. 0.735" sides 0.715" anamorphic

35 mm x Albert H. Thrillarama 1.78 x 2 3 perf, 2 35 mm x 2 3.55, with a Thrillarama 1956 2 spherical spherical Reynolds Adventure negatives sides? projectors curved screen cameras

35 mm x 3 35 mm x 3 cameras projectors 1.33 x 3 0.980" x 4 perf, 2 0.931" x Magirama Abel Gance 1956 Magirama (sides spherical (sides 4.00 spherical negatives 0.735" sides 0.698" bounced bounced off off of of mirrors) mirrors) Raintree 2.072" x 5 perf, 2 1.25x 1.912" x 1.25x Ultra Panavision 1957 65 mm 2.86 70 mm 2.76 County 0.906" sides anamorphic 0.870" anamorphic

0.839" x 0.715" (1957-1970); 2.35 (1957- 0.838" x 0.7" 0.866" x 4 perf, 2 2x 1970); 2.39 2x Modern anamorphic Panavision 1957 Silk Stockings 35 mm 2.37 35 mm (1970-1993); 0.732" sides anamorphic (1970- anamorphic 0.825" x present) 0.690" (1993- present)

35 mm (1 Around the 2.072" x 5 perfs, 2 mm shaved 0.912" x 1.567x Cinestage 1957 World in Eighty 65 mm 2.29 spherical 2.12 0.906" sides off for UK 0.675" anamorphic Days prints)

8 perf, 2 35 mm, 4 J. Arthur Rank 1.495" x 0.825" x 1.33x Rank VistaVision 1957 35 mm 1.51 sides, spherical perf, 1.82 Organization 0.991" 0.602" anamorphic horizontally vertical

35 mm x 6 perf, 2 Great Is My 0.91 x 3 1.014" x 35 mm x 3 0.985" x NIKFI 1958 3 sides, at 25 spherical 2.72 spherical Country negatives 1.116" projectors 1.088" cameras fps

American 2.066" x 5 perfs, 2 1.912" x 70 mm [2] Optical 1958 65 mm 2.28 spherical 70 mm 2.21 spherical 0.906" sides 0.87" Company

35 mm x 35 mm x 3 3 projectors cameras 6 perf, 2 (sides 2.59, with National 0.89 x 3 0.996" x 0.985" x 1958 Windjammer (sides sides at 26 spherical bounced off 120° curved spherical Theatres negatives 1.116" 1.088" bounced fps of mirrors), screen off of with 6 perf mirrors) pulldown

1.496" x 1.5x 1.912" x Super Technirama Technicolor 1959 Sleeping Beauty 35 mm 2.26 8 perf, 2 70 mm 2.21 spherical 0.992" anamorphic 0.816" sides, horizontally

0.839" x 0.370" three sub- Rowe E. (bottom frames Missouri 4 perf, 2 spherical x Smith-Carney System Carney Jr. and 1959 35 mm 4.69 half) and 35 mm 4.69 projected to spherical x 3 travelogue sides 3 Tom F. Smith 0.449" x one 180° 0.370" (top image quarters)

Circular 35 mm x The Path of 1.37 x 11 0.866" x 4 perf, 2 35 mm x 11 0.825" x Kinopanorama /Circlorama E. Goldovsky 1959 11 spherical 360° spherical Spring negatives 0.630" sides projectors 0.602" cameras

variable 2.066" x 5 perfs, 2 framing run 1.912" x Varioscope Jan Jacobsen 1959 65 mm 2.28 spherical 70 mm spherical 0.906" sides through 0.87" control signal

The Pharaoh's 0.868" x 2 perf, 2 2x Technicolor 1960 35 mm 2.33 spherical 35 mm 2.39 0.838" x 0.7" Woman 0.373" sides anamorphic

0.931" x 0.698", with 2.50 with a two half- Leon W. no no Wonderama (Arc 120) 1960 Honeymoon no standard no standard no standard 35 mm 120° curved images spherical x 2 Wells standard standard screen turned 90° and placed side-by-side

USAF and 1 perf, Cine System 3 Eric Berndt 1960 3 mm spherical NASA usage centered

20th Century The King and I 1.824" x 8 perfs, 2 2x 1.912" x Grandeur 70 1961 55 mm 2.55 70 mm 2.21 spherical Fox (re-release) 1.430" sides anamorphic 0.87"

2.25" 2.25" Cinerama Journey to the 1.00 diameter 10 perf, 2 diameter Cinerama 360 1962 65 mm spherical 70 mm 1.00 (circle) spherical Corporation Stars (circle) circular sides circular image image unknown Eastman 0.245" x 0.215" x Super 8 1965 (amateur 8 mm 1.48 1 perf, 1 side spherical 8 mm 1.36 spherical Kodak 0.166" 0.158" format)

unknown 0.224" x 0.213" x Single-8 Fujifilm 1965 (amateur 8 mm 1.36 1 perf, 1 side spherical 8 mm 1.35 spherical 0.164" 0.157" format)

no no 0.172" x Real Sound Kenner 1965 no standard 1 perf, 1 side spherical 11.5 mm 1.33 spherical standard standard 0.129"

1 perf, 1 side unknown (using 16 Eastman 0.245" x 0.215" x Double Super 8 1965 (amateur 16 mm 1.48 mm film spherical 8 mm 1.36 spherical Kodak 0.166" 0.158" format) with twice as many perfs)

1.912" x 0.87", American 2.21, with 2.066" x 5 perfs, 2 optically Dimension 150 Optical 1966 The Bible 65 mm 2.28 spherical 70 mm 150° curved spherical 0.906" sides curved to Company screen compensate for the screen

35 mm x America the 1.37 x 9 0.866" x 4 perf, 2 35 mm x 9 0.825" x Circle Vision 360 Disney 1967 9 spherical 360° spherical Beautiful negatives 0.630" sides projectors 0.602" cameras

0.245" x 70 mm, 0.166", 12 Leon W. no no horizontal, rows high, Pik-a-Movie 1972 no standard no standard no standard 1.48 spherical Wells standard standard 1 perf, 2 underneath sides 12 rows of optical sound

fish-eye 10 perf, 2 spherical or Astrovision Goto Optical 1969 65 mm 70 mm (dome sides fish-eye projection)

IMAX 1970 Tiger Child 70 mm 1.34 15 perf, 2 spherical 1.31 spherical IMAX 2.772" x 70 mm, 2.692" x sides, Corporation 2.072" horizontally horizontal 2.056"

0.463" x 0.279" (full no standard, frame); Blushing 0.493" x but often Super Rune Ericson 1970 16 mm 1.66 1 perf, 1 side spherical no standard 0.463" x spherical Charlie 0.292" blown up to 0.251" 35 mm (framed for 1.85)

unknown 8.75 mm Chinese 1970? (amateur 8.75 mm 1 perf? spherical 8.75 mm spherical format)

spherical, projected special fish- elliptically eye lenses on a dome optically screen, 20 15 perf, 2 IMAX 2.772" x centered 70 mm, 2.692" x degrees OMNIMAX 1973 Garden Isle 70 mm 1.34 sides, 1.31 Corporation 2.072" 0.37" above horizontal 2.056" below and horizontally film 110 degrees horizontal above center line perfectly centered viewers

8 perf, 2 8/70 ( Dynavision , Iwerks 2.031" x 1.913" x Dynavision 1973? 65 mm 1.37 sides, 24 or spherical 70 mm 1.34 spherical 870 ) 1.484" 1.431" 30 fps

5 perfs, 2 Douglas Night of 2.066" x 70 mm, at 1.912" x Showscan 1978 65 mm 2.28 sides, at 60 spherical 2.21 spherical Trumbull Dreams 0.906" 60 fps 0.87" fps

unknown 0.245" x 0.215" x Polavision Polaroid 1978 (amateur 8 mm 1.48 1 perf, 1 side spherical 8 mm 1.36 spherical 0.166" 0.158" format)

Omnivision Cinema 180 Omni 1979 Crazy Wheels 65 mm 2.28 fisheye 70 mm fisheye 2.066" x 5 perfs, 2 180°, on a 1.912" x 0.906" sides, 30 fps dome 0.87"

0.980" x 4 perf, 2 Joe Dunton 1982 Dance Craze 35 mm 1.33 spherical 35 mm no standard no standard no standard 0.735" sides

35 mm x Impressions de 1.37 x 5 0.866" x 4 perf, 2 35 mm x 5 6.85, on a 0.825" x Circle Vision 200 Disney 1982 5 spherical spherical France negatives 0.630" sides projectors 200° screen 0.602" cameras

1.91" (outer 360° x 35° 360° x 35° Swissorama 360 /Imagine Ernst A. Impressions of 10 perf, 2 1984 65 mm 360° edge), 1.20" extreme 70 mm 360° extreme 360 Heiniger Switzerland sides (inner edge) fisheye fisheye

Pirates of the 0.980" x 3 perf, 2 3-perf Rune Ericson 1987 35 mm 1.79 spherical 35 mm no standard no standard no standard Lake 0.546" sides

The Ten 8 perf, 2 1.495" x 1.912" x Super VistaVision Paramount 1989 Commandments 35 mm 1.51 sides, spherical 70 mm 2.21 spherical 0.991" 0.87" (re-release) horizontal

no no 0.931" x 1.5x Kinoton HDFS Kinoton 1990 no standard no standard no standard 35 mm 2.00 standard standard 0.698" anamorphic

1.31 x 2 70 mm x 15 perf, 2 70 mm, IMAX Flowers in the 2.772" x screens (one 2.692" x IMAX Magic Carpet 1990 2 1.34 sides, spherical horizontal x spherical Corporation Sky 2.072" in front, one 2.056" cameras horizontally 2 projectors below)

8 perf, 2 2.031" x 1.913" x Iwerksphere Iwerks 1991 65 mm 1.37 sides, 24 or fisheye 70 mm 1.34 fisheye 1.484" 1.431" 30 fps

15 perf, 2 IMAX Asteroid 2.772" x sides, 70 mm, 2.692" x IMAX HD 1992 70 mm 1.34 spherical 1.31 spherical Corporation Adventure 2.072" horizontally, horizontal 2.056" 48 fps

1.37 x 6 0.866" x 4 perf, 2 35 mm x 6 360°, with 0.825" x Hexiplex (Australian) 1992 Expo '92 demo 35 mm x spherical spherical negatives 0.630" sides projectors rotating 0.602" 6 screens and cameras projectors

12 perf, 2 2.040" x 1.912" x Imagination FX 7012 Geo-Odyssey 1992? 35 mm 2.08 sides, spherical 70 mm 2.21 spherical 0.980" 0.87" horizontal

3 perf, 2 Vittorio 0.945" x Univisium 1998 Tango 35 mm 2.00 sides at 25 spherical 35 mm 2.00 spherical Storaro 0.472" fps

0.980" x 3 perf, 2 35 mm, 3 Maxivision Dean Goodhill 1999 35 mm 1.79 spherical 1.85 spherical 0.546" sides perf

0.980" x 3 perf, 2 35 mm, 3 Maxivision 48 Dean Goodhill 1999 35 mm 1.79 spherical 1.85 spherical 0.546" sides, 48 fps perf, 48 fps

Super Duper 8 /Max 0.250" x Mitch Perkins 2002 Sleep Always 8 mm 1.51 1 perf, 1 side spherical 8 mm no standard no standard spherical 8/Super 8B 0.166"

5 perfs, 2 Robert 2.066" x 70 mm, at 1.912" x Super Dimension 70 2002 65 mm 2.28 sides, at 48 spherical 2.21 spherical Weisgerber 0.906" 48 fps 0.87" fps

2.066" x 5 perfs, 2 1.5x vertical 1.912" x 1.5x vertical Futurevision 360 65 mm 1.52 70 mm 1.47 0.906" sides, 30 fps anamorphic 0.87" anamorphic

2 perf, 2 Mini-Max Vistascope 35 mm 2.66 spherical 35 mm 2.66 spherical sides, 30 fps

2.066" x 5 perfs, 2 2.21, on a 1.912" x MotionMaster Omni Films 65 mm 2.28 spherical 70 mm spherical 0.906" sides, 30 fps curved screen 0.87"

? mm x ? (4 images ? x 4 ? mm x 4 Quadravision 4 spherical in 2x2 spherical negatives projectors cameras configuration)

Row-film R. Thun 35 mm 20 rows of spherical spherical images wide

? mm x 1.33 x 7 ? mm x 7 hemispherical Septorama 7 spherical spherical negatives projectors view cameras

16 perf, 2 35 mm, Single Cinerama Fred Waller 35 mm curved gate sides, spherical curved screen spherical horizontal horizontal

10 perf, 2 2x 1.890" x 2x Soviet 10 65 mm 70 mm 2.09 sides anamorphic 1.811" anamorphic

35 mm x 4 perf, 2 70 mm x 3 1.37 x 3 0.866" x 1.912" x Ultra Toruscope 3 sides, at 30 spherical projectors, 360° spherical negatives 0.630" 0.87" cameras fps at 30 fps

0.835" x 0.713" (full); 0.835" x 0.453" (1.84); variable 0.709" x framing run Vario-35 35 mm spherical 35 mm 0.524" spherical through (1.35); control signal 0.614" x 0.614" (1.00); 0.535" x 0.713" (0.75)

variable anamorphic (2x for 2.35; variable 1.57x for framing run 0.835" x Vario-35A 35 mm 35 mm 1.85; 1.17x through 0.713" for 1.37; control signal 0.85x for 1.00; 0.64x for 0.75; 0.5x for 0.59)

1.890" x 1.811" (full); 1.890" x 0.803" (2.35); 1.673" x 0.906" (1.85); 1.441" x variable 1.051" 10 perfs, 2 framing run (1.37); Vario-70 65 mm spherical 70 mm spherical sides through 1.232" x control signal 1.232" (1.00); 1.063" x 1.429" (0.74); 0.945" x 1.604" (0.59); 0.839" x 1.811" (0.46)